A report on Bob Dylan, Counterculture of the 1960s, Beat Generation and Greenwich Village

Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and "The Times They Are a-Changin' (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture.

In the 20th century, Greenwich Village was known as an artists' haven, the bohemian capital, the cradle of the modern LGBT movement, and the East Coast birthplace of both the Beat and '60s counterculture movements.

This embrace of experimentation is particularly notable in the works of popular musical acts such as the Beatles and Bob Dylan, as well as of New Hollywood filmmakers, whose works became far less restricted by censorship.

In the 1960s, elements of the expanding Beat movement were incorporated into the hippie and larger counterculture movements.

Beat writers and artists flocked to Greenwich Village in New York City in the late 1950s because of low rent and the "small town" element of the scene.

From February 1961, Dylan played at clubs around Greenwich Village, befriending and picking up material from folk singers there, including Dave Van Ronk, Fred Neil, Odetta, the New Lost City Ramblers and Irish musicians the Clancy Brothers and Tommy Makem.

Village resident and cultural icon Bob Dylan by the mid-60s had become one of the world's foremost popular songwriters, and often developments in Greenwich Village would influence the simultaneously occurring folk rock movement in San Francisco and elsewhere, and vice versa.

The first single, "Subterranean Homesick Blues", owed much to Chuck Berry's "Too Much Monkey Business"; its free-association lyrics described as harking back to the energy of beat poetry and as a forerunner of rap and hip-hop.

The evolution of rhythm and blues into rock and roll as a high art form, as evidenced by the Beatles, Bob Dylan, Janis Joplin, and other popular musicians influenced in the later fifties and sixties by Beat generation poets' and writers' works.

The Stonewall riots were a series of spontaneous, violent demonstrations against a police raid that took place in the early morning hours of June 28, 1969, at the Stonewall Inn, a gay bar in the Greenwich Village neighborhood of New York City.

The Pranksters created a direct link between the 1950s Beat Generation and the 1960s psychedelic scene; the bus was driven by Beat icon Neal Cassady, Beat poet Allen Ginsberg was on board for a time, and they dropped in on Cassady's friend, Beat author Jack Kerouac—though Kerouac declined to participate in the Prankster scene.