A report on Greco-Buddhist art, Indo-Greek Kingdom and Sanchi

Pataliputra Palace capital, showing Greek and Persian influence, early Mauryan Empire period, 3rd century BC.

The Buddha and a naked Vajrapani in a frieze at Jamal Garhi, Gandhara.

Kandahar Bilingual Rock Inscription (Greek and Aramaic) by king Ashoka, from Kandahar, Afghanistan.

Plan of the monuments of the hill of Sanchi, numbered 1 to 50.

Buddhist expansion in Asia: Mahayana Buddhism first entered the Chinese Empire (Han dynasty) through Silk Road during the Kushan Era. The overland and maritime "Silk Roads" were interlinked and complementary, forming what scholars have called the "great circle of Buddhism".

According to the Mahavamsa, the Great Stupa in Anuradhapura, Sri Lanka, was dedicated by a 30,000-strong "Yona" (Greek) delegation from "Alexandria" around 130 BC.

Greco-Bactrian statue of an old man or philosopher, Ai Khanoum, Bactria, 2nd century BC

The capital of the Sanchi pillar of Ashoka, as discovered (left), and simulation of original appearance (right). It is very similar to the Lion Capital of Ashoka at Sarnath, except for the abacus, here adorned with flame palmettes and facing geese, 250 BCE. Sanchi Archaeological Museum.

Silver coin depicting the Greco-Bactrian king Demetrius I (200–180 BC) wearing an elephant scalp, symbol of his conquest of India. Back: Herakles, holding a lion skin and a club resting over the arm. The text reads: ΒΑΣΙΛΕΩΣ ΔΗΜΗΤΡΙΟΥ – BASILÉŌS DĒMĒTRÍOU "of King Demetrius".

Corinthian capital, found at Ai-Khanoum, 2nd century BC

by later illustrations among the Sanchi reliefs

Wine-drinking and music (Detail from Chakhil-i-Ghoundi stupa, Hadda, 1st–2nd century AD).

Coin depicting the Greco-Bactrian king Euthydemus 230–200 BC. The Greek inscription reads: ΒΑΣΙΛΕΩΣ ΕΥΘΥΔΗΜΟΥ – "(of) King Euthydemus".

The Great Stupa under the Sungas. The Sungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it.

At Bharhut, the gateways were made by northern (probably Gandharan) masons using Kharosthi marks, while the railings were made by masons exclusively using marks in the local Brahmi script, now in Indian Museum. 150-100 BC.

Possible statuette of a Greek soldier, wearing a version of the Greek Phrygian helmet, from a 3rd-century BC burial site north of the Tian Shan, Xinjiang Region Museum, Urumqi.

Foreigner on a horse, circa 115 BCE, Stupa No2.

Statues on the architraves of the torana gateway, associated with Kharosthi marks. 100-75 BC.

Greco-Bactria and the city of Ai-Khanoum were located at the very doorstep of Mauryan India.

Sunga period railings were initially blank (left: Great Stupa), and only started to be decorated circa 115 BCE with Stupa No.2 (right).

the Kharosthi letters were found on the ballusters

The Khalsi rock edict of Ashoka, which mentions the Greek kings Antiochus, Ptolemy, Antigonus, Magas and Alexander by name, as recipients of his teachings.

Sunga pillar No25 with own capital on the side.

The story of the Trojan horse was depicted in the art of Gandhara. British Museum.

The Titan Atlas, supporting a Buddhist monument, Hadda.

Apollodotus I (180–160 BC) the first king who ruled in the subcontinent only, and therefore the founder of the proper Indo-Greek kingdom.

Seated Buddha in Hellenistic style, Tapa Shotor, 2nd century AD.

Silver coin depicting Demetrius I of Bactria (reigned c. 200–180 BC), wearing an elephant scalp, symbol of his conquests of areas in what is now Afghanistan and Pakistan.

The Seated Buddha, dating from 300 to 500 AD, was found near Jamal Garhi, Pakistan, and is now on display at the Asian Art Museum in San Francisco.

The coinage of Agathocles (circa 180 BC) incorporated the Brahmi script and several deities from India, which have been variously interpreted as Vishnu, Shiva, Vasudeva, Balarama or the Buddha.

The Buddha teaching. Kushan period. National Museum, Delhi. 2004

Kharoshthi legend on the reverse of a coin of Indo-Greek king Artemidoros Aniketos.

The Great Stupa at the time of the Satavahanas.

An Indo-Corinthian capital from the Butkara Stupa under which a coin of Azes II was found. Dated to 20 BC or earlier (Turin City Museum of Ancient Art).

Menander I (155–130 BC) is one of the few Indo-Greek kings mentioned in both Graeco-Roman and Indian sources.

