A report on Sanchi, Ashoka and Brahmi script

A c. 1st century BCE/CE relief from Sanchi, showing Ashoka on his chariot, visiting the Nagas at Ramagrama.

A northern example of Brahmi epigraphy: ancient terracotta sculpture from Sugh "Child learning Brahmi", showing the first letters of the Brahmi alphabet, 2nd century BCE.

Plan of the monuments of the hill of Sanchi, numbered 1 to 50.

Ashoka's Major Rock Edict at Junagadh contains inscriptions by Ashoka (fourteen of the Edicts of Ashoka), Rudradaman I and Skandagupta.

A later (mistaken) theory of a pictographic-acrophonic origin of the Brahmi script, on the model of the Egyptian hieroglyphic script, by Alexander Cunningham in 1877.

King Ashoka visits Ramagrama, to take relics of the Buddha from the Nagas, but in vain. Southern gateway, Stupa 1, Sanchi.

The capital of the Sanchi pillar of Ashoka, as discovered (left), and simulation of original appearance (right). It is very similar to the Lion Capital of Ashoka at Sarnath, except for the abacus, here adorned with flame palmettes and facing geese, 250 BCE. Sanchi Archaeological Museum.

The Major Rock Edict No.13 of Ashoka, mentions the Greek kings Antiochus, Ptolemy, Antigonus, Magas and Alexander by name, as recipients of his teachings.

by later illustrations among the Sanchi reliefs

The Aramaic Inscription of Taxila probably mentions Ashoka.

Coin of Agathocles with Hindu deities, in Greek and Brahmi.
Obverse: Balarama-Samkarshana with Greek legend: ΒΑΣΙΛΕΩΣ ΑΓΑΘΟΚΛΕΟΥΣ.
Reverse: Vasudeva-Krishna with Brahmi legend:𑀭𑀸𑀚𑀦𑁂 𑀅𑀕𑀣𑀼𑀓𑁆𑀮𑀬𑁂𑀲 Rājane Agathukleyesa "King Agathocles". Circa 180 BCE.

The Great Stupa under the Sungas. The Sungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it.

The Saru Maru commemorative inscription seems to mention the presence of Ashoka in the area of Ujjain as he was still a Prince.

A 2nd-century BCE Tamil Brahmi inscription from Arittapatti, Madurai India. The southern state of Tamil Nadu has emerged as a major source of Brahmi inscriptions dated between 3rd to 1st centuries BCE.

Foreigner on a horse, circa 115 BCE, Stupa No2.

Kanaganahalli inscribed panel portraying Asoka with Brahmi label "King Asoka", 1st–3rd century CE.

A proposed connection between the Brahmi and Indus scripts, made in the 19th century by Alexander Cunningham.

Sunga period railings were initially blank (left: Great Stupa), and only started to be decorated circa 115 BCE with Stupa No.2 (right).

Stupa of Sanchi. The central stupa was built during the Mauryas, and enlarged during the Sungas, but the decorative gateway is dated to the later dynasty of the Satavahanas.

The word Lipī used by Ashoka to describe his "Edicts". Brahmi script (Li= La+ i; pī= Pa+ ii). The word would be of Old Persian origin ("Dipi").

Sunga pillar No25 with own capital on the side.

Illustration of the original Mahabodhi Temple temple built by Asoka at Bodh Gaya. At the center, the Vajrasana, or "Enlightenment Throne of the Buddha", with its supporting columns, being the object of adoration. A Pillar of Ashoka topped by an elephant appears in the right corner. Bharhut relief, 1st century BCE.

Connections between Phoenician (4th column) and Brahmi (5th column). Note that 6th-to-4th-century BCE Aramaic (not shown) is in many cases intermediate in form between the two.

The rediscovered Vajrasana, or "Enlightenment Throne of the Buddha", at the Mahabodhi Temple in Bodh Gaya. It was built by Ashoka to commemorate the enlightenment of the Buddha, about two hundred years before him.

