Udayagiri, Cave 5, Viṣṇu as the Varāha Avatar, general view
Plan of the monuments of the hill of Sanchi, numbered 1 to 50.
The Udayagiri Lion Capital, found near Udayagiri Caves, was first reported by Alexander Cunningham and is now in Gwalior. It is dated to closing decades of 2nd-century BCE, or is possibly a Gupta-period rework of a Mauryan capital.
The Ashoka pillar at Sanchi.
The fan-palm pinnacle Cunningham assumed belonged to the Heliodorus pillar.
Location of the Udayagiri Caves in relation to Besnagar, Vidisha, Sanchi and the Heliodorus pillar.
The capital of the Sanchi pillar of Ashoka, as discovered (left), and simulation of original appearance (right). It is very similar to the Lion Capital of Ashoka at Sarnath, except for the abacus, here adorned with flame palmettes and facing geese, 250 BCE. Sanchi Archaeological Museum.
a second pillar capital
Probable image of Chandragupta II, paying homage to Varaha, avatar of Vishnu, in Udayagiri Caves (Cave 5), circa 400 CE.
by later illustrations among the Sanchi reliefs
a third pillar capital of similar style
Another lion capital from Udayagiri, on the model of the Pillars of Ashoka. Gupta period. Gwalior Fort Archaeological Museum.
The Great Stupa under the Sungas. The Sungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it.
Heliodorus pillar, 1913-15 excavation.
5th-century Vishnu at Udayagiri Caves.
Foreigner on a horse, circa 115 BCE, Stupa No2.
A cross-section of the Heliodorus pillar sketched during the 1913 CE archaeological excavation.
Udayagiri temples feature square or near square plans. Above: Plans of Cave 1, 3 and 5.
Sunga period railings were initially blank (left: Great Stupa), and only started to be decorated circa 115 BCE with Stupa No.2 (right).
Structure and decorative elements of the Heliodorus pillar. The pillar originally supported a statue of Garuda, now lost, or possibly located in the Gujari Mahal Museum in Gwalior.
Cave 1 pillar is second from right; The rightmost pillar is in Cave 19.
Sunga pillar No25 with own capital on the side.
Main inscription of the Heliodorus pillar, circa 110 BCE.
Skanda (Kartikeya) sculpture in Cave 3.
Siri-Satakani inscription
Relief depicting a portable Garuda pillar, one of the oldest images of Garuda, Bharhut, 100 BCE. This may have been similar to the Garuda capital of the Heliodorus pillar.
Cave 4, Śiva liṅga
Cave No.19
a portable Garuda standard illustrated
Cave 6 Shakti Durga as Mahishasura-mardini.
The Worship of the Bodhisattva's hair
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The Sanskrit inscriptions in Udayagiri caves that help date it to about 401 CE.
Vedisakehi damtakārehi rupakammam katam
Images of the deities were probably present in shrines adjoining the pillars, in a style rather similar with their depiction on the coinage of Agathocles of Bactria (190-180 BCE). Here Saṃkarṣaṇa and Vāsudeva are shown with their attributes.
Cave 13, reclining Vishnu
The Great Stupa at the time of the Satavahanas.
The deity to whom the Heliodorus pillar was dedicated: Vāsudeva, as depicted on a coin of Agathocles of Bactria, 190-180 BCE.
One of the earliest known Ganesha reliefs.
Temptation of the Buddha, with the Buddha on the left (symbolized by his throne only) surrounded by rejoicing devotees, Mara and his daughters (center), and the demons of Mara fleeing (right).
The fan-palm capital, found next to the Heliodorus pillar, is associated with Saṃkarṣaṇa.
Cave 19 inscription by some pilgrim Kanha. The "१०୯३" is Nagari for "1093", a year that is 1036-37 in Georgian calendar.
War over the Buddha's Relics, kept by the city of Kushinagar, South Gate, Stupa no.1, Sanchi.
