A report on Achaemenid Empire and Susa

The Palace of Darius I in Susa
The Achaemenid Empire at its greatest territorial extent under the rule of Darius I (522 BC–486 BC)
Map showing the area of the Elamite kingdom (in orange) and the neighboring areas. The approximate Bronze Age extension of the Persian Gulf is shown.
The Achaemenid Empire at its greatest territorial extent under the rule of Darius I (522 BC–486 BC)
Site of Susa
Family tree of the Achaemenid rulers.
Assyria. Ruins of Susa, Brooklyn Museum Archives, Goodyear Archival Collection
Map of the expansion process of Achaemenid territories
Goblet and cup, Iran, Susa I style, 4th millennium BC – Ubaid period; goblet height c. 12 cm; Sèvres – Cité de la céramique, France
Cyrus the Great is said, in the Bible, to have liberated the Hebrew captives in Babylon to resettle and rebuild Jerusalem, earning him an honored place in Judaism.
Puzur-Inshushinak Ensi Shushaki, "Puzur-Inshushinak Ensi (Governor) of Susa", in the "Table au Lion", dated 2100 BCE, Louvre Museum.
The tomb of Cyrus the Great, founder of the Achaemenid Empire. At Pasargadae, Iran.
Silver cup from Marvdasht, Iran, with a linear-Elamite inscription from the time of Kutik-Inshushinak. National Museum of Iran
The Achaemenid Empire at its greatest extent, c. 500 BC
Middle-Elamite basrelief of warrior gods, Susa, 1600-1100 BCE
The Persian queen Atossa, daughter of Cyrus the Great, sister-wife of Cambyses II, Darius the Great's wife, and mother of Xerxes the Great
Statue of Darius the Great, National Museum of Iran
Map showing events of the first phases of the Greco-Persian Wars
Archers frieze from Darius' palace at Susa. Detail of the beginning of the frieze, left. Louvre Museum
Greek hoplite and Persian warrior depicted fighting, on an ancient kylix, 5th century BC
The 24 countries subject to the Achaemenid Empire at the time of Darius, on the Statue of Darius I.
Achaemenid king fighting hoplites, seal and seal holder, Cimmerian Bosporus.
The marriages of Stateira II to Alexander the Great of Macedon and her sister, Drypteis, to Hephaestion at Susa in 324 BCE, as depicted in a late-19th-century engraving.
Achaemenid gold ornaments, Brooklyn Museum
A group of Western and Iranian archaeologists at a conference held in Susa, Khuzestan, Iran in 1977. Henry Wright, William Sumner, Elizabeth Carter, Genevieve Dolfus, Greg Johnson, Saeid Ganjavi, Yousef Majidzadeh,Vanden Berghe, and others.
Persian Empire timeline including important events and territorial evolution – 550–323 BC
Relief showing Darius I offering lettuces to the Egyptian deity Amun-Ra Kamutef, Temple of Hibis
The 24 countries subject to the Achaemenid Empire at the time of Darius, on the Egyptian statue of Darius I.
thumb|Master of animals, Susa I, Louvre Sb 2246.<ref>{{cite web|title=Site officiel du musée du Louvre|url=http://cartelfr.louvre.fr/cartelfr/visite?srv=car_not&idNotice=17338|website=cartelfr.louvre.fr}}</ref>
The Battle of Issus, between Alexander the Great on horseback to the left, and Darius III in the chariot to the right, represented in a Pompeii mosaic dated 1st century BC – Naples National Archaeological Museum
Sun and deities, Susa I, Louvre
Alexander's first victory over Darius, the Persian king depicted in medieval European style in the 15th century romance The History of Alexander's Battles
King-priest with bow fighting enemies, with horned temple in the center. Susa II or Uruk period (3800–3100 BCE), found in excavations at Susa. Louvre Museum.<ref>{{cite book |last1=Álvarez-Mon |first1=Javier |title=The Art of Elam CA. 4200–525 BC |date=2020 |publisher=Routledge |isbn=978-1-000-03485-1 |page=101 |url=https://books.google.com/books?id=LxHaDwAAQBAJ&pg=PT101 |language=en}}</ref><ref>{{cite web |title=Louvre Museum Sb 2125 |url=https://www.louvre.fr/oeuvre-notices/fragments-de-scellement-de-jarre-portant-l-empreinte-d-un-sceau-cylindre-representant}}</ref><ref>{{cite web |title=Site officiel du musée du Louvre, Sb 2125 |url=http://cartelfr.louvre.fr/cartelfr/visite?srv=car_not&idNotice=17353 |website=cartelfr.louvre.fr}}</ref><ref>{{cite book |last1=Cheng |first1=Jack |last2=Feldman |first2=Marian |title=Ancient Near Eastern Art in Context: Studies in Honor of Irene J. Winter by her Students |date=2007 |publisher=BRILL |isbn=978-90-474-2085-9 |page=48 |url=https://books.google.com/books?id=t-mvCQAAQBAJ&pg=PA48 |language=en}}</ref>
Frataraka dynasty ruler Vadfradad I (Autophradates I). 3rd century BC. Istakhr (Persepolis) mint.
Globular envelope with the accounting tokens. Clay, Uruk period (c. 3500 BCE). From the Tell of the Acropolis in Susa. The Louvre
Dārēv I (Darios I) used for the first time the title of mlk (King). 2nd century BC.
Work in the granaries, Susa II, Louvre.<ref>{{cite book|last1=Álvarez-Mon|first1=Javier|title=The Art of Elam CA. 4200–525 BC|date=2020|publisher=Routledge|isbn=978-1-000-03485-1|page=93|url=https://books.google.com/books?id=LxHaDwAAQBAJ&pg=PT93|language=en}}</ref>
Winged sphinx from the Palace of Darius in Susa, Louvre
Priest-King with bow and arrows, Susa II, Louvre.<ref>{{cite book|last1=Álvarez-Mon|first1=Javier|title=The Art of Elam CA. 4200–525 BC|date=2020|publisher=Routledge|isbn=978-1-000-03485-1|page=101|url=https://books.google.com/books?id=LxHaDwAAQBAJ&pg=PT101|language=en}}</ref>
Daric of Artaxerxes II
Prisoners, Susa II, Louvre.<ref>{{cite book|last1=Álvarez-Mon|first1=Javier|title=The Art of Elam CA. 4200–525 BC|date=2020|publisher=Routledge|isbn=978-1-000-03485-1|page=97|url=https://books.google.com/books?id=LxHaDwAAQBAJ&pg=PT97|language=en}}</ref>
Volume of annual tribute per district, in the Achaemenid Empire, according to Herodotus.
Orant statuette, Susa II, Louvre.<ref>{{cite book|last1=Álvarez-Mon|first1=Javier|title=The Art of Elam CA. 4200–525 BC|date=2020|publisher=Routledge|isbn=978-1-000-03485-1|page=110|url=https://books.google.com/books?id=LxHaDwAAQBAJ&pg=PT110|language=en}}</ref>
Achaemenid tax collector, calculating on an Abax or Abacus, according to the Darius Vase (340–320 BC).
Susa III/ Proto-Elamite cylinder seal, 3150–2800 BC. Louvre Museum, reference Sb 1484
Letter from the Satrap of Bactria to the governor of Khulmi, concerning camel keepers, 353 BC
Susa III/ Proto-Elamite cylinder seal 3150–2800 BC Mythological being on a boat Louvre Museum Sb 6379
Relief of throne-bearing soldiers in their native clothing at the tomb of Xerxes I, demonstrating the satrapies under his rule.
Susa III/ Proto-Elamite cylinder seal 3150–2800 BC Louvre Museum Sb 6166
Achaemenid king killing a Greek hoplite. c. 500 BC–475 BC, at the time of Xerxes I. Metropolitan Museum of Art.
Economical tablet in Proto-Elamite script, Suse III, Louvre Museum, reference Sb 15200, circa 3100–2850 BCE
Persian soldiers (left) fighting against Scythians. Cylinder seal impression.
