Louis Jordan in New York City, c. undefined July 1946
Jordan in New York, July 1946
The Banjo Lesson by Henry Ossawa Tanner, 1893
The habanera rhythm shown as tresillo (lower notes) with the backbeat (upper note)
Louis Jordan's Tympany Five
Congo Square African Drum 1819 Latrobe
Fats Domino in 1956
Lionel Hampton
Slave dance to banjo, 1780s
Piano excerpt from the rumba boogie "Mardi Gras in New Orleans" (1949) by Professor Longhair. 2–3 claves are written above for rhythmic reference.
William Sidney Mount painted scenes of black and white American musicians. This 1856 painting depicts an African-American banjo player.
3–2 clave written in two measures in cut-time
The Slayton Jubilee Singers entertain employees of the Old Trusty Incubator Factory, Clay Center, about 1910
Tresillo answered by the backbeat, the essence of clave in African American music
Marilyn Horne and Henry Lewis in 1961, photo by Carl Van Vechten
Bo Diddley's "Bo Diddley beat" is a clave-based motif.
Sister Rosetta Tharpe performing at Cafe Zanzibar
Ray Charles in 1971
Lil Wayne is one of the top selling black American musicians in modern history. In 2008, his album sold one million in its first week.
Ruth Brown was known as the "Queen of R&B"
Edward Ray at Capitol Records
Della Reese
50 Cent in 2006. 50 Cent was one of the most popular African-American rappers of the 2000s.
Sam Cooke
Beyoncé
Eric Burdon & the Animals (1964)

It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll.

- Jump blues

Some of the most popular music types today, such as rock and roll, country, rock, funk, jazz, blues, rhythm, and rhythm and blues were created and influenced by African-American artists.

- African-American music

Featuring a choked, screaming tenor sax performance by Illinois Jacquet, the song was a hit in the "race" category.

- Jump blues

It replaced the term "race music", which originally came from within the black community, but was deemed offensive in the postwar world.

- Rhythm and blues

He has used the term "R&B" as a synonym for jump blues.

- Rhythm and blues

The term "rock and roll" had a strong sexual connotation in jump blues and R&B, but when DJ Alan Freed referred to rock and roll on mainstream radio in the mid 50s, "the sexual component had been dialled down enough that it simply became an acceptable term for dancing".

- African-American music
Louis Jordan in New York City, c. undefined July 1946

3 related topics with Alpha

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Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll

Rock and roll

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Genre of popular music that evolved in the United States during the late 1940s and early 1950s.

Genre of popular music that evolved in the United States during the late 1940s and early 1950s.

Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll
Chuck Berry in 1957
Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm
Elvis Presley in a promotion shot for Jailhouse Rock in 1957
Little Richard in 1957
Buddy Holly and his band, the Crickets.
Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957
"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956

It originated from African-American music such as jazz, rhythm and blues, boogie woogie, gospel, as well as country music.

In the same period, particularly on the West Coast and in the Midwest, the development of jump blues, with its guitar riffs, prominent beats and shouted lyrics, prefigured many later developments.

American blues singer Ma Rainey (1886–1939), the "Mother of the Blues"

Blues

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Music genre and musical form which originated in the Deep South of the United States around the 1860s by African-Americans from roots in African-American work songs and spirituals.

Music genre and musical form which originated in the Deep South of the United States around the 1860s by African-Americans from roots in African-American work songs and spirituals.

American blues singer Ma Rainey (1886–1939), the "Mother of the Blues"
A minor pentatonic scale;
Musicologist John Lomax (left) shaking hands with musician "Uncle" Rich Brown in Sumterville, Alabama
Sheet music from "Saint Louis Blues" (1914)
Bessie Smith, an early blues singer, known for her powerful voice
A typical boogie-woogie bass line
John Lee Hooker
Blues legend B.B. King with his guitar, "Lucille"
Texas blues guitarist Stevie Ray Vaughan, 1983
Italian singer Zucchero is credited as the "Father of Italian Blues", and is among the few European blues artists who still enjoy international success.
Eric Clapton performing at Hyde Park, London, in June 2008
Duke Ellington straddled the big band and bebop genres. Ellington extensively used the blues form.
The music of Taj Mahal for the 1972 movie Sounder marked a revival of interest in acoustic blues.

The blues form, ubiquitous in jazz, rhythm and blues, and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common.

Though the use of the phrase in African-American music may be older, it has been attested to in print since 1912, when Hart Wand's "Dallas Blues" became the first copyrighted blues composition.

In the 1940s, the jump blues style developed.

American jazz composer, lyricist, and pianist Eubie Blake made an early contribution to the genre's etymology

Jazz

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Music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime.

Music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime.

American jazz composer, lyricist, and pianist Eubie Blake made an early contribution to the genre's etymology
Albert Gleizes, 1915, Composition for "Jazz" from the Solomon R. Guggenheim Museum, New York
Ethel Waters sang "Stormy Weather" at the Cotton Club.
Al Jolson in 1929
Dance in Congo Square in the late 1700s, artist's conception by E. W. Kemble from a century later
In the late 18th-century painting The Old Plantation, African-Americans dance to banjo and percussion.
The blackface Virginia Minstrels in 1843, featuring tambourine, fiddle, banjo and bones
Scott Joplin in 1903
W. C. Handy at 19, 1892
The Bolden Band around 1905
Jelly Roll Morton, in Los Angeles, California, c. 1917 or 1918
The King & Carter Jazzing Orchestra photographed in Houston, Texas, January 1921
Louis Armstrong began his career in New Orleans and became one of jazz's most recognizable performers.
Benny Goodman (1943)
Duke Ellington at the Hurricane Club (1943)
The "classic quintet": Charlie Parker, Tommy Potter, Miles Davis, Dizzy Gillespie, and Max Roach performing at Three Deuces in New York City. Photograph by William P. Gottlieb (August 1947), Library of Congress.
Machito (maracas) and his sister Graciella Grillo (claves)
Dizzy Gillespie, 1955
Mongo Santamaria (1969)
Art Blakey (1973)
John Coltrane, 1963
Peter Brötzmann is a key figure in European free jazz.
Naná Vasconcelos playing the Afro-Brazilian Berimbau
Randy Weston
C pentatonic scale beginning on the I (C pentatonic), IV (F pentatonic), and V (G pentatonic) steps of the scale.
V pentatonic scale over II–V–I chord progression
Fusion trumpeter Miles Davis in 1989
Wynton Marsalis
David Sanborn, 2008
John Zorn performing in 2006
Steve Coleman in Paris, July 2004

The mid-1950s saw the emergence of hard bop, which introduced influences from rhythm and blues, gospel, and blues to small groups and particularly to saxophone and piano.

African-American music began incorporating Afro-Cuban rhythmic motifs in the 19th century when the habanera (Cuban contradanza) gained international popularity.

An early 1940s style known as "jumping the blues" or jump blues used small combos, uptempo music and blues chord progressions, drawing on boogie-woogie from the 1930s.