A subgenre combining the intrusion of an evil force, event, or supernatural personage of horror films with the gunfights and frenetic chases of the action genre. Themes or elements often prevalent in typical action-horror films include gore, demons, vicious animals, vampires and most commonly zombies. This category can also take elements from the fantasy genre. Examples include Aliens, Army of Darkness, Resident Evil, Ghost Rider, They Live, Planet Terror, Predator, Undead, World War Z, Train to Busan, Doomsday, Underworld, Constantine, Swamp Thing, Priest, The Crow, Dawn of the Dead, Deep Rising, From Dusk till Dawn, Blade, Legion, and End of Days.
actionaction thrilleraction thriller film
A splatter film is a subgenre of horror film that deliberately focuses on graphic portrayals of gore and graphic violence. These films, usually through the use of special effects, display a fascination with the vulnerability of the human body and the theatricality of its mutilation. The term "splatter cinema" was coined by George A. Romero to describe his film Dawn of the Dead, though Dawn of the Dead is generally considered by critics to have higher aspirations, such as social commentary, than to be simply exploitative for its own sake.
psychologicalpsychological horror filmhorror
Psychological horror films generally differ from the traditional horror film, where the source of the fear is typically something material, such as grotesque or horrifying creatures, monsters, serial killers, or aliens, as well as the splatter film, which derives its frightening effects from gore and graphic violence, in that tension in psychological horror films is more frequently built through atmosphere, eerie sounds and exploitation of the viewer's and the character's psychological fears.
George RomeroRomeroLaurel Entertainment
Between these two films, Romero shot Knightriders (1981), another festival favorite about a group of modern-day jousters who reenact tournaments on motorcycles; and Creepshow (1982), written by Stephen King, an anthology of tongue-in-cheek tales modeled after 1950s horror comics. The cult-classic success of Creepshow led to the creation of Romero's Tales from the Darkside, a horror anthology television series that aired from 1983 to 1988. From the latter half of the 1980s and into the 1990s came Monkey Shines (1988), about a killer helper monkey; Two Evil Eyes (a.k.a.
Halloweeneleventh installmentHalloween (2018)
According to Danny McBride, the horror of the film aims to create a sense of tension and dread to the audience rather than relying on graphic violence; the make-up and visual effects were provided by Christopher Nelson. Jamie Lee Curtis finished her scenes on February 16, 2018, with the remaining principal photography concluding on February 19, 2018. Response to the film's first test screening led the filmmakers to schedule reshoots beginning June 11, 2018. Filming once again took place in Charleston. Courtney had a week of rehearsal before filming began. Nelson used a life cast of his face to construct the Michael Myers mask and other prosthetics worn by the actor.
Torture (from Latin tortus: to twist, to torment) is the act of deliberately inflicting severe physical or psychological suffering on someone by another as a punishment or in order to fulfill some desire of the torturer or force some action from the victim. Torture, by definition, is a knowing and intentional act; deeds which unknowingly or negligently inflict suffering or pain, without a specific intent to do so, are not typically considered torture.
Computer-generated imagery (CGI) is the application of computer graphics to create or contribute to images in art, printed media, video games, films, television programs, shorts, commercials, videos, and simulators. The visual scenes may be dynamic or static and may be two-dimensional (2D), though the term "CGI" is most commonly used to refer to 3D computer graphics used for creating scenes or special effects in films and television. Additionally, the use of 2D CGI is often mistakenly referred to as "traditional animation", most often in the case when dedicated animation software such as Adobe Flash or Toon Boom is not used or the CGI is hand drawn using a tablet and mouse.
For example, in the Japanese and PAL Versions of No More Heroes, blood splatter and gore is removed from the gameplay. Decapitation scenes are implied, but not shown. Scenes of missing body parts after having been cut off, are replaced with the same scene, but showing the body parts fully intact. Surveillance and censorship are different. Surveillance can be performed without censorship, but it is harder to engage in censorship without some form of surveillance. And even when surveillance does not lead directly to censorship, the widespread knowledge or belief that a person, their computer, or their use of the Internet is under surveillance can lead to self-censorship.
