A report on Bhagabhadra, Heliodorus pillar and Sanchi

Bhagabhadra
The Indo-Greek king Antialcidas was the one who sent an embassy to Bhagabhadra.
Plan of the monuments of the hill of Sanchi, numbered 1 to 50.
Some of the expansion work at the Great Stupa at Sanchi may have been sponsored by Bhagabhadra.
The fan-palm pinnacle Cunningham assumed belonged to the Heliodorus pillar.
The Ashoka pillar at Sanchi.
a second pillar capital
The capital of the Sanchi pillar of Ashoka, as discovered (left), and simulation of original appearance (right). It is very similar to the Lion Capital of Ashoka at Sarnath, except for the abacus, here adorned with flame palmettes and facing geese, 250 BCE. Sanchi Archaeological Museum.
a third pillar capital of similar style
by later illustrations among the Sanchi reliefs
Heliodorus pillar, 1913-15 excavation.
The Great Stupa under the Sungas. The Sungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it.
A cross-section of the Heliodorus pillar sketched during the 1913 CE archaeological excavation.
Foreigner on a horse, circa 115 BCE, Stupa No2.
Structure and decorative elements of the Heliodorus pillar. The pillar originally supported a statue of Garuda, now lost, or possibly located in the Gujari Mahal Museum in Gwalior.
Sunga period railings were initially blank (left: Great Stupa), and only started to be decorated circa 115 BCE with Stupa No.2 (right).
Main inscription of the Heliodorus pillar, circa 110 BCE.
Sunga pillar No25 with own capital on the side.
Relief depicting a portable Garuda pillar, one of the oldest images of Garuda, Bharhut, 100 BCE. This may have been similar to the Garuda capital of the Heliodorus pillar.
Siri-Satakani inscription
a portable Garuda standard illustrated
Cave No.19
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The Worship of the Bodhisattva's hair
Images of the deities were probably present in shrines adjoining the pillars, in a style rather similar with their depiction on the coinage of Agathocles of Bactria (190-180 BCE). Here Saṃkarṣaṇa and Vāsudeva are shown with their attributes.
Vedisakehi damtakārehi rupakammam katam
The deity to whom the Heliodorus pillar was dedicated: Vāsudeva, as depicted on a coin of Agathocles of Bactria, 190-180 BCE.
The Great Stupa at the time of the Satavahanas.
The fan-palm capital, found next to the Heliodorus pillar, is associated with Saṃkarṣaṇa.
Temptation of the Buddha, with the Buddha on the left (symbolized by his throne only) surrounded by rejoicing devotees, Mara and his daughters (center), and the demons of Mara fleeing (right).
The Makara capital, found at the site of the Heliodorus pillar, is associated with Pradyumna. <ref>{{cite book|last1=Ayyar|first1=Sulochana|title=Costumes and Ornaments as Depicted in the Sculptures of Gwalior Museum|date=1987|publisher=Mittal Publications|isbn=978-81-7099-002-4|page=13|url=https://books.google.com/books?id=G9eHPXL6UE0C&pg=PA13|language=en}}</ref> 2nd century BCE.<ref>{{cite journal|last1=VIENNOT|first1=Odette|title=Le Makara dans la Décoration des Monuments de l'Inde Ancienne : Positions et Fonctions|journal=Arts Asiatiques|volume=5|issue=3|date=1958|page=184|jstor=43484068 }}</ref> Gwalior Museum.<ref>Visible in the back of the image entitled "Lion capital – Udayagiri – 5th century": {{cite web|title=Gujari Mahal State Archaeological Museum – Gwalior|url=https://kevinstandagephotography.wordpress.com/2019/04/15/gujari-mahal-state-archaeological-museum-gwalior/#jp-carousel-16148|website=Kevin Standage|language=en|date=15 April 2019}}</ref><ref>{{cite book|last1=Ayyar|first1=Sulochana|title=Costumes and Ornaments as Depicted in the Sculptures of Gwalior Museum|date=1987|publisher=Mittal Publications|isbn=978-81-7099-002-4|page=13|url=https://books.google.com/books?id=G9eHPXL6UE0C&pg=PA13|language=en}}</ref>
War over the Buddha's Relics, kept by the city of Kushinagar, South Gate, Stupa no.1, Sanchi.
A pillar capital shaped as a Kalpadruma tree, also found nearby at Besnagar, probably associated with Lakshmi. Indian Museum, Kolkata.<ref>{{cite book|last1=Ayyar|first1=Sulochana|title=Costumes and Ornaments as Depicted in the Sculptures of Gwalior Museum|date=1987|publisher=Mittal Publications|isbn=978-81-7099-002-4|page=13|url=https://books.google.com/books?id=G9eHPXL6UE0C&pg=PA13|language=en}}</ref>
King Ashoka visits Ramagrama, to take relics of the Buddha from the Nagas, but he failed, the Nagas being too powerful. Southern gateway, Stupa 1, Southern Gateway, Sanchi.
Possible statue of the goddess Lakshmi, also associated with the Bhagavat cult.
Ashoka in grief, supported by his two queens, in a relief at Sanchi. Stupa 1, Southern gateway. The identification with Ashoka is confirm by a similar relief from Kanaganahalli inscribed "Raya Asoko".
Location of the Heliodorus pillar in relation to Besnagar, Vidisha, Sanchi and the Udayagiri Caves.
Bodhi tree temple depicted in Sanchi, Stupa 1, Southern gateway.
