Territories of the Maurya Empire conceptualized as core areas or linear networks separated by large autonomous regions in the works of scholars such as: historians Hermann Kulke and Dietmar Rothermund; Burton Stein; David Ludden; and Romila Thapar; anthropologists Monica L. Smith and Stanley Tambiah; archaeologist Robin Coningham; and historical demographer Tim Dyson.
Pataliputra Palace capital, showing Greek and Persian influence, early Mauryan Empire period, 3rd century BC.
Pataliputra, capital of the Mauryas. Ruins of pillared hall at Kumrahar site.
Plan of the monuments of the hill of Sanchi, numbered 1 to 50.
Kandahar Bilingual Rock Inscription (Greek and Aramaic) by king Ashoka, from Kandahar, Afghanistan.
Territories of the Maurya Empire conceptualized as core areas or linear networks separated by large autonomous regions in the works of scholars such as: historians Hermann Kulke and Dietmar Rothermund; Burton Stein; David Ludden; and Romila Thapar; anthropologists Monica L. Smith and Stanley Tambiah; archaeologist Robin Coningham; and historical demographer Tim Dyson.
The Ashoka pillar at Sanchi.
According to the Mahavamsa, the Great Stupa in Anuradhapura, Sri Lanka, was dedicated by a 30,000-strong "Yona" (Greek) delegation from "Alexandria" around 130 BC.
The Pataliputra capital, discovered at the Bulandi Bagh site of Pataliputra, 4th–3rd c. BCE.
The capital of the Sanchi pillar of Ashoka, as discovered (left), and simulation of original appearance (right). It is very similar to the Lion Capital of Ashoka at Sarnath, except for the abacus, here adorned with flame palmettes and facing geese, 250 BCE. Sanchi Archaeological Museum.
Greco-Bactrian statue of an old man or philosopher, Ai Khanoum, Bactria, 2nd century BC
A silver coin of 1 karshapana of the Maurya empire, period of Bindusara Maurya about 297–272 BC, workshop of Pataliputra. Obv: Symbols with a sun. Rev: Symbol. Dimensions: 14 × 11 mm. Weight: 3.4 g.
by later illustrations among the Sanchi reliefs
Corinthian capital, found at Ai-Khanoum, 2nd century BC
Lion Capital of Ashoka at Sarnath. c. 250 BCE.
The Great Stupa under the Sungas. The Sungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it.
Coin depicting the Greco-Bactrian king Euthydemus 230–200 BC. The Greek inscription reads: ΒΑΣΙΛΕΩΣ ΕΥΘΥΔΗΜΟΥ – "(of) King Euthydemus".
Ashoka pillar at Vaishali.
Foreigner on a horse, circa 115 BCE, Stupa No2.
Possible statuette of a Greek soldier, wearing a version of the Greek Phrygian helmet, from a 3rd-century BC burial site north of the Tian Shan, Xinjiang Region Museum, Urumqi.
Fragment of the 6th Pillar Edict of Ashoka (238 BCE), in Brahmi, sandstone, British Museum.
Sunga period railings were initially blank (left: Great Stupa), and only started to be decorated circa 115 BCE with Stupa No.2 (right).
Greco-Bactria and the city of Ai-Khanoum were located at the very doorstep of Mauryan India.
Statuettes of the Mauryan era
Sunga pillar No25 with own capital on the side.
The Khalsi rock edict of Ashoka, which mentions the Greek kings Antiochus, Ptolemy, Antigonus, Magas and Alexander by name, as recipients of his teachings.
Maurya statuette, 2nd century BCE.
Siri-Satakani inscription
Shunga horseman, Bharhut.
Bhadrabahu Cave, Shravanabelagola where Chandragupta is said to have died
Cave No.19
Apollodotus I (180–160 BC) the first king who ruled in the subcontinent only, and therefore the founder of the proper Indo-Greek kingdom.
The stupa, which contained the relics of Buddha, at the center of the Sanchi complex was originally built by the Maurya Empire, but the balustrade around it is Sunga, and the decorative gateways are from the later Satavahana period.
