Albert Pinkham Ryder and Related Topics

J. Alden Weir

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American impressionist painter and member of the Cos Cob Art Colony near Greenwich, Connecticut.

The Red Bridge, c. 1895, Metropolitan Museum of Art

Studio at the Weir Farm National Historic Site

Roses in a Silver Bowl on a Mahogany Table, c. 1890

Julian Alden Weir, John Singer Sargent, 1890

Afternoon by the Pond, c. 1908–1909, The Phillips Collection

1880 bust of J. Alden Weir, sculpted by
Olin Levi Warner

Julian Alden Weir, 1910. In his last decade of life

While here, he strengthened his friendship with artists Albert Pinkham Ryder and John Henry Twachtman.

Armory Show

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Show organized by the Association of American Painters and Sculptors in 1913.

A drawing by John French Sloan titled "A slight attack of third dimentia brought on by excessive study of the much-talked of cubist pictures in the International Exhibition at New York", April 1913.

Exhibition organizer Walter Pach, circa 1909

Exhibition organizer Arthur B. Davies, circa 1908

Armory Show, Chicago, 1913. The Cubist room

Marcel Duchamp, Jacques Villon, Raymond Duchamp-Villon, and Villon's dog Pipe in the garden of Villon's studio, Puteaux, France, ca. 1913. All three brothers were included in the exhibition.

A list written in 1912 by Pablo Picasso of European artists he felt should be included in the 1913 Armory Show. This document dispels the assertion that an unbridgeable divide separated the Salon Cubists from the Gallery Cubists. Walt Kuhn family papers and Armory Show records, Archives of American Art, Smithsonian Institution.

Raymond Duchamp-Villon, 1912, Study for La Maison Cubiste, Projet d'Hotel (Cubist House), plaster, H. 3 meters by W. 10 meters. Image published in Les Peintres Cubistes, by Guillaume Apollinaire, March 17, 1913

Entrance of the Exhibition, 1913, New York City

Interior view of the exhibition, 1913, New York City

Armory Show artists and members of the press at the beefsteak dinner given by the Association of American Painters and Sculptors, March 8, 1913. Percy Rainford, photographer. Walt Kuhn family papers and Armory Show records, Archives of American Art, Smithsonian Institution

Installation shot of the Matisse room, 1913 Armory Show, published in the New York Tribune (p. 7), February 17, 1913. From the left: Le Luxe II, 1907–08, Statens Museum for Kunst, Copenhagen; "Blue Nude (Souvenir de Biskra)", 1907, Baltimore Museum of Art; L'Atelier Rouge, 1911, Museum of Modern Art, New York City

Installation shot of the Cubist room, published in the New York Tribune, February 17, 1913 (p. 7). Left to right: Raymond Duchamp-Villon, La Maison Cubiste (Projet d'Hotel), Cubist House; Marcel Duchamp Nude (Study), Sad Young Man on a Train; Albert Gleizes, L'Homme au Balcon, Man on a Balcony; Marcel Duchamp, Nude Descending a Staircase, No. 2; Alexander Archipenko, La Vie Familiale, Family Life

Eugène Delacroix, Christ on the Sea of Galilee, 1854

Honoré Daumier, The Third Class Wagon, 1862–1864

James Abbott McNeill Whistler, Arrangement in Grey and Black: The Artist's Mother 1871, popularly known as Whistler's Mother, Musée d'Orsay, Paris. Although Whistler was represented by four paintings in the Armory show this was not included.

Pierre-Auguste Renoir, In The Garden 1885, Hermitage Museum, St. Petersburg

Mary Cassatt, Mère et enfant (Reine Lefebre and Margot before a Window), c.1902

Georges Seurat, Models (Les Poseuses) 1886-88, Barnes Foundation, Philadelphia

Vincent van Gogh, Self-Portrait, c. 1887, oil on canvas, 40 x 34 cm (15 ¾ by 13 ⅜ in). Wadsworth Atheneum Museum of Art, Hartford, CT

Vincent van Gogh, Portrait of Adeline Ravoux 1890, Cleveland Museum of Art

Vincent van Gogh, Mountain in Saint-Rémy, 1889, Solomon R. Guggenheim Museum

Albert Pinkham Ryder, Seacoast in Moonlight, 1890, the Phillips Collection, Washington, D.C.

