A report on AugustusRoman Egypt and Roman Empire

Augustus of Prima Porta, 1st century
Province of Aegyptus in AD 125
A denarius from 44 BC, showing Julius Caesar on the obverse and the goddess Venus on the reverse of the coin. Caption: CAESAR IMP. M. / L. AEMILIVS BVCA
A 1st-century AD Roman emperor wearing nemes with a uraeus, as pharaoh (Louvre)
The Roman Empire in AD 117 at its greatest extent, at the time of Trajan's death (with its vassals in pink)
The Death of Caesar by Vincenzo Camuccini. On 15 March 44 BC, Octavius's adoptive father Julius Caesar was assassinated by a conspiracy led by Marcus Junius Brutus and Gaius Cassius Longinus. Galleria Nazionale d'Arte Moderna, Rome
The first generations of the imperial Severan dynasty depicted on the "Severan Tondo" from Egypt (Antikensammlung Berlin)
The Augustus of Prima Porta
(early 1st century AD)
A bust of Augustus as a younger Octavian, dated ca. 30 BC. Capitoline Museums, Rome
Statue of an orator, wearing a himation, from Heracleopolis Magna, in Middle Egypt (Egyptian Museum, Cairo)
The Roman Empire in AD 117 at its greatest extent, at the time of Trajan's death (with its vassals in pink)
Roman aureus bearing the portraits of Mark Antony (left) and Octavian (right), issued in 41 BC to celebrate the establishment of the Second Triumvirate by Octavian, Antony and Marcus Lepidus in 43 BC. Both sides bear the inscription "III VIR R P C", meaning "One of Three Men for the regulation of the Republic". Caption: M. ANT. IMP. AVG. III VIR RPC M. BARBAT. Q. P. / CAESAR IMP. PONT. III VIR PRC. The M. Barbatius Pollio was a moneyer
Bronze statue of a nude youth, from Athribis in Lower Egypt (British Museum, London)
The Barbarian Invasions consisted of the movement of (mainly) ancient Germanic peoples into Roman territory. Even though northern invasions took place throughout the life of the Empire, this period officially began in the 4th century and lasted for many centuries, during which the western territory was under the dominion of foreign northern rulers, a notable one being Charlemagne. Historically, this event marked the transition between classical antiquity and the Middle Ages.
A denarius minted c. 18 BC. Obverse: CAESAR AVGVSTVS; reverse: comet of eight rays with tail upward; DIVVS IVLIV[S] (DIVINE JULIUS).
A 2nd-century AD Roman emperor wearing nemes, as pharaoh (, Bad Deutsch-Altenburg)
The Roman Empire by 476
Fresco paintings inside the House of Augustus, his residence during his reign as emperor.
Encaustic and tempera painted mummy portrait of a Roman officer c. 160, with a green sagum, gold fibula, white tunic, and red leather balteus (British Museum)
The cities of the Roman world in the Imperial Period. Data source: Hanson, J. W. (2016), Cities database, (OXREP databases). Version 1.0. (link).
A denarius of Sextus Pompeius, minted for his victory over Octavian's fleet. Obverse: the place where he defeated Octavian, Pharus of Messina decorated with a statue of Neptune; before that galley adorned with aquila, sceptre & trident; MAG. PIVS IMP. ITER. Reverse, the monster Scylla, her torso of dogs and fish tails, wielding a rudder as a club. Caption: PRAEF[ECTUS] CLAS[SIS] ET ORAE MARIT[IMAE] EX S. C.
Encaustic painted mummy portrait of a Roman officer c. 130, with a blue sagum, silver fibula, white tunic, and red balteus, with related grave goods (Antikensammlung Berlin)
A segment of the ruins of Hadrian's Wall in northern England, overlooking Crag Lough
Anthony and Cleopatra, by Lawrence Alma-Tadema
Encaustic mummy portrait of a Roman officer c. 100, with a blue sagum, fibula, white tunic with purple angusticlavus, and red balteus (Antikensammlung Berlin)
A 5th-century papyrus showing a parallel Latin-Greek text of a speech by Cicero
The Battle of Actium, by Laureys a Castro, painted 1672, National Maritime Museum, London.
1st-century AD mummy excavated by William Flinders Petrie
Bilingual Latin-Punic inscription at the theatre in Leptis Magna, Roman Africa (present-day Libya)