Heliodorus was the ambassador of king Antialcidas (here depicted on one of his coins).
Temple for the Bodhi Tree (Eastern Gateway).
The contemporary pillar in nearby Sanchi.
foreigners illustrated at Sanchi worshiping the Great Stupa
Foreigners worshiping Stupa
Greek travelling costume
Another one
Miracle at Kapilavastu
Miracle of the Buddha walking on the river Nairanjana
Procession of king Suddhodana from Kapilavastu
"The promenade of the Buddha", or Chankrama, used to depict the Buddha in motion in Buddhist aniconism.
Bimbisara with his royal cortege issuing from the city of Rajagriha to visit the Buddha
Foreigners making a dedication at the Southern Gateway of Stupa No 1
Stupas and monasteries at Sanchi in the early centuries of the current era. Reconstruction, 1900
Sanchi inscription of Chandragupta II.
Temple 17: a Gupta period tetrastyle prostyle temple of Classical appearance. 5th century CE
Statue of Padmapani (5th c.or 9th c.) Victoria and Albert Museum.
Pillar 26: one of the two four-lions stambha capitals at Sanchi, with lions, central flame palmette and Wheel of Law (axis, stubs of the spokes and part of the circumference only), initially located at the Northern Gateway of the Great Stupa. Sanchi Archaeological Museum.
Pillar 26: lion pillar capital at time of discovery, with Dharmachakra wheel (reconstitution). Northern Gateway.
this image
Pillar 35 column stump (right), and bell capital with abacus, positioned upside down.
Vajrapani statue of pillar 35, 5th c. CE. Sanchi Archaeological Museum.
Temple 18 at Sanchi, an apsidal hall with Maurya foundations, rebuilt at the time of Harsha (7th century CE).
Temple 45
The Great Stupa as breached by Sir Herbert Maddock in 1822. Watercolor by Frederick Charles Maisey, in 1851.
Ruins of the Southern Gateway, Sanchi in 1875.
A Gate to the Stupa of Sanchi 1932
Chetiyagiri Vihara
Inscribed panel from Sanchi in Brahmi script in the British Museum
The last two letters to the right of this inscription in Brahmi form the word "dǎnam" (donation). This hypothesis permitted the decipherment of the Brahmi script by James Prinsep in 1837.
General view of the Stupas at Sanchi by F.C. Maisey, 1851 (The Great Stupa on top of the hill, and Stupa 2 at the forefront)
The Great Stupa (Stupa No.1), started in the 3rd century BCE
Stupa No.2
Stupa No.3
Buddhist Temple, No.17
Remains of the Ashokan Pillar in polished stone (right of the Southern Gateway), with its Edict.
Sanchi Minor Pillar Edict of Ashoka, in-situ (detail of the previous image).
Remains of the shaft of the pillar of Ashoka, under a shed near the Southern Gateway.
Side view of the capital. Sanchi Archaeological Museum.<ref name="p.25-28 Ashoka pillar"/>
Shunga balustrade and staircase.
Shunga stonework.
Shunga vedika (railing) with inscriptions.
Deambulatory pathway.
Summit railing and umbrellas.
Flame palmette.
Flame palmette and lotus.
Peacock.
Woman riding a Centaur.
Lotus.
Half lotus.
Lion.
Elephant.
Elephant with branch.
Floral motif.
Lakshmi with lotus and two child attendants, probably derived from [[:File:Venus with two cupids 2.jpg|similar images of Venus]]<ref>An Indian Statuette From Pompeii, Mirella Levi D'Ancona, in Artibus Asiae, Vol. 13, No. 3 (1950) p. 171</ref>
Griffin with Brahmi script inscription.
Female riding a Centaur.
Lotus within beads and reels motif.
Stairway and railing.
Lotus medallions.
Floral designs.
Post relief.<ref>Marshall p. 82</ref>
Relics of Sariputra and Mahamoggallana.
Detail of the foreigners, in Greek dress and playing carnyxes and aolus flute. Northern Gateway of Stupa I (detail).
Foreigners holding grapes and riding winged lions, Sanchi Stupa 1, Eastern Gateway.<ref>"The Diffusion of Classical Art in Antiquity, John Boardman, 1993, p. 112 Note 91</ref>
Foreigners riding horses.
Foreign heroe fighting a Makara
Foreigners on horses, wearing headbands, caps and boots. Western gate of Stupa 1.
Hero with headband wrestling a Makara.
Indians riding horses.
Indians riding bulls.
Indians riding bulls.
Queen Maya lustrated by Elephants.
The Buddha represented by the Dharmacakra.
Bodhi Tree.
Winged lion.
Winged lions.
The Buddha represented by the Dharmacakra.
Men and Women on Elephants.
Men and Women on Elephants.
Stupa representing a Buddha.
Lakshmi lustrated by Elephants.
Men on lions.
Men on lions.
2nd panel
3rd panel
Second panel
Bottom panel Dvarapala guardian deity or devotee.
Second panel
Possibly demons, or the attack of Mara.
Second panel
Bottom panel Dvarapala guardian deity or devotee.
2nd panel
3rd panel
A Seated Buddha statue (Gupta temple).
Buddha Statue (Great Stupa).
Seated Buddha (Great Stupa).
Pillar 34 with lion.<ref>Marshall p. 52 Pillar 34</ref>
The winged lion capital of pillar 34 (lost).
Great Stupa, Eastern Gateway, in 1875.
West Gateway in 1882.
South Gateway in 1882.
Great Stupa, Northern Gateway in 1861.
Temple 18 in 1861.
A vision of ancient Indian court life, using motifs from Sanchi (wood engraving, 1878).

