Though opera patronage has decreased in the last century in favor of other arts and media (such as musicals, cinema, radio, television and recordings), mass media and the advent of recording have supported the popularity of many famous singers including Maria Callas, Enrico Caruso, Amelita Galli-Curci, Kirsten Flagstad, Juan Arvizu, Nestor Mesta Chayres, Mario Del Monaco, Renata Tebaldi, Risë Stevens, Alfredo Kraus, Franco Corelli, Montserrat Caballé, Joan Sutherland, Birgit Nilsson, Nellie Melba, Rosa Ponselle, Beniamino Gigli, Jussi Björling, Feodor Chaliapin, Cecilia Bartoli, Renée Fleming, Marilyn Horne, Bryn Terfel and "The Three Tenors" (Luciano Pavarotti, Plácido Domingo, and José Carreras
Robert Sims is a graduate of Oberlin Conservatory of Music, Binghamton University, Northwestern University, and the American Conservatory of Music. He has also studied at the Music Academy of the West, Chautauqua Musical Institute, and the Oberlin/Urbania Vocal Institute in Urbania, Italy.
In 2007, he was instated as a member of the board of the Manhattan School of Music where he is also part of the Artistic Advisory Board, positions which allow him to frequently teach master classes for the school's Distance Learning Program that are streamed live to Internet and smart phone users worldwide. In March 2011, Hampson continued his dedication to song with the opening of the first Lied Academy as part of the Heidelberger Frühling Festival.
New York Metropolitan OperaMetropolitan Opera OrchestraThe Metropolitan Opera
The tour played a significant role in popularizing opera in Japan, and boasted an impressive line-up of artists in productions of La traviata, Carmen, and La bohème; including Marilyn Horne as Carmen, Joan Sutherland as Violetta, and tenors Franco Corelli and Luciano Pavarotti alternating as Rodolfo. From 1975 to 1981 the Met was guided by a triumvirate of directors: the General Manager (Anthony A. Bliss), Artistic Director (James Levine), and Director of Production (the English stage director John Dexter). Bliss was followed by Bruce Crawford and Hugh Southern. Through this period the constant figure was James Levine.
Lotte LehmanLotte Lehmann Theater
After her retirement from the recital stage in 1951, Lehmann taught master classes at the Music Academy of the West in Santa Barbara, California, which she helped found in 1947. She also gave master classes in New York City's Town Hall (for the Manhattan School of Music), Chicago, London, Vienna, and other cities. For her contribution to the recording industry, Lehmann has a star on the Hollywood Walk of Fame at 1735 Vine St. However, her first name is misspelled there as "Lottie".
He studied the clarinet and flute at the Oberlin Conservatory of Music in Ohio, earning a bachelor's degree. In June 1953, Horn gained a master's from the Manhattan School of Music. Moving to Los Angeles he played with Chico Hamilton's quintet from 1956 to 1958 and became an established West Coast session player. He played on the Duke Ellington Orchestra's Suite Thursday and worked with Nat King Cole, Tony Bennett and others. He scored the 1959 animated television series Clutch Cargo. In 1960 Horn recorded for Fantasy Records with Latin Jazz vibraphonist Cal Tjader (with drummers Willie Bobo and Mongo Santamaria) for the album Latino!
Fortner went on to obtain a bachelor's degree from the Oberlin Conservatory of Music and a master's degree from the Manhattan School of Music. In 2009, Fortner was part of vibraphonist Stefon Harris' band, including for a tour of Europe. Fortner was pianist in trumpeter Roy Hargrove's quintet from 2010 to 2017. Fortner became strongly influenced by fellow pianist Barry Harris from 2011, when he realised that his knowledge of the music was too shallow. Fortner recorded with the Hargrove band's saxophonist, Justin Robinson, in 2013.
For five years she sang with the Manhattan School of Music children's chorus. She attended the Joffrey Ballet School. She is a graduate of The Cathedral School of St. John the Divine and the Fiorello H. LaGuardia High School of Music & Art and Performing Arts. She earned her Bachelor of Music and Master of Music degrees at the Juilliard School, where she was a pupil of Edith Bers. She has also studied with Marilyn Horne, Brian Zeger, Warren Jones, and Margo Garrett. She is a 2005 winner of the Marilyn Horne Foundation Vocal Competition. In 2006, she received The Licia Albanese-Puccini Foundation Award. She was also chosen as a recipient of a Movado Future Legends award in 2006.