This mid-1st-century-BC Roman wall painting in Pompeii, Italy, showing Venus holding a cupid is most likely a depiction of Cleopatra VII of Ptolemaic Egypt as Venus Genetrix, with her son Caesarion as the cupid, similar in appearance to the now lost statue of Cleopatra erected by Julius Caesar in the Temple of Venus Genetrix (within the Forum of Caesar). The owner of the House of Marcus Fabius Rufus at Pompeii walled off the room with this painting, most likely in immediate reaction to the execution of Caesarion on orders of Augustus in 30 BC, when artistic depictions of Caesarion would have been considered a sensitive issue for the ruling regime.
Bust of Roman Nobleman, c. 30 BC–50 AD, Brooklyn Museum
A multigenerational banquet depicted on a wall painting from Pompeii (1st century AD)
Aureus of Octavian, circa 30 BC, British Museum.
Roman trade with India started from Aegyptus according to the Periplus of the Erythraean Sea (1st century).
Citizen of Roman Egypt (Fayum mummy portrait)
Octavian as a magistrate. The statue's marble head was made c. 30–20 BC, the body sculpted in the 2nd century AD (Louvre, Paris).
Kushan ruler Huvishka with seated Roman-Egyptian god Serapis (ϹΑΡΑΠΟ, "Sarapo") wearing the modius.
Dressing of a priestess or bride, Roman fresco from Herculaneum, Italy (30–40 AD)
The Arch of Augustus in Rimini (Ariminum), dedicated to Augustus by the Roman Senate in 27 BC, one of the oldest surviving Roman triumphal arches
Roman emperor Trajan making offerings to Egyptian Gods, on the Roman Mammisi at the Dendera Temple complex, Egypt.
Slave holding writing tablets for his master (relief from a 4th-century sarcophagus)
Portraits of Augustus show the emperor with idealized features
North apse of the Red Monastery of Sohag
Cinerary urn for the freedman Tiberius Claudius Chryseros and two women, probably his wife and daughter
The Blacas Cameo showing Augustus wearing a gorgoneion on a three layered sardonyx cameo, AD 20–50
Possible personification of the province of Egypt from the Temple of Hadrian in Rome (National Roman Museum)
Fragment of a sarcophagus depicting Gordian III and senators (3rd century)
Augustus as Jupiter, holding a scepter and orb (first half of 1st century AD)
Nilus, the river god of Egypt's Nile, with cornucopia, wheatsheaf, sphinx, and crocodile (Braccio Nuovo). Sculpture from Rome's Temple of Isis and Serapis.
Condemned man attacked by a leopard in the arena (3rd-century mosaic from Tunisia)
Head of Augustus as pontifex maximus, Roman artwork of the late Augustan period, last decade of the 1st century BC
Enthroned statue of the syncretic god Serapis with Cerberus, from Pozzuoli (National Archaeological Museum, Naples)
Forum of Gerasa (Jerash in present-day Jordan), with columns marking a covered walkway (stoa) for vendor stalls, and a semicircular space for public speaking
A colossal statue of Augustus from the Augusteum of Herculaneum, seated and wearing a laurel wreath.
4th-century relief of the god Horus as a Roman cavalryman killing the crocodile, Setekh (Louvre)
Reconstructed statue of Augustus as Jove, holding scepter and orb (first half of 1st century AD).
Bust of Augustus wearing the Civic Crown, at Glyptothek, Munich
2nd-century relief of Anubis as a Roman infantryman in the Catacombs of Kom El Shoqafa
Antoninus Pius (reigned 138–161), wearing a toga (Hermitage Museum)
Bust of Tiberius, a successful military commander under Augustus before he was designated as his heir and successor
Copper-alloy statuettes of Egyptian gods Anubis (left) and Horus (centre) as Roman officers with contrapposto stances (National Archaeological Museum, Athens)
The Roman empire under Hadrian (ruled 117–138) showing the location of the Roman legions deployed in 125 AD
Muziris in the Chera Kingdom of Southern India, as shown in the Tabula Peutingeriana, with depiction of a "Temple of Augustus" ("Templum Augusti"), an illustration of Indo-Roman relations in the period
5th-century Christian relief (Staatliche Sammlung für Ägyptische Kunst)
Relief panel from Trajan's Column in Rome, showing the building of a fort and the reception of a Dacian embassy
The victorious advance of Hermann, depiction of the 9 AD Battle of the Teutoburg Forest, by Peter Janssen, 1873
