A report on Mughal Empire, Aurangzeb and Akbar
Muhi al-Din Muhammad (c. 1618 – 3 March 1707), commonly known as Aurangzeb and by his regnal title Alamgir, was the sixth emperor of the Mughal Empire, ruling from July 1658 until his death in 1707.
- AurangzebA strong personality and a successful general, Akbar gradually enlarged the Mughal Empire to include much of the Indian subcontinent.
- AkbarThe Mughal imperial structure, however, is sometimes dated to 1600, to the rule of Babur's grandson, Akbar.
- Mughal EmpireThis imperial structure lasted until 1720, until shortly after the death of the last major emperor, Aurangzeb, during whose reign the empire also achieved its maximum geographical extent.
- Mughal EmpireShah Jahan had already moved away from the liberalism of Akbar, although in a token manner rather than with the intent of suppressing Hinduism, and Aurangzeb took the change still further.
- AurangzebHistorian Mubarak Ali, while studying the image of Akbar in Pakistani textbooks, observes that Akbar "is conveniently ignored and not mentioned in any school textbook from class one to matriculation", as opposed to the omnipresence of emperor Aurangzeb.
- Akbar8 related topics with Alpha
Shah Jahan
4 linksShihab al-Din Muhammad Khurram (5 January 1592 – 22 January 1666), better known by his regnal name Shah Jahan I, was the fifth emperor of the Mughal Empire, reigning from January 1628 until July 1658.
This nomination led to a succession crisis among his three sons, after which Shah Jahan's third son Aurangzeb ((r.
His reign is known for doing away with the liberal policies initiated by Akbar.
Agra
1 linksCity on the banks of the Yamuna river in the Indian state of Uttar Pradesh, about 210 km south of the national capital New Delhi and 320 km west of the state capital Lucknow.
City on the banks of the Yamuna river in the Indian state of Uttar Pradesh, about 210 km south of the national capital New Delhi and 320 km west of the state capital Lucknow.
Agra's notable historical period began during Sikandar Lodi's reign, but the golden age of the city began with the Mughals.
Agra was the foremost city of the Indian subcontinent and the capital of the Mughal Empire under Mughal emperors Babur, Humayun, Akbar, Jahangir and Shah Jahan.
Agra was the foremost city of the subcontinent and the capital of the Mughal Empire until 1658, when Aurangzeb shifted the entire court to Delhi.
Mughal emperors
1 linksThe Mughal emperors were the supreme head of state of the Mughal Empire on the Indian subcontinent, mainly corresponding to the modern countries of India, Pakistan, Afghanistan and Bangladesh.
Akbar, for instance, was half-Persian (his mother was of Persian origin), Jahangir was half-Rajput and quarter-Persian, and Shah Jahan was three-quarters Rajput.
During the reign of Aurangzeb ((r.
Mughal architecture
1 linksMughal architecture is the type of Indo-Islamic architecture developed by the Mughals in the 16th, 17th and 18th centuries throughout the ever-changing extent of their empire in the Indian subcontinent.
It also further incorporated and syncretized influences from wider Indian architecture, especially during the reign of Akbar (r.
The last of the great Mughal architects was Aurangzeb, who built the Badshahi Mosque, Bibi Ka Maqbara, Moti Masjid etc.
Lahore
1 linksCapital of the Pakistani province of Punjab, is Pakistan's 2nd largest city after Karachi, and is the 26th largest city in the world.
Capital of the Pakistani province of Punjab, is Pakistan's 2nd largest city after Karachi, and is the 26th largest city in the world.
Lahore reached the height of its splendour under the Mughal Empire between the late 16th and early 18th century and served as its capital city for many years.
Only 9 of the 36 urban quarters around Lahore, known as guzars, were located within the city's walls during the Akbar period.
Shah Jahan's son, and last of the great Mughal Emperors, Aurangzeb, further contributed to the development of Lahore.
Din-i Ilahi
1 linksThe Dīn-i-Ilāhī, known during its time as Tawḥīd-i-Ilāhī ("Divine Monotheism", ) or Divine Faith, was a new syncretic religion or spiritual leadership program propounded by the Mughal emperor Akbar in 1582, intending to merge some of the elements and Create a new religion of his empire, and thereby reconcile the differences that divided his subjects.
However, the movement was suppressed by penalty and force after his death and was totally eradicated by Aurangzeb which made it never numbered more than 18 adherents.
Rajput
1 linksLarge multi-component cluster of castes, kin bodies, and local groups, sharing social status and ideology of genealogical descent originating from the Indian subcontinent.
Large multi-component cluster of castes, kin bodies, and local groups, sharing social status and ideology of genealogical descent originating from the Indian subcontinent.
A major factor behind this development was the consolidation of the Mughal Empire, whose rulers had great interest in genealogy.
For example, Akbar accomplished 40 marriages for himself, his sons and grandsons, out of which 17 were Rajput-Mughal alliances.
Akbar's diplomatic policy regarding the Rajputs was later damaged by the intolerant rules introduced by his great-grandson Aurangzeb.
Mughal painting
0 linksParticular style of South Asian, particularly North Indian , painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa).
Particular style of South Asian, particularly North Indian , painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa).
It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries.
A vivid Kashmiri tradition of mural paintings flourished between the 9th and 17th centuries, as seen in the murals of Alchi Monastery or Tsaparang: a number of Kashimiri painters were employed by Akbar and some influence of their art can be seen in various Mughal works, such as the Hamzanama.
Aurangzeb (1658–1707) was never an enthusiastic patron of painting, largely for religious reasons, and took a turn away from the pomp and ceremonial of the court around 1668, after which he probably commissioned no more paintings.