A report on Cumaean Sibyl

By Andrea del Castagno at the Uffizi Gallery
Cumæan Sibyl, an 1896 illustration
Entrance to the Cave of the Sibyl
By Michelangelo at the Sistine Chapel
By Raphael at Santa Maria della Pace
By John Leech from The Comic History of Rome
By Domenico Zampieri known as Domenichino, (1581-1641) at the Borghese Gallery
By Giacomo Di Chirico from the comune of Venosa

The priestess presiding over the Apollonian oracle at Cumae, a Greek colony located near Naples, Italy.

- Cumaean Sibyl
By Andrea del Castagno at the Uffizi Gallery

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Michelangelo's Delphic Sibyl, Sistine Chapel ceiling

Sibyl

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The sibyls (αἱ Σῐ́βυλλαι, singular Σῐ́βυλλᾰ) were prophetesses or oracles in Ancient Greece.

The sibyls (αἱ Σῐ́βυλλαι, singular Σῐ́βυλλᾰ) were prophetesses or oracles in Ancient Greece.

Michelangelo's Delphic Sibyl, Sistine Chapel ceiling
Michelangelo's Libyan Sibyl, Sistine Chapel ceiling
Sibyl by Francesco Ubertini, c. 1525

The sibyl who most concerned the Romans was the Cumaean Sibyl, located near the Greek city of Naples, whom Virgil's Aeneas consults before his descent to the lower world (Aeneid book VI: 10).

Michelangelo's rendering of the Erythraean Sibyl

Sibylline Books

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The Sibylline Books (Libri Sibyllini) were a collection of oracular utterances, set out in Greek hexameters, that, according to tradition, were purchased from a sibyl by the last king of Rome, Tarquinius Superbus, and were consulted at momentous crises through the history of the Republic and the Empire.

The Sibylline Books (Libri Sibyllini) were a collection of oracular utterances, set out in Greek hexameters, that, according to tradition, were purchased from a sibyl by the last king of Rome, Tarquinius Superbus, and were consulted at momentous crises through the history of the Republic and the Empire.

Michelangelo's rendering of the Erythraean Sibyl

It would appear to have been this very collection that found its way to Cumae (see the Cumaean Sibyl) and from Cumae to Rome.

The terrace of the Temple of Apollo

Cumae

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The first ancient Greek colony on the mainland of Italy, founded by settlers from Euboea in the 8th century BC and soon becoming one of the strongest colonies.

The first ancient Greek colony on the mainland of Italy, founded by settlers from Euboea in the 8th century BC and soon becoming one of the strongest colonies.

The terrace of the Temple of Apollo
The lower city of Cumae seen from the acropolis
Entrance to the Cave of the Sibyl
The Temple of Zeus at Cumae was converted into a paleochristian basilica. The baptismal font can still be seen in the back of the building.
Grotta di Cocceio
Crypta Romana
Athena terracotta antefix 6th c. BC
Doric frieze from temple ~340 BC
The Thermae of the Forum
Arco Felice and via Domitiana in use today
Psyche and Eros, forum 1-2c AD
Diana
Votive relief 400 BC (Antikensammlung Berlin)
Nymph
Colossal Jupiter statue (Naples museum)
The walls of the acropolis
The Temple of Apollo
Street in Cumae
The Temple of Diana
Acropolis seen from west
Aqueduct

The city and acropolis walls were built from 505 BC, as well as the Sibyl's cave.

Manuscript circa 1470, Cristoforo Majorana

Aeneid

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Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans.

Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans.

Manuscript circa 1470, Cristoforo Majorana
Manuscript circa 1470, Cristoforo Majorana
Aeneas Flees Burning Troy, by Federico Barocci (1598). Galleria Borghese, Rome, Italy
Map of Aeneas' journey
Paul Cézanne, Aeneas Meeting Dido at Carthage, c. 1875, Princeton University Art Museum
Hawara Papyrus 24, with a line of Virgil's Aeneid (repeated 7 times; probably a writing exercise). Book 2, line 601 ( "It is not the hated face of Spartan Helen..."). Recto. Latin language. 1st century CE. From Hawara, Egypt. On display at the British Museum in London
The suicide of Queen Dido (book 4), sculpture by (1667–1722)
Boxing scene from the Aeneid (book 5), mosaic floor from a Gallo-Roman villa in Villelaure (France), c. 175 AD, Getty Villa (71.AH.106)
Roman bas-relief, 2nd century: Aeneas lands in Latium, leading Ascanius; the sow identifies the place to found his city (book 8).
Aeneas' defeat of Turnus (book 12), painting by Luca Giordano
Virgil, holding a manuscript of the Aeneid, flanked by the muses Clio (history) and Melpomene (tragedy). Roman mosaic, third century AD, from Hadrumetum, now in the Bardo Museum, Tunis.
Folio 22 from the Vergilius Vaticanus—flight from Troy
Virgil Reading the Aeneid to Augustus and Octavia, by Jean-Joseph Taillasson, 1787, an early neoclassical painting (National Gallery, London)

Aeneas, with the guidance of the Cumaean Sibyl, descends into the underworld.

