A report on Special effect, Animation and Morphing

A special effect of a miniature person from the 1952 film The Seven Deadly Sins
Nr. 10 in the reworked second series of Stampfer's stroboscopic discs published by Trentsensky & Vieweg in 1833.
Morphing animation between two faces.
Publicity still for the 1933 film King Kong, which used stop-motion model special effects
A projecting praxinoscope, from 1882, here shown superimposing an animated figure on a separately projected background scene
A period drama set in Vienna uses a green screen as a backdrop, to allow a background to be added during post-production.
Fantasmagorie (1908) by Émile Cohl
Bluescreens are commonly used in chroma key special effects.
Italian-Argentine cartoonist Quirino Cristiani showing the cut and articulated figure of his satirical character El Peludo (based on President Yrigoyen) patented in 1916 for the realization of his films, including the world's first animated feature film El Apóstol.
Spinning fiery steel wool at night
An example of traditional animation, a horse animated by rotoscoping from Eadweard Muybridge's 19th-century photos.
Rig & Gimbal Mechanical Special Effects
A clay animation scene from a Finnish television commercial
Demonstration of bullet hit squibs embedded in a waterproof down jacket as the dead-character costume bursting out fake blood and smoke.
A 2D animation of two circles joined by a chain
World of Color hydrotechnics at Disney California Adventure creates the illusion of motion using 1,200 fountains with high-definition projections on mist screens.

Morphing is a special effect in motion pictures and animations that changes (or morphs) one image or shape into another through a seamless transition.

- Morphing

His most famous film, Le Voyage dans la lune (1902), a whimsical parody of Jules Verne's From the Earth to the Moon, featured a combination of live action and animation, and also incorporated extensive miniature and matte painting work.

- Special effect

Morphing

- Special effect

Go motion : A variant of model animation that uses various techniques to create motion blur between frames of film, which is not present in traditional stop motion. The technique was invented by Industrial Light & Magic and Phil Tippett to create special effect scenes for the film The Empire Strikes Back (1980). Another example is the dragon named "Vermithrax" from the 1981 film Dragonslayer.

- Animation

This includes automated computerized versions of traditional animation techniques, interpolated morphing, onion skinning and interpolated rotoscoping.

- Animation
A special effect of a miniature person from the 1952 film The Seven Deadly Sins

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