The pillar is commonly named after Heliodorus, who was an ambassador of the Indo-Greek king Antialcidas from Taxila, and was sent to the Indian ruler Bhagabhadra.

- Heliodorus pillar

He is best known from an inscription at the site of Vidisha in central India, the Heliodorus pillar, in which contacts with an embassy from the Indo-Greek king Antialcidas is recorded, and where he is named "Kasiputra Bhagabhadra, the Saviour, son of the princess from Benares":

- Bhagabhadra

This is also corroborated by some artistic realization on the nearby Sanchi stupa thought to belong to the period of the Shungas.

- Bhagabhadra

The Heliodorus pillar site is located near the confluence of two rivers, about 60 km northeast from Bhopal, 11 km from the Buddhist stupa of Sanchi, and 4 km from the Hindu Udayagiri site.

- Heliodorus pillar

Foreigners from Gandhara are otherwise known to have visited the region around the same time: in 115 BCE, the embassy of Heliodorus from Indo-Greek king Antialkidas to the court of the Sungas king Bhagabhadra in nearby Vidisha is recorded, in which Heliodorus established the Heliodorus pillar in a dedication to Vāsudeva.

- Sanchi
Bhagabhadra

4 related topics with Alpha

Overall
Man on a relief, Bharhut, Shunga period.

Shunga Empire

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Ancient Indian dynasty from Magadha that controlled areas of the central and eastern Indian subcontinent from around 185 to 73 BCE.

Ancient Indian dynasty from Magadha that controlled areas of the central and eastern Indian subcontinent from around 185 to 73 BCE.