Mass marketed action, horror, and comedy films tend not to be greatly affected by a critic's overall judgment of a film. The plot summary and description of a film and the assessment of the director's and screenwriters' work that makes up the majority of most film reviews can still have an important impact on whether people decide to see a film. For prestige films such as most dramas and art films, the influence of reviews is important. Poor reviews from leading critics at major papers and magazines will often reduce audience interest and attendance. The impact of a reviewer on a given film's box office performance is a matter of debate.
blood spatterblood gushblood spurt
Squirting blood is used as a visual effect in anime, cartoons, comic books, film (mostly horror – particularly slasher – and action), literature, television series (mostly horror and drama), theater and video games. Perhaps the earliest epic film to have explicit scenes of blood squirting, often filmed in slow motion, was Sam Peckinpah's The Wild Bunch (1969). It was rated R, then a new category, by the MPAA. The Monty Python sketch Sam Peckinpah's "Salad Days" (1972) involved an orgy of blood gushing, in a parody of Peckinpah's gore-filled directorial style.
Brian DePalmaDe PalmaBrian
Because of the subject matter and graphic violence of some of De Palma's films, such as Dressed to Kill, Scarface and Body Double, they are often at the center of controversy with the Motion Picture Association of America, film critics and the viewing public. De Palma is known for quoting and referencing other directors' work throughout his career. Michelangelo Antonioni's Blowup and Francis Ford Coppola's The Conversation plots were used for the basis of Blow Out. The Untouchables finale shoot out in the train station is a clear borrow from the Odessa Steps sequence in Sergei Eisenstein's The Battleship Potemkin.
SlendermanThe Operatorcharacter of the same name
Graphic violence and body horror are uncommon in the Slender Man mythos, with many narratives choosing to leave the fate of his victims obscure. Shira Chess notes that "It is important to note that few of the retellings identify exactly what kind of monster the Slender Man might be, and what his specific intentions are- these points all remain mysteriously and usefully vague." Media scholar and folklorist Andrew Peck attributes the success of the Slender Man to its highly collaborative nature. Because the character and its motives are shrouded in mystery, users can easily adapt existing Slender Man tropes and imagery to create new stories.
TromaTroma FilmsTroma Pictures
They typically contain overt sexuality, nudity, and intentionally sadistic, gory, and blatant graphic violence, so much that Troma film has become a term synonymous with these characteristics. Troma reuses the same props, actors, and scenes repeatedly, sometimes to save money. At a certain point, however, this became another hallmark of Troma. Examples include a severed leg, a penis monster, and the flipping and exploding car filmed for the movie Sgt. Kabukiman N.Y.P.D., which is used in place of any other car that needs to crash and explode.
Tales from the CryptHBO's Tales from the CryptCrypt Keeper
As a result, HBO allowed the series to include content that had not appeared in most television series up to that time, such as graphic violence, profanity, sexual activity, and nudity. The series is subsequently edited for such content when broadcast in syndication or on basic cable. While the series began production in the United States, in the final season filming moved to Britain, resulting in episodes which revolved around British characters. Each episode begins with a tracking shot leading to the front door of The Cryptkeeper's decrepit mansion. Once inside, the camera pans down from the foyer to the hallways and stairways, and finally descends into the basement.
German horrorhorror movielow-budget horror film industry
German underground horror is a subgenre of the horror film, which has achieved cult popularity since first appearing in the mid-1980s. Horror films produced by the German underground scene are usually trademarked by their intensity, taking on topics that are culturally taboo such as rape, necrophilia, and extreme violence. Films that glorify violence are not technically illegal in Germany, but certain titles are banned by the government and Zollkriminalamt. Distribution, import, or creation of specific films can constitute steep fines. In an attempt to shed its violent image, horror films were very rarely made in Germany after the fall of the Third Reich.
Machine HeadMachine Head'' (film)
The company distributes a variety of horror and shock exploitation movies in many formats, including DVD, Blu-ray, and cable, satellite, and Internet video on demand. The company's films are noted for their horror aspects and Z movie budgets. They are also known for a variety of shock/exploitation films, most notably the Traces of Death series, which was produced in response to the popularity of the Faces of Death series. The films usually contain sexuality, nudity, gore and graphic violence, and other elements common to horror films. Founder Darrin Ramage is quoted as saying "everyone is looking for B and B: blood and boobs."
Stuart AnstisCradleextreme metal
The Manticore and Other Horrors (2012). Hammer of the Witches (2015). Cryptoriana – The Seductiveness of Decay (2017).