The Worship of the Bodhisattva's hair
Silver coin depicting Demetrius I of Bactria (reigned c. 200–180 BC), wearing an elephant scalp, symbol of his conquests of areas in what is now Afghanistan and Pakistan.
The Dharmarajika stupa in Taxila, modern Pakistan, is also thought to have been established by Emperor Asoka.
Vedisakehi damtakārehi rupakammam katam
The coinage of Agathocles (circa 180 BC) incorporated the Brahmi script and several deities from India, which have been variously interpreted as Vishnu, Shiva, Vasudeva, Balarama or the Buddha.
Mauryan architecture in the Barabar Caves. Lomas Rishi Cave. 3rd century BCE.
The Great Stupa at the time of the Satavahanas.
Kharoshthi legend on the reverse of a coin of Indo-Greek king Artemidoros Aniketos.
An early stupa, 6 meters in diameter, with fallen umbrella on side. Chakpat, near Chakdara. Probably Maurya, 3rd century BCE.
Temptation of the Buddha, with the Buddha on the left (symbolized by his throne only) surrounded by rejoicing devotees, Mara and his daughters (center), and the demons of Mara fleeing (right).
Menander I (155–130 BC) is one of the few Indo-Greek kings mentioned in both Graeco-Roman and Indian sources.
The two Yakshas, possibly 3rd century BCE, found in Pataliputra. The two Brahmi inscriptions starting with Gupta ashoka y.svgGupta ashoka khe.jpg... (Yakhe... for "Yaksha...") are paleographically of a later date, circa 2nd century CE Kushan.
War over the Buddha's Relics, kept by the city of Kushinagar, South Gate, Stupa no.1, Sanchi.
The Shinkot casket containing Buddhist relics was dedicated "in the reign of the Great King Menander".
Mauryan ringstone, with standing goddess. Northwest Pakistan. 3rd Century BCE
King Ashoka visits Ramagrama, to take relics of the Buddha from the Nagas, but he failed, the Nagas being too powerful. Southern gateway, Stupa 1, Southern Gateway, Sanchi.
Indian-standard coinage of Menander I. Obv ΒΑΣΙΛΕΩΣ ΣΩΤΗΡΟΣ ΜΕΝΑΝΔΡΟΥ "Of Saviour King Menander". Rev Palm of victory, Kharoshthi legend Māhārajasa trātadasa Menandrāsa, British Museum.
A map showing the north western border of Maurya Empire, including its various neighboring states.
Ashoka in grief, supported by his two queens, in a relief at Sanchi. Stupa 1, Southern gateway. The identification with Ashoka is confirm by a similar relief from Kanaganahalli inscribed "Raya Asoko".
King Hippostratos riding a horse, circa 100 BC (coin detail).
Figure of a foreigner, found in Sarnath, 3rd century BCE. This is a probable member of the West Asian Pahlava or Saka elite in the Gangetic plains during the Mauryan period.
Bodhi tree temple depicted in Sanchi, Stupa 1, Southern gateway.
The Yavanarajya inscription discovered in Mathura, mentions its carving on "The last day of year 116 of Yavana hegemony" (Yavanarajya), or 116th year if the Yavana era, suggesting the Greeks ruled over Mathura as late as 60 BC. Mathura Museum.
The Kandahar Edict of Ashoka, a bilingual edict (Greek and Aramaic) by king Ashoka, from Kandahar. Kabul Museum. (See image description page for translation.)
Temple for the Bodhi Tree (Eastern Gateway).
The Mathura Herakles. A statue of Herakles strangling the Nemean lion from Mathura. Today in the Kolkota Indian Museum.
Hoard of mostly Mauryan coins.
foreigners illustrated at Sanchi worshiping the Great Stupa
Possible statue of a Yavana/ Indo-Greek warrior with boots and chiton, from the Rani Gumpha or "Cave of the Queen" in the Udayagiri Caves on the east coast of India, where the Hathigumpha inscription was also found. 2nd or 1st century BC.