Impression of an Indus cylinder seal discovered in Susa, in strata dated to 2600–1700 BCE. Elongated buffalo with line of standard Indus script signs. Tell of the Susa acropolis. Louvre Museum, reference Sb 2425.<ref>{{cite web|title=Site officiel du musée du Louvre|url=http://cartelfr.louvre.fr/cartelfr/visite?srv=car_not_frame&idNotice=13544|website=cartelfr.louvre.fr}}</ref><ref>{{cite book|last1=Marshall|first1=John|title=Mohenjo-Daro and the Indus Civilization: Being an Official Account of Archaeological Excavations at Mohenjo-Daro Carried Out by the Government of India Between the Years 1922 and 1927|date=1996|publisher=Asian Educational Services|isbn=9788120611795|page=425|url=https://books.google.com/books?id=Ds_hazstxY4C&pg=PA425|language=en}}</ref> Indus script numbering convention per Asko Parpola.<ref>{{cite web|title=Corpus by Asko Parpola|url=http://www.mohenjodaroonline.net/index.php/indus-script/corpus-by-asko-parpola|website=Mohenjodaro|language=en-gb}}</ref><ref>Also, for another numbering scheme: {{cite book|last1=Mahadevan|first1=Iravatham|title=The Indus Script. Text, Concordance And Tables Iravathan Mahadevan|date=1987|publisher=Archaeological Survey of India|pages=32–36|url=https://archive.org/stream/TheIndusScript.TextConcordanceAndTablesIravathanMahadevan/The%20Indus%20Script.%20Text%2C%20Concordance%20and%20Tables%20-Iravathan%20Mahadevan#page/n41/mode/2up|language=en}}</ref>
Color reconstruction of Achaemenid infantry on the Alexander Sarcophagus (end of 4th century BC).
thumb|Indus round seal with impression. Elongated buffalo with Harappan script imported to Susa in 2600–1700 BCE. Found in the tell of the Susa acropolis. Louvre Museum, reference Sb 5614<ref>{{cite web|title=Site officiel du musée du Louvre|url=http://cartelfr.louvre.fr/cartelfr/visite?srv=car_not_frame&idNotice=13556|website=cartelfr.louvre.fr}}</ref>
Seal of Darius the Great hunting in a chariot, reading "I am Darius, the Great King" in Old Persian (𐎠𐎭𐎶𐏐𐎭𐎠𐎼𐎹𐎺𐎢𐏁𐎴 𐏋, "adam Dārayavaʰuš xšāyaθiya"), as well as in Elamite and Babylonian. The word "great" only appears in Babylonian. British Museum.
thumb|Indian carnelian beads with white design, etched in white with an alkali through a heat process, imported to Susa in 2600–1700 BCE. Found in the tell of the Susa acropolis. Louvre Museum, reference Sb 17751.<ref>{{cite web|title=Site officiel du musée du Louvre|url=http://cartelfr.louvre.fr/cartelfr/visite?srv=car_not_frame&idNotice=13589|website=cartelfr.louvre.fr}}</ref><ref>{{cite book|last1=Guimet|first1=Musée|title=Les Cités oubliées de l'Indus: Archéologie du Pakistan|date=2016|publisher=FeniXX réédition numérique|isbn=9782402052467|pages=354–355|url=https://books.google.com/books?id=-HpYDwAAQBAJ&pg=PA354|language=fr}}</ref><ref>{{cite book|title=Art of the first cities : the third millennium B.C. from the Mediterranean to the Indus.|page=395|url=https://archive.org/details/ArtOfTheFirstCitiesTheThirdMillenniumB.C.FromTheMediterraneanToTheIndusEditedByJ/page/n419|language=en}}</ref> These beads are identical with beads found in the Indus Civilization site of Dholavira.<ref>{{cite book|last1=Nandagopal|first1=Prabhakar|title=Decorated Carnelian Beads from the Indus Civilization Site of Dholavira (Great Rann of Kachchha, Gujarat)|publisher=Archaeopress Publishing Ltd|isbn=978-1-78491-917-7|url=https://www.academia.edu/37860117|language=en|date=2018-08-13 }}</ref>
Achaemenid calvalryman in the satrapy of Hellespontine Phrygia, Altıkulaç Sarcophagus, early 4th century BC.
thumb|Indus bracelet, front and back, made of Pleuroploca trapezium or Turbinella pyrum imported to Susa in 2600–1700 BCE. Found in the tell of the Susa acropolis. Louvre Museum, reference Sb 14473.<ref>{{cite web|title=Louvre Museum Official Website|url=http://cartelen.louvre.fr/cartelen/visite?srv=car_not&idNotice=13532|website=cartelen.louvre.fr}}</ref> This type of bracelet was manufactured in Mohenjo-daro, Lothal and Balakot.<ref name="FeniXX réédition numérique">{{cite book|last1=Guimet|first1=Musée|title=Les Cités oubliées de l'Indus: Archéologie du Pakistan|date=2016|publisher=FeniXX réédition numérique|isbn=9782402052467|page=355|url=https://books.google.com/books?id=-HpYDwAAQBAJ&pg=PA355|language=fr}}</ref> The back is engraved with an oblong chevron design which is typical of shell bangles of the Indus Civilization.<ref>{{cite book|title=Art of the first cities : the third millennium B.C. from the Mediterranean to the Indus.|page=398|url=https://archive.org/details/ArtOfTheFirstCitiesTheThirdMillenniumB.C.FromTheMediterraneanToTheIndusEditedByJ/page/n422|language=en}}</ref>
Armoured cavalry: Achaemenid Dynast of Hellespontine Phrygia attacking a Greek psiloi, Altıkulaç Sarcophagus, early 4th century BC.
Indus Valley Civilization carnelian beads excavated in Susa.
Reconstitution of Persian landing ships at the Battle of Marathon.
Jewelry with components from the Indus, Central Asia and Northern-eastern Iran found in Susa dated to 2600–1700 BCE.
Greek ships against Achaemenid ships at the Battle of Salamis.
An ornate design on this limestone ritual vat from the Middle Elamite period depicts creatures with the heads of goats and the tails of fish, Susa, 1500–1110 BCE.
Iconic relief of lion and bull fighting, Apadana of Persepolis
The Ziggurat at Chogha Zanbil was built by Elamite king Untash-Napirisha circa 1300 BCE.
Achaemenid golden bowl with lioness imagery of Mazandaran
Susa, Middle-Elamite model of a sun ritual, circa 1150 BCE
The ruins of Persepolis
Letter in Greek of the Parthian king Artabanus II to the inhabitants of Susa in the 1st century CE (the city retained Greek institutions since the time of the Seleucid empire). Louvre Museum.<ref>Epigraphy of Later Parthia, «Voprosy Epigrafiki: Sbornik statei», 7, 2013, pp. 276-284 </ref>
A section of the Old Persian part of the trilingual Behistun inscription. Other versions are in Babylonian and Elamite.
Glazed clay cup: Cup with rose petals, 8th–9th centuries
A copy of the Behistun inscription in Aramaic on a papyrus. Aramaic was the lingua franca of the empire.
Anthropoid sarcophagus
An Achaemenid drinking vessel
Lion on a decorative panel from Darius I the Great's palace
Bas-relief of Farvahar at Persepolis
Marble head representing Seleucid King Antiochus III who was born near Susa around 242 BC.<ref name=" Jonsson, David J. 2005 566 ">{{cite book|author= Jonsson, David J.|title= The Clash of Ideologies|publisher= Xulon Press|year= 2005|page=566|isbn= 978-1-59781-039-5|quote= Antiochus III was born in 242 BC, the son of Seleucus II, near Susa, Iran. }}</ref>
Tomb of Artaxerxes III in Persepolis
Glazed clay vase: Vase with palmtrees, 8th–9th centuries
The Mausoleum at Halicarnassus, one of the Seven wonders of the ancient world, was built by Greek architects for the local Persian satrap of Caria, Mausolus (Scale model)
Winged sphinx from the palace of Darius the Great at Susa.
Achamenid dynasty timeline
Tomb of Daniel
Reconstruction of the Palace of Darius at Susa. The palace served as a model for Persepolis.
Ninhursag with the spirit of the forests next to the seven-spiked cosmic tree of life. Relief from Susa.
Lion on a decorative panel from Darius I the Great's palace, Louvre
19th-century engraving of Daniel's tomb in Susa, from Voyage en Perse Moderne, by Flandin and Coste.
Ruins of Throne Hall, Persepolis
Ribbed torc with lion heads, Achaemenid artwork, excavated by Jacques de Morgan, 1901, found in the Acropole Tomb
Apadana Hall, Persian and Median soldiers at Persepolis
Shush Castle, 2011
Lateral view of tomb of Cambyses II, Pasargadae, Iran
Children in Susa
Plaque with horned lion-griffins. The Metropolitan Museum of Art
Herm pillar with Hermes, from the well of the "Dungeon" in Susa.