The Prakrit word "Dha-ṃ-ma" (Dharma) in the Brahmi script, as inscribed by Ashoka in his Edicts. Topra Kalan pillar, now in New Delhi (3rd century BCE).

Ashoka and Monk Moggaliputta-Tissa at the Third Buddhist Council. Nava Jetavana, Shravasti.

Calligraphical evolution: 3rd century BCE calligraphy (top), and a sample of the new calligraphic style introduced by the Indo-Scythians (bottom, fragment of the Mirzapur stele inscription, in the vicinity of Mathura, circa 15 CE). The text is Svāmisya Mahakṣatrapasya Śudasasya "Of the Lord and Great Satrap Śudāsa"

A king - most probably Ashoka - with his two queens and three attendants, in a relief at Sanchi. The king's identification with Ashoka is suggested by a similar relief at Kanaganahalli, which bears his name.

Classification of Brahmi characters by James Prinsep in March 1834. The structure of Brahmi (consonantal characters with vocalic "inflections") was properly identified, but the individual values of characters remained undetermined, except for four of the vocalic inflections. Journal of the Asiatic Society of Bengal Volume 3 (March 1834).

Ashoka with his queen, at Kanaganahalli near Sannati, 1st–3rd century CE. The relief bears the inscription "Rāya Asoko" (𑀭𑀸𑀬 𑀅𑀲𑁄𑀓𑁄, "King Ashoka") in Brahmi script. It depicts the king with his queen, two attendants bearing fly-whisks, and one attendant bearing an umbrella.

Norwegian scholar Christian Lassen used the bilingual Greek-Brahmi coinage of Indo-Greek king Agathocles to correctly achieve in 1836 the first secure decipherement of several letters of the Brahmi script, which was later completed by James Prinsep.

The Great Stupa at the time of the Satavahanas.

Emperor Ashoka and his Queen at the Deer Park. Sanchi relief.

Consonants of the Brahmi script, and evolution down to modern Devanagari, according to James Prinsep, as published in the Journal of the Asiatic Society of Bengal, in March 1838. All the letters are correctly deciphered, except for two missing on the right: 𑀰(ś) and 𑀱(ṣ). Vowels and compounds [[:File:Brahmi script vowels according to James Prinsep March 1838.jpg|here]]. All scripts derived from Brahmi are gathered under the term "Brahmic scripts".

Temptation of the Buddha, with the Buddha on the left (symbolized by his throne only) surrounded by rejoicing devotees, Mara and his daughters (center), and the demons of Mara fleeing (right).

The word Upāsaka (𑀉𑀧𑀸𑀲𑀓, "Buddhist lay follower", in the Brahmi script), used by Ashoka in his Minor Rock Edict No.1 to describe his affiliation to Buddhism (circa 258 BCE).

War over the Buddha's Relics, kept by the city of Kushinagar, South Gate, Stupa no.1, Sanchi.

Territories "conquered by the Dhamma" according to Major Rock Edict No.13 of Ashoka (260–218 BCE).

King Ashoka visits Ramagrama, to take relics of the Buddha from the Nagas, but he failed, the Nagas being too powerful. Southern gateway, Stupa 1, Southern Gateway, Sanchi.

Distribution of the Edicts of Ashoka, and location of the contemporary Greek city of Ai-Khanoum.

Ashoka in grief, supported by his two queens, in a relief at Sanchi. Stupa 1, Southern gateway. The identification with Ashoka is confirm by a similar relief from Kanaganahalli inscribed "Raya Asoko".

The Kandahar Edict of Ashoka, a bilingual inscription (in Greek and Aramaic) by King Ashoka, discovered at Kandahar (National Museum of Afghanistan).

Some major conjunct consonants in the Brahmi script.

Bodhi tree temple depicted in Sanchi, Stupa 1, Southern gateway.

The Minor Rock Edict of Maski mentions the author as "Devanampriya Asoka", definitively linking both names, and confirming Ashoka as the author of the famous Edicts.

Temple for the Bodhi Tree (Eastern Gateway).