Temptation of the Buddha, with the Buddha on the left (symbolized by his throne only) surrounded by rejoicing devotees, Mara and his daughters (center), and the demons of Mara fleeing (right).

The Bimaran casket, representing the Buddha, is dated to around 30–10 BC. British Museum.

The Shinkot casket containing Buddhist relics was dedicated "in the reign of the Great King Menander".

War over the Buddha's Relics, kept by the city of Kushinagar, South Gate, Stupa no.1, Sanchi.

Fresco describing Emperor Han Wudi (156–87 BC) worshipping two statues of the Buddha, Mogao Caves, Dunhuang, c. 8th century AD

Indian-standard coinage of Menander I. Obv ΒΑΣΙΛΕΩΣ ΣΩΤΗΡΟΣ ΜΕΝΑΝΔΡΟΥ "Of Saviour King Menander". Rev Palm of victory, Kharoshthi legend Māhārajasa trātadasa Menandrāsa, British Museum.

King Ashoka visits Ramagrama, to take relics of the Buddha from the Nagas, but he failed, the Nagas being too powerful. Southern gateway, Stupa 1, Southern Gateway, Sanchi.

Heracles depiction of Vajrapani as the protector of the Buddha, 2nd century AD, Gandhara, British Museum.

King Hippostratos riding a horse, circa 100 BC (coin detail).

Ashoka in grief, supported by his two queens, in a relief at Sanchi. Stupa 1, Southern gateway. The identification with Ashoka is confirm by a similar relief from Kanaganahalli inscribed "Raya Asoko".

The Bodhisattva Maitreya, 2nd century AD, Gandhara.

The Yavanarajya inscription discovered in Mathura, mentions its carving on "The last day of year 116 of Yavana hegemony" (Yavanarajya), or 116th year if the Yavana era, suggesting the Greeks ruled over Mathura as late as 60 BC. Mathura Museum.

Bodhi tree temple depicted in Sanchi, Stupa 1, Southern gateway.

The Buddhist gods Pancika (left) and Hariti (right), 3rd century, Takht-i Bahi, Gandhara, British Museum.

The Mathura Herakles. A statue of Herakles strangling the Nemean lion from Mathura. Today in the Kolkota Indian Museum.

Temple for the Bodhi Tree (Eastern Gateway).

Winged Cupids holding a wreath over the Buddha (left:detail), Hadda, 3rd century. Musée Guimet.

Possible statue of a Yavana/ Indo-Greek warrior with boots and chiton, from the Rani Gumpha or "Cave of the Queen" in the Udayagiri Caves on the east coast of India, where the Hathigumpha inscription was also found. 2nd or 1st century BC.

foreigners illustrated at Sanchi worshiping the Great Stupa

Gandhara frieze with devotees, holding plantain leaves, in purely Hellenistic style, inside Corinthian columns, 1st-2nd century AD. Buner, Swat, Pakistan. Victoria and Albert Museum.

Heliocles (145–130 BC) was the last Greek king in Bactria.

An Ichthyo-Centaur, 2nd century Gandhara, Victoria and Albert Museum.

An early Mahayana Buddhist triad. From left to right, a Kushan devotee, the Bodhisattva Maitreya, the Buddha, the Bodhisattva Avalokitesvara, and a Buddhist monk. 2nd-3rd century AD, Gandhara.

A Buddhist coin of Kanishka I, with "Boddo" (=Buddha) in Greek script.

Coin of Zoilos I (130–120 BC) showing on the reverse the Heraklean club with the Scythian bow, inside a victory wreath.

Balustrade-holding Yaksa with Corinthian columns, Madhya Pradesh (?), Shunga period (2nd-1st century BC). Musee Guimet.

The Heliodorus pillar, commissioned by Indo-Greek ambassador Heliodorus, is the first known inscription related to Vaishnavism in India. Heliodurus was one of the earliest recorded Indo-Greek converts to Hinduism.

Miracle of the Buddha walking on the river Nairanjana

Indian relief of probable Indo-Greek king, with Buddhist triratana symbol on his sword. Bharhut, 2nd century BC. Indian Museum, Calcutta.

Heliodorus travelled from Taxila to Vidisha as an ambassador of king Antialkidas, and erected the Heliodorus pillar.

Procession of king Suddhodana from Kapilavastu

The Bodhisattva Maitreya, 2nd century, Mathura, 2nd-century AD.

The Bharhut Yavana, a possible Indian depiction of Menander, with the flowing head band of a Greek king, northern tunic with Hellenistic pleats, and Buddhist triratana symbol on his sword. Bharhut, 100 BC. Indian Museum, Calcutta.

"The promenade of the Buddha", or Chankrama, used to depict the Buddha in motion in Buddhist aniconism.