Man on a relief, Bharhut, Shunga period.
Royal family, Shunga, West Bengal 1st century BCE.
Shunga horseman, Bharhut.
Shunga period stupa at Sanchi.
East Gateway and Railings, Red Sandstone, Bharhut Stupa, 2nd century BCE. Indian Museum, Kolkata.
The Great Stupa under the Shungas. The Shungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it.
Extent of the Shunga Empire
Vedika pillar with "Yavana" Greek warrior. Bharhut, Madhya Pradesh, Shunga Period, c. 100-80 BC. Reddish brown sandstone. Indian Museum, Calcutta.
The Yavanarajya inscription, dated to "year 116 of Yavana hegemony", probably 70 or 69 BCE, was discovered in Mathura. Mathura Museum.
The Heliodorus pillar was built in Vidisha under the Shungas, at the instigation of Heliodorus, ambassador of the Indo-Greek king Antialcidas. The pillar originally supported a statue of Garuda. Established circa 100 BCE.
The Sunga territory circa 100 BCE, greatly reduced to the region of Magadha only, with many independent, petty kingdoms such as such as Mathura and Panchala
Shunga balustrade and staircase.
Shunga stonework.
Shunga vedika (railing) with inscriptions.
Deambulatory pathway.
Summit railing and umbrellas.
Elephant and Riders.
Balustrade post with Lakshmi.
Balustrade post with Yaksha.
Pillar with elephants supporting a wheel.
Personage.
Lotus.
Floral motif.
Foreigner on a horse, circa 115 BCE.
Ashoka supported by his two wives. Similar to [[:File:Sanchi King Ashoka with his Queens, South Gate, Stupa no. 1.jpg|the later relief at Gateway 1]].
Relic boxes found inside the stupa.
Stairway and railing.
Lotus medallions.
Floral designs.
Post relief.<ref>Marshall p.82</ref>
Relics of Sariputra and Mahamoggallana.
Chandraketugarth, goddess of fecundity.
Chandraketugarth.
Shunga Yakshi, 2nd–1st century BCE.
Shunga masculine figurine (molded plate). 2nd–1st century BCE.
Shunga woman with child. 2nd–1st century BCE.
Shunga Yaksha. 2nd–1st century BCE.
Shunga mother figure, with attendant. 2nd–1st century BCE.
Shunga fecundity deity. 2nd–1st century BCE.
Baluster-holding yakṣa, Madhya Pradesh, Shunga period (2nd–1st century BCE). Guimet Museum.
Amorous royal couple. Shunga, 1st century BCE, West Bengal.
Sunga Love Scene.
Bronze coin of the Shunga period, Eastern India. 2nd–1st century BCE.
Another Shunga coin
A copper coin of 1/4 karshapana of Ujjain in Malwa.
Shunga coin.

Its capital was Pataliputra, but later emperors such as Bhagabhadra also held court at Besnagar (modern Vidisha) in eastern Malwa.

Art, education, philosophy, and other forms of learning flowered during this period including small terracotta images, larger stone sculptures, and architectural monuments such as the stupa at Bharhut, and the renowned Great Stupa at Sanchi.

The Indo-Greeks and the Shungas seem to have reconciled and exchanged diplomatic missions around 110 BCE, as indicated by the Heliodorus pillar, which records the dispatch of a Greek ambassador named Heliodorus, from the court of the Indo-Greek king Antialcidas, to the court of the Shunga emperor Bhagabhadra at the site of Vidisha in central India.

Portrait of Antialcidas

Antialcidas

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Portrait of Antialcidas
Silver tetradrachm of King Antialcidas. Obv: Bust of Antialcidas wearing aegis and holding a spear, with Greek legend ΒΑΣΙΛΕΩΣ ΝΙΚΗΦΟΡΟΥ ΑΝΤΙΑΛΚΙΔΟΥ "Of Victorious King Antialcidas". Rev: Zeus with lotus-tipped sceptre, in front of an elephant with a bell (symbol of Taxila), surmouted by Nike holding a wreath, crowning the elephant. Kharoshti legend: MAHARAJASA JAYADHARASA ANTIALIKITASA "Victorious King Antialcidas". Pushkalavati mint.
Inscription on the Heliodorus pillar made by Antialcidas' Ambassador Heliodorus in 110 BCE.
Silver drachm of King Antialcidas. Obv: Bust of Antialcidas wearing a helmet, with Greek legend ΒΑΣΙΛΕΩΣ ΝΙΚΗΦΟΡΟΥ ΑΝΤΙΑΛΚΙΔΟΥ "Of Victorious King Antialcidas". Rev: Seated Zeus holding sceptre, with Nike on his extended arm, holding out a wreath to a baby elephant with bell. Kharoshti legend: MAHARAJASA JAYADHARASA ANTIALIKITASA "Victorious King Antialcidas".
Antialcidas wearing the kausia, with Greek legend ΒΑΣΙΛΕΩΣ ΝΙΚΗΦΟΡΟΥ ΑΝΤΙΑΛΚΙΔΟΥ "Of Victorious King Antialcidas" Japan Currency Museum.
Lysias was a contemporary of Antialcidas.
Gandhara seal of king on elephant receiving wreath of victory, a motif with some similarity to the coins of Antialcidas.
Antialkidas with Zeus directly giving wreath of victory to the elephant. With Greek legend ΒΑΣΙΛΕΩΣ ΝΙΚΗΦΟΡΟΥ ΑΝΤΙΑΛΚΙΔΟΥ "Of Victorious King Antialcidas"

Antialcidas Nikephoros (epithet means "the Victorious", Brahmi: 𑀅𑀁𑀢𑀮𑀺𑀓𑀺𑀢𑀲 Aṃtalikitasa, in the Heliodorus Pillar) was a king of the Indo-Greek Kingdom, who reigned from his capital at Taxila.