A possible 2nd-century papyrus fragment of the Gospel of Peter, from the Oxyrhynchus Papyri (P. Oxy. LX 4009, Sackler Library)
The Pula Arena in Croatia is one of the largest and most intact of the remaining Roman amphitheatres.
Augustus in a late 16th-century copper engraving by Giovanni Battista Cavalieri. From the book Romanorum Imperatorum effigies (1583), preserved in the Municipal Library of Trento (Italy)
Coptic cross and chi-rho carved into older reliefs at the Temple of Isis at Philae
Personification of the River Nile and his children, from the Temple of Serapis and Isis in Rome (1st century AD)
The deified Augustus hovers over Tiberius and other Julio-Claudians in the Great Cameo of France
Roman-era Christian-themed wool-and-linen Egyptian textile (Louvre)
A green Roman glass cup unearthed from an Eastern Han Dynasty (25–220 AD) tomb in Guangxi, southern China; the earliest Roman glassware found in China was discovered in a Western Han tomb in Guangzhou, dated to the early 1st century BC, and ostensibly came via the maritime route through the South China Sea
The Mausoleum of Augustus restored (2021)
Trilingual stela of G. Cornelius Gallus from Philae (Egyptian Museum)
Solidus issued under Constantine II, and on the reverse Victoria, one of the last deities to appear on Roman coins, gradually transforming into an angel under Christian rule
The Virgin Mary and Child, the prophetess Sibyl Tivoli bottom left and the emperor Augustus in the bottom right, from the Très Riches Heures du duc de Berry. The likeness of Augustus is that of the Byzantine emperor Manuel II Palaiologos
Granite statue of Caracalla wearing nemes and uraeus cobra headdress (Alexandria National Museum)
Landscape resulting from the ruina montium mining technique at Las Médulas, Spain, one of the most important gold mines in the Roman Empire
The Augustus cameo at the center of the Medieval Cross of Lothair
"Pompey's Pillar", a monument erected by Diocletian ((r. 284 – 305)) in the Serapeum of Alexandria, represented in a mosaic from Sepphoris in Roman Palestine
The Tabula Peutingeriana (Latin for "The Peutinger Map") an Itinerarium, often assumed to be based on the Roman cursus publicus, the network of state-maintained roads.
Augustus as Roman pharaoh in an Egyptian-style depiction, a stone carving of the Kalabsha Temple in Nubia
4th-century pendant with portrait of Alexander the Great as Zeus-Ammon with repoussé border (Walters Art Museum)
A map of the Periplus of the Erythraean Sea, a Greco-Roman Periplus
Coin of Kushan ruler Kujula Kadphises, in the style of Roman emperor Augustus. British Museum. AE dichalkon, Chach, c. first half of 1st. Century, Weight:3.26 gm., Diam:18 mm. Caption: obverse in Greek ΚΟΖΟΛΑ ΚΑΔΑΦΕΣ ΧΟΡΑΝΟΥ ΖΑΟΟΥ, reverse in Kharoshti.
Folio 6 verso from the Golenischev papyrus of the Alexandrian World Chronicle, showing Theophilus of Alexandria standing triumphantly on top of the Serapeum with its bust of Serapis
Workers at a cloth-processing shop, in a painting from the fullonica of Veranius Hypsaeus in Pompeii
Fragment of a bronze equestrian statue of Augustus, 1st century AD, National Archaeological Museum of Athens
The Carmagnola, an Egyptian porphyry head on Venice's St Mark's Basilica thought to represent Justinian I
Roman hunters during the preparations, set-up of traps, and in-action hunting near Tarraco
Virgil reading the Aeneid to Augustus and Octavia, by Jean-Joseph Taillasson, 1787
A map of the Near East in 565, showing Byzantine Egypt and its neighbors.
Amphitheatres of the Roman Empire
Coin of Augustus found at the Pudukottai hoard, from an ancient Tamil country, Pandyan Kingdom of present-day Tamil Nadu in India, a testimony to Indo-Roman trade. British Museum. Caption: AVGVSTVS DIVI F[ILIVS]. (The vertical slice, not part of the original design, was likely an old test cut to make sure the coin was solid rather than a fourrée.)
Augustan-era krater in Egyptian alabaster, found in a Roman necropolis at San Prisco in 1897 (National Archaeological Museum, Naples)
Construction on the Flavian Amphitheatre, more commonly known as the Colosseum (Italy), began during the reign of Vespasian.
