A report on Giovanni Domenico Campiglia

Portrait of Cardinal-Patriarch José Manoel da Câmara by Giovanni Domenico Campiglia, Biblioteca Nacional de Portugal, 1758

Italian painter and engraver from Florence, active under the patronage of the House of Medici.

- Giovanni Domenico Campiglia
Portrait of Cardinal-Patriarch José Manoel da Câmara by Giovanni Domenico Campiglia, Biblioteca Nacional de Portugal, 1758

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Overall

Tommaso Redi

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Italian painter, active during the late-Baroque in his native Florence.

Italian painter, active during the late-Baroque in his native Florence.

Self-Portrait

Among his pupils were Giovanni Domenico Campiglia (1692–1768) and Giuseppe Grisoni (1700–1769).

Illustration of Acta Eruditorum, 1739 with Etruscan alphabet and review of Museum Etruscum

Antonio Francesco Gori

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Florentine antiquarian, a priest in minor orders, provost of the Baptistery of San Giovanni from 1746, and a professor at the Liceo, whose numerous publications of ancient Roman sculpture and antiquities formed part of the repertory on which 18th-century scholarship as well as the artistic movement of neoclassicism were based.

Florentine antiquarian, a priest in minor orders, provost of the Baptistery of San Giovanni from 1746, and a professor at the Liceo, whose numerous publications of ancient Roman sculpture and antiquities formed part of the repertory on which 18th-century scholarship as well as the artistic movement of neoclassicism were based.

Illustration of Acta Eruditorum, 1739 with Etruscan alphabet and review of Museum Etruscum

Gori employed artists like Giovanni Domenico Campiglia, Giovanni Domenico Ferretti and Antonio Pazzi to draw copies of famous works of which he oversaw the engraving and publication.