A native of Fort Lauderdale, Florida, she trained at The Mannes College of Music and Marilyn Horne's Music Academy of the West, where she was the youngest person ever to win the Marilyn Horne Foundation Vocal Competition. She became a Young Artist with the Palm Beach Opera when she was 14 and made her operatic debut there two years later as the Sandman in Engelbert Humperdinck's Hansel and Gretel. She also appeared on the National Public Radio program From the Top when she was 15 performing "O mio babbino caro" from Gianni Schicchi. She was invited back to From the Top in 2010, a show taped in Burlington, Vermont, with commentary by Marilyn Horne.
Koldofsky was director of vocal accompanying at the Music Academy of the West from 1951 to 1989. She was accompanist for Lotte Lehmann, Rose Bampton, Jeanne Dusseau, Herta Glaz, Jan Peerce, Hermann Prey, Martial Singher and Marilyn Horne. Horne, Martin Katz and Carol Neblett were students of Koldofsky. Koldofsky retired from teaching in 1990 and moved to Santa Barbara in 1991. She died there at the age of 92. The annual Marilyn Horne Song Competition is presented in Kodolfsky's memory since 1997. Marilyn Horne recalls Kodofsky as “Teacher, mentor, accompanist, and my dear friend.” In 2012, the University of Toronto established the Gwendolyn Williams Koldofsky Prize in Accompanying.
Eighth Blackbird was originally formed at the Oberlin Conservatory of Music, while the members were participating in the school's Contemporary Music Ensemble conducted by Tim Weiss. Weiss is consistently credited by ensemble members as helping to form the ensemble and with encouraging them to memorize and choreograph their shows. In 1996, the ensemble won the Fischoff National Chamber Music Competition, a prestigious award given every year to the United States' best chamber ensembles.
Marilyn Horne: Divas in Song, RCA Victor Red Seal, 1994. Frederica von Stade: Voyage à Paris, RCA Victor Red Seal, 1995.
There she began her studies in the Preparatory Division at the Manhattan School of Music. Ogonek received her BM from the Jacobs School of Music at Indiana University in 2009. After this, she went on to receive her MM from USC Thornton School of Music in 2012. She received her DM from Guildhall School of Music and Drama in 2015, where she studied with Julian Anderson on a Marshall Scholarship. That same year, Ogonek began a three-year term as the Mead composer-in-residence for the Chicago Symphony Orchestra with the composer Samuel Adams. Some of her notable compositions include the chamber violin concerto In Silence and the orchestral dance suite All These Lighted Things.
He has served on the faculties of Indiana University, The Music Academy of the West, University of Utah, Brigham Young University and guest lecturer at Stanford, Yale, Catholic University and Manhattan School of Music. His professional operatic and recital career has spanned over five decades and every continent. Ballam, a native of Logan, Utah, has performed in the major concert halls in America, Europe, Asia and the Soviet Union, with command performances at the Vatican and the White House. His operatic repertoire includes more than 1,000 performances of over 110 major roles.
Gabor RejtoGábor Reitő
During his career, he was on the faculty of the Manhattan and Eastman Schools of Music. From 1954 to his death he was professor of 'cello at the University of Southern California. He was also one of the 'cellists in the Paganini Quartet and the Hungarian Quartet, and was a founding member of the Alma Trio, a piano trio, and remained with that ensemble from 1942 until it disbanded in 1976; in the early 1980s, the trio reformed, with Rejto again as the cellist. Mr. Rejto taught for a number of years at the Music Academy of the West summer program for gifted students, where his master classes were extremely popular, not just to cellists.
OberlinOberlin Collegiate InstituteOberlin College and Conservatory
Alumni Faculty Other * List of Oberlin College and Conservatory people * * Oberlin College. General Catalogue of Oberlin College, 1833–1908: Including an Account of the Principal Events in the History of the College, with Illustrations of the College Buildings (1909) Online * Oberlin, like Oneida, must admit African Americans on an equal basis. For the time, this was a radical and unpopular measure, even dangerous. Previous attempts at "racially" integrated schools, the Noyes Academy and the Canterbury Female Boarding School, had been met with violence that destroyed both schools; refugees from both had enrolled at Oneida.
National Medal of ArtsNational Medal of the ArtsPresidential Medal for the Arts
The National Medal of Arts is an award and title created by the United States Congress in 1984, for the purpose of honoring artists and patrons of the arts. A prestigious American honor, it is the highest honor given to artists and arts patrons by the United States government. Nominations are submitted to the National Council on the Arts, the advisory committee of the National Endowment for the Arts, who then submits its recommendations to the White House for the President of the United States to award. The medal was designed for the NEA by sculptor Robert Graham.