Paul Gauguin, Words of the Devil, 1892, National Gallery of Art, Washington, DC.

Paul Gauguin, Nature morte à l'estampe japonaise (Flowers Against a Yellow Background), 1889, oil on canvas, 72.4 × 93.7 cm, Museum of Contemporary Art, Tehran

Paul Gauguin, Tahitian Pastorals, (Reo Mā`ohi: Faa iheihe (Fa'ai'ei'e)), 1898, National Gallery on loan from the Tate

Henri Rousseau, The Centenary of the Revolution, 1892

Henri Rousseau, Cheval attaqué par un jaguar (Jaguar Attacking a Horse), 1910, oil on canvas, 116 x 90 cm, Pushkin Museum

Edvard Munch, Vampire 1893–94, Nasjonalgalleriet, Oslo

Paul Cézanne, Old Woman with Rosary, 1895–1896

Claude Monet, Water Lilies and Japanese Bridge, 1897–1899

Henri-Edmond Cross, Cypresses at Cagnes, c.1900

Paul Signac, Port de Marseille, 1905, Metropolitan Museum of Art

André Derain, 1912, Window on the Park (La Fênetre sur le parc), 130.8 × 89.5 cm, Museum of Modern Art, New York

André Derain, Landscape in Provence (Paysage de Provence) (c. 1908), Brooklyn Museum, Brooklyn

Odilon Redon, Le Silence, 1900, pastel, 54.6 × 54 cm, Museum of Modern Art, New York

George Bellows, Both Members of This Club, 1909

Othon Friesz, Landscape with Figures, 1909, oil on canvas, 65 × 83 cm

Amadeo de Souza Cardoso, Saut du Lapin, 1911

Amadeo de Souza Cardoso, Avant la Corrida, 1912, oil on canvas, 60 × 92 cm, Calouste Gulbenkian Foundation, Lisbon, Portugal

Robert Winthrop Chanler, Leopard and Deer, 1912, gouache or tempera on canvas, mounted on wood, 194.3 × 133.4 cm, Rokeby Collection

Edward Middleton Manigault, The Clown, 1910–12, oil on canvas, 86.4 × 63.2 cm, Columbus Museum of Art, Ohio

Patrick Henry Bruce, Still Life, ca. 1912

Ernst Ludwig Kirchner, Naked Playing People, 1910

Wassily Kandinsky, Improvisation 27 (Garden of Love II), 1912, oil on canvas, 47 3/8 x 55 1/4 in. (120.3 x 140.3 cm), The Metropolitan Museum of Art, New York

Maurice Prendergast, Landscape With Figures, 1913

Arthur B. Davies, Reclining Woman (Drawing),, 1911, Pastel on gray paper

Henri Matisse, Madras Rouge, The Red Turban, 1907, Barnes Foundation

Henri Matisse, Blue Nude (Souvenir de Biskra), 1907, Baltimore Museum of Art

Henri Matisse, Le Luxe II, 1907–08, distemper on canvas, 209.5 × 138 cm, Statens Museum for Kunst, Copenhagen

Henri Matisse, L'Atelier Rouge, 1911, oil on canvas, 162 × 130 cm., The Museum of Modern Art

Pablo Picasso, 1910, Woman with Mustard Pot (La Femme au pot de moutarde), oil on canvas, 73 x 60 cm, Gemeentemuseum, The Hague

Georges Braque, Violin: "Mozart Kubelick", 1912, oil on canvas, 45.7 × 61 cm, Metropolitan Museum of Art

Albert Gleizes, 1910, La Femme aux Phlox (Woman with Phlox), oil on canvas, 81 x 100 cm, Museum of Fine Arts, Houston

Albert Gleizes, L'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud), 1912, Philadelphia Museum of Art. Published in the Record Herald, Chicago, 25 March 1913 (see page 140)

Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912, Philadelphia Museum of Art