Lucius Tarquinius Superbus, 16th-century depiction published by Guillaume Rouillé

Lucius Tarquinius Superbus

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The legendary seventh and final king of Rome, reigning 25 years until the popular uprising that led to the establishment of the Roman Republic.

The legendary seventh and final king of Rome, reigning 25 years until the popular uprising that led to the establishment of the Roman Republic.

Lucius Tarquinius Superbus, 16th-century depiction published by Guillaume Rouillé
Tarquinius Superbus makes himself King; from The Comic History of Rome by Gilbert Abbott à Beckett (c. 1850s)
Tarquinius Superbus by Lawrence Alma-Tadema, depicting the king receiving a laurel; the poppies in the foreground refer to the "tall poppy" allegory

According to one story, Tarquin was approached by the Cumaean Sibyl, who offered him nine books of prophecy at an exorbitant price.

Hades/Serapis with Cerberus

Hades

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God of the dead and the king of the underworld, with which his name became synonymous.

God of the dead and the king of the underworld, with which his name became synonymous.

Hades/Serapis with Cerberus
Hades (right) and Persephone (left). Detail from an Attic red-figure amphora, ca. 470 BC. From Italy
Pinax with Persephone and Hades Enthroned, 500-450 BC, Greek, Locri Epizephirii, Mannella district, Sanctuary of Persephone, terracotta – Cleveland Museum of Art
Hades and Persephone, 1864
Red figure volute krater with scene of the Underworld, follower of the Baltimore Painter, Hermitage
Cinerary altar with tabula representing the rape of Proserpina. White marble, Antonine Era, 2nd century CE.
Persephone and Hades: tondo of an Attic red-figured kylix, ca. 440–430 BC
A fresco showing Hades and Persephone riding in a chariot, from the tomb of Queen Eurydice I of Macedon at Vergina, Greece, 4th century BC
Oil painting of Hades abducting Persephone. 18th Century. Oil on wood with gilt background. Property of Missing Link Antiques.
Hades abducting Persephone, fresco in the small Macedonian royal tomb at Vergina, Macedonia, Greece, c. 340 BC
Hades abducts Persephone, pot made and found in Taranto, 350-325 BC
The Abduction of Persephone by Pluto, Amphipolis, Greece.
Hades and Cerberus, in Meyers Konversationslexikon, 1888
Fresco of Hades and Persephone, Tomb of Orcus II, Montarozzi, Tarquinia, 4th century BC
Aeneas's journey to Hades through the entrance at Cumae mapped by Andrea de Jorio, 1825

Besides Heracles, the only other living people who ventured to the underworld were also heroes: Odysseus, Aeneas (accompanied by the Sibyl), Orpheus, to whom Hades showed uncharacteristic mercy at Persephone's urging, who was moved by Orpheus' music, Theseus with Pirithous, and, in a late romance, Psyche.

Bust of Virgil at the entrance to his crypt in Naples

Virgil

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Ancient Roman poet of the Augustan period.

Ancient Roman poet of the Augustan period.

Bust of Virgil at the entrance to his crypt in Naples
Bust of Virgil at the entrance to his crypt in Naples
Page from the beginning of the Eclogues in the 5th-century Vergilius Romanus
Horace, Virgil and Varius at the house of Maecenas, by Charles Jalabert.
Late 17th-century illustration of a passage from the Georgics, by Jerzy Siemiginowski-Eleuter.
A 1st-century terracotta expressing the pietas of Aeneas, who carries his aged father and leads his young son
Virgil Reading the Aeneid to Augustus, Octavia, and Livia by Jean-Baptiste Wicar, Art Institute of Chicago
A 3rd-century Roman mosaic of Virgil seated between Clio and Melpomene (from Hadrumetum [Sousse], Tunisia)
A 5th-century portrait of Virgil from the Vergilius Romanus
Virgil in His Basket, Lucas van Leyden, 1525
The verse inscription at Virgil's tomb was supposedly composed by the poet himself: Mantua me genuit, Calabri rapuere, tenet nunc Parthenope. Cecini pascua, rura, duces. ("Mantua gave me life, the Calabrians took it away, Naples holds me now; I sang of pastures, farms, and commanders" [transl. Bernard Knox])
Tomb of Virgil in Naples, Italy

On reaching Cumae, in Italy in Book 6, Aeneas consults the Cumaean Sibyl, who conducts him through the Underworld where Aeneas meets the dead Anchises who reveals Rome's destiny to his son.