One of the most important cities of the Ancient Near East, Susa served as the capital of Elam and the Achaemenid Empire, and remained a strategic centre during the Parthian and Sasanian periods.

- Susa

When Artaxerxes died in 424 BC at Susa, his body was taken to the tomb already built for him in the Naqsh-e Rustam Necropolis.

- Achaemenid Empire

15 related topics with Alpha

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Ruins of the Gate of All Nations, Persepolis.

Persepolis

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Ruins of the Gate of All Nations, Persepolis.
As is typical of Achaemenid cities, Persepolis was built on a (partially) artificial platform.
Darius the Great, by Eugène Flandin (1840)
General view of the ruins of Persepolis
Aerial architectural plan of Persepolis.
Perspolis in 1920s, photo by Harold Weston
Hemidrachm from the Kingdom of Perside.Date: c. 100AC. - 100 AD.
Bust of Alexander the Great (British Museum of London).
"The Burning of Persepolis", led by Thaïs, 1890, by Georges-Antoine Rochegrosse
Thaïs setting fire on Persepolise
A general view of Persepolis.
Ruins of the Western side of the compound at Persepolis.
Achaemenid frieze designs at Persepolis.
Reliefs of lotus flowers are frequently used on the walls and monuments at Persepolis.
Statue of a Persian Mastiff found at the Apadana, kept at the National Museum, Tehran.
Tomb of Artaxerxes II, Persepolis.
Babylonian version of an inscription of Xerxes I, the "XPc inscription".
The lithograph of Shapur II in Bishapour, which is modeled on the maps of the Persepolis donors.
Sketch of Persepolis from 1704 by Cornelis de Bruijn.
Drawing of Persepolis in 1713 by Gérard Jean-Baptiste.
Drawing of the Tachara by Charles Chipiez.
The Apadana by Charles Chipiez.
Apadana detail by Charles Chipiez.
A bas-relief at Persepolis, representing a symbol in Zoroastrianism for Nowruz.{{ref|a}}
A bas-relief from the Apadana depicting Delegations including Lydians and Armenians{{ref|page 39 image 21 in The Arts of Persia edited by R W Ferrier}} bringing their famous wine to the king.
Achaemenid plaque from Persepolis, kept at the National Museum, Tehran.
Relief of a Median man at Persepolis.
Objects from Persepolis kept at the National Museum, Tehran.
A lamassu at the Gate of All Nations.
The Great Double Staircase at Persepolis.
Bas-relief on the staircase of the palace.
Door-Post Socket
Ruins of the Apadana, Persepolis.
Depiction of united Medes and Persians at the Apadana, Persepolis.
Ruins of the Apadana's columns.
Depiction of trees and lotus flowers at the Apadana, Persepolis.
Depiction of figures at the Apadana.
Ruins of the Tachara, Persepolis.
Huma bird capital at Persepolis.
Bull capital at Persepolis.
Ruins of the Hall of the Hundred Columns, Persepolis.
Forgotten Empire Exhibition, the British Museum.
Forgotten Empire Exhibition, the British Museum.
Persepolitan rosette rock relief, kept at the Oriental Institute.
alt=Museum display case showing Achaemenid objects.|Achaemenid objects at the Metropolitan Museum of Art, New York, including a bas relief from Persepolis.
A general view of the ruins at Persepolis.
A general view of the ruins at Persepolis.
A general view of the ruins at Persepolis.
A general view of the ruins at Persepolis.