The Makara capital, found at the site of the Heliodorus pillar, is associated with Pradyumna. <ref>{{cite book|last1=Ayyar|first1=Sulochana|title=Costumes and Ornaments as Depicted in the Sculptures of Gwalior Museum|date=1987|publisher=Mittal Publications|isbn=978-81-7099-002-4|page=13|url=https://books.google.com/books?id=G9eHPXL6UE0C&pg=PA13|language=en}}</ref> 2nd century BCE.<ref>{{cite journal|last1=VIENNOT|first1=Odette|title=Le Makara dans la Décoration des Monuments de l'Inde Ancienne : Positions et Fonctions|journal=Arts Asiatiques|volume=5|issue=3|date=1958|page=184|jstor=43484068 }}</ref> Gwalior Museum.<ref>Visible in the back of the image entitled "Lion capital – Udayagiri – 5th century": {{cite web|title=Gujari Mahal State Archaeological Museum – Gwalior|url=https://kevinstandagephotography.wordpress.com/2019/04/15/gujari-mahal-state-archaeological-museum-gwalior/#jp-carousel-16148|website=Kevin Standage|language=en|date=15 April 2019}}</ref><ref>{{cite book|last1=Ayyar|first1=Sulochana|title=Costumes and Ornaments as Depicted in the Sculptures of Gwalior Museum|date=1987|publisher=Mittal Publications|isbn=978-81-7099-002-4|page=13|url=https://books.google.com/books?id=G9eHPXL6UE0C&pg=PA13|language=en}}</ref>
Inscription in the Jaina cave 20.
King Ashoka visits Ramagrama, to take relics of the Buddha from the Nagas, but he failed, the Nagas being too powerful. Southern gateway, Stupa 1, Southern Gateway, Sanchi.
A pillar capital shaped as a Kalpadruma tree, also found nearby at Besnagar, probably associated with Lakshmi. Indian Museum, Kolkata.<ref>{{cite book|last1=Ayyar|first1=Sulochana|title=Costumes and Ornaments as Depicted in the Sculptures of Gwalior Museum|date=1987|publisher=Mittal Publications|isbn=978-81-7099-002-4|page=13|url=https://books.google.com/books?id=G9eHPXL6UE0C&pg=PA13|language=en}}</ref>
Ashoka in grief, supported by his two queens, in a relief at Sanchi. Stupa 1, Southern gateway. The identification with Ashoka is confirm by a similar relief from Kanaganahalli inscribed "Raya Asoko".
Possible statue of the goddess Lakshmi, also associated with the Bhagavat cult.
Bodhi tree temple depicted in Sanchi, Stupa 1, Southern gateway.
Location of the Heliodorus pillar in relation to Besnagar, Vidisha, Sanchi and the Udayagiri Caves.
Temple for the Bodhi Tree (Eastern Gateway).
Heliodorus was the ambassador of king Antialcidas (here depicted on one of his coins).
foreigners illustrated at Sanchi worshiping the Great Stupa
The contemporary pillar in nearby Sanchi.
Foreigners worshiping Stupa
Greek travelling costume
Another one
Miracle at Kapilavastu
Miracle of the Buddha walking on the river Nairanjana
Procession of king Suddhodana from Kapilavastu
"The promenade of the Buddha", or Chankrama, used to depict the Buddha in motion in Buddhist aniconism.
Bimbisara with his royal cortege issuing from the city of Rajagriha to visit the Buddha
Foreigners making a dedication at the Southern Gateway of Stupa No 1
Stupas and monasteries at Sanchi in the early centuries of the current era. Reconstruction, 1900
Sanchi inscription of Chandragupta II.
Temple 17: a Gupta period tetrastyle prostyle temple of Classical appearance. 5th century CE
Statue of Padmapani (5th c.or 9th c.) Victoria and Albert Museum.
Pillar 26: one of the two four-lions stambha capitals at Sanchi, with lions, central flame palmette and Wheel of Law (axis, stubs of the spokes and part of the circumference only), initially located at the Northern Gateway of the Great Stupa. Sanchi Archaeological Museum.
Pillar 26: lion pillar capital at time of discovery, with Dharmachakra wheel (reconstitution). Northern Gateway.
this image
Pillar 35 column stump (right), and bell capital with abacus, positioned upside down.
Vajrapani statue of pillar 35, 5th c. CE. Sanchi Archaeological Museum.
Temple 18 at Sanchi, an apsidal hall with Maurya foundations, rebuilt at the time of Harsha (7th century CE).
Temple 45
The Great Stupa as breached by Sir Herbert Maddock in 1822. Watercolor by Frederick Charles Maisey, in 1851.
Ruins of the Southern Gateway, Sanchi in 1875.
A Gate to the Stupa of Sanchi 1932
Chetiyagiri Vihara
Inscribed panel from Sanchi in Brahmi script in the British Museum
