A report on Animation, Stop motion and Phenakistiscope

Nr. 10 in the reworked second series of Stampfer's stroboscopic discs published by Trentsensky & Vieweg in 1833.
A clay model of a chicken, designed to be used in a clay stop motion animation
Animated GIF of Prof. Stampfer's Stroboscopische Scheibe No. X (Trentsensky & Vieweg 1833)
A projecting praxinoscope, from 1882, here shown superimposing an animated figure on a separately projected background scene
Julienne Mathieu in a stop motion/pixilation scene from Hôtel électrique (1908)
A family viewing animations in a mirror through the slits of stroboscopic discs (detail of an illustration by E. Schule on the box label for Magic Disk - Disques Magiques, circa 1833)
Fantasmagorie (1908) by Émile Cohl
Stills from Battle of the Suds and other Helena Smith-Dayton films (1917)
A phenakistoscope (described in the display as a "Phantasmascope") with cards. On display in Bedford Museum, England.
Italian-Argentine cartoonist Quirino Cristiani showing the cut and articulated figure of his satirical character El Peludo (based on President Yrigoyen) patented in 1916 for the realization of his films, including the world's first animated feature film El Apóstol.
Pat & Mat, two inventive but clumsy neighbors, was introduced in 1976, while the first made-for-TV episode Tapety (translated Wallpaper) was produced in 1979 for ČST Bratislava.
Joseph Plateau's illustration in Corresp. Math. (1833)
An example of traditional animation, a horse animated by rotoscoping from Eadweard Muybridge's 19th-century photos.
A paper zoopraxiscope disc by Eadweard Muybridge (1893)
A clay animation scene from a Finnish television commercial
Re-animation from a paper zoopraxiscope disc
A 2D animation of two circles joined by a chain
Animation of a Fantascope disc by Thomas Mann Baynes, 1833
World of Color hydrotechnics at Disney California Adventure creates the illusion of motion using 1,200 fountains with high-definition projections on mist screens.
La Cinémathèque française 1833
Library of Congress 1833
Library of Congress 1833
Library of Congress 1833
Library of Congress 1833
Library of Congress 1833
Library of Congress 1833
Cooper Hewitt 1833
Cooper Hewitt 1833
Cooper Hewitt 1833
Library of Congress 1833
Library of Congress 1833
Cooper Hewitt 1833
Library of Congress 1833
Library of Congress 1833
Library of Congress 1833
Library of Congress 1893
Library of Congress 1893
Library of Congress 1893
alt=|Library of Congress 1834

Stop motion is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back.

- Stop motion

The phenakistiscope (also known by the spellings phénakisticope or phenakistoscope) was the first widespread animation device that created a fluent illusion of motion.

- Phenakistiscope

Other common animation methods apply a stop motion technique to two- and three-dimensional objects like paper cutouts, puppets, or clay figures.

- Animation

In 1849, Joseph Plateau published a note about improvements for his Fantascope (a.k.a. phénakisticope).

- Stop motion

Analog mechanical animation media that rely on the rapid display of sequential images include the phénakisticope, zoetrope, flip book, praxinoscope, and film.

- Animation

This disc was most likely the very first time a stop motion technique was successfully applied.

- Phenakistiscope
Nr. 10 in the reworked second series of Stampfer's stroboscopic discs published by Trentsensky & Vieweg in 1833.

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