Silver punch mark coin of the Maurya empire, with symbols of wheel and elephant. 3rd century BCE.{{citation needed|date=July 2017}}
Foreigners worshiping Stupa
Heliocles (145–130 BC) was the last Greek king in Bactria.
Mauryan coin with arched hill symbol on reverse.{{citation needed|date=July 2017}}
Greek travelling costume
Coin of Antialcidas (105–95 BC).
Mauryan Empire coin. Circa late 4th-2nd century BCE.{{citation needed|date=July 2017}}
Another one
Coin of Philoxenos (100–95 BC).
Mauryan Empire, Emperor Salisuka or later. Circa 207-194 BCE.<ref>CNG Coins {{webarchive|url=https://web.archive.org/web/20170827130159/https://www.cngcoins.com/Coin.aspx?CoinID=304898 |date=27 August 2017 }}</ref>
Miracle at Kapilavastu
Coin of Zoilos I (130–120 BC) showing on the reverse the Heraklean club with the Scythian bow, inside a victory wreath.
Remains of the Ashokan Pillar in polished stone (right of the Southern Gateway).
Miracle of the Buddha walking on the river Nairanjana
The Heliodorus pillar, commissioned by Indo-Greek ambassador Heliodorus, is the first known inscription related to Vaishnavism in India. Heliodurus was one of the earliest recorded Indo-Greek converts to Hinduism.
Remains of the shaft of the pillar of Ashoka, under a shed near the Southern Gateway.
Procession of king Suddhodana from Kapilavastu
Heliodorus travelled from Taxila to Vidisha as an ambassador of king Antialkidas, and erected the Heliodorus pillar.
Pillar and its inscription (the "Schism Edict") upon discovery.
"The promenade of the Buddha", or Chankrama, used to depict the Buddha in motion in Buddhist aniconism.
The Bharhut Yavana, a possible Indian depiction of Menander, with the flowing head band of a Greek king, northern tunic with Hellenistic pleats, and Buddhist triratana symbol on his sword. Bharhut, 100 BC. Indian Museum, Calcutta.
The capital nowadays.<ref>Described in Marshall p.25-28 Ashoka pillar.</ref>
Bimbisara with his royal cortege issuing from the city of Rajagriha to visit the Buddha
At Bharhut, the gateways were made by northwestern (probably Gandharan) masons using Kharosthi marks 100-75 BC.
The distribution of the Edicts of Ashoka.<ref>Reference: "India: The Ancient Past" p.113, Burjor Avari, Routledge, {{ISBN|0-415-35615-6}}</ref>
Foreigners making a dedication at the Southern Gateway of Stupa No 1
the Kharosthi letters were found on the balusters
Map of the Buddhist missions during the reign of Ashoka.
Stupas and monasteries at Sanchi in the early centuries of the current era. Reconstruction, 1900
Foreigners on the Northern Gateway of Stupa I at Sanchi.
Territories "conquered by the Dharma" according to Major Rock Edict No. 13 of Ashoka (260–218 BCE).{{sfn|Kosmin|2014|p=57}}<ref name=ME368>Thomas Mc Evilly "The shape of ancient thought", Allworth Press, New York, 2002, p.368</ref>
Sanchi inscription of Chandragupta II.
Foreigners worshiping Stupa
Temple 17: a Gupta period tetrastyle prostyle temple of Classical appearance. 5th century CE
Greek travelling costume
Statue of Padmapani (5th c.or 9th c.) Victoria and Albert Museum.
Hermaeus (90–70 BC) was the last Indo-Greek king in the Western territories (Paropamisadae).
Pillar 26: one of the two four-lions stambha capitals at Sanchi, with lions, central flame palmette and Wheel of Law (axis, stubs of the spokes and part of the circumference only), initially located at the Northern Gateway of the Great Stupa. Sanchi Archaeological Museum.
Hermaeus posthumous issue struck by Indo-Scythians near Kabul, circa 80–75 BC.