Though there are few sources for the late Indo-Greek history, Antialcidas is known from an inscription left on a pillar (the Heliodorus pillar), which was erected by his ambassador Heliodorus at the court of the Shunga king Bhagabhadra at Vidisha, near Sanchi.

A northern example of Brahmi epigraphy: ancient terracotta sculpture from Sugh "Child learning Brahmi", showing the first letters of the Brahmi alphabet, 2nd century BCE.

Brahmi script

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Writing system of ancient South Asia that appeared as a fully developed script in the third century BCE.

Writing system of ancient South Asia that appeared as a fully developed script in the third century BCE.

A northern example of Brahmi epigraphy: ancient terracotta sculpture from Sugh "Child learning Brahmi", showing the first letters of the Brahmi alphabet, 2nd century BCE.
A later (mistaken) theory of a pictographic-acrophonic origin of the Brahmi script, on the model of the Egyptian hieroglyphic script, by Alexander Cunningham in 1877.
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Coin of Agathocles with Hindu deities, in Greek and Brahmi. Obverse: Balarama-Samkarshana with Greek legend: ΒΑΣΙΛΕΩΣ ΑΓΑΘΟΚΛΕΟΥΣ. Reverse: Vasudeva-Krishna with Brahmi legend:𑀭𑀸𑀚𑀦𑁂 𑀅𑀕𑀣𑀼𑀓𑁆𑀮𑀬𑁂𑀲 Rājane Agathukleyesa "King Agathocles". Circa 180 BCE.
A 2nd-century BCE Tamil Brahmi inscription from Arittapatti, Madurai India. The southern state of Tamil Nadu has emerged as a major source of Brahmi inscriptions dated between 3rd to 1st centuries BCE.
A proposed connection between the Brahmi and Indus scripts, made in the 19th century by Alexander Cunningham.
The word Lipī used by Ashoka to describe his "Edicts". Brahmi script (Li= La+ i; pī= Pa+ ii). The word would be of Old Persian origin ("Dipi").
Connections between Phoenician (4th column) and Brahmi (5th column). Note that 6th-to-4th-century BCE Aramaic (not shown) is in many cases intermediate in form between the two.
The Prakrit word "Dha-ṃ-ma" (Dharma) in the Brahmi script, as inscribed by Ashoka in his Edicts. Topra Kalan pillar, now in New Delhi (3rd century BCE).
Calligraphical evolution: 3rd century BCE calligraphy (top), and a sample of the new calligraphic style introduced by the Indo-Scythians (bottom, fragment of the Mirzapur stele inscription, in the vicinity of Mathura, circa 15 CE). The text is Svāmisya Mahakṣatrapasya Śudasasya "Of the Lord and Great Satrap Śudāsa"
Classification of Brahmi characters by James Prinsep in March 1834. The structure of Brahmi (consonantal characters with vocalic "inflections") was properly identified, but the individual values of characters remained undetermined, except for four of the vocalic inflections. Journal of the Asiatic Society of Bengal Volume 3 (March 1834).
Norwegian scholar Christian Lassen used the bilingual Greek-Brahmi coinage of Indo-Greek king Agathocles to correctly achieve in 1836 the first secure decipherement of several letters of the Brahmi script, which was later completed by James Prinsep.
Consonants of the Brahmi script, and evolution down to modern Devanagari, according to James Prinsep, as published in the Journal of the Asiatic Society of Bengal, in March 1838. All the letters are correctly deciphered, except for two missing on the right: 𑀰(ś) and 𑀱(ṣ). Vowels and compounds [[:File:Brahmi script vowels according to James Prinsep March 1838.jpg|here]]. All scripts derived from Brahmi are gathered under the term "Brahmic scripts".
danam
The word Brā-hmī in modern Brahmi font
Brahmi consonants.
Some major conjunct consonants in the Brahmi script.
Early Brahmi vowel diacritics.
The Brahmi symbol for /ka/, modified to represent different vowels
A 1st century BCE/CE inscription from Sanchi: "Vedisakehi daṃtakārehi rupakaṃmaṃ kataṃ" (, "Ivory workers from Vidisha have done the carving").
Middle Brahmi vowel diacritics
