Original vinyl release
Toussaint at the Freret Street Festival,
New Orleans, 2009
Toussaint performing in Stockholm in 2009
Allen Toussaint receiving the National Medal of Arts in 2013

"Working in the Coal Mine" is a song with music and lyrics by the American musician and record producer Allen Toussaint.

- Working in the Coal Mine

Marshall Estus Sehorn (June 25, 1934 – December 5, 2006) was an American A&R man, songwriter, music publisher and entrepreneur who played an important role in the development of R&B and popular music in New Orleans between the 1950s and 1970s, particularly as the business partner of record producer Allen Toussaint.

- Marshall Sehorn

Many musicians recorded Toussaint's compositions, including "Whipped Cream", "Java", "Mother-in-Law", "I Like It Like That", "Fortune Teller", "Ride Your Pony", "Get Out of My Life, Woman", "Working in the Coal Mine", "Everything I Do Gonna Be Funky", "Freedom For the Stallion", "Here Come the Girls", "Yes We Can Can", "Play Something Sweet", and "Southern Nights".

- Allen Toussaint

After Toussaint returned to New Orleans from the U.S. Army, in which he served from 1963 to 1965, he formed a production company, Sansu (also known as "Tou-Sea Productions"), with partner Marshall Sehorn.

- Working in the Coal Mine

He persuaded Toussaint to write new material for Lee Dorsey, which included "Ride Your Pony" and "Working in the Coal Mine", both of which became international hits.

- Marshall Sehorn

After his discharge in 1965, he joined forces with Marshall Sehorn to form Sansu Enterprises, which included a record label, Sansu, variously known as Tou-Sea, Deesu, or Kansu, and recorded Lee Dorsey, Chris Kenner, Betty Harris, and others.

- Allen Toussaint
Original vinyl release

1 related topic with Alpha

Overall

Lee Dorsey

0 links

American pop and R&B singer during the 1960s.

American pop and R&B singer during the 1960s.

His biggest hits were "Ya Ya" (1961) and "Working in the Coal Mine" (1966).

Much of his work was produced by Allen Toussaint, with instrumental backing provided by the Meters.

These efforts were unsuccessful, but around 1960 he was discovered by A&R man Marshall Sehorn, who secured him a contract with Fury Records, owned by Bobby Robinson.