A Sibyl, by Domenichino (c. 1616-17)

Sibylline Oracles

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The Sibylline Oracles (Oracula Sibyllina; sometimes called the pseudo-Sibylline Oracles) are a collection of oracular utterances written in Greek hexameters ascribed to the Sibyls, prophetesses who uttered divine revelations in a frenzied state.

The Sibylline Oracles (Oracula Sibyllina; sometimes called the pseudo-Sibylline Oracles) are a collection of oracular utterances written in Greek hexameters ascribed to the Sibyls, prophetesses who uttered divine revelations in a frenzied state.

A Sibyl, by Domenichino (c. 1616-17)

Some have suggested that the surviving texts may include some fragments or remnants of the Sibylline Books with a legendary provenance from the Cumaean Sibyl, which had been kept in temples in Rome.

Portrait by Daniele da Volterra, c. undefined 1545

Michelangelo

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Italian sculptor, painter, architect and poet of the High Renaissance.

Italian sculptor, painter, architect and poet of the High Renaissance.

Portrait by Daniele da Volterra, c. undefined 1545
The Madonna of the Steps (1490–1492)
Pietà, St Peter's Basilica (1498–99)
The Statue of David, completed by Michelangelo in 1504, is one of the most renowned works of the Renaissance.
Tomb of Julius II, 1505–1545
Michelangelo painted the ceiling of the Sistine Chapel; the work took approximately four years to complete (1508–1512)
The Last Judgment (1534–1541)
The dome of St Peter's Basilica
Ignudo fresco from 1509 on the Sistine Chapel ceiling
Michelangelo, drawn from sight by Francisco de Holanda in the late 1530s.
The Punishment of Tityus, gift to Tommaso dei Cavalieri, c. 1532
The Sistine Chapel Ceiling (1508–1512)
Tomb of Michelangelo (1578) by Giorgio Vasari in the Basilica of Santa Croce, Florence.
The Taddei Tondo (1502)
Madonna and Child. Bruges, Belgium (1504)
The Doni Tondo (1504–1506)
Angel by Michelangelo, early work (1494–95)
Bacchus by Michelangelo, early work (1496–1497)
Dying Slave, Louvre (1513)
Atlas Slave (1530–1534)
The Drunkenness of Noah
The Deluge (detail)
The Creation of Adam (1510)
The First Day of Creation
Studies for The Libyan Sibyl
 The Libyan Sibyl (1511)
The Prophet Jeremiah (1511)
Ignudo
Battle of the Centaurs (1492)
Copy of the lost Battle of Cascina by Bastiano da Sangallo
The Last Judgment, detail of the Redeemed. (see whole image above)
The Crucifixion of St. Peter
The vestibule of the Laurentian Library has Mannerist features which challenge the Classical order of Brunelleschi's adjacent church.
Michelangelo's redesign of the ancient Capitoline Hill included a complex spiralling pavement with a star at its centre.
Michelangelo's design for St Peter's is both massive and contained, with the corners between the apsidal arms of the Greek Cross filled by square projections.
The exterior is surrounded by a giant order of pilasters supporting a continuous cornice. Four small cupolas cluster around the dome.
Design for a window in the Palazzo Farnese.
Second design for wall tomb of Pope Julius II
Self-portrait of the artist as Nicodemus
Statue of Victory (1534), Palazzo Vecchio, Florence
The Pietà of Vittoria Colonna (c. 1540)
The Rondanini Pietà (1552–1564)
The Doni Tondo (1504–1506)
Drawing showing Tommaso dei Cavalieri by Michelangelo

Among the most famous paintings on the ceiling are The Creation of Adam, Adam and Eve in the Garden of Eden, the Deluge, the Prophet Jeremiah, and the Cumaean Sibyl.

Ruins of temple to Apollo, Avernus

Avernus

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Ancient name for a volcanic crater near Cumae , Italy, in the region of Campania west of Naples.

Ancient name for a volcanic crater near Cumae , Italy, in the region of Campania west of Naples.

Ruins of temple to Apollo, Avernus

On the shores of the lake is the grotto of the Cumaean Sibyl and the entrance to a long tunnel (Grotta di Cocceio, c. 800 m) leading toward Cumae, where her sanctuary was located.