The composer in 1835
Sutherland in 1975
Beverly Sills in 1956, photo by Carl Van Vechten
Sutherland in 1962
Sills in Manon, 1969
Joan Sutherland in 1990
Sills in 1984
The tombstone of Beverly Sills in Kensico Cemetery

She continued to add dramatic bel canto roles to her repertoire, such as Donizetti's Maria Stuarda and Lucrezia Borgia, as well as Massenet's Esclarmonde.

- Joan Sutherland

The first staged performance in the US took place at the San Francisco Opera on 12 November 1971 with Joan Sutherland in the title role, while the first staged performances of the "Three Queens" operas together in the US took place in 1972 at the New York City Opera, all three operas staged by Tito Capobianco.

- Maria Stuarda

Presentations of the trio earned some degree of fame for American soprano Beverly Sills who took the starring role in each.

- Maria Stuarda

Her farewell performance was at San Diego Opera in 1980, where she shared the stage with Joan Sutherland in a production of Die Fledermaus.

- Beverly Sills

Although Sills' voice type was characterized as a "lyric coloratura", she took a number of heavier spinto and dramatic coloratura roles more associated with heavier voices as she grew older, including Bellini's Norma, Donizetti's Lucrezia Borgia (with Susanne Marsee as Orsini) and the latter composer's "Three Queens", Anna Bolena, Maria Stuarda and Elisabetta in Roberto Devereux (opposite Plácido Domingo in the title part).

- Beverly Sills

In 1971, Time writes an article comparing Sutherland and Beverly Sills,

- Joan Sutherland
The composer in 1835

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Giuditta Pasta in the title role

Anna Bolena

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Tragic opera in two acts composed by Gaetano Donizetti.

Tragic opera in two acts composed by Gaetano Donizetti.

Giuditta Pasta in the title role
Set design by Alessandro Sanquirico for the 1830 premiere
Rubini as Lord Percy in Anna Bolena
Disegno per copertina di libretto, drawing for Anna Bolena (undated).

It is one of four operas by Donizetti dealing with the Tudor period in English history—in composition order, Il castello di Kenilworth (1829), Anna Bolena (1830), Maria Stuarda (named for Mary, Queen of Scots, it appeared in different forms in 1834 and 1835), and Roberto Devereux (1837, named for a putative lover of Queen Elizabeth I of England).

In the 1970s, Beverly Sills earned a considerable degree of fame when she appeared in all three of Donizetti's "Tudor" operas at the New York City Opera.

(She also made studio recordings of all three operas.) And Anna was one of the last new roles performed by Dame Joan Sutherland, at San Francisco Opera in 1984.