The last two letters to the right of this inscription in Brahmi form the word "dǎnam" (donation). This hypothesis permitted the decipherment of the Brahmi script by James Prinsep in 1837.
General view of the Stupas at Sanchi by F.C. Maisey, 1851 (The Great Stupa on top of the hill, and Stupa 2 at the forefront)
The Great Stupa (Stupa No.1), started in the 3rd century BCE
Stupa No.2
Stupa No.3
Buddhist Temple, No.17
Remains of the Ashokan Pillar in polished stone (right of the Southern Gateway), with its Edict.
Sanchi Minor Pillar Edict of Ashoka, in-situ (detail of the previous image).
Remains of the shaft of the pillar of Ashoka, under a shed near the Southern Gateway.
Side view of the capital. Sanchi Archaeological Museum.<ref name="p.25-28 Ashoka pillar"/>
Shunga balustrade and staircase.
Shunga stonework.
Shunga vedika (railing) with inscriptions.
Deambulatory pathway.
Summit railing and umbrellas.
Flame palmette.
Flame palmette and lotus.
Peacock.
Woman riding a Centaur.
Lotus.
Half lotus.
Lion.
Elephant.
Elephant with branch.
Floral motif.
Lakshmi with lotus and two child attendants, probably derived from [[:File:Venus with two cupids 2.jpg|similar images of Venus]]<ref>An Indian Statuette From Pompeii, Mirella Levi D'Ancona, in Artibus Asiae, Vol. 13, No. 3 (1950) p. 171</ref>
Griffin with Brahmi script inscription.
Female riding a Centaur.
Lotus within beads and reels motif.
Stairway and railing.
Lotus medallions.
Floral designs.
Post relief.<ref>Marshall p. 82</ref>
Relics of Sariputra and Mahamoggallana.
Detail of the foreigners, in Greek dress and playing carnyxes and aolus flute. Northern Gateway of Stupa I (detail).
Foreigners holding grapes and riding winged lions, Sanchi Stupa 1, Eastern Gateway.<ref>"The Diffusion of Classical Art in Antiquity, John Boardman, 1993, p. 112 Note 91</ref>
Foreigners riding horses.
Foreign heroe fighting a Makara
Foreigners on horses, wearing headbands, caps and boots. Western gate of Stupa 1.
Hero with headband wrestling a Makara.
Indians riding horses.
Indians riding bulls.
Indians riding bulls.
Queen Maya lustrated by Elephants.
The Buddha represented by the Dharmacakra.
Bodhi Tree.
Winged lion.
Winged lions.
The Buddha represented by the Dharmacakra.
Men and Women on Elephants.
Men and Women on Elephants.
Stupa representing a Buddha.
Lakshmi lustrated by Elephants.
Men on lions.
Men on lions.
2nd panel
3rd panel
Second panel
Bottom panel Dvarapala guardian deity or devotee.
Second panel
Possibly demons, or the attack of Mara.
Second panel
Bottom panel Dvarapala guardian deity or devotee.
2nd panel
3rd panel
A Seated Buddha statue (Gupta temple).
Buddha Statue (Great Stupa).
Seated Buddha (Great Stupa).
Pillar 34 with lion.<ref>Marshall p. 52 Pillar 34</ref>
The winged lion capital of pillar 34 (lost).
Great Stupa, Eastern Gateway, in 1875.
West Gateway in 1882.
South Gateway in 1882.
Great Stupa, Northern Gateway in 1861.
Temple 18 in 1861.
A vision of ancient Indian court life, using motifs from Sanchi (wood engraving, 1878).

The Heliodorus pillar site is located near the confluence of two rivers, about 60 km northeast from Bhopal, 11 km from the Buddhist stupa of Sanchi, and 4 km from the Hindu Udayagiri site.

- Heliodorus pillar

The region of Udayagiri and Vidisha was a Buddhist and Bhagavata site by the 2nd century BCE as evidenced by the stupas of Sanchi and the Heliodorus pillar.

- Udayagiri Caves

Foreigners from Gandhara are otherwise known to have visited the region around the same time: in 115 BCE, the embassy of Heliodorus from Indo-Greek king Antialkidas to the court of the Sungas king Bhagabhadra in nearby Vidisha is recorded, in which Heliodorus established the Heliodorus pillar in a dedication to Vāsudeva.

- Sanchi

from the other pillars on the site by the unusual quality and colour of its stone, which is harder than that ordinarily quarried in the Udayagiri hill, and of a pale

- Sanchi

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