A report on Joan Sutherland, Metropolitan Opera and Beverly Sills
In 1994, she became the chairwoman of Lincoln Center and then, in 2002, of the Metropolitan Opera, stepping down in 2005.
- Beverly SillsSutherland sang Lucia to great acclaim in Paris in 1960 and, in 1961, at La Scala and the Metropolitan Opera.
- Joan SutherlandHer farewell performance was at San Diego Opera in 1980, where she shared the stage with Joan Sutherland in a production of Die Fledermaus.
- Beverly SillsIn 1971, Time writes an article comparing Sutherland and Beverly Sills,
- Joan SutherlandOther celebrated singers who debuted at the Met during Bing's tenure include: Roberta Peters, Victoria de los Ángeles, Renata Tebaldi, Maria Callas, who had a bitter falling out with Bing over repertoire,, Birgit Nilsson, Joan Sutherland, Régine Crespin, Mirella Freni, Renata Scotto, Montserrat Caballé, Elisabeth Schwarzkopf, Anna Moffo, James McCracken, Carlo Bergonzi, Franco Corelli, Alfredo Kraus, Plácido Domingo, Nicolai Gedda, Luciano Pavarotti, Jon Vickers, Tito Gobbi, Sherrill Milnes, and Cesare Siepi.
- Metropolitan OperaIn addition to complete operas and gala concerts, television programs produced at the Met have included: an episode of Omnibus with Leonard Bernstein (NBC, 1958); Danny Kaye's Look-In at the Metropolitan Opera (CBS, 1975); Sills and Burnett at the Met (CBS, 1976); and the MTV Video Music Awards (1999 and 2001).
- Metropolitan Opera1 related topic with Alpha
La fille du régiment
0 linksOpéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard.
Opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard.
The Metropolitan Opera gave the first performances with Marcella Sembrich, and Charles Gilibert (Sulpice) during the 1902/03 season.
It was revived at the Royal Opera, London, in 1966 for Joan Sutherland.
On 13 February 1970, in concert at Carnegie Hall, Beverly Sills sang the first performance in New York since Lily Pons performed it at the Metropolitan Opera House in 1943.