1st century coin of the Himyarite Kingdom, southern coast of the Arabian peninsula. This is also an imitation of a coin of Augustus.
The Byzantine Empire in 629 after Heraclius had reconquered Syria, Palestine and Egypt from the Sassanid Empire.
The Pont du Gard aqueduct, which crosses the river Gardon in southern France, is on UNESCO's list of World Heritage Sites.
Close up on the sculpted detail of the Ara Pacis (Altar of Peace), 13 BC to 9 BC
The Mediterranean world in 650, after the Arabs had conquered Egypt and Syria from the Byzantines.
Cityscape from the Villa Boscoreale (60s AD)
The Temple of Augustus and Livia in Vienne, late 1st century BC
Mummy portrait from er-Rubayat (Walters Art Museum)
Aquae Sulis in Bath, England: architectural features above the level of the pillar bases are a later reconstruction.
The Meroë Head of Augustus, bronze Roman portraiture bust from Meroë, Kingdom of Kush (Nubia, modern Sudan), 27–25 BC
1st-century mummy portrait from Hawara (Cleveland Museum of Art)
Public toilets (latrinae) from Ostia Antica
Portrait of Augustus; Istanbul Archaeology Museums, Turkey
1st/2nd-century mummy portrait from er-Rubayat (Ny Carlsberg Glyptotek)
Reconstructed peristyle garden based on the House of the Vettii
2nd century mummy portrait from er-Rubayat (Ny Carlsberg Glyptotek)
Birds and fountain within a garden setting, with oscilla (hanging masks) above, in a painting from Pompeii
2nd-century mummy portrait from er-Rubayat (Ny Carlsberg Glyptotek)
Bread stall, from a Pompeiian wall painting
2nd-century mummy portrait from er-Rubayat (Ny Carlsberg Glyptotek)
An Ostian taberna for eating and drinking; the faded painting over the counter pictured eggs, olives, fruit and radishes.
2nd-century mummy portrait from er-Rubayat (Ny Carlsberg Glyptotek)
Still life on a 2nd-century Roman mosaic
2nd-century mummy portrait from er-Rubayat (Walters Art Museum)
Wall painting depicting a sports riot at the amphitheatre of Pompeii, which led to the banning of gladiator combat in the town
Mummy portrait (Antikensammlung Berlin)
A victor in his four-horse chariot
2nd-century mummy portrait from er-Rubayat (Walters Art Museum)
The Zliten mosaic, from a dining room in present-day Libya, depicts a series of arena scenes: from top, musicians playing a Roman tuba, a water pipe organ and two horns; six pairs of gladiators with two referees; four beast fighters; and three convicts condemned to the beasts
2nd-century mummy portrait from Faiyum (Galerie Cybèle, Paris)
Boys and girls playing ball games (2nd-century relief from the Louvre)
2nd-century mummy portrait from er-Rubayat (Antikensammlung Berlin)
So-called "bikini girls" mosaic from the Villa del Casale, Roman Sicily, 4th century
3rd-century mummy portrait from er-Rubayat (Brooklyn Museum)
Stone game board from Aphrodisias: boards could also be made of wood, with deluxe versions in costly materials such as ivory; game pieces or counters were bone, glass, or polished stone, and might be coloured or have markings or images
2nd-century mummy portrait (Getty Villa)
Women from the wall painting at the Villa of the Mysteries, Pompeii
2nd-century mummy portrait (Pushkin Museum)
Claudius wearing an early Imperial toga (see a later, more structured toga above), and the pallium as worn by a priest of Serapis, sometimes identified as the emperor Julian
2nd-century mummy portrait (Nelson-Atkins Museum of Art)
The Aldobrandini Wedding, 27 BC – 14 AD
2nd–4th-century mummy portrait from Hawara (Ny Carlsberg Glyptotek)
The Wedding of Zephyrus and Chloris (54–68 AD, Pompeian Fourth Style) within painted architectural panels from the Casa del Naviglio
2nd/3rd-century mummy portrait from er-Rubayat (Walters Art Museum)
The bronze Drunken Satyr, excavated at Herculaneum and exhibited in the 18th century, inspired an interest among later sculptors in similar "carefree" subjects.
2nd-century mummy portrait (Harvard Art Museums)
On the Ludovisi sarcophagus, an example of the battle scenes favoured during the Crisis of the Third Century, the "writhing and highly emotive" Romans and Goths fill the surface in a packed, anti-classical composition