At Bharhut, the gateways were made by northwestern (probably Gandharan) masons using Kharosthi marks 100-75 BC.

Bimbisara with his royal cortege issuing from the city of Rajagriha to visit the Buddha

Greek scroll supported by Indian Yaksas, Amaravati, 3rd century AD

the Kharosthi letters were found on the balusters

Foreigners making a dedication at the Southern Gateway of Stupa No 1

A terracotta head of Buddha Shakyamuni, inspired by Greco-Buddhist art, Devnimori, Gujarat (375-400 AD).

Foreigners on the Northern Gateway of Stupa I at Sanchi.

Stupas and monasteries at Sanchi in the early centuries of the current era. Reconstruction, 1900

The Buddha in long, heavy robe, a design derived from the art of Gandhara, Ajanta Caves, 5th century AD.

Buddha of the Gupta period, 5th century, Mathura.

Temple 17: a Gupta period tetrastyle prostyle temple of Classical appearance. 5th century CE

Head of a Buddha, Gupta period, 6th century.

Hermaeus (90–70 BC) was the last Indo-Greek king in the Western territories (Paropamisadae).

Statue of Padmapani (5th c.or 9th c.) Victoria and Albert Museum.

Head of a Bodhisattva, 6th-7th century terracotta, Tumshuq (Xinjiang).

Hermaeus posthumous issue struck by Indo-Scythians near Kabul, circa 80–75 BC.

Pillar 26: one of the two four-lions stambha capitals at Sanchi, with lions, central flame palmette and Wheel of Law (axis, stubs of the spokes and part of the circumference only), initially located at the Northern Gateway of the Great Stupa. Sanchi Archaeological Museum.

"Heroic gesture of the Bodhisattva", 6th-7th century terracotta, Tumshuq (Xinjiang).

Tetradrachm of Hippostratos, reigned circa 65–55 BC, was the last Indo-Greek king in Western Punjab.

Pillar 26: lion pillar capital at time of discovery, with Dharmachakra wheel (reconstitution). Northern Gateway.

Hippostratos was replaced by the Indo-Scythian king Azes I (r. c. 35–12 BC).

Approximate region of East Punjab and Strato II's capital Sagala.

Pillar 35 column stump (right), and bell capital with abacus, positioned upside down.

A Buddha in Kamakura (1252), reminiscent of Greco-Buddhist influences.

The last known Indo-Greek kings Strato II and Strato III, here on a joint coin (25 BC-10 AD), were the last Indo-Greek king in eartern territories of Eastern Punjab.

Vajrapani statue of pillar 35, 5th c. CE. Sanchi Archaeological Museum.

Pillar of the Great Chaitya at Karla Caves, mentioning its donation by a Yavana. Below: detail of the word "Ya-va-na-sa" in old Brahmi script: Brahmi y 2nd century CE.jpgBrahmi v 2nd century CE.gifBrahmi n.svgBrahmi s.svg, circa AD 120.

Temple 18 at Sanchi, an apsidal hall with Maurya foundations, rebuilt at the time of Harsha (7th century CE).

Vine and grape scrolls from Nara, 7th century.

The Buddhist symbols of the triratna and of the swastika (reversed) around the word "Ya-va-ṇa-sa" in Brahmi (Brahmi y 2nd century CE.jpg Brahmi v 2nd century CE.gif Brahmi nn.svg Brahmi s.svg). Shivneri Caves 1st century AD.

Bodhisattva Lokesvara, Cambodia 12th century.

Statue with inscription mentioning "year 318", probably of the Yavana era, i.e. AD 143.

The Great Stupa as breached by Sir Herbert Maddock in 1822. Watercolor by Frederick Charles Maisey, in 1851.

Avalokiteshvara on the wall of Plaosan temple (Indonesia), Javanese Sailendran art, 9th century.

Piedestal of the Hashtnagar Buddha statue, with Year 384 inscription, probably of the Yavana era, i.e. AD 209.

Ruins of the Southern Gateway, Sanchi in 1875.

Nereid goddess riding a Ketos sea-monster, 2nd century BC, Sirkap.

Evolution of Zeus Nikephoros ("Zeus holding Nike") on Indo-Greek coinage: from the Classical motif of Nike handing the wreath of victory to Zeus himself (left, coin of Heliocles I 145–130 BC), then to a baby elephant (middle, coin of Antialcidas 115–95 BC), and then to the Wheel of the Law, symbol of Buddhism (right, coin of Menander II 90–85 BC).

Indo-Corinthian capital representing a man wearing a Graeco-Roman-style coat with fibula, and making a blessing gesture. Butkara Stupa, National Museum of Oriental Art, Rome.