BarnardBarnard College of Columbia UniversityBarnard College, Columbia University
Students may also pursue elements of their education at greater Columbia University, the Juilliard School, the Manhattan School of Music, and The Jewish Theological Seminary, which are also based in New York City. Its 4 acre campus is located in the Upper Manhattan neighborhood of Morningside Heights, stretching along Broadway between 116th and 120th Streets. It is directly across from Columbia's main campus and near several other academic institutions. The college is a member of the Seven Sisters, an association of seven prominent women's liberal arts colleges. For its first 229 years Columbia College of Columbia University admitted only men for undergraduate study.
StillThe William Grant Still ResidenceW.G. Still
Born in Mississippi, he grew up in Little Rock, Arkansas, attended Wilberforce University and Oberlin Conservatory of Music, and was a student of George Whitefield Chadwick and later Edgard Varèse. Of note, Still was the first African American to conduct a major American symphony orchestra, the first to have a symphony (his 1st Symphony) performed by a leading orchestra, the first to have an opera performed by a major opera company, and the first to have an opera performed on national television.
He studied the physics of music at Oberlin Conservatory in Oberlin, Ohio. After working as a clerk for Congress in Washington D.C. to pay for his college studies, he graduated from the Columbian (now George Washington University) Law School in 1889. He became convinced that music could be made with electricity (and also worked on an electric typewriter). He showed his first teleharmonium to Lord Kelvin in 1902. That year he established a laboratory at Holyoke, where he was joined by his brother, Arthur T. Cahill. Cahill had tremendous ambitions for his invention; he wanted telharmonium music to be broadcast into hotels, restaurants, theaters, and even houses via the telephone line.
RinaldoLascia ch'io piangaRinaldo (II)
The first staging of the opera in America was at the Houston Grand Opera under Lawrence Foster, in October 1975, with Marilyn Horne in the title role, a part with which she would become particularly associated. In July 1982 Horne sang the part alongside John Alexander's Goffredo and Samuel Ramey's Argante, in a National Arts Centre (NAC) production in Ottawa directed by Frank Corsaro. The performance, with Mario Bernardi conducting the NAC Orchestra, was applauded by Montreal Gazette critic Eric McLean for its fine music making and its displays of "architectural and sartorial splendour".
Then she received her vocal training at the Oberlin Conservatory of Music under Marlene Rosen and Mary Schiller. In 1999 Kuznetsova won the Marilyn Horne Foundation Vocal Competition, which resulted in her New York debut recital in 2000. An alumna of the Ryan Opera Center at the Lyric Opera of Chicago, Kuznetsova performed title roles in a number of new productions at the Lyric Opera of Chicago, including Juliette (Roméo et Juliette by Gounod), Gilda (Rigoletto by Verdi), and the Vixen (The Cunning Little Vixen by Janáček). Dina Kuznetsova came to international attention in 2002, when she sang Donna Anna (Don Giovanni by Mozart) with Daniel Barenboim at the Berlin State Opera.
He is on the faculty of The Juilliard School and Manhattan School of Music, as well as a faculty artist at the Music Academy of the West, following three years of participation in Music Academy Summer Festivals. He also holds the Robert Mann Chair in Strings and Chamber Music at the University of Southern California's Thornton School of Music. Dicterow's musical gifts became apparent when, at age 11, he made his solo debut with the Tchaikovsky Violin Concerto with the Los Angeles Philharmonic Orchestra. Harold Dicterow, his father, served as principal of the second violin section in the Los Angeles Philharmonic for 52 years.
His collection of songs and dances transcribed for saxophone quartet, The Renaissance Book, is published by Galaxy Music. * Paul Cohen bio at Manhattan School of Music web site
Beverly Peck JohnsonBeverley Johnson
She concurrently worked on the faculty of the Aspen Music Festival and School; as an adjunct professor at the Conservatory of Music at Brooklyn College; and as a professor at the Manhattan School of Music from 1982–1989. In addition to working as a University professor, Peck taught out of a private studio. One of her notable pupils was actor Kevin Kline who began studying with her to prepare his voice for the music in the 1983 film version of The Pirates of Penzance. Kline stated in an interview that Peck "was very, very strict about protecting the voice", and that he must choose between cigarettes and her if he was a smoker.