1800 years separate these two inscriptions: Brahmi script of the 3rd century BCE (Edict of Ashoka), and its derivative, 16th century CE Devanagari script (1524 CE), on the Delhi-Topra pillar.
Kya (vertical assembly of consonants "Ka" Brahmi k.svg and "Ya" Brahmi y.svg), as in "Sa-kya-mu-nī " ( 𑀲𑀓𑁆𑀬𑀫𑀼𑀦𑀻, "Sage of the Shakyas")
Sva (Sa+Va)
Sya (Sa+Ya)
Hmī (Ha+Ma+i+i), as in the word "Brāhmī" (𑀩𑁆𑀭𑀸𑀳𑁆𑀫𑀻).
Early/Middle Brahmi legend on the coinage of Chastana: RAJNO MAHAKSHATRAPASA GHSAMOTIKAPUTRASA CHASHTANASA "Of the Rajah, the Great Satrap, son of Ghsamotika, Chashtana". 1st–2nd century CE.<ref>{{cite book |title=Seaby's Coin and Medal Bulletin: July 1980 |date=1980 |publisher=Seaby Publications Ltd. |page=219 |url=https://archive.org/details/seabyscoinmedalb1980base_r0l5/page/218}}</ref>
Inscribed Kushan statue of Western Satraps King Chastana, with inscription "Shastana" in Middle Brahmi script of the Kushan period (Gupta ashoka ss.svg{{sub|Gupta ashoka sta.jpg}}Gupta ashoka n.svg Ṣa-sta-na).<ref name="JBO">"The three letters give us a complete name, which I read as Ṣastana (vide facsimile and cast). Dr. Vogel read it as Mastana but that is incorrect for Ma was always written with a circular or triangular knob below with two slanting lines joining the knob" in {{cite book |title=Journal of the Bihar and Orissa Research Society |date=1920 |publisher=The Society |url=https://books.google.com/books?id=yKZEAQAAMAAJ |language=en}}</ref>
The rulers of the Western Satraps were called Mahākhatapa ("Great Satrap") in their Brahmi script inscriptions, as here in a dedicatory inscription by Prime Minister Ayama in the name of his ruler Nahapana, Manmodi Caves, circa 100 CE.<ref>{{cite book|last1=Burgess|first1=Jas|title=Archaeological Survey Of Western India|date=1883|page=103|url=https://archive.org/stream/in.ernet.dli.2015.35775}}</ref>
Nasik Cave inscription No.10. of Nahapana, Cave No.10.
Gupta script on stone Kanheri Caves, one of the earliest descendants of Brahmi
The Gopika Cave Inscription of Anantavarman, in the Sanskrit language and using the Gupta script. Barabar Caves, Bihar, or 6th century CE.
Coin of Alchon Huns ruler Mihirakula. Obv: Bust of king, with legend in Gupta script (Gupta_allahabad_j.svg)Gupta_allahabad_y.svgGupta_allahabad_tu.jpg{{sup|Gupta_allahabad_mi.jpg}}{{sup|Gupta ashoka hi.jpg}}Gupta_allahabad_r.svgGupta_allahabad_ku.jpgGupta_allahabad_l.svg,<ref>The "h" (Gupta ashoka h.svg) is an early variant of the Gupta script</ref> (Ja)yatu Mihirakula ("Let there be victory to Mihirakula").<ref>{{cite book |last1=Verma |first1=Thakur Prasad |title=The Imperial Maukharis: History of Imperial Maukharis of Kanauj and Harshavardhana |date=2018 |publisher=Notion Press |isbn=9781643248813 |page=264 |url=https://books.google.com/books?id=09FqDwAAQBAJ&pg=PT264 |language=hi}}</ref><ref>{{cite book |last1=Sircar |first1=D. C. |title=Studies in Indian Coins |date=2008 |publisher=Motilal Banarsidass |isbn=9788120829732 |page=376 |url=https://books.google.com/books?id=m1JYwP5tVQUC&pg=PA376 |language=en}}</ref><ref>{{cite book |last1=Tandon |first1=Pankaj | pages=24–34|title=Notes on the Evolution of Alchon Coins Journal of the Oriental Numismatic Society, No. 216, Summer 2013 |date=2013 |publisher= Oriental Numismatic Society |url=http://coinindia.com/galleries-alchon-early.html}} also Coinindia Alchon Coins (for an exact description of this coin type)</ref>
Sanchi inscription of Chandragupta II.

James Prinsep then analysed a large number of donatory inscriptions on the reliefs in Sanchi, and noted that most of them ended with the same two Brahmi characters: "𑀤𑀦𑀁".

The Heliodorus pillar is a stone column that was erected around 113 BCE in central India in Vidisha near modern Besnagar, by Heliodorus, an ambassador of the Indo-Greek king Antialcidas in Taxila to the court of the Shunga king Bhagabhadra.

Pataliputra Palace capital, showing Greek and Persian influence, early Mauryan Empire period, 3rd century BC.