2nd-century mummy portrait probably from er-Rubayat (Getty Villa)
The Primavera of Stabiae, perhaps the goddess Flora
Mummy Mask of a Man, early 1st century AD, 72.57, Brooklyn Museum
The Triumph of Neptune floor mosaic from Africa Proconsularis (present-day Tunisia), celebrating agricultural success with allegories of the Seasons, vegetation, workers and animals viewable from multiple perspectives in the room (latter 2nd century)
Canopic jar from the 3rd or 4th century (National Archaeological Museum, Florence)
Actor dressed as a king and two muses. Fresco from Herculaneum, 30–40 AD
Funerary masks uncovered in Faiyum, 1st century.
All-male theatrical troupe preparing for a masked performance, on a mosaic from the House of the Tragic Poet
2nd-century statuette of Horus as Roman general (Louvre)
Pride in literacy was displayed in portraiture through emblems of reading and writing, as in this example of a couple from Pompeii (Portrait of Paquius Proculo).
1st–4th-century statuette of Horus as a Roman soldier (Louvre)
Reconstruction of a writing tablet: the stylus was used to inscribe letters into the wax surface for drafts, casual letterwriting, and schoolwork, while texts meant to be permanent were copied onto papyrus.
2nd-century statuette of Isis–Aphrodite (Metropolitan Museum of Art)
A teacher with two students, as a third arrives with his loculus, a writing case that would contain pens, ink pot, and a sponge to correct errors
2nd-century statuette of Isis–Aphrodite from Lower Egypt (Louvre)
Mosaic from Pompeii depicting the Academy of Plato
1st–4th-century statuette of Isis lactans (Louvre)
Portrait of a literary woman from Pompeii (ca. 50 AD)
Isis lactans: the mother goddess suckles Harpocrates (Pio-Clementino Museum)
A fresco in Pompeii depicting a poet (thought to be Euphorion) and a female reading a diptych
1st/2nd-century Parian marble statue of Anubis (Gregorian Egyptian Museum)
Statue in Constanța, Romania (the ancient colony Tomis), commemorating Ovid's exile
2nd/3rd-century mosaic of Anubis from Ariminum (Museo della Città, Rimini)
Brescia Casket, an ivory box with Biblical imagery (late 4th century)
6th- or 7th-century Christian sandstone grave stela (Luxor Museum)
Silver cup, from the Boscoreale Treasure (early 1st century AD)
6th- or 7th-century Christian sandstone stela (Luxor Museum)
Finely decorated Gallo-Roman terra sigillata bowl
6th- or 7th-century Christian sandstone relief (Luxor Museum)
Gold earrings with gemstones, 3rd century
Hadrian coin celebrating Aegyptus Province, struck c. 135. In the obverse, Egypt is personified as a reclining woman holding the sistrum of Hathor. Her left elbow rests on a basket of grain, while an ibis stands on the column at her feet.
Glass cage cup from the Rhineland, 4th century
Zenobia coin reporting her title as queen of Egypt (Augusta), and showing her diademed and draped bust on a crescent. The obverse shows a standing figure of Ivno Regina (Juno) holding a patera in her right hand and a sceptre in her left hand, with a peacock at her feet and a brilliant star on the left.
Dionysus (Bacchus) with long torch sitting on a throne, with Helios (Sol), Aphrodite (Venus) and other gods. Fresco from Pompeii.
A Roman priest, his head ritually covered with a fold of his toga, extends a patera in a gesture of libation (2nd–3rd century)
Statuettes representing Roman and Gallic deities, for personal devotion at private shrines
thumb|upright=0.6|The Pompeii Lakshmi, an ivory statuette from the Indian subcontinent found in the ruins of Pompeii
Relief from the Arch of Titus in Rome depicting a menorah and other spoils from the Temple of Jerusalem carried in Roman triumph.
This funerary stele from the 3rd century is among the earliest Christian inscriptions, written in both Greek and Latin: the abbreviation D.M. at the top refers to the Di Manes, the traditional Roman spirits of the dead, but accompanies Christian fish symbolism.
The Pantheon in Rome, a Roman temple originally built under Augustus and later rebuilt under Hadrian in the 2nd century, dedicated to Rome's polytheistic religion before its conversion into a Catholic church in the 7th century

