A report on Florence

View of Florence by Hartmann Schedel, published in 1493
Julius Caesar established Florence in 59 BC.
The Goth King Totila razes the walls of Florence during the Gothic War: illumination from the Chigi manuscript of Villani's Cronica.
The Basilica di San Miniato al Monte
Leonardo da Vinci statue outside the Uffizi Gallery
Girolamo Savonarola being burnt at the stake in 1498. The brooding Palazzo Vecchio is at centre right.
Leopold II, Holy Roman Emperor and his family. Leopold was, from 1765 to 1790, the Grand Duke of Tuscany.
Porte Sante cemetery, burial place of notable figures of Florentine history
1/5 Mahratta Light Infantry, Florence, 28 August 1944
Florence with snow cover in December 2009
Seats in the Florence City Council
(2019–2024)
Cattedrale di Santa Maria del Fiore
Palazzo Vecchio
1835 City Map of Florence, still largely in the confines of its medieval city centre
Ponte Vecchio, which spans the Arno river
Florence in the evening --Same picture as above. The same picture--
Palazzo Pitti
Ponte Santa Trinita with the Oltrarno district
The city of Florence as seen from the hill of Fiesole
Florence Duomo as seen from Michelangelo hill
Piazzale degli Uffizi
Palazzo Pitti on Boboli Gardens' side
The façade of the Cathedral
Piazza della Repubblica
Panorama composite, overview of Firenze, taken from the Giardino Bardini viewpoint
Replica of David and other statues, Piazza della Signoria
Tourists flock to the Fontana del Porcellino.
Tourists and restaurant in the Piazza del Duomo
Fiaschi of basic Chianti
Botticelli's Venus, stored in the Uffizi
Sculptures in the Loggia dei Lanzi
Michelangelo's David
The Uffizi are the 10th most visited art museum in the world.
The Palazzo della Signoria, better known as the Palazzo Vecchio (English: The Old Palace)
Brunelleschi's dome
The introduction of the Decameron (1350–1353) by Giovanni Boccaccio
The Teatro della Pergola
Florentine steak in Florence
UNICEF Innocenti Research Centre
A display of proboscideans in the Museo di Storia Naturale di Firenze, or the Natural History Museum of Florence
Luxury boutiques along Florence's prestigious Via de' Tornabuoni
Calcio Storico
Stadio Artemio Franchi
Rectorate's auditorium of University of Florence
Tramway Sirio in Florence
Route map of the tramway
Florence Airport
Mobikes at Parco delle Cascine, Florence
Dante Alighieri
Lorenzo de' Medici
Amerigo Vespucci
Niccolò Machiavelli
The traditional boroughs of the whole comune of Florence
The 5 administrative boroughs of the whole comune of Florence
Leonardo da Vinci statue outside the Uffizi Gallery

City in Central Italy and the capital city of the Tuscany region.

- Florence

284 related topics with Alpha

Overall

Giovanni di Bicci de' Medici, founder of the Medici bank

House of Medici

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Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century.

Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century.