Marcel Duchamp, 1911-1912, Nude (Study), Sad Young Man on a Train (Nu, esquisse, jeune homme triste dans un train), oil on cardboard mounted on Masonite, 100 × 73 cm, Peggy Guggenheim Collection, Venice

Francis Picabia, Grimaldi après la pluie (believed to be Souvenir of Grimaldi, Italy), ca. 1912, location unknown

Francis Picabia, The Dance at the Spring, 1912, oil on canvas, 47 7/16 × 47 1/2 inches (120.5 × 120.6 cm), Philadelphia Museum of Art, Philadelphia

Francis Picabia, The Procession, Seville, 1912, oil on canvas, 121.9 × 121.9 cm, National Gallery of Art, Washington DC.

Robert Delaunay, Window on the City, No. 4, 1910-11 (1912)

Jacques Villon, 1912, Girl at the Piano (Fillette au piano), oil on canvas, 129.2 x 96.4 cm, oval, Museum of Modern Art, New York. Exhibited at the 1913 Armory Show, New York, Chicago and Boston. Purchased from the Armory Show by John Quinn

Aristide Maillol, Bas Relief, terracotta. Exhibited at the 1913 Armory Show, New York, Chicago, Boston. Catalogue image (no. 110)

Alexander Archipenko, 1910–11, Negress (La Negresse), Armory Show catalogue photo

Alexander Archipenko, La Vie Familiale (Family Life), 1912. Exhibited at the 1912 Salon d'Automne, Paris and the 1913 Armory Show in New York, Chicago and Boston. The original sculpture (approx six feet tall) was accidentally destroyed

Alexander Archipenko, Le Repos, 1912, Armory Show postcard published in 1913

Constantin Brâncuși, 1909, Portrait De Femme (La Baronne Renée Frachon), now lost. Armory Show, published press clipping, 1913

Constantin Brâncuși, 1912, Portrait of Mlle Pogany, Philadelphia Museum of Art. Armory Show postcard

Constantin Brâncuși, The Kiss, 1907-1908, published in the Chicago Tribune, March 25, 1913

Constantin Brâncuși, Une Muse, 1912, plaster, 45.7 cm (18 in.) Armory Show postcard. Exhibited: New York (no. 618); The Art Institute of Chicago (no. 26) and Boston, Copley Hall (no. 8)

Andrew Dasburg, ca. 1912, Lucifer, plaster of Paris, no. 647 of the catalogue. Dasburg extensively reworked by carving directly into a sculpture of a life-size plaster head by Arthur Lee.(American Studies at the University of Virginia)

Abastenia St. Leger Eberle, 1912–13, The White Slave. Photograph from The Survey, Journal Publication, Ohio, May 3, 1913

John Frederick Mowbray-Clarke, ca. 1912, Group, sculpture, Armory show postcard

Wilhelm Lehmbruck, 1911, Femme á genoux (The Kneeling One), cast stone, 176 × 138 × 70 cm, Armory Show postcard

Raymond Duchamp-Villon, 1910–11, Torse de jeune homme (Torso of a young man), terracotta, 60.4 cm (23 3/4 in), Armory Show postcard, published 1913. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Jacob Epstein, The Rock Drill, 1913, in its original form, it is now lost.

Antoine Bourdelle, Herakles the Archer, 1909

George Grey Barnard, The Birth, c. 1913, marble

Albert Pinkham Ryder

Greenwich Village

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Neighborhood on the west side of Lower Manhattan in New York City, bounded by 14th Street to the north, Broadway to the east, Houston Street to the south, and the Hudson River to the west.

453–461 Sixth Avenue in the Historic District

The intersection of West 4th and West 12th Streets

Street signs at intersection of West 10th and West 4th Streets

Map of old Greenwich Village. A section of Bernard Ratzer's map of New York and its suburbs, made ca. 1766 for Henry Moore, royal governor of New York, when Greenwich was more than 2 miles (3 km) from the city.

Gay Street at the corner of Waverly Place; the street's name refers to a colonial family, not the LGBT character of Greenwich Village

Whitney Museum of American Art's original location, at 8–12 West 8th Street, between Fifth Avenue and MacDougal Street; currently home to the New York Studio School of Drawing, Painting and Sculpture.