Evolution of the Butkara stupa, a large part of which occurred during the Indo-Greek period, through the addition of Hellenistic architectural elements.

Inscribed panel from Sanchi in Brahmi script in the British Museum

Mythological scene with Athena and Herakles.

Coin of Menander II (90–85 BC). "King Menander, follower of the Dharma" in Kharoshthi script, with Zeus holding Nike, who holds a victory wreath over an Eight-spoked wheel.

The last two letters to the right of this inscription in Brahmi form the word "dǎnam" (donation). This hypothesis permitted the decipherment of the Brahmi script by James Prinsep in 1837.

Poseidon with attendants. Ancient Orient Museum.

Greek Buddhist devotees, holding plantain leaves, in purely Hellenistic style, inside Corinthian columns, Buner relief, Victoria and Albert Museum.

General view of the Stupas at Sanchi by F.C. Maisey, 1851 (The Great Stupa on top of the hill, and Stupa 2 at the forefront)

Hellenistic culture in the Indian subcontinent: Greek clothes, amphoras, wine and music (Detail of Chakhil-i-Ghoundi stupa, Hadda, Gandhara, 1st century AD).

The Great Stupa (Stupa No.1), started in the 3rd century BCE

Man with cup in hand, riding a Ketos sea-monster.

Intaglio gems engraved in the northwest of India (2nd century BCE-2nd century CE).

Seated Buddha, Gandhara, 2nd century (Ostasiatisches Museum, Berlin)

Stone palette depicting a mythological scene, 2nd–1st century BC.

Foreigner on a horse. The medallions are dated circa 115 BC.

Cupro-nickel coins of king Pantaleon point to a Chinese origin of the metal.

Remains of the Ashokan Pillar in polished stone (right of the Southern Gateway), with its Edict.

Lakshmi with lotus and two child attendants, probably derived from [[:File:Venus with two cupids 2.jpg|similar images of Venus]]<ref>An Indian Statuette From Pompeii, Mirella Levi D'Ancona, in Artibus Asiae, Vol. 13, No. 3 (1950) p.171</ref>

Athena in the art of Gandhara, displayed at the Lahore Museum, Pakistan

Sanchi Minor Pillar Edict of Ashoka, in-situ (detail of the previous image).

Strato I in combat gear, making a blessing gesture, circa 100 BC.

Remains of the shaft of the pillar of Ashoka, under a shed near the Southern Gateway.

The Indo-Scythian Taxila copper plate uses the Macedonian month of "Panemos" for calendrical purposes (British Museum).

Side view of the capital. Sanchi Archaeological Museum.<ref name="p.25-28 Ashoka pillar"/>

Lotus within Hellenistic beads and reels motif.

Hellenistic couple from Taxila (Guimet Museum)

Fragment of the wind god Boreas, Hadda, Afghanistan.

Shunga vedika (railing) with inscriptions.

The Buddha, flanked by Herakles/ Vajrapani and Tyche/ Hariti.

Gandhara Poseidon (Ancient Orient Museum)

Head of a bodhisattva, Gandhara ca. 4th century

Maitreya, with Kushan devotee couple. 2nd century Gandhara.

Maitreya, with Kushan devotees, left and right. 2nd century Gandhara.

Maitreya, with Indian (left) and Kushan (right) devotees.

Kushans worshipping the Buddha's bowl. 2nd century Gandhara.

Philoxenus (c. 100 BC), unarmed, making a blessing gesture.

Kushan devotee couple, around the Buddha, Brahma and Indra.

The "Kanishka casket," with the Buddha surrounded by Brahma and Indra, and Kanishka on the lower part, AD 127.

Various blessing gestures: divinities (top), kings (bottom).

Buddha triad and kneeling Kushan devotee couple. 3rd century.

Seated Buddha with halo and mandorla 5th-6th century Gandhara.

The Buddha with a radiate mandorla, Gandhara, 6th century

Last stages of Greco-Buddhist art. 7th century, Ghorband District, Afghanistan.

Detail of the foreigners, in Greek dress and playing carnyxes and aolus flute. Northern Gateway of Stupa I (detail).

Foreigners holding grapes and riding winged lions, Sanchi Stupa 1, Eastern Gateway.<ref>"The Diffusion of Classical Art in Antiquity, John Boardman, 1993, p. 112 Note 91</ref>

Foreigners on horses, wearing headbands, caps and boots. Western gate of Stupa 1.

The Buddha represented by the Dharmacakra.

Bottom panel Dvarapala guardian deity or devotee.

Pillar 34 with lion.<ref>Marshall p. 52 Pillar 34</ref>

The winged lion capital of pillar 34 (lost).

A vision of ancient Indian court life, using motifs from Sanchi (wood engraving, 1878).