A c. 1910 painting by Abanindranath Tagore (1871–1951) depicting Ashoka's queen standing in front of the railings of the Buddhist monument at Sanchi (Raisen district, Madhya Pradesh).

The Brahmi symbol for /ka/, modified to represent different vowels

foreigners illustrated at Sanchi worshiping the Great Stupa

The Ashokan pillar at Lumbini, Nepal, Buddha's birthplace

A 1st century BCE/CE inscription from Sanchi: "Vedisakehi daṃtakārehi rupakaṃmaṃ kataṃ" (, "Ivory workers from Vidisha have done the carving").

The Diamond throne at the Mahabodhi Temple, attributed to Ashoka

1800 years separate these two inscriptions: Brahmi script of the 3rd century BCE (Edict of Ashoka), and its derivative, 16th century CE Devanagari script (1524 CE), on the Delhi-Topra pillar.

Mauryan ringstone, with standing goddess. Northwest Pakistan. 3rd century BCE. British Museum

Kya (vertical assembly of consonants "Ka" Brahmi k.svg and "Ya" Brahmi y.svg), as in "Sa-kya-mu-nī " ( 𑀲𑀓𑁆𑀬𑀫𑀼𑀦𑀻, "Sage of the Shakyas")

Rampurva bull capital, detail of the abacus, with two "flame palmettes" framing a lotus surrounded by small rosette flowers.

Miracle of the Buddha walking on the river Nairanjana

Caduceus symbol on a Maurya-era punch-marked coin

Procession of king Suddhodana from Kapilavastu

A punch-marked coin attributed to Ashoka<ref>{{cite book |last=Mitchiner |first=Michael |date=1978 |title=Oriental Coins & Their Values: The Ancient and Classical World 600 B.C. - A.D. 650 |publisher=Hawkins Publications |page=544 |isbn=978-0-9041731-6-1}}</ref>

Hmī (Ha+Ma+i+i), as in the word "Brāhmī" (𑀩𑁆𑀭𑀸𑀳𑁆𑀫𑀻).

"The promenade of the Buddha", or Chankrama, used to depict the Buddha in motion in Buddhist aniconism.

A Maurya-era silver coin of 1 karshapana, possibly from Ashoka's period, workshop of Mathura. Obverse: Symbols including a sun and an animal Reverse: Symbol Dimensions: 13.92 x 11.75 mm Weight: 3.4 g.

$Early/Middle Brahmi legend on the coinage of Chastana: RAJNO MAHAKSHATRAPASA GHSAMOTIKAPUTRASA CHASHTANASA "Of the Rajah, the Great Satrap, son of Ghsamotika, Chashtana". 1st–2nd century CE.<ref>{{cite book |title=Seaby's Coin and Medal Bulletin: July 1980 |date=1980 |publisher=Seaby Publications Ltd. |page=219 |url=https://archive.org/details/seabyscoinmedalb1980base_r0l5/page/218}}</ref>$

Bimbisara with his royal cortege issuing from the city of Rajagriha to visit the Buddha

Inscribed Kushan statue of Western Satraps King Chastana, with inscription "Shastana" in Middle Brahmi script of the Kushan period (Gupta ashoka ss.svg{{sub|Gupta ashoka sta.jpg}}Gupta ashoka n.svg Ṣa-sta-na).<ref name="JBO">"The three letters give us a complete name, which I read as Ṣastana (vide facsimile and cast). Dr. Vogel read it as Mastana but that is incorrect for Ma was always written with a circular or triangular knob below with two slanting lines joining the knob" in {{cite book |title=Journal of the Bihar and Orissa Research Society |date=1920 |publisher=The Society |url=https://books.google.com/books?id=yKZEAQAAMAAJ |language=en}}</ref>

Foreigners making a dedication at the Southern Gateway of Stupa No 1

The rulers of the Western Satraps were called Mahākhatapa ("Great Satrap") in their Brahmi script inscriptions, as here in a dedicatory inscription by Prime Minister Ayama in the name of his ruler Nahapana, Manmodi Caves, circa 100 CE.<ref>{{cite book|last1=Burgess|first1=Jas|title=Archaeological Survey Of Western India|date=1883|page=103|url=https://archive.org/stream/in.ernet.dli.2015.35775}}</ref>

Stupas and monasteries at Sanchi in the early centuries of the current era. Reconstruction, 1900

Nasik Cave inscription No.10. of Nahapana, Cave No.10.