The Cherry Lane Theatre is located in Greenwich Village.

The annual Greenwich Village Halloween Parade is the world's largest Halloween parade.

The Stonewall Inn, a designated U.S. National Historic Landmark and National Monument, as the site of the June 1969 Stonewall riots and the cradle of the modern gay rights movement.

The Washington Square Arch, an unofficial icon of Greenwich Village and nearby New York University

396-397 West Street at West 10th Street is a former hotel which dates from 1904, and is part of the Weehawken Street Historic District

Washington Mews in Greenwich Village; an NYU building can be seen in the background

Christopher Park, part of the Stonewall National Monument

Jefferson Market Library, once a courthouse, now serves as a branch of the New York Public Library.

90 Bedford Street, used for establishing shot in Friends

After 1902, the owner's brother Albert Pinkham Ryder lived and painted there.

Marsden Hartley

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American Modernist painter, poet, and essayist.

Front row, left to right: Jo Davidson, Edward Steichen, Arthur B. Carles, John Marin; back row: Marsden Hartley, Laurence Fellows, c. 1911, Bates College Museum of Art

Photograph of Hartley by Alfred Stieglitz at the Metropolitan Museum of Art, gelatin silver print, 24.8 x 19.8cm, 1916

Marsden Hartley, Handsome Drinks, 1916, oil on composition board, 61 x 50.8 cm, Brooklyn Museum, New York

Marsden Hartley, Portrait of a German Officer, 1914, oil on canvas, 173.4 x 105.1 cm, Metropolitan Museum of Art, New York

The Ice Hole, 1908, New Orleans Museum of Art

Autumn Color, ca. 1910, Metropolitan Museum of Art

Abstraction, ca. 1914, Museum of Fine Arts, Houston

A Bermuda Window in a Semi-Tropic Character, 1917, De Young Museum

Landscape, New Mexico, 1916–1920, Brooklyn Museum

The Virgin of Guadalupe, 1918–1920, Metropolitan Museum of Art

Cemetery, New Mexico, 1924, Metropolitan Museum of Art

Mount Katahdin (Maine), Autumn No. 2, 1939–40, Metropolitan Museum of Art

Study for "Lobster Fishermen", 1940, Metropolitan Museum of Art

Lobster Fishermen, 1940–41, Metropolitan Museum of Art

Hartley was a great admirer of Albert Pinkham Ryder and visited his studio in Greenwich Village as often as possible.

James McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, c. 1875; Oil on panel; 60.3 x 46.4 cm

Tonalism

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Artistic style that emerged in the 1880s when American artists began to paint landscape forms with an overall tone of colored atmosphere or mist.

Albert Pinkham Ryder, Siegfried and the Rhine Maidens (1888 - 1891), National Gallery of Art, Washington, DC

John H. Twachtman, The White Bridge, c. 1895, Minneapolis Institute of Arts

Leon Dabo, The Seashore, c. 1900; Oil on masonite; 76.8 x 86.4 cm

thumb|John Francis Murphy, Brooding New York landscape, c. 1900

Albert Pinkham Ryder

Society of American Artists

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American artists group.

Some of the first members included sculptor Augustus Saint-Gaudens, whose work had been rejected from a National Academy exhibition in 1877; painters Walter Shirlaw, Robert Swain Gifford, Albert Pinkham Ryder, John La Farge, Julian Alden Weir, John Henry Twachtman, and Alexander Helwig Wyant; and designer and artist Louis Comfort Tiffany.

Ralph Albert Blakelock

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Romanticist American painter known primarily for his landscape paintings related to the Tonalism movement.