Buddhism became the prominent religion in the Indo-Greek Kingdoms.

- Greco-Buddhist art

The diffusion of Indo-Greek culture had consequences which are still felt today, particularly through the influence of Greco-Buddhist art.

- Indo-Greek Kingdom

This is evident in the art found throughout the Maurya Empire such as capitals including the Pillars of Ashoka, and stupas such as the Sanchi and Bharhut stupas, which were constructed and first decorated during the Maurya Era.

- Greco-Buddhist art

Foreigners from Gandhara are otherwise known to have visited the region around the same time: in 115 BCE, the embassy of Heliodorus from Indo-Greek king Antialkidas to the court of the Sungas king Bhagabhadra in nearby Vidisha is recorded, in which Heliodorus established the Heliodorus pillar in a dedication to Vāsudeva.

- Sanchi

Similar scenes would later appear in the Greco-Buddhist art of Gandhara, but this time with representations of the Buddha.

- Sanchi

Again in Sanchi, but this time dating to the period of Satavahana rule circa 50–1 BC, one frieze can be observed which shows devotees in Greek attire making a dedication to the Great Stupa of Sanchi.

- Indo-Greek Kingdom

4 related topics with Alpha

Man on a relief, Bharhut, Shunga period.

Shunga Empire

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Ancient Indian dynasty from Magadha that controlled areas of the central and eastern Indian subcontinent from around 185 to 73 BCE.

Royal family, Shunga, West Bengal 1st century BCE.

East Gateway and Railings, Red Sandstone, Bharhut Stupa, 2nd century BCE. Indian Museum, Kolkata.

The Great Stupa under the Shungas. The Shungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it.

Vedika pillar with "Yavana" Greek warrior. Bharhut, Madhya Pradesh, Shunga Period, c. 100-80 BC. Reddish brown sandstone. Indian Museum, Calcutta.

The Yavanarajya inscription, dated to "year 116 of Yavana hegemony", probably 70 or 69 BCE, was discovered in Mathura. Mathura Museum.

The Heliodorus pillar was built in Vidisha under the Shungas, at the instigation of Heliodorus, ambassador of the Indo-Greek king Antialcidas. The pillar originally supported a statue of Garuda. Established circa 100 BCE.

The Sunga territory circa 100 BCE, greatly reduced to the region of Magadha only, with many independent, petty kingdoms such as such as Mathura and Panchala

Pillar with elephants supporting a wheel.

Ashoka supported by his two wives. Similar to [[:File:Sanchi King Ashoka with his Queens, South Gate, Stupa no. 1.jpg|the later relief at Gateway 1]].

Shunga masculine figurine (molded plate). 2nd–1st century BCE.

Shunga woman with child. 2nd–1st century BCE.

Shunga mother figure, with attendant. 2nd–1st century BCE.

Shunga fecundity deity. 2nd–1st century BCE.

Baluster-holding yakṣa, Madhya Pradesh, Shunga period (2nd–1st century BCE). Guimet Museum.

Amorous royal couple. Shunga, 1st century BCE, West Bengal.

Bronze coin of the Shunga period, Eastern India. 2nd–1st century BCE.

A copper coin of 1/4 karshapana of Ujjain in Malwa.

They fought the Kalinga, the Satavahana dynasty, the Indo-Greek Kingdom and possibly the Panchalas and Mitras of Mathura.

Art, education, philosophy, and other forms of learning flowered during this period including small terracotta images, larger stone sculptures, and architectural monuments such as the stupa at Bharhut, and the renowned Great Stupa at Sanchi.

Artistry on the subcontinent also progressed with the rise of the Mathura school, which is considered the indigenous counterpart to the more Hellenistic Gandhara school (Greco-Buddhist art) of Afghanistan and North-Western frontier of India (modern day Pakistan).

Kushan Empire

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Syncretic empire, formed by the Yuezhi, in the Bactrian territories in the early 1st century.

Yuezhi nobleman and priest over a fire altar. Noin-Ula.

The ethnonym "KOϷ ϷANO" (Koshshano, "Kushan") in Greek alphabet (with the addition of the letter Ϸ, "Sh") on a coin of the first known Kushan ruler Heraios (1st century AD).

Greek alphabet (narrow columns) with Kushan script (wide columns)

Early gold coin of Kanishka I with Greek language legend and Hellenistic divinity Helios. (c. AD 120).
Obverse: Kanishka standing, clad in heavy Kushan coat and long boots, flames emanating from shoulders, holding a standard in his left hand, and making a sacrifice over an altar. Greek legend: ΒΑΣΙΛΕΥΣ ΒΑΣΙΛΕΩΝ ΚΑΝΗϷΚΟΥ
Basileus Basileon Kanishkoy
"[Coin] of Kanishka, king of kings". Reverse: Standing Helios in Hellenistic style, forming a benediction gesture with the right hand. Legend in Greek script: ΗΛΙΟΣ Helios Kanishka monogram (tamgha) to the left.