Persepolis (, Pārsa; ) was the ceremonial capital of the Achaemenid Empire (c.

The country's true capitals were Susa, Babylon and Ecbatana.

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Elam

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Ancient civilization centered in the far west and southwest of modern-day Iran, stretching from the lowlands of what is now Khuzestan and Ilam Province as well as a small part of southern Iraq.

Ancient civilization centered in the far west and southwest of modern-day Iran, stretching from the lowlands of what is now Khuzestan and Ilam Province as well as a small part of southern Iraq.

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Timeline of Elam.
Kneeling Bull with Vessel. Kneeling bull holding a spouted vessel, Proto-Elamite period, (3100–2900 BC)
Proto-Elamite (Susa III) cylinder seal, 3150–2800 BC. Louvre Museum, reference Sb 6166
Polities during the Old Elamite period, and northern tribes of the Lullubi, Simurrum and Hurti.
Silver cup with linear-Elamite inscription on it. Late 3rd millennium BC. National Museum of Iran.
Orant figure, Susa IV, 2700–2340 BC.
Seal impression of King Ebarat, founder of the Sukkalmah Dynasty (also called Epartid Dynasty after his name). Louvre Museum, reference Sb 6225. King Ebarat appears enthroned. The inscription reads "Ebarat the King. Kuk Kalla, son of Kuk-Sharum, servant of Shilhaha".
An ornate design on this limestone ritual vat from the Middle Elamite period depicts creatures with the heads of goats and the tails of fish (1500–1110 BC).
Stele of Untash Napirisha, king of Anshan and Susa. Sandstone, ca. 1340–1300 BC.
The Chogha Zanbil ziggurat site, built circa 1250 BC.
Elamite archer fighting against the Neo-Assyrian troops of Ashurbanipal, and protecting wounded king Teumman (kneeling), at the Battle of Ulai, 653 BC.
Ashurbanipal's campaign against Elam is triumphantly recorded in this relief showing the sack of Hamanu in 647 BC. Here, flames rise from the city as Assyrian soldiers topple it with pickaxes and crowbars and carry off the spoils.
Relief of a woman being fanned by an attendant while she holds what may be a spinning device before a table with a bowl containing a whole fish (700–550 BC).
Elamite soldier in the Achaemenid army circa 470 BC, Xerxes I tomb relief.
ššina, one of the last kings of Elam circa 522 BC was toppled, enchained and killed by Darius the Great. The label over him says: "This is ššina. He lied, saying "I am king of Elam.""
Golden statuette of a man (probably a king) carrying a goat. Susa, Iran, c. 1500–1200 BC (Middle Elamite period).
Cylinder seal and modern impression- worshiper before a seated ruler or deity; seated female under a grape arbor MET DP370181
Statue of Napirasu
A carved chlorite vase decorated with a relief depicting a "two-horned" figure wrestling with serpent goddesses. The Elamite artifact was discovered by Iran's border police in the possession of historical heritage traffickers, en route to Turkey, and was confiscated. Style is determined to be from "Jiroft".
Indus round seal with impression. Elongated buffalo with Harappan symbol imported to Susa in 2600–1700 BC. Found in the tell of the Susa acropolis. Louvre Museum, reference Sb 5614<ref>{{cite web |title=Site officiel du musée du Louvre |url=http://cartelfr.louvre.fr/cartelfr/visite?srv=car_not_frame&idNotice=13556|website=cartelfr.louvre.fr}}</ref>
Indian carnelian beads with white design, etched in white with an acid, imported to Susa in 2600–1700 BC. Found in the tell of the Susa acropolis. Louvre Museum, reference Sb 17751.<ref>{{cite web |title=Site officiel du musée du Louvre |url=http://cartelfr.louvre.fr/cartelfr/visite?srv=car_not_frame&idNotice=13589 |website=cartelfr.louvre.fr}}</ref><ref>{{cite book |last1=Guimet |first1=Musée |title=Les Cités oubliées de l'Indus: Archéologie du Pakistan |date=2016 |publisher=FeniXX réédition numérique |isbn=9782402052467 |pages=354–355 |url=https://books.google.com/books?id=-HpYDwAAQBAJ&pg=PA354 |language=fr}}</ref><ref>{{cite book |title=Art of the first cities : the third millennium BC from the Mediterranean to the Indus. |page=395 |url=https://archive.org/details/ArtOfTheFirstCitiesTheThirdMillenniumB.C.FromTheMediterraneanToTheIndusEditedByJ }}</ref> These beads are identical with beads found in the Indus Civilization site of Dholavira.<ref>{{cite book |last1=Nandagopal |first1=Prabhakar |title=Decorated Carnelian Beads from the Indus Civilization Site of Dholavira (Great Rann of Kachchha, Gujarat) |publisher=Archaeopress Publishing Ltd |isbn=978-1-78491-917-7 |url=https://www.academia.edu/37860117 |year=2018 }}</ref>
Indus bracelet made of Fasciolaria Trapezium or Turbinella pyrum imported to Susa in 2600–1700 BC. Found in the tell of the Susa acropolis. Louvre Museum, reference Sb 14473.<ref>{{cite web |title=Louvre Museum Official Website |url=http://cartelen.louvre.fr/cartelen/visite?srv=car_not&idNotice=13532 |website=cartelen.louvre.fr}}</ref> This type of bracelet was manufactured in Mohenjo-daro, Lothal and Balakot.<ref name="FeniXX réédition numérique"/> It is engraved with a chevron design which is characteristic of all shell bangles of the Indus Valley, visible here.<ref>{{cite book |title=Art of the first cities : the third millennium B.C. from the Mediterranean to the Indus. |page=398 |url=https://archive.org/details/ArtOfTheFirstCitiesTheThirdMillenniumB.C.FromTheMediterraneanToTheIndusEditedByJ }}</ref>
Indus Valley Civilization weight in veined jasper, excavated in Susa in a 12th-century BC princely tomb. Louvre Museum Sb 17774.<ref>{{cite book |title=Art of the First Cities: The Third Millennium B.C. from the Mediterranean to the Indus |date=2003 |publisher=Metropolitan Museum of Art |isbn=9781588390431 |pages=401–402 |url=https://archive.org/details/artoffirstcities0000unse |url-access=registration }}</ref>
A 4.5 inch long lapis lazuli dove is studded with gold pegs. Dated 1200 BC from Susa, a city later on shared with the Achaemenids.
Elamite reliefs at Eshkaft-e Salman. The picture of a woman with dignity shows the importance of women in the Elamite era.{{Opinion|date=October 2019}}

In classical literature, Elam was also known as Susiana ( Sousiānḗ), a name derived from its capital Susa.

