Callas in 1958
Sutherland in 1975
The Hall of Arms (act 1, scene 3) in the original 1835 production
Metropolitan Opera and Lincoln Center
The apartment house in Athens where Callas lived from 1937 to 1945
Sutherland in 1962
Vincenzo Bellini
Giulio Gatti-Casazza
The Villa in Sirmione where Callas lived with Giovanni Battista Meneghini between 1950 and 1959
Joan Sutherland in 1990
Cristina Trivulzio Belgiojoso 1832, by Francesco Hayez (detail)
Gatti-Casazza's last week at the Met (March 22–29, 1935)
Callas's range in performance (highest and lowest notes both shown in red): from F-sharp below the Middle C (green) to E-natural above the High C (blue)
In 1829 the Théâtre-Italien was performing in the first Salle Favart
Artur Bodanzky at the Metropolitan Opera in 1915
Callas acknowledges applause in 1959 at the Royal Concertgebouw in Amsterdam
Librettist Carlo Pepoli
Otto Hermann Kahn in Berlin, 1931
Callas's rival, Renata Tebaldi, 1961
Disegno per copertina di libretto, drawing for I Puritani (undated).
Metropolitan Opera House in 1905
Tito Gobbi, 1970
Rubini as Arturo in I puritani, Paris 1835
The new Met Opera House
Callas during her final tour in Amsterdam in 1973
Grisi and Lablache in I puritani, King's Theatre, London, 1835
Staircase
Aristotle Onassis, who had an affair with Callas before he married Jackie Kennedy
Joan Sutherland and Luciano Pavarotti, 1976 performance at the Metropolitan Opera
The last residence of Maria Callas, in Paris
Antonio Tamburini sang Riccardo – Lithography by Josef Kriehuber
Portrait of Callas (2004), by Oleg Karuvits
An excerpt from "Credeasi, misera", act 3. The notes highlighted (above the high C) are among the highest demanded in tenor operatic repertoire and are usually sung falsetto or altogether transposed.
Maria Callas with her husband Giovanni Battista Meneghini in 1957
Callas getting ready with the help of Luchino Visconti in Milan, 1957
Maria Callas as Giulia in the Opera "La Vestale", by Gaspare Spontini, 1954
Churchill with Maria Callas on Onassis' yacht in the late 50s

She was engaged by the Royal Opera House, Covent Garden, as a utility soprano, and made her debut there on 28 October 1952, as the First Lady in The Magic Flute, followed in November by a few performances as Clotilde in Vincenzo Bellini's opera Norma, with Maria Callas as Norma.

- Joan Sutherland

Sutherland sang Lucia to great acclaim in Paris in 1960 and, in 1961, at La Scala and the Metropolitan Opera.

- Joan Sutherland

During the 1960s, Sutherland added the heroines of bel canto to her repertoire: Violetta in Verdi's La traviata, Amina in Bellini's La sonnambula and Elvira in Bellini's I puritani in 1960; the title role in Bellini's Beatrice di Tenda in 1961; Marguerite de Valois in Meyerbeer's Les Huguenots and the title role in Rossini's Semiramide in 1962; Norma in Bellini's Norma and Cleopatra in Handel's Giulio Cesare in 1963.

- Joan Sutherland

In that year the opera appeared at the Manhattan Opera House in New York, followed by stagings at the Metropolitan Opera in February 1917, but in New York it was not revived for many years.

- I puritani

Various performances are reported to have taken place in 1921, 1933, 1935, and 1949 in different European cities, but it was not until 1955 in Chicago that Puritani re-appeared in America with Maria Callas and Giuseppe Di Stefano in the major roles.

- I puritani

The 1960s saw a variety of performances in the years between 1960 (Glyndebourne Festival with Joan Sutherland which was recorded) and 1969 when Weinstock's account ends.

- I puritani

In December of that year, she auditioned for Edward Johnson, general manager of the Metropolitan Opera, and was favorably received: "Exceptional voice—ought to be heard very soon on stage".

- Maria Callas

She was engaged to sing the role of Brünnhilde in Die Walküre at the Teatro la Fenice, when Margherita Carosio, who was engaged to sing Elvira in I puritani in the same theatre, fell ill.

- Maria Callas

Other celebrated singers who debuted at the Met during Bing's tenure include: Roberta Peters, Victoria de los Ángeles, Renata Tebaldi, Maria Callas, who had a bitter falling out with Bing over repertoire,, Birgit Nilsson, Joan Sutherland, Régine Crespin, Mirella Freni, Renata Scotto, Montserrat Caballé, Elisabeth Schwarzkopf, Anna Moffo, James McCracken, Carlo Bergonzi, Franco Corelli, Alfredo Kraus, Plácido Domingo, Nicolai Gedda, Luciano Pavarotti, Jon Vickers, Tito Gobbi, Sherrill Milnes, and Cesare Siepi.

- Metropolitan Opera

In 1952, she made her London debut at the Royal Opera House in Norma with veteran mezzo-soprano Ebe Stignani as Adalgisa, a performance which survives on record and also features the young Joan Sutherland in the small role of Clotilde.

- Maria Callas

During the 2006–07 season, the series included live HD transmissions of I puritani, The First Emperor, Eugene Onegin, The Barber of Seville, and Il trittico.

- Metropolitan Opera
Callas in 1958

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