Gupta script on stone Kanheri Caves, one of the earliest descendants of Brahmi

Temple 17: a Gupta period tetrastyle prostyle temple of Classical appearance. 5th century CE

The Gopika Cave Inscription of Anantavarman, in the Sanskrit language and using the Gupta script. Barabar Caves, Bihar, or 6th century CE.

Statue of Padmapani (5th c.or 9th c.) Victoria and Albert Museum.

$Coin of Alchon Huns ruler Mihirakula. Obv: Bust of king, with legend in Gupta script (Gupta_allahabad_j.svg)Gupta_allahabad_y.svgGupta_allahabad_tu.jpg{{sup|Gupta_allahabad_mi.jpg}}{{sup|Gupta ashoka hi.jpg}}Gupta_allahabad_r.svgGupta_allahabad_ku.jpgGupta_allahabad_l.svg,<ref>The "h" (Gupta ashoka h.svg) is an early variant of the Gupta script</ref> (Ja)yatu Mihirakula ("Let there be victory to Mihirakula").<ref>{{cite book |last1=Verma |first1=Thakur Prasad |title=The Imperial Maukharis: History of Imperial Maukharis of Kanauj and Harshavardhana |date=2018 |publisher=Notion Press |isbn=9781643248813 |page=264 |url=https://books.google.com/books?id=09FqDwAAQBAJ&pg=PT264 |language=hi}}</ref><ref>{{cite book |last1=Sircar |first1=D. C. |title=Studies in Indian Coins |date=2008 |publisher=Motilal Banarsidass |isbn=9788120829732 |page=376 |url=https://books.google.com/books?id=m1JYwP5tVQUC&pg=PA376 |language=en}}</ref><ref>{{cite book |last1=Tandon |first1=Pankaj | pages=24–34|title=Notes on the Evolution of Alchon Coins Journal of the Oriental Numismatic Society, No. 216, Summer 2013 |date=2013 |publisher= Oriental Numismatic Society |url=http://coinindia.com/galleries-alchon-early.html}} also Coinindia Alchon Coins (for an exact description of this coin type)</ref>$

Pillar 26: one of the two four-lions stambha capitals at Sanchi, with lions, central flame palmette and Wheel of Law (axis, stubs of the spokes and part of the circumference only), initially located at the Northern Gateway of the Great Stupa. Sanchi Archaeological Museum.

Pillar 26: lion pillar capital at time of discovery, with Dharmachakra wheel (reconstitution). Northern Gateway.

Pillar 35 column stump (right), and bell capital with abacus, positioned upside down.

Vajrapani statue of pillar 35, 5th c. CE. Sanchi Archaeological Museum.

Temple 18 at Sanchi, an apsidal hall with Maurya foundations, rebuilt at the time of Harsha (7th century CE).

The Great Stupa as breached by Sir Herbert Maddock in 1822. Watercolor by Frederick Charles Maisey, in 1851.

Ruins of the Southern Gateway, Sanchi in 1875.

Inscribed panel from Sanchi in Brahmi script in the British Museum

The last two letters to the right of this inscription in Brahmi form the word "dǎnam" (donation). This hypothesis permitted the decipherment of the Brahmi script by James Prinsep in 1837.

General view of the Stupas at Sanchi by F.C. Maisey, 1851 (The Great Stupa on top of the hill, and Stupa 2 at the forefront)

The Great Stupa (Stupa No.1), started in the 3rd century BCE

Remains of the Ashokan Pillar in polished stone (right of the Southern Gateway), with its Edict.

Sanchi Minor Pillar Edict of Ashoka, in-situ (detail of the previous image).

Remains of the shaft of the pillar of Ashoka, under a shed near the Southern Gateway.