Giovanni di Bicci de' Medici, founder of the Medici bank
The Confirmation of the Rule, by Domenico Ghirlandaio
Cosimo Pater patriae, Uffizi Gallery, Florence
The Medici Wedding Tapestry of 1589
Cosimo I, founder of the Grand Duchy of Tuscany
From left to right: The Grand Duchess Maria Maddalena, The Grand Duke Cosimo II, and their elder son, the future Ferdinando II
Cosimo III, the Medicean grand duke, in Grand Ducal regalia
Anna Maria Luisa de' Medici, the last of the Grand Ducal line, in Minerva, Merkur und Plutus huldigen der Kurfürstin Anna Maria Luisa de' Medici (Minerva, Mercury and Pluto pay homage to the Electress Anna Maria Luisa de' Medici) after Antonio Bellucci, 1706
The family of Piero de' Medici portrayed by Sandro Botticelli in the Madonna del Magnificat.
Medici family members placed allegorically in the entourage of a king from the Three Wise Men in the Tuscan countryside in a Benozzo Gozzoli fresco, c. 1459.
Here seen sliced in half, an art historian suggests that whole blood oranges could be the imagery in the Medici coats of arms
Old coat of arms of the Medici used by Giovanni di Bicci and Cosimo the Elder
The intermediate coat of arms of the Medici, Or, six balls in orle gules
The "augmented coat of arms of the Medici, Or, five balls in orle gules, in chief a larger one of the arms of France (viz. Azure, three fleurs-de-lis or) was granted by Louis XI in 1465.<ref name=Woodward162>John Woodward, A Treatise on Ecclesiastical Heraldry, 1894, p. 162</ref>
Great coat of arms of Medici of Ottajano
Augmented Arms of Medici
Coat of Arms of the Grand-Duke of Tuscany
Coat of arms of Medici popes
Coat of arms of the Medici Cardinals
Coat of Arms of Catherine of Medici, as Queen of France
Coat of Arms of Maria of Medici, as Queen of France
Achievement of the House of de' Medici
Coat of Arms of the Grand-Duchy of Tuscany

This bank was the largest in Europe during the 15th century, and it facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century.

Tuscany

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Thornthwaite climate classification of Tuscany
Cinerary urns of the Villanovan culture
The Chimera of Arezzo, Etruscan bronze, 400 BC
Battle of Montaperti, 1260
Primavera (1482) by Botticelli
Hanging and burning of Girolamo Savonarola in Piazza della Signoria in Florence 1498 - Painting depicting Renaissance Florence
Map of the Grand Duchy of Tuscany
Memorial to the victims of the Sant'Anna di Stazzema massacre, in which 560 locals were murdered by Nazi Germans and Italian Fascists in 1944
Michelangelo's David
A painting from the Sienese School by Pietro Lorenzetti
Giacomo Puccini
Tuscan poet and literary figure Petrarch
An assortment of Tuscan foods: various wine and cheese, and different sorts of salamis and hams
Vineyards in the Chianti region
The Via de' Tornabuoni in Florence, the city's top fashion and shopping street, contains some of the world's most luxurious clothing and jewelry houses, such as Cartier, Ferragamo, Gucci, Versace and Bulgari
Sunflower field near Castiglione della Pescaia, Maremma
Tuscan landscape near Barga between the Apuan Alps and the Apennine Mountains
Lake Massaciuccoli
A view of the Chianti countryside
Balze di Volterra
Fallow deer in the Padule di Bolgheri
Arno river in Casentino
Hilly landscape in Val d'Orcia
Guido of Arezzo
A page from Fibonacci's Liber Abaci (1202)
Battle of Giglio (1241)
Dante Alighieri, author of the Divine Comedy
Leonardo da Vinci
Lorenzo de' Medici
Niccolò Machiavelli, author of The Prince
Amerigo Vespucci
Cosimo I de' Medici, first Grand Duke of Tuscany
Galileo Galilei
Pinocchio, created by Carlo Collodi (1883)
An Italian partisan in Florence (1944)
Arezzo
Florence
Pisa
Siena
San Gimignano
Lucca
Pienza
Cortona
Monte Argentario
Elba
Maremma Regional Park
Michelangelo's David
Monte Argentario
Amerigo Vespucci

The regional capital is Florence (Firenze).

Portrait by Daniele da Volterra, c. undefined 1545

Michelangelo

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Italian sculptor, painter, architect and poet of the High Renaissance.

Italian sculptor, painter, architect and poet of the High Renaissance.