Pillar 26: lion pillar capital at time of discovery, with Dharmachakra wheel (reconstitution). Northern Gateway.
Tetradrachm of Hippostratos, reigned circa 65–55 BC, was the last Indo-Greek king in Western Punjab.
this image
Hippostratos was replaced by the Indo-Scythian king Azes I (r. c. 35–12 BC).
Pillar 35 column stump (right), and bell capital with abacus, positioned upside down.
Approximate region of East Punjab and Strato II's capital Sagala.
Vajrapani statue of pillar 35, 5th c. CE. Sanchi Archaeological Museum.
The last known Indo-Greek kings Strato II and Strato III, here on a joint coin (25 BC-10 AD), were the last Indo-Greek king in eartern territories of Eastern Punjab.
Temple 18 at Sanchi, an apsidal hall with Maurya foundations, rebuilt at the time of Harsha (7th century CE).
Pillar of the Great Chaitya at Karla Caves, mentioning its donation by a Yavana. Below: detail of the word "Ya-va-na-sa" in old Brahmi script: Brahmi y 2nd century CE.jpgBrahmi v 2nd century CE.gifBrahmi n.svgBrahmi s.svg, circa AD 120.
Temple 45
The Buddhist symbols of the triratna and of the swastika (reversed) around the word "Ya-va-ṇa-sa" in Brahmi (Brahmi y 2nd century CE.jpg Brahmi v 2nd century CE.gif Brahmi nn.svg Brahmi s.svg). Shivneri Caves 1st century AD.
The Great Stupa as breached by Sir Herbert Maddock in 1822. Watercolor by Frederick Charles Maisey, in 1851.
Statue with inscription mentioning "year 318", probably of the Yavana era, i.e. AD 143.
Ruins of the Southern Gateway, Sanchi in 1875.
Piedestal of the Hashtnagar Buddha statue, with Year 384 inscription, probably of the Yavana era, i.e. AD 209.
A Gate to the Stupa of Sanchi 1932
Evolution of Zeus Nikephoros ("Zeus holding Nike") on Indo-Greek coinage: from the Classical motif of Nike handing the wreath of victory to Zeus himself (left, coin of Heliocles I 145–130 BC), then to a baby elephant (middle, coin of Antialcidas 115–95 BC), and then to the Wheel of the Law, symbol of Buddhism (right, coin of Menander II 90–85 BC).
Chetiyagiri Vihara
Indo-Corinthian capital representing a man wearing a Graeco-Roman-style coat with fibula, and making a blessing gesture. Butkara Stupa, National Museum of Oriental Art, Rome.
Inscribed panel from Sanchi in Brahmi script in the British Museum
Evolution of the Butkara stupa, a large part of which occurred during the Indo-Greek period, through the addition of Hellenistic architectural elements.
The last two letters to the right of this inscription in Brahmi form the word "dǎnam" (donation). This hypothesis permitted the decipherment of the Brahmi script by James Prinsep in 1837.
Coin of Menander II (90–85 BC). "King Menander, follower of the Dharma" in Kharoshthi script, with Zeus holding Nike, who holds a victory wreath over an Eight-spoked wheel.
General view of the Stupas at Sanchi by F.C. Maisey, 1851 (The Great Stupa on top of the hill, and Stupa 2 at the forefront)
Greek Buddhist devotees, holding plantain leaves, in purely Hellenistic style, inside Corinthian columns, Buner relief, Victoria and Albert Museum.
The Great Stupa (Stupa No.1), started in the 3rd century BCE
Hellenistic culture in the Indian subcontinent: Greek clothes, amphoras, wine and music (Detail of Chakhil-i-Ghoundi stupa, Hadda, Gandhara, 1st century AD).
Stupa No.2
Intaglio gems engraved in the northwest of India (2nd century BCE-2nd century CE).
Stupa No.3
Seated Buddha, Gandhara, 2nd century (Ostasiatisches Museum, Berlin)
Buddhist Temple, No.17
Stone palette depicting a mythological scene, 2nd–1st century BC.
Remains of the Ashokan Pillar in polished stone (right of the Southern Gateway), with its Edict.
