A report on Filippino Lippi

Self-portrait. Detail from The Dispute with Simon Magus (1481–1482). Fresco. Brancacci Chapel, Santa Maria del Carmine, Florence, Italy.
Apparition of The Virgin to St. Bernard (1485–1487).
Allegory of Music (c. 1500), tempera on panel, 61 × 51 cm. Gemaldegalerie, Berlin, Germany.
Mystic Wedding of St Catherine Virgin and Martyr (1501) Basilica of San Domenico, Bologna, Italy
Death of Lucretia (1478-1480)
The Coronation of the Virgin (detail) (c. 1480) Tempera on panel, 90.2 × 223 cm, National Gallery of Art, Washington, D.C.
Annunciation with St John the Baptist and St Andrew, c. 1485
Apparition of the Virgin to St. Bernard (detail) (1486) Oil on panel, 210 × 195 cm, Church of Badia, Florence
Apparition of the Virgin to St. Bernard (detail)
Apparition of the Virgin to St. Bernard (detail)
Apparition of Christ to the Virgin (c. 1493) —Oil on panel, 156.1 × 146.7 cm, Alte Pinakothek, Munich
Madonna with Child and Saints (c. 1488) Oil on wood, Santo Spirito, Florence

Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance.

- Filippino Lippi
Self-portrait. Detail from The Dispute with Simon Magus (1481–1482). Fresco. Brancacci Chapel, Santa Maria del Carmine, Florence, Italy.

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Florence

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City in Central Italy and the capital city of the Tuscany region.

City in Central Italy and the capital city of the Tuscany region.

View of Florence by Hartmann Schedel, published in 1493
Julius Caesar established Florence in 59 BC.
The Goth King Totila razes the walls of Florence during the Gothic War: illumination from the Chigi manuscript of Villani's Cronica.
The Basilica di San Miniato al Monte
Leonardo da Vinci statue outside the Uffizi Gallery
Girolamo Savonarola being burnt at the stake in 1498. The brooding Palazzo Vecchio is at centre right.
Leopold II, Holy Roman Emperor and his family. Leopold was, from 1765 to 1790, the Grand Duke of Tuscany.
Porte Sante cemetery, burial place of notable figures of Florentine history
1/5 Mahratta Light Infantry, Florence, 28 August 1944
Florence with snow cover in December 2009
Seats in the Florence City Council
(2019–2024)
Cattedrale di Santa Maria del Fiore
Palazzo Vecchio
1835 City Map of Florence, still largely in the confines of its medieval city centre
Ponte Vecchio, which spans the Arno river
Florence in the evening --Same picture as above. The same picture--
Palazzo Pitti
Ponte Santa Trinita with the Oltrarno district
The city of Florence as seen from the hill of Fiesole
Florence Duomo as seen from Michelangelo hill
Piazzale degli Uffizi
Palazzo Pitti on Boboli Gardens' side
The façade of the Cathedral
Piazza della Repubblica
Panorama composite, overview of Firenze, taken from the Giardino Bardini viewpoint
Replica of David and other statues, Piazza della Signoria
Tourists flock to the Fontana del Porcellino.
Tourists and restaurant in the Piazza del Duomo
Fiaschi of basic Chianti
Botticelli's Venus, stored in the Uffizi
Sculptures in the Loggia dei Lanzi
Michelangelo's David
The Uffizi are the 10th most visited art museum in the world.
The Palazzo della Signoria, better known as the Palazzo Vecchio (English: The Old Palace)
Brunelleschi's dome
The introduction of the Decameron (1350–1353) by Giovanni Boccaccio
The Teatro della Pergola
Florentine steak in Florence
UNICEF Innocenti Research Centre
A display of proboscideans in the Museo di Storia Naturale di Firenze, or the Natural History Museum of Florence
Luxury boutiques along Florence's prestigious Via de' Tornabuoni
Calcio Storico
Stadio Artemio Franchi
Rectorate's auditorium of University of Florence
Tramway Sirio in Florence
Route map of the tramway
Florence Airport
Mobikes at Parco delle Cascine, Florence
Dante Alighieri
Lorenzo de' Medici
Amerigo Vespucci
Niccolò Machiavelli
The traditional boroughs of the whole comune of Florence
The 5 administrative boroughs of the whole comune of Florence
Leonardo da Vinci statue outside the Uffizi Gallery

