A report on Battle of Lepanto

The Battle of Lepanto, Paolo Veronese
The banner of the Holy League, flown by John of Austria on his flagship Real. It is made of blue damask interwoven with gold thread, of a length of 7.3 m and a width of 4.4 m at the hoist. It displays the crucified Christ above the coats of arms of Pius V, of Venice, of Charles V, and of John of Austria. The coats of arms are linked by chains symbolizing the alliance.
Order of battle of the two fleets, with an allegory of the three powers of the Holy League in the foreground, fresco by Giorgio Vasari (1572, Sala Regia).
Depiction of the Ottoman Navy, detail from the painting by Tommaso Dolabella (1632)
One of the Venetian Galleasses at Lepanto (1851 drawing, after a 1570s painting).
Plan of the Battle (formation of the fleets just before contact)
Fresco in the Vatican's Gallery of Maps
The Victors of Lepanto, John of Austria, Marcantonio Colonna and Sebastiano Venier (anonymous oil painting, c. 1575, formerly in Ambras Castle, now Kunsthistorisches Museum, Vienna)
Jacopo Ligozzi, The Return of the Knights of Saint Stephen from the Battle of Lepanto (c. 1610, Santo Stefano dei Cavalieri, Pisa)
Battle of Lepanto by Martin Rota, 1572 print, Venice
Felipe II offers Prince Fernando to Victory by Titian, c. 1572–1575, Museo del Prado, Madrid
Monument to John of Austria in Messina
The Battle of Lepanto by Andrea Vicentino (c. 1600, Doge's Palace, Venice)
The Battle of Lepanto by Tommaso Dolabella (c. 1625–1630, Wawel Castle, Cracow)
The Battle of Lepanto by Andries van Eertvelt (1640)
The Battle of Lepanto by Juan Luna (1887, Spanish Senate, Madrid)
The Battle of Lepanto by Tintoretto
The Battle of Lepanto by anonymous
The Battle of Lepanto by Giorgio Vasari

Naval engagement that took place on 7 October 1571 when a fleet of the Holy League, a coalition of Catholic states arranged by Pope Pius V, inflicted a major defeat on the fleet of the Ottoman Empire in the Gulf of Patras.

- Battle of Lepanto
The Battle of Lepanto, Paolo Veronese

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Fernando de las Infantas

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Fernando de las Infantas (1534–ca.

Fernando de las Infantas (1534–ca.

Canticum Moysis (Song of Moses, Exodus 15) Pro victoria navali contra Turcas (Book II, No.5) Commemoration of the third Battle of Lepanto (1571). This is the only known commemoration motet for one of Spain's most notable victories.

The Church of San Domenico Maggiore in Naples (apse area).

San Domenico Maggiore

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Gothic, Roman Catholic church and monastery, founded by the friars of the Dominican Order, and located in the square of the same name in the historic center of Naples.

Gothic, Roman Catholic church and monastery, founded by the friars of the Dominican Order, and located in the square of the same name in the historic center of Naples.

The Church of San Domenico Maggiore in Naples (apse area).
Interior.
Coffins of members of the royal Aragonese family (covered in red, upper level).

Pieces of great visual suggestion are the two busts from the 18th century: one of Pope Pius V, promoter of the famous battle of Lepanto in 1571, and one of St. Dominic, founder of the Dominican order, represented according with the typical iconography: a star on his head, a dog running with a torch in his mouth, and a church.

Jerónimo Corte-Real

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Portuguese epic poet, who came of a noble Portuguese stock.

Portuguese epic poet, who came of a noble Portuguese stock.

"São Miguel e as Suas Almas" ("Saint Michael and his souls") by Jerónimo Corte Real, at the church of Santo Antão, Évora, Portugal . Dated 1570-90

Austriada, an epic in 15 cantos celebrating the victory of John of Austria (Don Juan de Austria) over the Turks at Lepanto, was written in Spanish and published in 1578.