Portrait by Daniele da Volterra, c. undefined 1545
The Madonna of the Steps (1490–1492)
Pietà, St Peter's Basilica (1498–99)
The Statue of David, completed by Michelangelo in 1504, is one of the most renowned works of the Renaissance.
Tomb of Julius II, 1505–1545
Michelangelo painted the ceiling of the Sistine Chapel; the work took approximately four years to complete (1508–1512)
The Last Judgment (1534–1541)
The dome of St Peter's Basilica
Ignudo fresco from 1509 on the Sistine Chapel ceiling
Michelangelo, drawn from sight by Francisco de Holanda in the late 1530s.
The Punishment of Tityus, gift to Tommaso dei Cavalieri, c. 1532
The Sistine Chapel Ceiling (1508–1512)
Tomb of Michelangelo (1578) by Giorgio Vasari in the Basilica of Santa Croce, Florence.
The Taddei Tondo (1502)
Madonna and Child. Bruges, Belgium (1504)
The Doni Tondo (1504–1506)
Angel by Michelangelo, early work (1494–95)
Bacchus by Michelangelo, early work (1496–1497)
Dying Slave, Louvre (1513)
Atlas Slave (1530–1534)
The Drunkenness of Noah
The Deluge (detail)
The Creation of Adam (1510)
The First Day of Creation
Studies for The Libyan Sibyl
 The Libyan Sibyl (1511)
The Prophet Jeremiah (1511)
Ignudo
Battle of the Centaurs (1492)
Copy of the lost Battle of Cascina by Bastiano da Sangallo
The Last Judgment, detail of the Redeemed. (see whole image above)
The Crucifixion of St. Peter
The vestibule of the Laurentian Library has Mannerist features which challenge the Classical order of Brunelleschi's adjacent church.
Michelangelo's redesign of the ancient Capitoline Hill included a complex spiralling pavement with a star at its centre.
Michelangelo's design for St Peter's is both massive and contained, with the corners between the apsidal arms of the Greek Cross filled by square projections.
The exterior is surrounded by a giant order of pilasters supporting a continuous cornice. Four small cupolas cluster around the dome.
Design for a window in the Palazzo Farnese.
Second design for wall tomb of Pope Julius II
Self-portrait of the artist as Nicodemus
Statue of Victory (1534), Palazzo Vecchio, Florence
The Pietà of Vittoria Colonna (c. 1540)
The Rondanini Pietà (1552–1564)
The Doni Tondo (1504–1506)
Drawing showing Tommaso dei Cavalieri by Michelangelo

For several generations, his family had been small-scale bankers in Florence; but the bank failed, and his father, Ludovico di Leonardo Buonarroti Simoni, briefly took a government post in Caprese, where Michelangelo was born.

Florence, the birthplace of the European Renaissance. The architectural perspective, and modern systems and fields of banking and accounting were introduced during the Renaissance.

Renaissance

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Period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity.

Period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity.

Florence, the birthplace of the European Renaissance. The architectural perspective, and modern systems and fields of banking and accounting were introduced during the Renaissance.
Portrait of a Young Woman (c. 1480–85) (Simonetta Vespucci) by Sandro Botticelli
View of Florence, birthplace of the Renaissance
Coluccio Salutati
A political map of the Italian Peninsula circa 1494
Pieter Bruegel's The Triumph of Death (c. 1562) reflects the social upheaval and terror that followed the plague that devastated medieval Europe.
Lorenzo de' Medici, ruler of Florence and patron of arts (Portrait by Vasari)
Pico della Mirandola, writer of the famous Oration on the Dignity of Man, which has been called the "Manifesto of the Renaissance".
Leonardo da Vinci's Vitruvian Man (c. 1490) demonstrates the effect writers of Antiquity had on Renaissance thinkers. Based on the specifications in Vitruvius' De architectura (1st century BC), Leonardo tried to draw the perfectly proportioned man. (Museum Gallerie dell'Accademia, Venice)
Anonymous portrait of Nicolaus Copernicus (c. 1580)
Portrait of Luca Pacioli, father of accounting, painted by Jacopo de' Barbari, 1495, (Museo di Capodimonte).
The world map by Pietro Coppo, Venice, 1520
Alexander VI, a Borgia Pope infamous for his corruption
Adoration of the Magi and Solomon adored by the Queen of Sheba from the Farnese Hours (1546) by Giulio Clovio marks the end of the Italian Renaissance of illuminated manuscript together with the Index Librorum Prohibitorum.
Leonardo Bruni
"What a piece of work is a man, how noble in reason, how infinite in faculties, in form and moving how express and admirable, in action how like an angel, in apprehension how like a god!" – from William Shakespeare's Hamlet.
Château de Chambord (1519–1547), one of the most famous examples of Renaissance architecture
Portrait of Emperor Maximilian I, by Albrecht Dürer, 1519
Erasmus of Rotterdam in 1523, as depicted by Hans Holbein the Younger
São Pedro Papa, 1530–1535, by Grão Vasco Fernandes. A pinnacle piece from when the Portuguese Renaissance had considerable external influence.
The Palace of Facets on the Cathedral Square of the Moscow Kremlin
Theotokos and The Child, the late-17th-century Russian icon by Karp Zolotaryov, with notably realistic depiction of faces and clothing.
The Royal Monastery of San Lorenzo del Escorial, by Juan de Herrera and Juan Bautista de Toledo
A cover of the Lives of the Artists by Giorgio Vasari
Painting of the St. Bartholomew's Day Massacre, an event in the French Wars of Religion, by François Dubois