Cupro-nickel coins of king Pantaleon point to a Chinese origin of the metal.
Sanchi Minor Pillar Edict of Ashoka, in-situ (detail of the previous image).
Athena in the art of Gandhara, displayed at the Lahore Museum, Pakistan
Remains of the shaft of the pillar of Ashoka, under a shed near the Southern Gateway.
Strato I in combat gear, making a blessing gesture, circa 100 BC.
Side view of the capital. Sanchi Archaeological Museum.<ref name="p.25-28 Ashoka pillar"/>
The Indo-Scythian Taxila copper plate uses the Macedonian month of "Panemos" for calendrical purposes (British Museum).
Shunga balustrade and staircase.
Hellenistic couple from Taxila (Guimet Museum)
Shunga stonework.
The story of the Trojan horse was depicted in the art of Gandhara. (British Museum).
Shunga vedika (railing) with inscriptions.
Foreigner on a horse. The medallions are dated circa 115 BC.
Deambulatory pathway.
Lakshmi with lotus and two child attendants, probably derived from [[:File:Venus with two cupids 2.jpg|similar images of Venus]]<ref>An Indian Statuette From Pompeii, Mirella Levi D'Ancona, in Artibus Asiae, Vol. 13, No. 3 (1950) p. 171</ref>
Summit railing and umbrellas.
Griffin.
Flame palmette.
Female riding a Centaur.
Flame palmette and lotus.
Lotus within Hellenistic beads and reels motif.
Peacock.
Floral motif.
Woman riding a Centaur.
Exterior
Lotus.
Entrance pillars
Half lotus.
Pillar capital
Lion.
Interior
Elephant.
Standing Buddha
Elephant with branch.
Philoxenus (c. 100 BC), unarmed, making a blessing gesture.
Floral motif.
Nicias making a blessing gesture.
Lakshmi with lotus and two child attendants, probably derived from [[:File:Venus with two cupids 2.jpg|similar images of Venus]]<ref>An Indian Statuette From Pompeii, Mirella Levi D'Ancona, in Artibus Asiae, Vol. 13, No. 3 (1950) p. 171</ref>
Various blessing gestures: divinities (top), kings (bottom).
Griffin with Brahmi script inscription.
Female riding a Centaur.
Lotus within beads and reels motif.
Stairway and railing.
Lotus medallions.
Floral designs.
Post relief.<ref>Marshall p. 82</ref>
Relics of Sariputra and Mahamoggallana.
Detail of the foreigners, in Greek dress and playing carnyxes and aolus flute. Northern Gateway of Stupa I (detail).
Foreigners holding grapes and riding winged lions, Sanchi Stupa 1, Eastern Gateway.<ref>"The Diffusion of Classical Art in Antiquity, John Boardman, 1993, p. 112 Note 91</ref>
Foreigners riding horses.
Foreign heroe fighting a Makara
Foreigners on horses, wearing headbands, caps and boots. Western gate of Stupa 1.
Hero with headband wrestling a Makara.
Indians riding horses.
Indians riding bulls.
Indians riding bulls.
Queen Maya lustrated by Elephants.
The Buddha represented by the Dharmacakra.
Bodhi Tree.
Winged lion.
Winged lions.
The Buddha represented by the Dharmacakra.
Men and Women on Elephants.
Men and Women on Elephants.
Stupa representing a Buddha.
Lakshmi lustrated by Elephants.
Men on lions.
Men on lions.
2nd panel
3rd panel
Second panel
Bottom panel Dvarapala guardian deity or devotee.
Second panel
Possibly demons, or the attack of Mara.
Second panel
Bottom panel Dvarapala guardian deity or devotee.
2nd panel
3rd panel
A Seated Buddha statue (Gupta temple).
Buddha Statue (Great Stupa).
Seated Buddha (Great Stupa).
Pillar 34 with lion.<ref>Marshall p. 52 Pillar 34</ref>
The winged lion capital of pillar 34 (lost).
Great Stupa, Eastern Gateway, in 1875.
West Gateway in 1882.
South Gateway in 1882.
Great Stupa, Northern Gateway in 1861.
Temple 18 in 1861.
A vision of ancient Indian court life, using motifs from Sanchi (wood engraving, 1878).