The Iranian Medes, Parthians, Persians and Sagartians, who had been largely subject to Assyria since their arrival in the region around 1000 BC, quietly took full advantage of the anarchy in Assyria, and in 616 BC freed themselves from Assyrian rule.

The Parthian Empire in 94 BC at its greatest extent, during the reign of Mithridates II ((r. 124 – 91))

Parthian Empire

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Major Iranian political and cultural power in ancient Iran from 247 BC to 224 AD. Its latter name comes from its founder, Arsaces I, who led the Parni tribe in conquering the region of Parthia in Iran's northeast, then a satrapy under Andragoras, in rebellion against the Seleucid Empire.

Major Iranian political and cultural power in ancient Iran from 247 BC to 224 AD. Its latter name comes from its founder, Arsaces I, who led the Parni tribe in conquering the region of Parthia in Iran's northeast, then a satrapy under Andragoras, in rebellion against the Seleucid Empire.

The Parthian Empire in 94 BC at its greatest extent, during the reign of Mithridates II ((r. 124 – 91))
The silver drachma of Arsaces I (r. c. 247–211 BC) with the Greek language inscription ΑΡΣΑΚΟΥ "of Arsaces"
Parthia, shaded yellow, alongside the Seleucid Empire (blue) and the Roman Republic (purple) around 200 BC
Drachma of Mithridates I, showing him wearing a beard and a royal diadem on his head. Reverse side: Heracles/Verethragna, holding a club in his left hand and a cup in his right hand; Greek inscription reading ΒΑΣΙΛΕΩΣ ΜΕΓΑΛΟΥ ΑΡΣΑΚΟΥ ΦΙΛΕΛΛΗΝΟΣ "of the Great King Arsaces the Philhellene"
Drachma of Mithridates II (r. c. 124–91 BC). Reverse side: seated archer carrying a bow; inscription reading "of the King of Kings Arsaces the Renowned/Manifest Philhellene."
Han dynasty Chinese silk from Mawangdui, 2nd century BC, silk from China was perhaps the most lucrative luxury item the Parthians traded at the western end of the Silk Road.
Bronze statue of a Parthian nobleman from the sanctuary at Shami in Elymais (modern-day Khūzestān Province, Iran, along the Persian Gulf), now located at the National Museum of Iran. Dated 50 BC-150 AD, Parthian School.
A Roman marble head of the triumvir Marcus Licinius Crassus, who was defeated at Carrhae by Surena
Roman aurei bearing the portraits of Mark Antony (left) and Octavian (right), issued in 41 BC to celebrate the establishment of the Second Triumvirate by Octavian, Antony and Marcus Lepidus in 43 BC
Drachma of Phraates IV (r. c. 38–2 BC). Inscription reading ΒΑΣΙΛΕΩΣ ΒΑΣΙΛΕΩΝ ΑΡΣΑΚΟΥ ΕΥΕΡΓΕΤΟΥ ΕΠΙΦΑΝΟΥΣ ΦΙΛΕΛΛΗΝΟΣ "of the King of Kings Arsaces the Renowned/Manifest Benefactor Philhellene"
A close-up view of the breastplate on the statue of Augustus of Prima Porta, showing a Parthian man returning to Augustus the legionary standards lost by Marcus Licinius Crassus at Carrhae
A denarius struck in 19 BC during the reign of Augustus, with the goddess Feronia depicted on the obverse, and on the reverse a Parthian man kneeling in submission while offering the Roman military standards taken at the Battle of Carrhae
Map of the troop movements during the first two years of the Roman–Parthian War of 58–63 AD over the Kingdom of Armenia, detailing the Roman offensive into Armenia and capture of the country by Gnaeus Domitius Corbulo
Parthian king making an offering to god Herakles-Verethragna. Masdjid-e Suleiman, Iran. 2nd–3rd century AD. Louvre Museum Sb 7302.
Rock relief of Parthian king at Behistun, most likely Vologases III (r. c. 110–147 AD)
A Parthian (right) wearing a Phrygian cap, depicted as a prisoner of war in chains held by a Roman (left); Arch of Septimius Severus, Rome, 203 AD
A Sarmatian-Parthian gold necklace and amulet, 2nd century AD. Located in Tamoikin Art Fund
Parthian golden necklace, 2nd century AD, Iran, Reza Abbasi Museum
A Parthian ceramic oil lamp, Khūzestān Province, Iran, National Museum of Iran
Coin of Kamnaskires III, king of Elymais (modern Khūzestān Province), and his wife Queen Anzaze, 1st century BC
A statue of a young Palmyran in fine Parthian trousers, from a funerary stele at Palmyra, early 3rd century AD
Coin of Mithridates II of Parthia. The clothing is Parthian, while the style is Hellenistic (sitting on an omphalos). The Greek inscription reads "King Arsaces, the philhellene"
A ceramic Parthian water spout in the shape of a man's head, dated 1st or 2nd century AD
Parthian votive relief from Khūzestān Province, Iran, 2nd century AD
A barrel vaulted iwan at the entrance at the ancient site of Hatra, modern-day Iraq, built c. 50 AD
The Parthian Temple of Charyios in Uruk.
A wall mural depicting a scene from the Book of Esther at the Dura-Europos synagogue, dated 245 AD, which Curtis and Schlumberger describe as a fine example of 'Parthian frontality'
A sculpted head (broken off from a larger statue) of a Parthian soldier wearing a Hellenistic-style helmet, from the Parthian royal residence and necropolis of Nisa, Turkmenistan, 2nd century BC
Parthian long-necked lute, c. 3 BC – 3 AD
Royal Parthian objects at the Persia exhibition, Getty Museum

The Arsacid rulers were titled the "King of Kings", as a claim to be the heirs to the Achaemenid Empire; indeed, they accepted many local kings as vassals where the Achaemenids would have had centrally appointed, albeit largely autonomous, satraps.

While Mithridates retired to Hyrcania, his forces subdued the kingdoms of Elymais and Characene and occupied Susa.

Sasanian Empire

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The last Iranian empire before the early Muslim conquests of the.

The last Iranian empire before the early Muslim conquests of the.