Kushan territories (full line) and maximum extent of Kushan control under Kanishka the Great. The extent of Kushan control is notably documented in the Rabatak inscription. The northern expansion into the Tarim Basin is mainly suggested by coin finds and Chinese chronicles.

Map showing the four empires of Eurasia in the 2nd century AD. "For a time, the Kushan Empire was the centerpoint of the major civilizations".

Eastern reach as far as Bengal: Samatata coinage of king Vira Jadamarah, in imitation of the Kushan coinage of Kanishka I. The text of the legend is a meaningless imitation. Bengal, circa 2nd-3rd century AD.

Kumara/Kartikeya with a Kushan devotee, 2nd century AD

Kushan prince, said to be Huvishka, making a donation to a Boddhisattva.

Shiva Linga worshipped by Kushan devotees, circa 2nd century AD

The Ahin Posh stupa was dedicated in the 2nd century AD under the Kushans, and contained coins of Kushan and Roman Emperors.

Early Mahayana Buddhist triad. From left to right, a Kushan devotee, Maitreya, the Buddha, Avalokitesvara, and a Buddhist monk. 2nd–3rd century, Gandhara

The head of a Gandhara Bodhisattava said to resemble a Kushan prince, as seen in [[:File:KushanHead.jpg|the portrait of the prince]] from Khalchayan. Philadelphia Museum.

Greco-Roman gladiator on a glass vessel, Begram, 2nd century

$Rishti or Riom<ref>{{cite journal |quote=The reading of the name of the deity on this coin is very much uncertain and disputed (Riom, Riddhi, Rishthi, Rise....) |last1=Fleet |first1=J.F. |title=The Introduction of the Greek Uncial and Cursive Characters into India |journal=The Journal of the Royal Asiatic Society of Great Britain and Ireland |year=1908 |volume=1908 |page=179, note 1 |jstor=25210545}}</ref><ref>{{cite book |quote=The name Riom as read by Gardner, was read by Cunningham as Ride, who equated it with Riddhi, the Indian goddess of fortune. F.W. Thomas has read the name as Rhea |last1=Shrava |first1=Satya |title=The Kushāṇa Numismatics |year=1985 |publisher=Pranava Prakashan |page=29 |url=https://books.google.com/books?id=_1EaAAAAYAAJ}}</ref>$

Kushan Carnelian seal representing the "ΑΔϷΟ" (adsho Atar), with triratana symbol left, and Kanishka the Great's dynastic mark right

Coin of Kanishka I, with a depiction of the Buddha and legend "Boddo" in Greek script

Coin of Vima Kadphises. Deity Oesho on the reverse, thought to be Shiva,<ref name="sino-platonic.org"/>{{sfn|Bopearachchi|2007|pp=41–53}}<ref>Perkins, J. (2007). Three-headed Śiva on the Reverse of Vima Kadphises's Copper Coinage. South Asian Studies, 23(1), 31–37</ref> or the Zoroastrian Vayu.<ref>{{cite book |editor-last1=Errington |editor-first1=Elizabeth |author=Fitzwilliam Museum |title=The Crossroads of Asia: transformation in image and symbol in the art of ancient Afghanistan and Pakistan |date=1992 |publisher=Ancient India and Iran Trust |isbn=9780951839911 |page=87 |url=https://books.google.com/books?id=pfLpAAAAMAAJ}}</ref>

The Yuezhi reached the Hellenic kingdom of Greco-Bactria (in northern Afghanistan and Uzbekistan) around 135 BC. The displaced Greek dynasties resettled to the southeast in areas of the Hindu Kush and the Indus basin (in present-day Afghanistan and Pakistan), occupying the western part of the Indo-Greek Kingdom.

Other areas of probable rule include Khwarezm and its capital city of Toprak-Kala, Kausambi (excavations of Allahabad University), Sanchi and Sarnath (inscriptions with names and dates of Kushan kings), Malwa and Maharashtra, and Odisha (imitation of Kushan coins, and large Kushan hoards).

The art and culture of Gandhara, at the crossroads of the Kushan hegemony, developed the traditions of Greco-Buddhist art and are the best known expressions of Kushan influences to Westerners.

Western Satraps

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The Western Satraps, or Western Kshatrapas (Brahmi:Gupta ashoka tr.jpg, Mahakṣatrapa, "Great Satraps") were Indo-Scythian (Saka) rulers of the western and central part of India (Saurashtra and Malwa: modern Gujarat, Maharashtra, Rajasthan and Madhya Pradesh states), between 35 to 415 CE.