Many argue that the ideas characterizing the Renaissance had their origin in Florence at the turn of the 13th and 14th centuries, in particular with the writings of Dante Alighieri (1265–1321) and Petrarch (1304–1374), as well as the paintings of Giotto di Bondone (1267–1337).

Portrait by Agnolo Bronzino at the Uffizi, Florence

Lorenzo de' Medici

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Italian statesman, banker, de facto ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy.

Italian statesman, banker, de facto ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy.

Portrait by Agnolo Bronzino at the Uffizi, Florence
Bust by Verrocchio, 15th century terracotta bust, National Gallery of Art, Washington
The Angel appearing to Zacharias in the Tornabuoni Chapel in Florence contains portraits of members of the Medici Academy: Marsilio Ficino, Cristoforo Landino, Agnolo Poliziano and either Demetrios Chalkokondyles or Gentile de' Becchi.
Clarice Orsini
Detail of Domenico Ghirlandaio's Confirmation of the Franciscan Rule from the Sassetti Chapel frescos. Mounting the stairs in the forefront are the tutor of Lorenzo's sons, Angelo Poliziano, and Lorenzo's sons Giuliano, Piero and Giovanni, followed by two members of the Humanist Academy.
Sacra rappresentazione dei santi Giovanni e Paolo ("Holy representation of the Saints John and Paul"), a work by Lorenzo in the later years
A posthumous portrait of Lorenzo by Giorgio Vasari (16th century)

He is buried in the Medici Chapel in Florence.

This portrait attributed to Francesco Melzi, c. 1515–1518, is the only certain contemporary depiction of Leonardo.

Leonardo da Vinci

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Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect.

Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect.