Side view of the capital. Sanchi Archaeological Museum.<ref name="p.25-28 Ashoka pillar"/>

Shunga vedika (railing) with inscriptions.

Lakshmi with lotus and two child attendants, probably derived from [[:File:Venus with two cupids 2.jpg|similar images of Venus]]<ref>An Indian Statuette From Pompeii, Mirella Levi D'Ancona, in Artibus Asiae, Vol. 13, No. 3 (1950) p. 171</ref>

Detail of the foreigners, in Greek dress and playing carnyxes and aolus flute. Northern Gateway of Stupa I (detail).

Foreigners holding grapes and riding winged lions, Sanchi Stupa 1, Eastern Gateway.<ref>"The Diffusion of Classical Art in Antiquity, John Boardman, 1993, p. 112 Note 91</ref>

Foreigners on horses, wearing headbands, caps and boots. Western gate of Stupa 1.

The Buddha represented by the Dharmacakra.

Bottom panel Dvarapala guardian deity or devotee.

Pillar 34 with lion.<ref>Marshall p. 52 Pillar 34</ref>

The winged lion capital of pillar 34 (lost).

It was originally commissioned by the Mauryan emperor Ashoka the Great in the 3rd century BCE.

- Sanchi

The Ashokan inscription is engraved in early Brahmi characters.

- Sanchi

As of 2018, Harry Falk refined his view by affirming that Brahmi was developed from scratch in a rational way at the time of Ashoka, by consciously combining the advantages of the pre-existing Greek script and northern Kharosthi script.

- Brahmi script

James Prinsep then analysed a large number of donatory inscriptions on the reliefs in Sanchi, and noted that most of them ended with the same two Brahmi characters: "𑀤𑀦𑀁".

- Brahmi script

Sanchi, Madhya Pradesh, India

- Ashoka

Most of Ashoka's inscriptions are written in a mixture of various Prakrit dialects, in the Brahmi script.

- Ashoka

3 related topics with Alpha

Gautama Buddha

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Ascetic and spiritual teacher of South Asia who lived during the latter half of the first millennium BCE.

Seated Buddha from Tapa Shotor monastery in Hadda, Afghanistan, 2nd century CE

Ancient kingdoms and cities of India during the time of the Buddha (c. 500 BCE)

Inscription "The illumination of the Blessed Sakamuni" (Brahmi script: 𑀪𑀕𑀯𑀢𑁄 𑀲𑀓𑀫𑀼𑀦𑀺𑀦𑁄 𑀩𑁄𑀥𑁄, Bhagavato Sakamunino Bodho) on a relief showing the "empty" Illumination Throne of the Buddha in the early Mahabodhi Temple at Bodh Gaya. Bharhut, c. 100 BCE.

One of the earliest anthropomorphic representations of the Buddha, here surrounded by Brahma (left) and Śakra (right). Bimaran Casket, mid-1st century CE, British Museum.

Māyā miraculously giving birth to Siddhārtha. Sanskrit, palm-leaf manuscript. Nālandā, Bihar, India. Pāla period

The legendary Jataka collections depict the Buddha-to-be in a previous life prostrating before the past Buddha Dipankara, making a resolve to be a Buddha, and receiving a prediction of future Buddhahood.

Map showing Lumbini and other major Buddhist sites in India. Lumbini (present-day Nepal), is the birthplace of the Buddha, and is a holy place also for many non-Buddhists.

The Lumbini pillar contains an inscription stating that this is the Buddha's birthplace

The "Great Departure" of Siddhartha Gautama, surrounded by a halo, he is accompanied by numerous guards and devata who have come to pay homage; Gandhara, Kushan period

Prince Siddhartha shaves his hair and becomes a sramana. Borobudur, 8th century

The gilded "Emaciated Buddha statue" in Wat Suthat in Bangkok representing the stage of his asceticism

The Mahabodhi Tree at the Sri Mahabodhi Temple in Bodh Gaya

The Enlightenment Throne of the Buddha at Bodh Gaya, as recreated by Emperor Ashoka in the 3rd century BCE.