The rulers of the Western Satraps were called (𑀫𑀳𑀸𑀔𑀢𑀧, "Great Satrap") in their Brahmi script inscriptions, as here in a dedicatory inscription by Prime Minister Ayama in the name of his ruler Nahapana, Manmodi Caves, circa 100 CE. Nahapana was also attributed the titles of ("King") and ("Lord") conjointly.

Coin of Bhumaka (?–119). Obv: Arrow, pellet, and thunderbolt. Kharoshthi inscription Chaharasada Chatrapasa Bhumakasa: "Ksaharata Satrap Bhumaka". Rev: Capital of a pillar with seated lion with upraised paw, and wheel (dharmachakra). Brahmi inscription: Kshaharatasa Kshatrapasa Bhumakasa.

Coin of Nahapana (whose rule is variously dated to 24-70 CE, 66-71 CE, or 119–124 CE), a direct derivation from Indo-Greek coinage. British Museum.

The Greco-Prakrit title "RANNIO KSAHARATA" ("ΡΑΝΝΙ ω ΞΑΗΑΡΑΤΑ(Ϲ)", Prakrit for "King Kshaharata" rendered in corrupted Greek letters) on the obverse of the coinage of Nahapana.

Nasik Cave inscription No.10. of Nahapana, Cave No.10.

One of the pillars built by Ushavadata, viceroy of Nahapana, circa 120 CE, Nasik Caves, cave No10.

The Western Satraps under Nahapana, with their harbour of Barigaza, were among the main actors of the 1st century CE international trade according to the Periplus of the Erythraean Sea.

The "Saka-Yavana-Palhava" (Brahmi script: 𑀲𑀓 𑀬𑀯𑀦 𑀧𑀮𑁆𑀳𑀯) defeated by Gautamiputra Satakarni, mentioned in the Nasik cave 3 inscription of Queen Gotami Balasiri (end of line 5 of the inscription).

Coin of Gautamiputra Yajna Satakarni struck over a drachm of Nahapana. Circa 167-196 CE. Ujjain symbol and three arched mountain symbol struck respectively on the obverse and reverse of a drachm of Nahapana.

Statue of Chastana, with costume details. The belt displays designs of horsemen and tritons/anguipeds, the coat has a highly ornate hem. Inscription "Shastana" (Middle Brahmi script: Gupta ashoka ss.svg ashoka sta.jpgGupta ashoka n.svg Ṣa-sta-na). Mathura Museum.

Silver coin of Rudradaman I (130–150). Obv: Bust of Rudradaman, with corrupted Greek legend "OVONIΛOOCVΛCHΛNO". Rev: Three-arched hill or Chaitya with river, crescent and sun. Brahmi legend: Rajno Ksatrapasa Jayadamasaputrasa Rajno Mahaksatrapasa Rudradamasa: "King and Great Satrap Rudradaman, son of King and Satrap Jayadaman" 16mm, 2.0 grams.

The Junagadh rock contains inscriptions of Ashoka (fourteen of the Edicts of Ashoka), Rudradaman I (the Junagadh rock inscription of Rudradaman)and Skandagupta.

A coin dated to the beginning of the first reign of Jivadaman, in the year 100 (One hundred in the Brahmi script of the Western Satraps.jpg) of the Saka Era (corresponding to 178 CE).

Coin of the Western Kshatrapa ruler Rudrasimha I (178–197).
Obv: Bust of Rudrasimha, with corrupted Greek legend "..OHIIOIH.." (Indo-Greek style).
Rev: Three-arched hill or Chaitya, with river, crescent and sun, within Prakrit legend in Brahmi script: Rudrasimha_I,_Brahmi_legend_on_coinage.jpg "King and Great Satrap Rudrasimha, son of King and Great Satrap Rudradaman".

Rudrasena II (256-278 CE). Head right, wearing close-fitting cap / Three-arched hill; group of five pellets to right.

Head of Buddha Shakyamuni, Devnimori, Gujarat (375-400). Derived from the Greco-Buddhist art of Gandhara, an example of the Western Indian art of the Western Satraps.

Location of the Sasanian coinage of Sindh, circa 400 CE, in relation with the other polities of the time.

Coin of the last Western Satrap ruler Rudrasimha III (388–395).

The victorious Sanchi inscription of Chandragupta II (412-413 CE).

Coin of Damasena. The minting date, here 153 (100-50-3 in [[:File:Brahmi numeral signs.svg|Brahmi script numerals]]) of the Saka era, therefore 232 CE, clearly appears behind the head of the king.

An imitation of Western Satrap coinage: silver coin of king Dahrasena (c. 415–455 CE), of the Traikutaka dynasty.