Egypt (Aegyptus ; Aígyptos ) was a subdivision of the Roman Empire from Rome's annexation of the Ptolemaic Kingdom in 30 BC to its loss by the Byzantine Empire to the Islamic conquests in AD 641.

- Roman Egypt

His status as the founder of the Roman Principate (the first phase of the Roman Empire) has consolidated a legacy as one of the greatest leaders in human history.

- Augustus

305 – 30)), which had ruled Egypt since the Wars of Alexander the Great brought an end to Achaemenid Egypt (the Thirty-first Dynasty), took the side of Mark Antony in the last war of the Roman Republic, against the eventual victor Octavian, who as Augustus became the first Roman emperor in 27 BC, having defeated Mark Antony and the pharaoh, Cleopatra VII, at the naval Battle of Actium.

- Roman Egypt

Civil wars and proscriptions continued, eventually culminating in the victory of Octavian, Caesar's adopted son, over Mark Antony and Cleopatra at the Battle of Actium in 31 BC. The following year, Octavian conquered the Ptolemaic Kingdom in Egypt, ending the Hellenistic period that had begun with the conquests of Alexander the Great in the 4th century BC. Octavian's power then became unassailable, and in 27 BC, the Roman Senate formally granted him overarching power and the new title of Augustus, effectively making him the first Roman emperor.

- Roman Empire

Augustus dramatically enlarged the Empire, annexing Egypt, Dalmatia, Pannonia, Noricum and Raetia, expanding possessions in Africa, and completing the conquest of Hispania, but suffered a major setback in Germania.

- Augustus
Augustus of Prima Porta, 1st century

6 related topics with Alpha

Overall

Roman Empire under Augustus (31 BC – AD 14). Yellow: 31BC. dark green 31–19 BC, light green 19–9 BC, pale green 9–6 BC. mauve: client states

Roman province

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Roman Empire under Augustus (31 BC – AD 14). Yellow: 31BC. dark green 31–19 BC, light green 19–9 BC, pale green 9–6 BC. mauve: client states
The Roman empire under Hadrian (125) showing the provinces as then organised
The Roman Empire at its greatest extent, under Trajan (117); imperial provinces are shaded green, senatorial provinces are shaded pink, and client states are shaded gray
The new territorial division of tetrarchic system, promoted by Diocletian (300 ca.).

The Roman provinces (Latin: provincia, pl. provinciae) were the administrative regions of Ancient Rome outside Roman Italy that were controlled by the Romans under the Roman Republic and later the Roman Empire.

A later exception was the province of Egypt, which was incorporated by Augustus after the death of Cleopatra and was ruled by a governor of only equestrian rank, perhaps as a discouragement to senatorial ambition.

30 BC – Aegyptus, taken over by Augustus after his defeat of Mark Antony and Cleopatra VII in 30 BC. It was the first imperial province in that it was Augustus' own domain as the Egyptians recognised him as their new pharaoh. Its proper initial name was Alexandrea et Aegyptus. It was governed by Augustus' praefectus, Alexandreae et Aegypti.

The Berlin Cleopatra, a Roman sculpture of Cleopatra wearing a royal diadem, mid-1st century BC (around the time of her visits to Rome in 46–44 BC), discovered in an Italian villa along the Via Appia and now located in the Altes Museum in Germany.

Cleopatra

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Queen of the Ptolemaic Kingdom of Egypt from 51 to 30 BC, and its last active ruler.

Queen of the Ptolemaic Kingdom of Egypt from 51 to 30 BC, and its last active ruler.

