A report on Animation and Heckle and Jeckle

Nr. 10 in the reworked second series of Stampfer's stroboscopic discs published by Trentsensky & Vieweg in 1833.

A projecting praxinoscope, from 1882, here shown superimposing an animated figure on a separately projected background scene

A still from "The Talking Magpies". This short featured prototypes of the duo.

Gold Key Comics Heckle and Jeckle Issue 2, from February 1962

Italian-Argentine cartoonist Quirino Cristiani showing the cut and articulated figure of his satirical character El Peludo (based on President Yrigoyen) patented in 1916 for the realization of his films, including the world's first animated feature film El Apóstol.

An example of traditional animation, a horse animated by rotoscoping from Eadweard Muybridge's 19th-century photos.

A clay animation scene from a Finnish television commercial

A 2D animation of two circles joined by a chain

World of Color hydrotechnics at Disney California Adventure creates the illusion of motion using 1,200 fountains with high-definition projections on mist screens.

Heckle and Jeckle are postwar animated cartoon characters created by Paul Terry, originally produced at his own Terrytoons animation studio and released through 20th Century Fox.

- Heckle and Jeckle

Several studios would introduce characters that would become very popular and would have long-lasting careers, including Walt Disney Productions' Goofy (1932) and Donald Duck (1934), Warner Bros. Cartoons' Looney Tunes characters like Porky Pig (1935), Daffy Duck (1937), Bugs Bunny (1938–1940), Tweety (1941–1942), Sylvester the Cat (1945), Wile E. Coyote and Road Runner (1949), Fleischer Studios/Paramount Cartoon Studios' Betty Boop (1930), Popeye (1933), Superman (1941) and Casper (1945), MGM cartoon studio's Tom and Jerry (1940) and Droopy, Walter Lantz Productions/Universal Studio Cartoons' Woody Woodpecker (1940), Terrytoons/20th Century Fox's Gandy Goose (1938), Dinky Duck (1939), Mighty Mouse (1942) and Heckle and Jeckle (1946) and United Artists' Pink Panther (1963).

- Animation

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Theatrical release poster by Steven Chorney

Who Framed Roger Rabbit

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1988 American live-action/animated comedy mystery film directed by Robert Zemeckis, produced by Frank Marshall and Robert Watts, and loosely adapted by Jeffrey Price and Peter S. Seaman from Gary K. Wolf's 1981 novel Who Censored Roger Rabbit?.

Bob Hoskins played the role of Eddie Valiant.

The plot incorporated the actual closing of Pacific Electric.

Judge Doom (played by Christopher Lloyd) threatens Roger Rabbit before introducing him to the dip. Mime artists, puppeteers, mannequins, and robotic arms were commonly used during filming to help the actors interact with "open air and imaginative cartoon characters".

Who Framed Roger Rabbit marks the first and only time in animation history that Disney's Mickey Mouse and Warner Bros.' Bugs Bunny (as well as Donald Duck and Daffy Duck) have ever officially appeared on-screen together. Warners agreed that their biggest cartoon stars, Bugs and Daffy, would each receive an equal amount of screen time as Disney's Mickey and Donald.

In a world co-populated by humans and cartoon characters, "toons" regularly interact with real people, act in animated shorts and films, and reside in an area at Los Angeles known as Toontown.

Ideas originally conceived for the story also included a sequence set at Marvin Acme's funeral, whose attendees included Eddie, Foghorn Leghorn, Mickey Mouse, Minnie Mouse, Tom and Jerry, Heckle and Jeckle, Chip n' Dale, Felix the Cat, Herman and Katnip, Mighty Mouse, Superman, Popeye, Olive Oyl, Bluto, Clarabelle Cow, Horace Horsecollar, the Seven Dwarfs, Baby Huey, and Casper the Friendly Ghost in cameo appearances.