This portrait attributed to Francesco Melzi, c. 1515–1518, is the only certain contemporary depiction of Leonardo.
The possible birthplace and childhood home of Leonardo in Anchiano, Vinci, Italy
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Adoration of the Magi c. 1478–1482, Uffizi, Florence
a 1473 pen-and-ink drawing
Virgin of the Rocks, c. 1483–1493, Louvre version
a drawing
The Virgin and Child with Saint Anne and Saint John the Baptist, c. 1499–1508, National Gallery, London
An apocalyptic deluge drawn in black chalk by Leonardo near the end of his life (part of a series of 10, paired with written description in his notebooks)
portrait of Leonardo
Drawing of the Château d'Amboise (c. 1518) attributed to Francesco Melzi
Saint John the Baptist c. 1507–1516, Louvre. Leonardo is thought to have used Salaì as the model.
Annunciation c. 1472–1476, Uffizi, is thought to be Leonardo's earliest extant and complete major work
Unfinished painting of Saint Jerome in the Wilderness c. 1480–1490, Vatican
Lady with an Ermine, c. 1489–1491, Czartoryski Museum, Kraków, Poland
The Last Supper, Convent of Santa Maria delle Grazie, Milan, Italy (c. 1492–1498)
Mona Lisa or La Gioconda c. 1503–1516, Louvre, Paris
Presumed self-portrait of Leonardo (c. 1510) at the Royal Library of Turin, Italy.
Antique warrior in profile, c. 1472
A page showing Leonardo's study of a foetus in the womb (c. 1510), Royal Library, Windsor Castle
Rhombicuboctahedron as published in Pacioli's Divina proportione (1509)
Anatomical study of the arm (c. 1510)
Leonardo's physiological sketch of the human brain and skull (c. 1510)
Leonardo's drawings of a scythed chariot and a fighting vehicle.
Statue outside the Uffizi, Florence, by Luigi Pampaloni (1791–1847)
The Death of Leonardo da Vinci, by Ingres, 1818
Leonardo Museum in Vinci, which houses a large collection of models constructed on the basis of Leonardo's drawings.
Tomb in the chapel of Saint Hubert at the Château d'Amboise where a plaque describes it as the presumed site of Leonardo's remains.
Madonna of the Carnation, {{circa|1472–1478}}, Alte Pinakothek, Munich
Landscape of the Arno Valley (1473)
Ginevra de' Benci, {{circa|1474–1480}}, National Gallery of Art, Washington D.C.
Benois Madonna, {{circa|1478–1481}}, Hermitage, Saint Petersburg
Sketch of the hanging of Bernardo Bandini Baroncelli, 1479
Head of a Woman, {{circa|1483–1485}}, Royal Library of Turin
Portrait of a Musician, {{circa|1483–1487}}, Pinacoteca Ambrosiana, Milan
The Vitruvian Man ({{circa|1485}}) Accademia, Venice
Leonardo's horse in silverpoint, {{circa|1488}}{{sfn|Wallace|1972|p=65}}
La Belle Ferronnière, {{circa|1490–1498}}
thumb|Detail of 1902 restoration, trompe-l'œil painting (1498)
The Virgin and Child with Saint Anne, {{circa|1501–1519}}, Louvre, Paris
Leonardo's map of Imola, created for Cesare Borgia, 1502
Study for The Battle of Anghiari (now lost), {{circa|1503}}, Museum of Fine Arts, Budapest
La Scapigliata, {{circa|1506–1508}} (unfinished), Galleria Nazionale di Parma, Parma
Study for Leda and the Swan (now lost), {{circa|1506–1508}}, Chatsworth House, England
Anatomical study of the arm (c. 1510)

Leonardo da Vinci, properly named Leonardo di ser Piero da Vinci (Leonardo, son of ser Piero from Vinci), was born on 15 April 1452 in, or close to, the Tuscan hill town of Vinci; Florence was 20 miles away.

Portrait by Bronzino

Cosimo de' Medici

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Portrait by Bronzino
The late medieval mark of the Medici Bank (Banco Medici), used for the authentication of documents. Florence, Biblioteca Nazionale Centrale, Ms. Panciatichi 71, fol. 1r.
A 16th-century portrait of Contessina de' Bardi, Cosimo's wife, attributed to Cristofano dell'Altissimo.
Cosimo goes into exile, Palazzo Vecchio.
Portrait by Jacopo Pontormo; the laurel branch (il Broncone) was a symbol used also by his heirs
The floor tomb of Cosimo de' Medici in the Basilica of San Lorenzo, Florence
Donatello's David, a Medici commission.
Cosimo Pater patriae, Uffizi Gallery, Florence.

Cosimo di Giovanni de' Medici (27 September 1389 – 1 August 1464) was an Italian banker and politician who established the Medici family as effective rulers of Florence during much of the Italian Renaissance.

Portrait of Dante Alighieri by Cristofano dell'Altissimo, Uffizi Gallery Florence

Italian Renaissance

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Period in Italian history covering the 15th and 16th centuries.

Period in Italian history covering the 15th and 16th centuries.