Indo-Greek Kingdom

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Hellenistic-era Greek kingdom covering various parts of Afghanistan and the northwest regions of the Indian subcontinent, (virtually all of modern Pakistan).

Hellenistic-era Greek kingdom covering various parts of Afghanistan and the northwest regions of the Indian subcontinent, (virtually all of modern Pakistan).

Pataliputra Palace capital, showing Greek and Persian influence, early Mauryan Empire period, 3rd century BC.
Kandahar Bilingual Rock Inscription (Greek and Aramaic) by king Ashoka, from Kandahar, Afghanistan.
According to the Mahavamsa, the Great Stupa in Anuradhapura, Sri Lanka, was dedicated by a 30,000-strong "Yona" (Greek) delegation from "Alexandria" around 130 BC.
Greco-Bactrian statue of an old man or philosopher, Ai Khanoum, Bactria, 2nd century BC
Corinthian capital, found at Ai-Khanoum, 2nd century BC
Coin depicting the Greco-Bactrian king Euthydemus 230–200 BC. The Greek inscription reads: ΒΑΣΙΛΕΩΣ ΕΥΘΥΔΗΜΟΥ – "(of) King Euthydemus".
Possible statuette of a Greek soldier, wearing a version of the Greek Phrygian helmet, from a 3rd-century BC burial site north of the Tian Shan, Xinjiang Region Museum, Urumqi.
Greco-Bactria and the city of Ai-Khanoum were located at the very doorstep of Mauryan India.
The Khalsi rock edict of Ashoka, which mentions the Greek kings Antiochus, Ptolemy, Antigonus, Magas and Alexander by name, as recipients of his teachings.
Shunga horseman, Bharhut.
Apollodotus I (180–160 BC) the first king who ruled in the subcontinent only, and therefore the founder of the proper Indo-Greek kingdom.
Silver coin depicting Demetrius I of Bactria (reigned c. 200–180 BC), wearing an elephant scalp, symbol of his conquests of areas in what is now Afghanistan and Pakistan.
The coinage of Agathocles (circa 180 BC) incorporated the Brahmi script and several deities from India, which have been variously interpreted as Vishnu, Shiva, Vasudeva, Balarama or the Buddha.
Kharoshthi legend on the reverse of a coin of Indo-Greek king Artemidoros Aniketos.
Menander I (155–130 BC) is one of the few Indo-Greek kings mentioned in both Graeco-Roman and Indian sources.
The Shinkot casket containing Buddhist relics was dedicated "in the reign of the Great King Menander".
Indian-standard coinage of Menander I. Obv ΒΑΣΙΛΕΩΣ ΣΩΤΗΡΟΣ ΜΕΝΑΝΔΡΟΥ "Of Saviour King Menander". Rev Palm of victory, Kharoshthi legend Māhārajasa trātadasa Menandrāsa, British Museum.
King Hippostratos riding a horse, circa 100 BC (coin detail).
The Yavanarajya inscription discovered in Mathura, mentions its carving on "The last day of year 116 of Yavana hegemony" (Yavanarajya), or 116th year if the Yavana era, suggesting the Greeks ruled over Mathura as late as 60 BC. Mathura Museum.
The Mathura Herakles. A statue of Herakles strangling the Nemean lion from Mathura. Today in the Kolkota Indian Museum.
Possible statue of a Yavana/ Indo-Greek warrior with boots and chiton, from the Rani Gumpha or "Cave of the Queen" in the Udayagiri Caves on the east coast of India, where the Hathigumpha inscription was also found. 2nd or 1st century BC.
Heliocles (145–130 BC) was the last Greek king in Bactria.
Coin of Antialcidas (105–95 BC).
Coin of Philoxenos (100–95 BC).
Coin of Zoilos I (130–120 BC) showing on the reverse the Heraklean club with the Scythian bow, inside a victory wreath.
The Heliodorus pillar, commissioned by Indo-Greek ambassador Heliodorus, is the first known inscription related to Vaishnavism in India. Heliodurus was one of the earliest recorded Indo-Greek converts to Hinduism.
Heliodorus travelled from Taxila to Vidisha as an ambassador of king Antialkidas, and erected the Heliodorus pillar.
The Bharhut Yavana, a possible Indian depiction of Menander, with the flowing head band of a Greek king, northern tunic with Hellenistic pleats, and Buddhist triratana symbol on his sword. Bharhut, 100 BC. Indian Museum, Calcutta.
At Bharhut, the gateways were made by northwestern (probably Gandharan) masons using Kharosthi marks 100-75 BC.
the Kharosthi letters were found on the balusters
Foreigners on the Northern Gateway of Stupa I at Sanchi.