Other churches in Florence include the Basilica of Santa Maria Novella, located in Santa Maria Novella square (near the Firenze Santa Maria Novella railway station) which contains works by Masaccio, Paolo Uccello, Filippino Lippi and Domenico Ghirlandaio; the Basilica of Santa Croce, the principal Franciscan church in the city, which is situated on the Piazza di Santa Croce, about 800 m southeast of the Duomo, and is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, Foscolo, Rossini, thus it is known also as the Temple of the Italian Glories (Tempio dell'Itale Glorie); the Basilica of San Lorenzo, which is one of the largest churches in the city, situated at the centre of Florence's main market district, and the burial place of all the principal members of the Medici family from Cosimo il Vecchio to Cosimo III; Santo Spirito, in the Oltrarno quarter, facing the square with the same name; Orsanmichele, whose building was constructed on the site of the kitchen garden of the monastery of San Michele, now demolished; Santissima Annunziata, a Roman Catholic basilica and the mother church of the Servite order; Ognissanti, which was founded by the lay order of the Umiliati, and is among the first examples of Baroque architecture built in the city; the Santa Maria del Carmine, in the Oltrarno district of Florence, which is the location of the Brancacci Chapel, housing outstanding Renaissance frescoes by Masaccio and Masolino da Panicale, later finished by Filippino Lippi; the Medici Chapel with statues by Michelangelo, in the San Lorenzo; as well as several others, including Santa Trinita, San Marco, Santa Felicita, Badia Fiorentina, San Gaetano, San Miniato al Monte, Florence Charterhouse, and Santa Maria del Carmine.

Self-portrait of Fra' Filippo Lippi

Filippo Lippi

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Italian painter of the Quattrocento (15th century) and a Carmelite Priest.

Italian painter of the Quattrocento (15th century) and a Carmelite Priest.

Self-portrait of Fra' Filippo Lippi
Devotional image of the Madonna and Child before a golden curtain by the Workshop of Filippo Lippi. The Walters Art Museum.
Adoration in the Forest
Madonna and Child (1440–1445), tempera on panel. National Gallery of Art, Washington, D.C.
Portrait of a Man and Woman at a Casement (c. 1440). Metropolitan Museum of Art, New York City.
The Nativity, probably c. 1445, National Gallery of Art
The Adoration of the Magi is a tondo of the Adoration of the Magi. It is credited to Fra Angelico and Filippo Lippi and dates to c. 1440/1460.
Incoronazione della Vergine (1441–47)
Madonna with the Child and two Angels (1465), tempera on wood, Uffizi.
Madonna of Palazzo Medici-Riccardi
Portrait of a woman
Coronation of the Virgin (detail)
Madonna with Child
Madonna and Child Follower of Fra Filippo Lippi and Francesco Pesellino

This relationship resulted in their son, Filippino Lippi, who became a famous painter following his father.

Probable self-portrait of Botticelli, in his Adoration of the Magi (1475).

Sandro Botticelli

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Alessandro di Mariano di Vanni Filipepi (c.

Alessandro di Mariano di Vanni Filipepi (c.