CaptivityCaptivity'' (film)Captivity'' advertising controversy
Bloody-Disgusting.com named the film as the "worst horror film of 2007". Joe Leydon of Variety wrote that it will likely be remembered more for the billboard controversy than its plot, but it still generates "modest suspense after a predictable but effective plot twist". Mark Kermode described the film as a 'Grotty, nasty, sleazy, infantile piece of dung' Elisha Cuthbert's performance was nominated for both a Teen Choice Award and a Razzie Award for Worst Actress. It also earned Razzie nominations for Worst Director and Worst Excuse for a Horror Movie but lost both to I Know Who Killed Me. The film grossed $1,429,100 in its opening weekend, placing it at No. 12 at the US box office.
DeniseDenise Huxtable KendallDenise Huxtable–Kendall
Aged 19 at the time, she decided to make her film debut as Epiphany Proudfoot in the controversial horror film Angel Heart (1987), a role that required Bonet to film a sex scene with actor Mickey Rourke. By this time, Denise had already become the show's most popular character, while Bonet's fame increased exponentially when the film was initially assigned an X rating for its graphic content. Although her role shocked several of Bonet's fans and Cosby himself, Cosby claims that he did not mind the actress' decision to appear in the film, explaining to her "if this is something you want to do, fine.
House of the Living Dead, also known as Doctor Maniac, is a British/South African international co-production Gothic horror and science fiction film made in 1974 under the title Skaduwees Oor Brugplaas (Shadows over Bridge Place) by director Ray Austin. Set on a plantation in Apartheid-era South Africa, it deals heavily with the occult. Its tagline is "It drives you mad before it kills!" The storyline follows a white family running a plantation farm on the Cape Colony in South Africa. The family consists of a mother (Margaret Inglis) and her two sons, Michael and Breck (both played by Mark Burns).
The Manson Family
Despite not being banned in any country in the world, it is classified harshly in almost all countries of the world due to its graphic violence and sexuality. The Manson Family received mixed to positive reviews; the film currently holds a 68% 'Fresh' rating on review aggregate website Rotten Tomatoes. * Marcello Games as Charlie Manson. Marc Pitman as Tex Watson. Leslie Orr as Patty Krenwinkel. Maureen Allisse as Sadie Atkins. Amy Yates as Leslie Van Houten. Jim Van Bebber as Bobby. Tom Burns as Clem Grogan. Michelle Briggs as Linda Kasabian. Sherri Rickman as Snake. Nate Pennington as Shorty. Carl Day as Jack Wilson. Corral Day as Franklin Riley.
P.T.P.TP.T.'' (video game)
He based his concept of P.T. on horror films and other media that he found frightening. When creating the game, Kojima refrained from using graphic violence to build up suspense, as he felt that too many horror games rely on the trope. He wanted to elicit a more "genuine, thoughtful and permeating" type of fear. A user was able to hack the in-game camera of P.T. to show that for most of the game, the model of Lisa is tethered directly behind the player away from the direction the player is looking. This enabled the game to show fleeting shadows of Lisa and some of the sound effects associated with her that the player experiences throughout the game.
Deodato's film license was temporarily revoked and he would not get it back until three years later, which then allowed him to release his 1980 thriller The House on the Edge of the Park, which was the most censored of the 'video nasties' in the United Kingdom for its graphic violence. His Cut and Run is a jungle adventure thriller, containing nudity, extreme violence and the appearance of Michael Berryman as a crazed, machete-wielding jungle man. In the 1980s, he made some other slasher/horror films, including Body Count, Phantom of Death and Dial Help. In the 1990s he turned to TV movies and dramas with some success.
The comic satirizes cartoon series such as Tom and Jerry, taking the content to extreme levels, which includes gory horror violence and explicit sexual content. Two issues of a Squeak the Mouse comic book were produced in 1986 and 1992, the first written from the perspective of the cat, who murders the title character, and the second, written from the perspective of Squeak, who murders the cat. Each issue features a zombie plotline and a pornographic section depicting one of the main characters in an orgy with several funny animal women. Squeak the Mouse is a parody of the cartoon series, Tom and Jerry.
The lyrics' subject matter often features violent themes including gore, forensic pathology, death, and rape. Lyrics sometimes have a clear tongue-in-cheek Z-grade horror-movie feel and are not expected to be taken seriously. Cyjan, drummer for Polish goregrind band Dead Infection, commented, "Musically, there's no real difference between grindcore and goregrind, but lyrically, whereas the first is socially and politically concerned, goregrind, as the name implies, deals with everything related to blood, pathological aspects or accidents with fatal results."