Moonlight, c. 1883–1889, High Museum, Atlanta, Georgia

Indian Encampment, 1870, Midwest Museum of American Art

Above the Clouds, c. 1875, Indianapolis Museum of Art

Sunset, Navarro Ridge, California Coast, 1870–1879, Smithsonian American Art Museum

Edge of the Forest, 1880–1890, Brooklyn Museum

Evening, 1880–1890, Haggin Museum, Stockton

The Canoe, 1880–1890, Haggin Museum, Stockton

Canadian Indian Hunters, 1881, Herbert F. Johnson Museum of Art

Moonlight, Indian Encampment, 1885–1890, Smithsonian American Art Museum

Moonlight, 1885-1890, Columbus Museum of Art

The Signal Fire, 1885–1890, Smithsonian American Art Museum

Moonlight Sonata, 1889–1892, Museum of Fine Arts, Boston

Moonlight, 1886–1895, Corcoran Gallery of Art

Moonlight, c. late 1880s–1890s, Phillips Collection

Moonlight on the Brook, 1886–1895, Krannert Art Museum

Morning Light, 1902, Indianapolis Museum of Art

Left: Twilight (c. 1919-1923, private collection), one of Harry Watrous' nocturnes that pays posthumous homage. Right: Blakelock's (c. 1888, Yale University Art Gallery).

Along with his contemporary Albert Pinkham Ryder, Ralph Albert Blakelock was one of the most individual American painters of his time.

Whitney Museum

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Art museum in the Meatpacking District and West Village neighborhoods of Manhattan in New York City.

The Whitney's original location, at 8–12 West 8th Street, between Fifth Avenue and MacDougal Street in Greenwich Village

The Whitney Museum of American Art's former (1966–2014) home on Madison Avenue; the Marcel Breuer-designed building has seen numerous subsequent uses.

Entrance to the Whitney via the High Line

The Whitney Museum, New York City in 2016: The building was designed by Renzo Piano.

Gertrude Vanderbilt Whitney by Robert Henri (1916)

Banners from April 5, 2019, protest by Decolonize This Place at the Whitney Museum, New York NY, over board vice chair Warren Kanders' ownership of Safariland, a manufacturer of tear gas and other weapons

Maurice Prendergast, Central Park, 1900, (1900)

Oscar Florianus Bluemner, Old Canal Port, (1914)

Thomas Hart Benton, House in Cubist Landscape, (c. 1915–1920)

Edward Hopper, New York Interior, c. 1921

George Bellows, Dempsey and Firpo, (1924)

Artists represented include Josef Albers, Joe Andoe, Edmund Archer, Donald Baechler, Thomas Hart Benton, Lucile Blanch, Jonathan Borofsky, Louise Bourgeois, Sonia Gordon Brown, Charles Burchfield, Alexander Calder, Suzanne Caporael, Norman Carton, Carolina Caycedo, Ching Ho Cheng, Talia Chetrit, Ann Craven, Anna Craycroft, Dan Christensen, Greg Colson, Susan Crocker, Ronald Davis, Stuart Davis, Mira Dancy, Lindsey Decker, Martha Diamond, Richard Diebenkorn, Daniella Dooling, Arthur Dove, Loretta Dunkelman, William Eggleston, Helen Frankenthaler, Georgia O'Keeffe, Arshile Gorky, Keith Haring, Grace Hartigan, Marsden Hartley, Robert Henri, Carmen Herrera, Eva Hesse, Hans Hofmann, Edward Hopper, Richard Hunt, Jasper Johns, Corita Kent, Franz Kline, Terence Koh, Willem de Kooning, Lee Krasner, Ronnie Landfield, John Marin, Knox Martin, John McCracken, John McLaughlin, Robert Motherwell, Bruce Nauman, Louise Nevelson, Barnett Newman, Kenneth Noland, Paul Pfeiffer, Jackson Pollock, Larry Poons, Maurice Prendergast, Kenneth Price, Robert Rauschenberg, Man Ray, Mark Rothko, Morgan Russell, Albert Pinkham Ryder, Cindy Sherman, John Sloan, Frank Stella, Andy Warhol, and hundreds of others.

Robert Loftin Newman

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American painter and stained-glass designer.

He is sometimes associated with Albert Pinkham Ryder as a painter of mood.

National Academy of Design

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Honorary association of American artists, founded in New York City in 1825 by Samuel Morse, Asher Durand, Thomas Cole, Martin E. Thompson, Charles Cushing Wright, Ithiel Town, and others "to promote the fine arts in America through instruction and exhibition."