Probable self-portrait of Botticelli, in his Adoration of the Magi (1475).
Detail from Botticelli's most famous work, The Birth of Venus (c. 1484–1486)
Via Borgo Ognissanti in 2008, with the eponymous church halfway down on the right. Like the street, it has had a Baroque makeover since Botticelli's time.
Madonna and Child with St. John the Baptist, c. 1470–1475, Louvre
Adoration of the Magi, 1475, 111 cm × 134 cm (44 in × 53 in)
Youth of Moses, Sistine Chapel
Punishment of the Sons of Corah, Sistine Chapel
Primavera (c. 1482), icon of the springtime renewal of the Florentine Renaissance. Left to right: Mercury, the Three Graces, Venus, Flora, Chloris, Zephyrus
The Birth of Venus, c. 1485. Uffizi, Florence
Venus and Mars, c. 1485, tempera on panel, 69 x, National Gallery, London
The Bardi Altarpiece, 1484–85, 185 x 180 cm
San Barnaba Altarpiece, c. 1487, Uffizi, 268 x 280 cm
Lamentation of Christ, early 1490s, Alte Pinakothek, Munich.
Magnificat Madonna, c. 1483
Portrait of a Man with a Medal of Cosimo the Elder, 1474; the medal is an inserted gesso cast of a real medal.
Engraving by Baccio Baldini after Botticelli
One of the few fully coloured pages of the Divine Comedy Illustrated by Botticelli, illustrating canto XVIII in the eighth circle of Hell. Dante and Virgil descending through the ten chasms of the circle via a ridge.
Pallas and the Centaur, c. 1482. Uffizi, Florence.
Calumny of Apelles (c. 1494–95). Uffizi, Florence.
The Story of Lucretia, c. 1500. Isabella Stewart Gardner Museum, Boston, Massachusetts.
The Mystical Nativity (c. 1500–01) National Gallery, London.
Madonna of the Pomegranate (Madonna della Melagrana), c. 1487
Portrait, probably imagined, of Botticelli from Vasari's Life
Madonna of the Book, c.1480–3.
Sacra conversazione altarpiece, c. 1470-72, Uffizi, called the Pala di Sant'Ambrogio
St. Sebastian, 1474
Madonna with Lilies and Eight Angels, c. 1478
Fresco Saint Augustine, Ognissanti, 1480
San Marco Altarpiece, c. 1490-93, 378 x 258 cm, Uffizi
Cestello Annunciation, 1489–90, 150 x 156 cm, Uffizi
Lamentation over the Dead Christ, Milan
Pala delle Convertite, c. 1491-93, Courtauld Gallery, London
Young Man, Pitti Palace, perhaps 1470-73.
Portrait of a Lady Known as Smeralda Brandini, 1470s, shown as pregnant.
Giuliano de' Medici, who was assassinated in the Pazzi conspiracy. Several versions, all perhaps posthumous.<ref>The evidence for this identification is in fact slender to non-existent. Ettlingers, 168; Legouix, 64</ref>
Portrait of a young man holding a roundel c. 1480–1485
Portrait of a Young Man c. 1480-1485.<ref>Davies, 98-99</ref>
Portrait of a Young Man c. 1482-1485
Portrait of a young woman, possibly Simonetta Vespucci, 1484. The Roman engraved gem on her necklace was owned by Lorenzo de’ Medici.
La Bella Simonetta , also said to be of Simonetta Vespucci, c. 1480–1485
Dante Alighieri, c. 1495
Purgatory X (10)
Purgatorio XVII
Purgatorio XXXI
Canto XXX
Canto XXXI
The Virgin Adoring the Sleeping Christ Child, 1490
Annunciation, c. 1490
The Outcast (Despair), c. 1496
Mystic Crucifixion, Fogg Art Museum

In 1472 Botticelli took on his first apprentice, the young Filippino Lippi, son of his master.

The façade of Santa Maria Novella, completed by Leon Battista Alberti in 1470

Santa Maria Novella

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Church in Florence, Italy, situated opposite, and lending its name to, the city's main railway station.

Church in Florence, Italy, situated opposite, and lending its name to, the city's main railway station.

The façade of Santa Maria Novella, completed by Leon Battista Alberti in 1470
Via degli Avelli side
Side view from Piazza Unità d'Italia
The Holy Trinity by Masaccio.
Fresco by Andrea di Bonaiuto da Firenze in the Spanish Chapel: Allegory of the Active and Triumphant Church and of the Dominican order (c. 1365)
Piazza Santa Maria Novella
The armillary sphere on the south front
The gnomon on the south front
The nave from the south end showing the Meridian Line

Many of the windows have stained glass dating from the 14th and 15th century, such as 15th century Madonna and Child and St. John and St. Philip (designed by Filippino Lippi), both in the Filippo Strozzi Chapel.

The Tribute Money, fresco by Masaccio in the Brancacci Chapel.

Brancacci Chapel

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Chapel in the Church of Santa Maria del Carmine in Florence, central Italy.

Chapel in the Church of Santa Maria del Carmine in Florence, central Italy.

The Tribute Money, fresco by Masaccio in the Brancacci Chapel.
Schematics of the Brancacci Chapel paintings.
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The Expulsion from the Garden of Eden, after restoration.
Sinopia of Peter's Repentance
Detail of Jesus' face in the Tribute Money.
St Peter Preaching, by Masolino, restored.
Baptism of the Neophytes, by Masaccio.
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Raising of the Son of Theophilus and St Peter Enthroned, by Masaccio.
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Portions of the chapel were completed later by Filippino Lippi.