The Sasanian Empire at its greatest extent c. 620, under Khosrow II
Initial coinage of founder Ardashir I, as King of Persis Artaxerxes (Ardaxsir) V. c. 205/6–223/4 CE. Obv: Bearded facing head, wearing diadem and Parthian-style tiara, legend "The divine Ardaxir, king" in Pahlavi. Rev: Bearded head of Papak, wearing diadem and Parthian-style tiara, legend "son of the divinity Papak, king" in Pahlavi.
The Sasanian Empire at its greatest extent c. 620, under Khosrow II
1840 illustration of a Sasanian relief at Firuzabad, showing Ardashir I's victory over Artabanus IV and his forces.
Rock relief of Ardashir I receiving the ring of kingship by the Zoroastrian supreme god Ahura Mazda.
Rock-face relief at Naqsh-e Rostam of Persian emperor Shapur I (on horseback) capturing Roman emperor Valerian (standing) and Philip the Arab (kneeling), suing for peace, following the victory at Edessa.
The Humiliation of Valerian by Shapur (Hans Holbein the Younger, 1521, pen and black ink on a chalk sketch, Kunstmuseum Basel)
The spread of Manichaeism (300–500)
Rome and satellite kingdom of Armenia around 300, after Narseh's defeat
Bust of Shapur II ((r. 309 – 379))
Early Alchon Huns coin based on the coin design of Shapur II, adding the Alchon Tamgha symbol Alchon_Tamga.png and "Alchono" (αλχοννο) in Bactrian script on the obverse. Dated 400–440.
Bahram V is a great favourite in Persian literature and poetry. "Bahram and the Indian princess in the black pavilion." Depiction of a Khamsa (Quintet) by the great Persian poet Nizami, mid-16th-century Safavid era.
A coin of Yazdegerd II
Plate of Peroz I hunting argali
Plate of a Sasanian king hunting rams, perhaps Kavad I ((r. 488 – 496)).
Plate depicting Khosrow I.
15th-century Shahnameh illustration of Hormizd IV seated on his throne.
Coin of Khosrow II.
The Siege of Constantinople in 626 by the combined Sassanid, Avar, and Slavic forces depicted on the murals of the Moldovița Monastery, Romania
Queen Boran, daughter of Khosrau II, the first woman and one of the last rulers on the throne of the Sasanian Empire, she reigned from 17 June 629 to 16 June 630
Extent of the Sasanian Empire in 632 with modern borders superimposed
Umayyad Caliphate coin imitating Khosrau II. Coin of the time of Mu'awiya I ibn Abi Sufyan. BCRA (Basra) mint; "Ubayd Allah ibn Ziyad, governor". Dated AH 56 = 675/6. Sasanian style bust imitating Khosrau II right; bismillah and three pellets in margin; c/m: winged creature right / Fire altar with ribbons and attendants; star and crescent flanking flames; date to left, mint name to right.
The Walls of Derbent, part of the Sasanian defense lines
Sasanian army helmet
A Sassanid king posing as an armored cavalryman, Taq-e Bostan, Iran
Sassanian silver plate showing lance combat between two nobles.
A fine cameo showing an equestrian combat of Shapur I and Roman emperor Valerian in which the Roman emperor is seized following the Battle of Edessa, according to Shapur's own statement, "with our own hand", in 260
Sassanian fortress in Derbent, Dagestan. Now inscribed on Russia's UNESCO world heritage list since 2003.
Egyptian woven pattern woolen curtain or trousers, which was a copy of a Sassanid silk import, which was in turn based on a fresco of King Khosrau II fighting Axum Ethiopian forces in Yemen, 5–6th century
Persian ambassador at the Chinese court of Emperor Yuan of Liang in his capital Jingzhou in 526-539 CE, with explanatory text. Portraits of Periodical Offering of Liang, 11th century Song copy.
Coin of the Kushanshah Peroz II Kushanshah ((r. 303 – 330))
Foreign dignitary drinking wine, on ceiling of Cave 1, at Ajanta Caves, possibly depicting the Sasanian embassy to Indian king Pulakesin II (610–642), photograph and drawing.
Taq-i Kisra, the facade of the Sasanian palace in the capital Ctesiphon. The city developed into a rich commercial metropolis. It may have been the most populous city of the world in 570–622.
Plate of a Sasanian king, located in the Azerbaijan Museum in Iran.
A bowl with Khosrau I's image at the center
Horse head, gilded silver, 4th century, Sasanian art
A Sasanian silver plate featuring a simurgh. The mythical bird was used as the royal emblem in the Sasanian period.
A Sasanian silver plate depicting a royal lion hunt
The remains of the Shushtar Historical Hydraulic System, a UNESCO World Heritage Site.
Sasanian silk twill textile of a simurgh in a beaded surround, 6th–7th century. Used in the reliquary of Saint Len, Paris
Sasanian sea trade routes
Seal of a Sassanian nobleman holding a flower, ca. 3rd–early 4th century AD.
Ruins of Adur Gushnasp, one of three main Zoroastrian temples in the Sassanian Empire
The Sasanians developed an accurate, phonetic alphabet to write down the sacred Avesta
Sasanian-era cornelian gem, depicting Abraham advancing towards Isaac with a knife in his hands. A ram is depicted to the right of Abraham. Middle Persian (Pahlavi) inscription ZNH mwdly l’styny. Created 4th-5th century AD
A Sasanian fortress in Derbent, Russia (the Caspian Gates)
"Parsees of Bombay" a wood engraving, c. 1873

After defeating the last Parthian shahanshah, Artabanus IV, at the Battle of Hormozdgan in 224, he established the Sasanian dynasty and set out to restore the legacy of the Achaemenid Empire by expanding Iran's dominions.

After establishing his rule over Pars, Ardashir rapidly extended his territory, demanding fealty from the local princes of Fars, and gaining control over the neighbouring provinces of Kerman, Isfahan, Susiana and Mesene.