Foreigners worshiping Stupa
Greek travelling costume
Hermaeus (90–70 BC) was the last Indo-Greek king in the Western territories (Paropamisadae).
Hermaeus posthumous issue struck by Indo-Scythians near Kabul, circa 80–75 BC.
Tetradrachm of Hippostratos, reigned circa 65–55 BC, was the last Indo-Greek king in Western Punjab.
Hippostratos was replaced by the Indo-Scythian king Azes I (r. c. 35–12 BC).
Approximate region of East Punjab and Strato II's capital Sagala.
The last known Indo-Greek kings Strato II and Strato III, here on a joint coin (25 BC-10 AD), were the last Indo-Greek king in eartern territories of Eastern Punjab.
Pillar of the Great Chaitya at Karla Caves, mentioning its donation by a Yavana. Below: detail of the word "Ya-va-na-sa" in old Brahmi script: Brahmi y 2nd century CE.jpgBrahmi v 2nd century CE.gifBrahmi n.svgBrahmi s.svg, circa AD 120.
The Buddhist symbols of the triratna and of the swastika (reversed) around the word "Ya-va-ṇa-sa" in Brahmi (Brahmi y 2nd century CE.jpg Brahmi v 2nd century CE.gif Brahmi nn.svg Brahmi s.svg). Shivneri Caves 1st century AD.
Statue with inscription mentioning "year 318", probably of the Yavana era, i.e. AD 143.
Piedestal of the Hashtnagar Buddha statue, with Year 384 inscription, probably of the Yavana era, i.e. AD 209.
Evolution of Zeus Nikephoros ("Zeus holding Nike") on Indo-Greek coinage: from the Classical motif of Nike handing the wreath of victory to Zeus himself (left, coin of Heliocles I 145–130 BC), then to a baby elephant (middle, coin of Antialcidas 115–95 BC), and then to the Wheel of the Law, symbol of Buddhism (right, coin of Menander II 90–85 BC).
Indo-Corinthian capital representing a man wearing a Graeco-Roman-style coat with fibula, and making a blessing gesture. Butkara Stupa, National Museum of Oriental Art, Rome.
Evolution of the Butkara stupa, a large part of which occurred during the Indo-Greek period, through the addition of Hellenistic architectural elements.
Coin of Menander II (90–85 BC). "King Menander, follower of the Dharma" in Kharoshthi script, with Zeus holding Nike, who holds a victory wreath over an Eight-spoked wheel.
Greek Buddhist devotees, holding plantain leaves, in purely Hellenistic style, inside Corinthian columns, Buner relief, Victoria and Albert Museum.
Hellenistic culture in the Indian subcontinent: Greek clothes, amphoras, wine and music (Detail of Chakhil-i-Ghoundi stupa, Hadda, Gandhara, 1st century AD).
Intaglio gems engraved in the northwest of India (2nd century BCE-2nd century CE).
Seated Buddha, Gandhara, 2nd century (Ostasiatisches Museum, Berlin)
Stone palette depicting a mythological scene, 2nd–1st century BC.
Cupro-nickel coins of king Pantaleon point to a Chinese origin of the metal.
Athena in the art of Gandhara, displayed at the Lahore Museum, Pakistan
Strato I in combat gear, making a blessing gesture, circa 100 BC.
The Indo-Scythian Taxila copper plate uses the Macedonian month of "Panemos" for calendrical purposes (British Museum).
Hellenistic couple from Taxila (Guimet Museum)
The story of the Trojan horse was depicted in the art of Gandhara. (British Museum).
Foreigner on a horse. The medallions are dated circa 115 BC.
Lakshmi with lotus and two child attendants, probably derived from [[:File:Venus with two cupids 2.jpg|similar images of Venus]]<ref>An Indian Statuette From Pompeii, Mirella Levi D'Ancona, in Artibus Asiae, Vol. 13, No. 3 (1950) p. 171</ref>
Griffin.
Female riding a Centaur.
Lotus within Hellenistic beads and reels motif.
Floral motif.
Exterior
Entrance pillars
Pillar capital
Interior
Standing Buddha
Philoxenus (c. 100 BC), unarmed, making a blessing gesture.
Nicias making a blessing gesture.
Various blessing gestures: divinities (top), kings (bottom).

Again in Sanchi, but this time dating to the period of Satavahana rule circa 50–1 BC, one frieze can be observed which shows devotees in Greek attire making a dedication to the Great Stupa of Sanchi.

The Heliodorus pillar is a stone column that was erected around 113 BC in central India in Vidisha near modern Besnagar, by Heliodorus, a Greek ambassador of the Indo-Greek king Antialcidas to the court of the Shunga king Bhagabhadra.