A report on Provincetown Players, Provincetown Playhouse and Greenwich Village
The Provincetown Playhouse is a historic theatre at 133 MacDougal Street between West 3rd and West 4th Streets in the Greenwich Village neighborhood of Manhattan, New York City.
- Provincetown PlayhouseIt is named for the Provincetown Players, who converted the former stable and wine-bottling plant into a theater in 1918.
- Provincetown PlayhouseProvincetown, Massachusetts had become a popular summer outpost for numerous artists and writers, bohemian residents from Greenwich Village, New York.
- Provincetown PlayersIn the 1918–19 season The Players moved to 133 Macdougal Street and called the theater "The Provincetown Playhouse".
- Provincetown PlayersA landmark in Greenwich Village's cultural landscape, it was built as a farm silo in 1817, and also served as a tobacco warehouse and box factory before Edna St. Vincent Millay and other members of the Provincetown Players converted the structure into a theatre they christened the Cherry Lane Playhouse, which opened on March 24, 1924, with the play The Man Who Ate the Popomack.
- Greenwich VillageRecent examples of the university clashing with the community, often led by the Greenwich Village Society for Historic Preservation, include the destruction of the 85 West Third Street house where Edgar Allan Poe lived from 1844 to 1845, which NYU promised to rebuild using original materials, but then claimed not to have enough bricks to do so; the construction of the 26-story Founders Hall dorm behind the façade of demolished St. Ann's Church at 120 East Twelfth Street, which advocates protested as being out of scale for the low-rise area, and received assurances from NYU, which then built all 26 stories anyway; and the demolition in 2009 of the Provincetown Playhouse and Apartments, over protests.
- Greenwich Village1 related topic with Alpha
Edna St. Vincent Millay
0 linksAmerican lyrical poet and playwright.
American lyrical poet and playwright.
She lived in a number of places in Greenwich Village, including a house owned by the Cherry Lane Theatre and 75½ Bedford Street, renowned for being the narrowest in New York City.
While establishing her career as a poet, Millay initially worked with the Provincetown Players on Macdougal Street and the Theatre Guild.
In 1919, she wrote the anti-war play Aria da Capo, which starred her sister Norma Millay at the Provincetown Playhouse in New York City.