The inscription of Ushavadata, son-in-law of Nahapana, runs the length of the entrance wall of one of the Nasik caves, over the doors, and is here visible in parts between the pillars. Actual image, and corresponding rubbing. Cave No.10, Nasik Caves.

The Junagadh rock inscription, inscribed by Rudradaman I circa 150 CE, is "the first long inscription recorded entirely in more or less standard Sanskrit".

The Western Satraps (orange) and the Kushan Empire (green), in the 2nd century CE

Genealogical table of the Western Satraps

Hall of the Great Chaitya Cave at Karla (120 CE)

Donative inscription by a Yavana ("Indo-Greek") named Vitasamghata.<ref>Epigraphia Indica Vol.18 p.326 Inscription No1</ref>

Coin of Gupta ruler Chandragupta II (r.380–415) in the style of the Western Satraps.

Coin of Gupta ruler Kumaragupta I (r.414–455) (Western territories).

Coin of Gupta ruler Skandagupta (r.455-467), in the style of the Western Satraps.

Coin of Gupta ruler Buddhagupta (r.476–495) in Malwa, derived from the style of the Western Satraps.

At the same time, "Yavanas", Greeks or Indo-Greeks, also left donative inscriptions at the Nasik Caves, Karla Caves, Lenyadri and Manmodi Caves.

Western Satrap Coin of Rudrasimha I .jpg (178-197) was recently found at Setkhedi in Shajapur district, dated to 107 Saka Era, that is 185 CE, confirming the expansion of the Western Satraps to the east at that date. There is also an earlier inscription related to Saka rule in Ujjain, as well as a later one, the Kanakerha inscription, related to Saka rule in the area of Vidisha, Sanchi and Eran in the early 4th century.

The Buddha images in Devnimori clearly show the influence of the Greco-Buddhist art of Gandhara, and have been described as examples of the Western Indian art of the Western Satraps.

Antialcidas

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Silver tetradrachm of King Antialcidas. Obv: Bust of Antialcidas wearing aegis and holding a spear, with Greek legend ΒΑΣΙΛΕΩΣ ΝΙΚΗΦΟΡΟΥ ΑΝΤΙΑΛΚΙΔΟΥ "Of Victorious King Antialcidas". Rev: Zeus with lotus-tipped sceptre, in front of an elephant with a bell (symbol of Taxila), surmouted by Nike holding a wreath, crowning the elephant. Kharoshti legend: MAHARAJASA JAYADHARASA ANTIALIKITASA "Victorious King Antialcidas". Pushkalavati mint.

Inscription on the Heliodorus pillar made by Antialcidas' Ambassador Heliodorus in 110 BCE.

Silver drachm of King Antialcidas.
Obv: Bust of Antialcidas wearing a helmet, with Greek legend ΒΑΣΙΛΕΩΣ ΝΙΚΗΦΟΡΟΥ ΑΝΤΙΑΛΚΙΔΟΥ "Of Victorious King Antialcidas".
Rev: Seated Zeus holding sceptre, with Nike on his extended arm, holding out a wreath to a baby elephant with bell. Kharoshti legend: MAHARAJASA JAYADHARASA ANTIALIKITASA "Victorious King Antialcidas".

Antialcidas wearing the kausia, with Greek legend ΒΑΣΙΛΕΩΣ ΝΙΚΗΦΟΡΟΥ ΑΝΤΙΑΛΚΙΔΟΥ "Of Victorious King Antialcidas" Japan Currency Museum.

Lysias was a contemporary of Antialcidas.

Gandhara seal of king on elephant receiving wreath of victory, a motif with some similarity to the coins of Antialcidas.

Antialkidas with Zeus directly giving wreath of victory to the elephant. With Greek legend ΒΑΣΙΛΕΩΣ ΝΙΚΗΦΟΡΟΥ ΑΝΤΙΑΛΚΙΔΟΥ "Of Victorious King Antialcidas"

Antialcidas Nikephoros (epithet means "the Victorious", Brahmi: 𑀅𑀁𑀢𑀮𑀺𑀓𑀺𑀢𑀲 Aṃtalikitasa, in the Heliodorus Pillar) was a king of the Indo-Greek Kingdom, who reigned from his capital at Taxila.

Though there are few sources for the late Indo-Greek history, Antialcidas is known from an inscription left on a pillar (the Heliodorus pillar), which was erected by his ambassador Heliodorus at the court of the Shunga king Bhagabhadra at Vidisha, near Sanchi.

According to some interpretations (Grousset), the baby elephant may symbolize the Buddha Siddhartha Gautama, who took the shape of a small elephant to enter the womb of his mother Queen Maya, a scene often depicted in Greco-Buddhist art.