The Berlin Cleopatra, a Roman sculpture of Cleopatra wearing a royal diadem, mid-1st century BC (around the time of her visits to Rome in 46–44 BC), discovered in an Italian villa along the Via Appia and now located in the Altes Museum in Germany.
Hellenistic Kingdoms that emerged after the death of Alexander the Great
Hellenistic portrait of Ptolemy XII Auletes, the father of Cleopatra, located in the Louvre, Paris
Most likely a posthumously painted portrait of Cleopatra with red hair and her distinct facial features, wearing a royal diadem and pearl-studded hairpins, from Roman Herculaneum, Italy, 1st century AD
The Roman Republic (green) and Ptolemaic Egypt (yellow) in 40 BC
A Roman portrait of Pompey made during the reign of Augustus (27 BC – 14 AD), a copy of an original from 70 to 60 BC, and located in the Venice National Archaeological Museum, Italy
The Tusculum portrait, a contemporary Roman sculpture of Julius Caesar located in the Archaeological Museum of Turin, Italy
Cleopatra and Caesar (1866), a painting by Jean-Léon Gérôme
Egyptian portrait of a Ptolemaic queen, possibly Cleopatra, c. 51–30 BC, located in the Brooklyn Museum
Cleopatra's Gate in Tarsos (now Tarsus, Mersin, Turkey), the site where she met Mark Antony in 41 BC
A Roman marble bust of the consul and triumvir Mark Antony, late 1st century AD, Vatican Museums
the 1885 painting
Roman aureus bearing the portraits of Mark Antony (left) and Octavian (right), issued in 41 BC to celebrate the establishment of the Second Triumvirate by Octavian, Antony and Marcus Aemilius Lepidus in 43 BC
A denarius minted by Antony in 34 BC with his portrait on the obverse, which bears the inscription reading "ANTONIVS ARMENIA DEVICTA", alluding to his Armenian campaign. The reverse features Cleopatra, with the inscription "CLEOPATR[AE] REGINAE REGVM FILIORVM REGVM". The mention of her children on the reverse refers to the Donations of Alexandria.
A papyrus document dated February 33 BC granting tax exemptions to a person in Egypt and containing the signature of Cleopatra written by an official, but with "γινέσθωι" ( "make it happen" or "so be it") added in Greek, likely by the queen's own hand
A reconstructed statue of Augustus as a younger Octavian, dated c. 30 BC
A Roman painting from the House of Giuseppe II in Pompeii, early 1st century AD, most likely depicting Cleopatra, wearing her royal diadem and consuming poison in an act of suicide, while her son Caesarion, also wearing a royal diadem, stands behind her
The Death of Cleopatra (1658), by Guido Cagnacci
The Death of Cleopatra (1796–1797), by Jean-Baptiste Regnault
Cleopatra on a coin of 40 drachms from 51 to 30 BC, minted at Alexandria; on the obverse is a portrait of Cleopatra wearing a diadem, and on the reverse an inscription reading "ΒΑΣΙΛΙΣΣΗΣ ΚΛΕΟΠΑΤΡΑΣ" with an eagle standing on a thunderbolt.
Cleopatra Testing Poisons on Condemned Prisoners (1887), by Alexandre Cabanel
A restructured marble Roman statue of Cleopatra wearing a diadem and 'melon' hairstyle similar to coinage portraits, found along the Via Cassia near the, Rome, and now located in the Museo Pio-Clementino
a life-sized Roman-style statue of Cleopatra
the Berlin portrait
Cleopatra and Mark Antony on the obverse and reverse, respectively, of a silver tetradrachm struck at the Antioch mint in 36 BC, with Greek legends: BACIΛΙCCA KΛΕΟΠΑΤΡΑ ΘΕΑ ΝΕΩΤΕΡΑ, ANTΩNIOC AYTOKPATΩP TPITON TPIΩN ANΔPΩN.
Possible sculpted head of Cleopatra VII wearing an Egyptian-style vulture headdress, discovered in Rome, either Roman or Hellenistic Egyptian art, Parian marble, 1st century BC, from the Capitoline Museums{{sfnp|Fletcher|2008|pp=199–200}}{{sfnp|Ashton|2001a|p=217}}
this painting at Pompeii
woman in the painting
Another painting from Pompeii
depicted Cleopatra committing suicide
the white skin of her face and neck set against a stark black background
A possible depiction of Mark Antony on the Portland Vase being lured by Cleopatra, straddling a serpent, while Anton, Antony's alleged ancestor, looks on and Eros flies above
Cleopatra and her son Caesarion at the Temple of Dendera
The Banquet of Cleopatra (1744), by Giovanni Battista Tiepolo, now in the National Gallery of Victoria, Melbourne
depiction of her and Antony
The Triumph of Cleopatra (1821), by William Etty, now in the Lady Lever Art Gallery, Port Sunlight, England
Cleopatra, mid-1st century BC, with a "melon" hairstyle and Hellenistic royal diadem worn over her head, now in the Vatican Museums{{sfnp|Raia|Sebesta|2017}}{{sfnp|Grout|2017b|}}{{sfnp|Roller|2010|pp=174–175}}
Profile view of the Vatican Cleopatra
Cleopatra, mid-1st century BC, showing Cleopatra with a "melon" hairstyle and Hellenistic royal diadem worn over the head, now in the Altes Museum{{sfnp|Raia|Sebesta|2017}}{{sfnp|Grout|2017b|}}{{sfnp|Roller|2010|pp=174–175}}
Profile view of the Berlin Cleopatra
A granite Egyptian bust of Cleopatra from the Royal Ontario Museum, mid-1st century BC
A marble statue of Cleopatra with her cartouche inscribed on the upper right arm and wearing a diadem with a triple uraeus, from the Metropolitan Museum of Art{{sfnp|Ashton|2001b|p=165}}

After the death of Cleopatra, Egypt became a province of the Roman Empire, marking the end of the second to last Hellenistic state and the age that had lasted since the reign of Alexander (336–323 BC).