Rock relief of an Achaemenid king, most likely Xerxes, located in the National Museum of Iran

Xerxes I

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Rock relief of an Achaemenid king, most likely Xerxes, located in the National Museum of Iran
The "Caylus vase", a quadrilingual alabaster jar with cuneiform and hieroglyphic inscriptions in the name of "Xerxes, the Great King". Cabinet des Médailles, Paris
Engraving of Babylon by H. Fletcher, 1690
The soldiers of Xerxes I, of all ethnicities, on the tomb of Xerxes I, at Naqsh-e Rostam
Achaemenid king killing a Greek hoplite. Impression from a cylinder seal, sculpted c. 500 BC – 475 BC, at the time of Xerxes I Metropolitan Museum of Art
Foundations of the Old Temple of Athena, destroyed by the armies of Xerxes I during the Destruction of Athens in 480 BC
The rock-cut tomb at Naqsh-e Rustam north of Persepolis, copying that of Darius, is usually assumed to be that of Xerxes
This cuneiform text mentions the murder of Xerxes I by his son. From Babylon, Iraq. British Museum
Xerxes being designated by Darius I. Tripylon, Persepolis. The ethnicities of the Empire are shown supporting the throne. Ahuramazda crowns the scene.
Trilingual inscription of Xerxes at Van (present-day Turkey)
The Persian king in the Biblical Book of Esther is commonly thought to be Xerxes
Xerxes (Ahasuerus) by Ernest Normand, 1888 (detail)

Xerxes I ( Xšayār̥šā; ; c. 518 – August 465 BC), commonly known as Xerxes the Great, was the fourth King of Kings of the Achaemenid Empire, ruling from 486 to 465 BC. He was the son and successor of Darius the Great ((r.

Xerxes also oversaw the completion of various construction projects at Susa and Persepolis.

The relief stone of Darius the Great in the Behistun Inscription

Darius the Great

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The relief stone of Darius the Great in the Behistun Inscription
Lineage of Darius the Great according to the Behistun Inscription.
Darius the Great, by Eugène Flandin (1840)
Eastern border of the Achaemenid Empire
Ethnicities of the Achaemenid Army, on the tomb of Darius I. The nationalities mentioned in the DNa inscription are also depicted on the upper registers of all the tombs at Naqsh-e Rustam, starting with the tomb of Darius I. The ethnicities on the tomb of Darius further have trilingual labels on the lintel directly over them for identification, collectively known as the DNe inscription. One of the best preserved friezes, identical in content, is that of Xerxes I.
Map showing key sites during the Persian invasions of Greece
Tomb of Darius at Naqsh-e Rostam
Volume of annual tribute per district, in the Achaemenid Empire.
Gold daric, minted at Sardis
Reconstruction drawing of the Palace of Darius in Susa
The ruins of Tachara palace in Persepolis
thumb|upright|Egyptian statue of Darius I, as Pharaoh of the Twenty-seventh Dynasty of Egypt;<ref>{{cite book |last1=Razmjou |first1=Shahrokh |title=Ars orientalis; the arts of Islam and the East |date=1954 |publisher=Freer Gallery of Art |pages=81–101 |url=https://archive.org/details/arsorient323320022003univ/page/n95/mode/2up}}</ref> 522–486 BC; greywacke; height: 2.46 m;<ref>{{cite book |last1=Manley|first1=Bill|title=Egyptian Art|year=2017|publisher=Thames & Hudson|pages=280|isbn=978-0-500-20428-3}}</ref> National Museum of Iran (Teheran)
Darius as Pharaoh of Egypt at the Temple of Hibis
Relief showing Darius I offering lettuces to the Egyptian deity Amun-Ra Kamutef, Temple of Hibis

Darius I ( ; c. 550 – 486 BCE), commonly known as Darius the Great, was a Persian ruler who served as the third King of Kings of the Achaemenid Empire, reigning from 522 BCE until his death in 486 BCE.

Darius worked on other construction projects throughout the empire, primarily focusing on Susa, Pasargadae, Persepolis, Babylon and Egypt.

Cyrus the Great with a Hemhem crown, or four-winged Cherub tutelary divinity, from a relief in the residence of Cyrus in Pasagardae

Cyrus the Great

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Cyrus II of Persia (c.

Cyrus II of Persia (c.

Cyrus the Great with a Hemhem crown, or four-winged Cherub tutelary divinity, from a relief in the residence of Cyrus in Pasagardae
The four-winged guardian figure representing Cyrus the Great or a four-winged Cherub tutelary deity. Bas-relief found on a doorway pillar at Pasargadae on top of which was once inscribed in three languages the sentence "I am Cyrus the king, an Achaemenian." Scholars who doubt that the relief depicts Cyrus note that the same inscription is written on other palaces in the complex.
"I am Cyrus the King, an Achaemenian" in Old Persian, Elamite and Akkadian languages. It is known as the "CMa inscription", carved in a column of Palace P in Pasargadae. These inscriptions on behalf of Cyrus were probably made later by Darius I in order to affirm his lineage, using the Old Persian script he had designed.
Painting of king Astyages sending Harpagus to kill young Cyrus
Detail of Cyrus Hunting Wild Boar by Claude Audran the Younger, Palace of Versailles
Victory of Cyrus over Lydia's Croesus at the Battle of Thymbra, 546 BC
Croesus on the pyre. Attic red-figure amphora, 500–490 BC, Louvre (G 197)
Ancient Near East circa 540 BC, prior to the invasion of Babylon by Cyrus the Great
Achaemenid soldiers (left) fighting against Scythians, 5th century BC. Cylinder seal impression (drawing).
Queen Tomyris of the Massagetae receiving the head of Cyrus
Tomb of Cyrus in Pasargadae, Iran, a UNESCO World Heritage Site (2015)
Cyrus the Great is said in the Bible to have liberated the Jews from the Babylonian captivity to resettle and rebuild Jerusalem, earning him an honored place in Judaism.
Cyrus the Great (center) with his General Harpagus behind him, as he receives the submission of Astyages (18th century tapestry)
The Cyrus Street, Jerusalem
Painting of Daniel and Cyrus before the Idol Bel
Statue of Cyrus the great at Olympic Park in Sydney
17th-century bust of Cyrus the Great in Hamburg, Germany
The Cyrus cylinder, a contemporary cuneiform script proclaiming Cyrus as legitimate king of Babylon

600–530 BC; Kūruš), commonly known as Cyrus the Great and also called Cyrus the Elder by the Greeks, was the founder of the Achaemenid Empire, the first Persian empire.

By the year 540 BC, Cyrus captured Elam (Susiana) and its capital, Susa.

Khuzestan province

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One of the 31 provinces of Iran.

One of the 31 provinces of Iran.

Domes like this are quite common in Khuzestan province. The shape is an architectural trademark of craftsmen of the province. Daniel's shrine, located in Khuzestan, has such a shape. The shrine pictured here, belongs to Imamzadeh Hamzeh, located between Mahshahr and Hendijan.
The ziggurat of Choqa Zanbil in Khuzestan was a magnificent structure of the Elamite Empire. Khuzestan's Elamites were "precursors of the royal Persians", and were "the founders of the first Iranian empire in the geographic sense."
Masjed Jame' Dezful. In spite of devastating damage caused by Iraqi shelling in the Iran–Iraq War, Khuzestan still possesses a rich heritage of architecture from Islamic, Sassanid, and earlier times.
Pol Sefid
A bust from The National Museum of Iran of Queen Musa, wife of Phraates IV of Parthia, excavated by a French team in Khuzestan in 1939.
The government of Iran is spending large amounts of money in Khuzestan province. The massive Karun-3 dam, was inaugurated recently as part of a drive to boost Iran's growing energy demands.
Sketch of the Abadan island showing rivers and date palm plantations
Shahid Abbaspour Dam
The Parthian Prince, found in Khuzestan c. AD 100, is kept at The National Museum of Iran, Tehran.