Miracle of the Buddha walking on the River Nairañjanā. The Buddha is not visible (aniconism), only represented by a path on the water, and his empty throne bottom right. Sanchi.

Dhamek Stupa in Sarnath, India, site of the first teaching of the Buddha in which he taught the Four Noble Truths to his first five disciples

The chief disciples of the Buddha, Mogallana (chief in psychic power) and Sariputta (chief in wisdom).

The remains of a section of Jetavana Monastery, just outside of ancient Savatthi, in Uttar Pradesh.

Mahāprajāpatī, the first bhikkuni and Buddha's stepmother, ordains

This East Javanese relief depicts the Buddha in his final days, and Ānanda, his chief attendant.

Mahaparinirvana, Gandhara, 3rd or 4th century CE, gray schist

Mahaparinibbana scene, from the Ajanta caves

Buddha's cremation stupa, Kushinagar (Kushinara).

Piprahwa vase with relics of the Buddha. The inscription reads: ...salilanidhane Budhasa Bhagavate... (Brahmi script: ...𑀲𑀮𑀺𑀮𑀦𑀺𑀥𑀸𑀦𑁂 𑀩𑀼𑀥𑀲 𑀪𑀕𑀯𑀢𑁂...) "Relics of the Buddha Lord".

The Bodhisattva meets with Alara Kalama, Borobudur relief.

Gandharan Buddhist birchbark scroll fragments

Buddha meets a Brahmin, at the Indian Museum, Kolkata

Schist Buddha statue with the famed Ye Dharma Hetu dhāraṇī around the head, which was used as a common summary of Dependent Origination. It states: "Of those experiences that arise from a cause, The Tathāgata has said: 'this is their cause, And this is their cessation': This is what the Great Śramaṇa teaches."

Gandharan sculpture depicting the Buddha in the full lotus seated meditation posture, 2nd-3rd century CE

Buddha Statues from Gal Vihara. The Early Buddhist texts also mention meditation practice while standing and lying down.

The Buddha on a coin of Kushan ruler Kanishka I, c. 130 CE.

Buddhist monks from Nepal. According to the earliest sources, the Buddha looked like a typical shaved man from northeast India.

A Royal Couple Visits the Buddha, from railing of the Bharhut Stupa, Shunga dynasty, early 2nd century BC.

Adoration of the Diamond Throne and the Bodhi Tree, Bharhut.

Descent of the Buddha from the Trayastrimsa Heaven, Sanchi Stupa No. 1.

The Buddha's Miracle at Kapilavastu, Sanchi Stupa 1.

Bimbisara visiting the Buddha (represented as empty throne) at the Bamboo garden in Rajagriha

The great departure with riderless horse, Amaravati, 2nd century CE.

The Assault of Mara, Amaravati, 2nd century CE.

Isapur Buddha, one of the earliest physical depictions of the Buddha, c. 15 CE.<ref>{{cite book |last1=Quintanilla |first1=Sonya Rhie |title=History of Early Stone Sculpture at Mathura: Ca. 150 BCE – 100 CE |date=2007 |publisher=BRILL |isbn=9789004155374 |pages=199–206, 204 for the exact date |url=https://books.google.com/books?id=X7Cb8IkZVSMC&pg=PA204}}</ref> Art of Mathura

The Buddha attended by Indra at Indrasala Cave, Mathura 50-100 CE.

Buddha Preaching in Tushita Heaven. Amaravati, Satavahana period, 2d century CE. Indian Museum, Calcutta.

Gandharan Buddha with Vajrapani-Herakles.

Birth of the Buddha, Kushan dynasty, late 2nd to early 3rd century CE.

The Infant Buddha Taking A Bath, Gandhara 2nd century CE.

Sarnath standing Buddha, 5th century CE.

Chinese Stele with Sakyamuni and Bodhisattvas, Wei period, 536 CE.

The Shakyamuni Daibutsu Bronze, c. 609, Nara, Japan.