In the Liberators' civil war of 43–42 BC, Cleopatra sided with the Roman Second Triumvirate formed by Caesar's grandnephew and heir Octavian, Mark Antony, and Marcus Aemilius Lepidus.

Anachronistic baroque painting of the battle of Actium by Laureys a Castro, 1672

Battle of Actium

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Anachronistic baroque painting of the battle of Actium by Laureys a Castro, 1672
A reconstructed statue of Augustus as a younger Octavian, dated c. 30 BC
A Roman bust of the consul and triumvir Mark Antony, Vatican Museums
Ballistae on a Roman ship
Order of battle.
Plan of the battle by Jean Baptiste Bourguignon d'Anville, Paris, 1734
A (restructured) Roman statue of Cleopatra wearing a diadem and 'melon' hairstyle similar to coinage portraits, marble, found near the Tomba di Nerone, Rome along the Via Cassia, Museo Pio-Clementino

The Battle of Actium was a naval battle fought between a maritime fleet of Octavian led by Marcus Agrippa and the combined fleets of both Mark Antony and Cleopatra VII Philopator.

As Augustus, he retained the trappings of a restored Republican leader, but historians generally view his consolidation of power and the adoption of these honorifics as the end of the Roman Republic and the beginning of the Roman Empire.

Egypt's surrender after Cleopatra's death marked the demise of both the Hellenistic Period and the Ptolemaic Kingdom, turning it into a Roman province.

Roman governor

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A Roman governor was an official either elected or appointed to be the chief administrator of Roman law throughout one or more of the many provinces constituting the Roman Empire.

After Augustus established the principate, the Emperor himself was the direct governor of Rome's most important provinces (called imperial provinces) and even in the provinces he did not directly govern, was senior to other provincial governors through holding imperium maius, or supreme imperium.

Much like the senatorial province of Africa, the equestrian province of Aegyptus (Egypt) was an exception to the general rule of legions only being stationed in imperial provinces.

Judaea (Roman province)

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Roman province which incorporated the regions of Judea, Samaria, and Idumea, and extended over parts of the former regions of the Hasmonean and Herodian kingdoms of Judea.

Roman province which incorporated the regions of Judea, Samaria, and Idumea, and extended over parts of the former regions of the Hasmonean and Herodian kingdoms of Judea.

Pompey in the Temple of Jerusalem, by Jean Fouquet
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Old Roman era gate, Bab al-'Amud in Jerusalem's Old City (today part of Damascus Gate)
Roman stepped road in the Shephelah hill country of Judea (adjacent to Highway 375)

Archelaus ruled Judea so badly that he was dismissed in 6 CE by the Roman emperor Augustus, after an appeal from his own population.

Its revenue was of little importance to the Roman treasury, but it controlled the land and coastal sea routes to the "bread basket" of Egypt and was a buffer against the Parthian Empire.

Judea in the early Roman period was divided into five administrative districts with centers in Jerusalem, Gadara, Amathus, Jericho, and Sepphoris.

A reproduction of the Fasti Antiates Maiores, a painted wall-calendar from the late Roman Republic

Roman calendar

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The calendar used by the Roman kingdom and republic.

The calendar used by the Roman kingdom and republic.

A reproduction of the Fasti Antiates Maiores, a painted wall-calendar from the late Roman Republic
Another reproduction of the fragmentary Fasti Antiates Maiores (c. 60 BC), with the seventh and eighth months still named Quintilis ("QVI") and Sextilis ("SEX") and an intercalary month ("INTER") in the far right-hand column
The remains of the Fasti Praenestini, containing the months of January, March, April, and December and a portion of February.
A fragment of the Fasti Praenestini for the month of April (Aprilis), showing its nundinal letters on the left side
A fragment of an imperial consular list

The term often includes the Julian calendar established by the reforms of the dictator Julius Caesar and emperor Augustus in the late 1stcenturyBC and sometimes includes any system dated by inclusive counting towards months' kalends, nones, and ides in the Roman manner.

The term usually excludes the Alexandrian calendar of Roman Egypt, which continued the unique months of that land's former calendar; the Byzantine calendar of the later Roman Empire, which usually dated the Roman months in the simple count of the ancient Greek calendars; and the Gregorian calendar, which refined the Julian system to bring it into still closer alignment with the tropical year.

In large part, this calendar continued unchanged under the Roman Empire.