Historically, one of the most important regions of the Ancient Near East, Khuzestan is what historians refer to as ancient Elam, whose capital was in Susa.

The Achaemenid Old Persian term for Elam was Hujiyā when they conquered it from the Elamites, which is present in the modern name.

The extent of the Babylonian Empire at the start and end of Hammurabi's reign, located in what today is modern day Iraq

Babylonia

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Ancient Akkadian-speaking state and cultural area based in central-southern Mesopotamia (present-day Iraq) and parts of Syria.

Ancient Akkadian-speaking state and cultural area based in central-southern Mesopotamia (present-day Iraq) and parts of Syria.

The extent of the Babylonian Empire at the start and end of Hammurabi's reign, located in what today is modern day Iraq
Hammurabi (standing), depicted as receiving his royal insignia from Shamash (or possibly Marduk). Hammurabi holds his hands over his mouth as a sign of prayer (relief on the upper part of the stele of Hammurabi's code of laws).
Cylinder seal, ca. 18th–17th century BC. Babylonia
The extent of the Babylonian Empire during the Kassite dynasty
Map of Mesopotamia c. 1450 BC
Prism of Sennacherib (705–681 BC), containing records of his military campaigns, culminating with Babylon's destruction. Exhibited at the Oriental Institute of the University of Chicago.
Babylonian prisoners under the surveillance of an Assyrian guard, reign of Ashurbanipal 668-630 BC, Nineveh, British Museum ME 124788
The Neo-Babylonian Empire
Panorama view of the reconstructed Southern Palace of Nebuchadnezzar II, 6th century BC, Babylon, Iraq
Stele of Nabonidus exhibited in the British Museum. The king is shown praying to the Moon, the Sun and Venus and is depicted as being the closest to the Moon.
Babylonian soldier of the Achaemenid army, circa 480 BC. Relief of the tomb of Xerxes I.
Old Babylonian Cylinder Seal, hematite. The king makes an animal offering to Shamash. This seal was probably made in a workshop at Sippar.
Man and woman, Old-Babylonian fired clay plaque from Southern Mesopotamia. Sulaymaniyah museum, Sulaymaniyah. Iraq
Medical recipe concerning poisoning. Terracotta tablet, from Nippur, Iraq, 18th century BC. Ancient Orient Museum, Istanbul

In 1901, a copy of the Code of Hammurabi was discovered on a stele by Jacques de Morgan and Jean-Vincent Scheil at Susa in Elam, where it had later been taken as plunder.

The Chaldean tribe had lost control of Babylonia decades before the end of the era that sometimes bears their name, and they appear to have blended into the general populace of Babylonia even before this (for example, Nabopolassar, Nebuchadnezzar II and their successors always referred to themselves as Shar Akkad and never as Shar Kaldu on inscriptions), and during the Persian Achaemenid Empire the term Chaldean ceased to refer to a race of people, and instead specifically to a social class of priests educated in classical Babylonian literature, particularly Astronomy and Astrology.

Ashurbanipal, closeup from the Lion Hunt of Ashurbanipal

Ashurbanipal

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The king of the Neo-Assyrian Empire from 669 BC to his death in 631.

The king of the Neo-Assyrian Empire from 669 BC to his death in 631.

Ashurbanipal, closeup from the Lion Hunt of Ashurbanipal
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The victory stele of Esarhaddon, Ashurbanipal's father. The front side depicts Esarhaddon and the sides depict the two crown princes Shamash-shum-ukin (on the side shown here) and Ashurbanipal (on the opposite side)
A copy of the Zakutu Treaty, drawn up by Ashurbanipal's grandmother Naqi'a in 669 BC, imploring the populace of Assyria to swear loyalty to Ashurbanipal
Relief depicting Ashurbanipal's army attacking an Egyptian settlement, possibly Memphis, during the Assyrian conquest of Egypt.
The Rassam cylinder of Ashurbanipal, the most complete of chronicle of his reign, includes a description of the campaign of Egypt. Nineveh, 643 BCE. British Museum.
Set of reliefs depicting the 653 BC Battle of Ulai, between the Assyrians and the Elamite king Teumman
Relief depicting tongue removal and live flaying of Elamite chiefs after the Battle of Ulai
Assyrian spearmen depicted in a palace relief from Nineveh, 7th century BC
Stone monument depicting Shamash-shum-ukin as a basket-bearer
Confirmation of a land grant by Shamash-shum-ukin
Relief depicting Ashurbanipal in a chariot, inspecting booty and prisoners from Babylon
Relief depicting Babylonian prisoners under Assyrian guard
Relief depicting the Assyrians besieging the Elamite city of Hamanu in 646 BC
Relief depicting the Assyrians destroying Hamanu in 646 BC; flames rise from the city as Assyrian soldiers topple it with pickaxes and crowbars and carry off the spoils
Relief from Ashurbanipal's palace showing Assyrians fighting and pursuing Arabs on camelback
Relief from Ashurbanipal's palace showing fighting between Assyrians and Arabs
Inscription by Ashurbanipal written at some point after 646, concerning the restoration of a temple dedicated to Nabu
Bust of Pharaoh Psamtik I ((r. 664 – 610)), who peacefully restored Egyptian independence
Portion of the "Garden Party" relief, depicting Ashurbanipal (right) and his queen Libbali-sharrat (left)
Relief from Ashurbanipal's palace depicting corpses floating down a river
Reconstruction of the Library of Ashurbanipal
Cuneiform tablets from the Library of Ashurbanipal
Ashurbanipal depicted in the Lion Hunt of Ashurbanipal reliefs
Dream of Sardanapalus (1871) by Ford Madox Brown
The Death of Sardanapalus (1827) by Eugène Delacroix
Ashurbanipal's reliefs exhibited at the British Museum as part of the exhibition I am Ashurbanipal (2018–2019)
Ashurbanipal, a bronze statue by Fred Parhad in the Civic Center of San Francisco
Detail of a stone monument depicting Ashurbanipal as a basket-bearer

Though Teumman marched to meet the Assyrians, he soon changed his mind and fell back to the Elamite capital of Susa.

Among these kingdoms was Parsua, possibly a predecessor of the empire that would be founded by the Achaemenids a century later.