Amaravati style Buddha of Srivijaya period, Palembang, Indonesia, 7th century.

Korean Seokguram Cave Buddha, c. 774 CE.

Seated Buddha Vairocana flanked by Avalokiteshvara and Vajrapani of Mendut temple, Central Java, Indonesia, early 9th century.

Buddha in the exposed stupa of Borobudur mandala, Central Java, Indonesia, c. 825.

Vairocana Buddha of Srivijaya style, Southern Thailand, 9th century.

Seated Buddha, Japan, Heian period, 9th－10th century.

Cambodian Buddha with Mucalinda Nāga, c. 1100 CE, Banteay Chhmar, Cambodia

Sakyamuni, Lao Tzu, and Confucius, c. from 1368 until 1644.

Shakyamuni Buddha with Avadana Legend Scenes, Tibetan, 19th century

Gautama statue, Shanyuan Temple, Liaoning Province, China.

Burmese style Buddha, Shwedagon pagoda, Yangon.

Large Gautama Buddha statue in Buddha Park of Ravangla.

In the mid-3rd century BCE the Emperor Ashoka determined that Lumbini was Gautama's birthplace and thus installed a pillar there with the inscription: "...this is where the Buddha, sage of the Śākyas (Śākyamuni), was born."

Particularly, Ashoka's Lumbini pillar inscription commemorates the Emperor's pilgrimage to Lumbini as the Buddha's birthplace, calling him the Buddha Shakyamuni (Brahmi script: 𑀩𑀼𑀥 𑀲𑀓𑁆𑀬𑀫𑀼𑀦𑀻 Bu-dha Sa-kya-mu-nī, "Buddha, Sage of the Shakyas").

Some of the earliest artistic depictions of the Buddha found at Bharhut and Sanchi are aniconic and symbolic.

Vidisha

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City in central Madhya Pradesh, India.

Relative locations of the Heliodorus pillar, Besnagar, Vidisha, Sanchi and the Udayagiri Caves.

The inscription 𑀯𑁂𑀤𑀺𑀲 Vedisa (for the city of Vidisha) at Sanchi, Brahmi script, 1st century BCE.

Pillar in the Bijamaṇḍal with an inscription of Naravarman

Capital of one of the pillars of Ashoka, from Udayagiri near Vidisha.

Archaeological plan of the old city of Besnagar

Archaeological layers at Besnagar: the Temple of Vāsudeva in the forefront, and the Heliodorus pillar in the back

The town is situated east of the Betwa River, in the fork of the Betwa and Bes rivers, 9 km from Sanchi.

The Emperor Ashoka was the governor of Vidisha during his father's lifetime.

The script used in the inscription is Brahmi but the language is Prakrit, recording that Heliodorus erected the pillar as a Garuda Stambha to pay homage to Lord Vasudeva, who was later integrated as a manifestation of Lord Vishnu.

Kushan Empire

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Yuezhi nobleman and priest over a fire altar. Noin-Ula.

The ethnonym "KOϷ ϷANO" (Koshshano, "Kushan") in Greek alphabet (with the addition of the letter Ϸ, "Sh") on a coin of the first known Kushan ruler Heraios (1st century AD).

Greek alphabet (narrow columns) with Kushan script (wide columns)

Early gold coin of Kanishka I with Greek language legend and Hellenistic divinity Helios. (c. AD 120).
Obverse: Kanishka standing, clad in heavy Kushan coat and long boots, flames emanating from shoulders, holding a standard in his left hand, and making a sacrifice over an altar. Greek legend: ΒΑΣΙΛΕΥΣ ΒΑΣΙΛΕΩΝ ΚΑΝΗϷΚΟΥ
Basileus Basileon Kanishkoy
"[Coin] of Kanishka, king of kings". Reverse: Standing Helios in Hellenistic style, forming a benediction gesture with the right hand. Legend in Greek script: ΗΛΙΟΣ Helios Kanishka monogram (tamgha) to the left.