Detail of St. Peter Raising the Son of Theophilus and St. Peter Enthroned as First Bishop of Antioch, Brancacci Chapel, S. Maria del Carmine, Florence

Masaccio

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Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance.

Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance.

Detail of St. Peter Raising the Son of Theophilus and St. Peter Enthroned as First Bishop of Antioch, Brancacci Chapel, S. Maria del Carmine, Florence
San Giovenale Triptych (1422)
Masolino & Masaccio, Virgin and Child with Saint Anne (c. 1424), Uffizi
The Tribute Money, fresco in the Brancacci Chapel in Santa Maria del Carmine, Florence
When it was cleaned in the 1980s, Masaccio's fresco of The Expulsion (1426–1427) lost the added fig leaves.
Raising of the Son of Theophilus of Antioch, containing self-portrait of Masaccio (third from right)
Holy Trinity, in full: Trinity with the Virgin, Saint John the Evangelist, and Donors (c. 1427) – Fresco, Santa Maria Novella, Florence
Virgin Mary with pseudo-Arabic halo, by Masaccio (1426).

This painting was either restored or completed more than fifty years later by Filippino Lippi.

View of the chapel.

Carafa Chapel

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View of the chapel.
The vault.
Assumption.
Detail of an angel with drum.
Right wall.
Dispute of St. Thomas, detail.
The lunette.

The Carafa Chapel (Cappella Carafa) is a chapel in the church of Santa Maria sopra Minerva, Rome, Italy, known for a series of frescoes by Filippino Lippi.

Self-portrait, 1497–1500

Pietro Perugino

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Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance.

Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance.

Self-portrait, 1497–1500
The Delivery of the Keys fresco, 1481–1482, Sistine Chapel, Rome.
God the Father and angels by Pietro Perugino on the ceiling of Stanza dell'Incendio del Borgo
Pietà, c. 1490
Monument to Pietro Vannucci, Perugia
Madonna with Child Enthroned between Saints John the Baptist and Sebastian, 1493
Apollo and Marsyas, c. 1490
Assumption of the Virgin (c. 1506)
Decemviri Altarpiece (1495)
The Virgin and Child with Saints Jerome and Francis (c. 1507)
Virgin and Child between Saints Rosa and Catherine (c. 1493)
Detail, Madonna
Detail, Prophets and Sibyls, fresco
Detail, Prophets and Sibyls, fresco
Detail, The Delivery of the Keys, fresco
Portrait of a boy (1495)
Portrait of Francesco delle Opere
Detail, Madonna with Child
Portrait of Lorenzo di Credi

According to Vasari, he was apprenticed to the workshop of Andrea del Verrocchio alongside Leonardo da Vinci, Domenico Ghirlandaio, Lorenzo di Credi, Filippino Lippi and others.

Apparition of the Virgin to St Bernard (Filippino Lippi)

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Apparition of the Virgin to St. Bernard is a painting by the Italian Renaissance painter Filippino Lippi, completed around 1485–1487.

Santa Maria sopra Minerva façade by Carlo Maderno

Santa Maria sopra Minerva

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One of the major churches of the Roman Catholic Order of Preachers in Rome, Italy.

One of the major churches of the Roman Catholic Order of Preachers in Rome, Italy.

Santa Maria sopra Minerva façade by Carlo Maderno
Santa Maria sopra Minerva interior
Carafa chapel in 2010
Michelangelo's Christ the Redeemer near the altar
Sarcophagus of Saint Catherine of Siena beneath the High Altar
The Pulcino della Minerva, the famous elephant sculpture by Bernini and Ercole Ferrata, making the base of one of Rome's eleven Egyptian obelisks.
Tomb of Giovanni Vigevano by Gian Lorenzo Bernini, 1618–1620
Memorial to Maria Raggi by Gian Lorenzo Bernini, 1647–1653
Tomb of Fra Angelico, by Isaia da Pisa, 1455
Cristo della Minerva by Michelangelo, 1519–1520
High Altar
Vault
Basilica interior
Madonna and Child Giving Blessings by Benozzo Gozzoli, 1449

Among several important works of art in the church are Michelangelo's statue Cristo della Minerva (1521) and the late 15th-century (1488–93) cycle of frescos in the Carafa Chapel by Filippino Lippi.