A clay model of a chicken, designed to be used in a clay stop motion animation
Nr. 10 in the reworked second series of Stampfer's stroboscopic discs published by Trentsensky & Vieweg in 1833.
Original French poster.
Julienne Mathieu in a stop motion/pixilation scene from Hôtel électrique (1908)
A projecting praxinoscope, from 1882, here shown superimposing an animated figure on a separately projected background scene
Stills from Battle of the Suds and other Helena Smith-Dayton films (1917)
Fantasmagorie (1908) by Émile Cohl
Pat & Mat, two inventive but clumsy neighbors, was introduced in 1976, while the first made-for-TV episode Tapety (translated Wallpaper) was produced in 1979 for ČST Bratislava.
Italian-Argentine cartoonist Quirino Cristiani showing the cut and articulated figure of his satirical character El Peludo (based on President Yrigoyen) patented in 1916 for the realization of his films, including the world's first animated feature film El Apóstol.
An example of traditional animation, a horse animated by rotoscoping from Eadweard Muybridge's 19th-century photos.
A clay animation scene from a Finnish television commercial
A 2D animation of two circles joined by a chain
World of Color hydrotechnics at Disney California Adventure creates the illusion of motion using 1,200 fountains with high-definition projections on mist screens.

Stop motion is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back.

- Stop motion

Ladislas Starevich (Владисла́в Алекса́ндрович Старе́вич, Władysław Starewicz; August 8, 1882 – February 26, 1965) was a Polish-Russian stop-motion animator notable as the author of the first puppet-animated film The Beautiful Leukanida (1912).

- Ladislas Starevich

The Tale of the Fox (Le Roman de Renard, Van den vos Reynaerde, Reinecke Fuchs) was stop-motion animation pioneer Ladislas Starevich's first fully animated feature film.

- The Tale of the Fox

Other common animation methods apply a stop motion technique to two- and three-dimensional objects like paper cutouts, puppets, or clay figures.

- Animation

Released eight months before Walt Disney's Snow White and the Seven Dwarfs, it is the world's sixth-ever animated feature film (and the third surviving animated film, as well as the second to use puppet animation, following The New Gulliver from the USSR).

- The Tale of the Fox

Other great artistic and very influential short films were created by Ladislas Starevich with his puppet animations since 1910 and by Winsor McCay with detailed drawn animation in films such as Little Nemo (1911) and Gertie the Dinosaur (1914).

- Animation

Often mentioned as being among his best work, The Tale of the Fox (Le Roman de Renard, Reinicke Fuchs) was also his first animated feature.

- Ladislas Starevich

Polish-Russian Władysław Starewicz (1882–1965), started his film career around 1909 in Kaunas filming live insects.

- Stop motion

Starewicz finished the first feature stop motion film Le Roman de Renard (The Tale of the Fox) in 1930, but problems with its soundtrack delayed its release.

- Stop motion

Puppet animation : Typically involves stop-motion puppet figures interacting in a constructed environment, in contrast to real-world interaction in model animation. The puppets generally have an armature inside of them to keep them still and steady to constrain their motion to particular joints. Examples include The Tale of the Fox (France, 1937), The Nightmare Before Christmas (US, 1993), Corpse Bride (US, 2005), Coraline (US, 2009), the films of Jiří Trnka and the adult animated sketch-comedy television series Robot Chicken (US, 2005–present).

- Animation
A clay model of a chicken, designed to be used in a clay stop motion animation

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