Kushan territories (full line) and maximum extent of Kushan control under Kanishka the Great. The extent of Kushan control is notably documented in the Rabatak inscription. The northern expansion into the Tarim Basin is mainly suggested by coin finds and Chinese chronicles.

Map showing the four empires of Eurasia in the 2nd century AD. "For a time, the Kushan Empire was the centerpoint of the major civilizations".

Eastern reach as far as Bengal: Samatata coinage of king Vira Jadamarah, in imitation of the Kushan coinage of Kanishka I. The text of the legend is a meaningless imitation. Bengal, circa 2nd-3rd century AD.

Kumara/Kartikeya with a Kushan devotee, 2nd century AD

Kushan prince, said to be Huvishka, making a donation to a Boddhisattva.

Shiva Linga worshipped by Kushan devotees, circa 2nd century AD

The Ahin Posh stupa was dedicated in the 2nd century AD under the Kushans, and contained coins of Kushan and Roman Emperors.

Early Mahayana Buddhist triad. From left to right, a Kushan devotee, Maitreya, the Buddha, Avalokitesvara, and a Buddhist monk. 2nd–3rd century, Gandhara

The head of a Gandhara Bodhisattava said to resemble a Kushan prince, as seen in [[:File:KushanHead.jpg|the portrait of the prince]] from Khalchayan. Philadelphia Museum.

Greco-Roman gladiator on a glass vessel, Begram, 2nd century

$Rishti or Riom<ref>{{cite journal |quote=The reading of the name of the deity on this coin is very much uncertain and disputed (Riom, Riddhi, Rishthi, Rise....) |last1=Fleet |first1=J.F. |title=The Introduction of the Greek Uncial and Cursive Characters into India |journal=The Journal of the Royal Asiatic Society of Great Britain and Ireland |year=1908 |volume=1908 |page=179, note 1 |jstor=25210545}}</ref><ref>{{cite book |quote=The name Riom as read by Gardner, was read by Cunningham as Ride, who equated it with Riddhi, the Indian goddess of fortune. F.W. Thomas has read the name as Rhea |last1=Shrava |first1=Satya |title=The Kushāṇa Numismatics |year=1985 |publisher=Pranava Prakashan |page=29 |url=https://books.google.com/books?id=_1EaAAAAYAAJ}}</ref>$

Kushan Carnelian seal representing the "ΑΔϷΟ" (adsho Atar), with triratana symbol left, and Kanishka the Great's dynastic mark right

Coin of Kanishka I, with a depiction of the Buddha and legend "Boddo" in Greek script

Coin of Vima Kadphises. Deity Oesho on the reverse, thought to be Shiva,<ref name="sino-platonic.org"/>{{sfn|Bopearachchi|2007|pp=41–53}}<ref>Perkins, J. (2007). Three-headed Śiva on the Reverse of Vima Kadphises's Copper Coinage. South Asian Studies, 23(1), 31–37</ref> or the Zoroastrian Vayu.<ref>{{cite book |editor-last1=Errington |editor-first1=Elizabeth |author=Fitzwilliam Museum |title=The Crossroads of Asia: transformation in image and symbol in the art of ancient Afghanistan and Pakistan |date=1992 |publisher=Ancient India and Iran Trust |isbn=9780951839911 |page=87 |url=https://books.google.com/books?id=pfLpAAAAMAAJ}}</ref>

The Kushan Empire (, Kushano; कुषाण वंश; Brahmi: , ; BHS: ; , Kušan-xšaθr; 貴霜 Guì-shuāng ) was a syncretic empire, formed by the Yuezhi, in the Bactrian territories in the early 1st century.

Other areas of probable rule include Khwarezm and its capital city of Toprak-Kala, Kausambi (excavations of Allahabad University), Sanchi and Sarnath (inscriptions with names and dates of Kushan kings), Malwa and Maharashtra, and Odisha (imitation of Kushan coins, and large Kushan hoards).

Along with his predecessors in the region, the Indo-Greek king Menander I (Milinda) and the Indian emperors Ashoka and Harsha Vardhana, Kanishka is considered by Buddhism as one of its greatest benefactors.