Portrait of Dante Alighieri by Cristofano dell'Altissimo, Uffizi Gallery Florence
Pandolfo Malatesta (1417–1468), lord of Rimini, by Piero della Francesca. Malatesta was a capable condottiere, following the tradition of his family. He was hired by the Venetians to fight against the Turks (unsuccessfully) in 1465, and was the patron of Leone Battista Alberti, whose Tempio Malatestiano at Rimini is one of the first entirely classical buildings of the Renaissance.
Portrait of Cosimo de' Medici by Jacopo Pontormo
Leonardo da Vinci, Italian Renaissance Man
Giulio Clovio, Adoration of the Magi and Solomon Adored by the Queen of Sheba from the Farnese Hours, 1546
Niccolò Machiavelli (1469–1527), the author of The Prince and prototypical Renaissance man. Detail from a portrait by Santi di Tito.
Petrarch, from the Cycle of Famous Men and Women. ca. 1450. Detached fresco. 247 x. Galleria degli Uffizi, Florence, Italy. Artist: Andrea di Bartolo di Bargilla (ca. 1423–1457).
Detail of The Last Judgment, 1536–1541, by Michelangelo
David by Donatello
Bramante's Tempietto in San Pietro in Montorio, Rome, 1502
Claudio Monteverdi by Bernardo Strozzi

The Renaissance began in Tuscany in Central Italy and centred in the city of Florence.

Republic of Florence

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The Florentine Republic in 1548
Italy in 1084, showing the Marquisate of Tuscany.
The Florentine Republic in 1548
Front and back of a Florentine florin
The growth of Florence from 1300 to 1500
The Italian Peninsula in 1499.
Coat of arms of the House of Medici
Cosimo de' Medici, founder of the House of Medici
Lorenzo de' Medici
Girolamo Savonarola
Holy Roman Emperor Charles V
Leo X (center) and Cardinal Giulio de' Medici (left)
Alessandro de' Medici
Cosimo I de' Medici
Leo X (center) and Cardinal Giulio de' Medici (left)

The Republic of Florence, officially the Florentine Republic (Repubblica Fiorentina,, or Repubblica di Firenze), was a medieval and early modern state that was centered on the Italian city of Florence in Tuscany.

Palazzo Vecchio overlooks Piazza della Signoria

Palazzo Vecchio

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Palazzo Vecchio overlooks Piazza della Signoria
Palazzo Vecchio by night.
Painting of the Palazzo and the square in 1498, during the execution of Girolamo Savonarola
Engraving of a map depicting the palazzo and square with the corridor, by Stefano Buonsignori, 1584
Entrance with frontispiece and statues
First courtyard with Putto with Dolphin by Verrocchio in the middle, and frescoes of Austrian cities on the wall by Vasari
Salone dei Cinquecento. West Wall at left. East Wall at Right
Genio della Vittoria by Michelangelo, in the central niche at the south
Ceiling of the Studiolo of Francesco I
Polychrome "Madonna and Child"
Stipo, an ebony cabinet
Detail of a Bronzino fresco in the Cappella di Eleonora
Triumph of Furius Camillus in the Sala dell'Udienza
Ceiling with fleurs-de-lis
Frescoes in the Hall of Lilies
Map of the British Isles by Ignazio Danti
The "mappa mundi"
Bust of Niccolò Machiavelli
Angolo Bronzino, Ritratto di Laura Battiferri, collezione Loeser
Cartoon of the Battle of Cascina by Michelangelo, lost fresco West wall
Peter Paul Rubens's copy of Da Vinci's The Battle of Anghiari Cartoon <ref>See page 226 of the 1974 book "The Unknown Leonardo" remarks on the Battle of Anghiari {reference only copyrighted)</ref>
Possible copy of original Da Vinci lost fresco East Wall
View on the West Wall with huge Battle Frescoes 1494 by Vasari & Assistants II. Site of the never done ''Battle of Cascina"
View on the West Wall with huge Battle Frescoes 1494 by Vasari & Assistants II. Site of the never done ''Battle of Cascina"
View on the East Wall - Battle Fresco 1575 by Vasari & Assistants.Site of the ruined "Battle of Anghiari"

The Palazzo Vecchio ( "Old Palace") is the town hall of Florence, Italy.