The monuments at Sanchi today comprise a series of Buddhist monuments starting from the Mauryan Empire period (3rd century BCE), continuing with the Gupta Empire period (5th century CE), and ending around the 12th century CE.

- Sanchi

For example, peacock figures are found on the Ashoka pillar at Nandangarh and several sculptures on the Great Stupa of Sanchi.

- Maurya Empire

Also several Greeks, such as the historian Megasthenes, followed by Deimachus and Dionysius, were sent to reside at the Mauryan court.

- Indo-Greek Kingdom

Foreigners from Gandhara are otherwise known to have visited the region around the same time: in 115 BCE, the embassy of Heliodorus from Indo-Greek king Antialkidas to the court of the Sungas king Bhagabhadra in nearby Vidisha is recorded, in which Heliodorus established the Heliodorus pillar in a dedication to Vāsudeva.

- Sanchi

The Greco-Bactrian king, Demetrius, capitalized on the break-up, and he conquered southern Afghanistan and parts of northwestern India around 180 BCE, forming the Indo-Greek Kingdom.

- Maurya Empire

Again in Sanchi, but this time dating to the period of Satavahana rule circa 50–1 BC, one frieze can be observed which shows devotees in Greek attire making a dedication to the Great Stupa of Sanchi.

- Indo-Greek Kingdom
Territories of the Maurya Empire conceptualized as core areas or linear networks separated by large autonomous regions in the works of scholars such as: historians Hermann Kulke and Dietmar Rothermund; Burton Stein; David Ludden; and Romila Thapar; anthropologists Monica L. Smith and Stanley Tambiah; archaeologist Robin Coningham; and historical demographer Tim Dyson.

5 related topics with Alpha

Overall

Man on a relief, Bharhut, Shunga period.

Shunga Empire

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Ancient Indian dynasty from Magadha that controlled areas of the central and eastern Indian subcontinent from around 185 to 73 BCE.

Ancient Indian dynasty from Magadha that controlled areas of the central and eastern Indian subcontinent from around 185 to 73 BCE.

Man on a relief, Bharhut, Shunga period.
Royal family, Shunga, West Bengal 1st century BCE.
Shunga horseman, Bharhut.
Shunga period stupa at Sanchi.
East Gateway and Railings, Red Sandstone, Bharhut Stupa, 2nd century BCE. Indian Museum, Kolkata.
The Great Stupa under the Shungas. The Shungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it.
Extent of the Shunga Empire
Vedika pillar with "Yavana" Greek warrior. Bharhut, Madhya Pradesh, Shunga Period, c. 100-80 BC. Reddish brown sandstone. Indian Museum, Calcutta.
The Yavanarajya inscription, dated to "year 116 of Yavana hegemony", probably 70 or 69 BCE, was discovered in Mathura. Mathura Museum.
The Heliodorus pillar was built in Vidisha under the Shungas, at the instigation of Heliodorus, ambassador of the Indo-Greek king Antialcidas. The pillar originally supported a statue of Garuda. Established circa 100 BCE.
The Sunga territory circa 100 BCE, greatly reduced to the region of Magadha only, with many independent, petty kingdoms such as such as Mathura and Panchala
Shunga balustrade and staircase.
Shunga stonework.
Shunga vedika (railing) with inscriptions.
Deambulatory pathway.
Summit railing and umbrellas.
Elephant and Riders.
Balustrade post with Lakshmi.
Balustrade post with Yaksha.
Pillar with elephants supporting a wheel.
Personage.
Lotus.
Floral motif.
Foreigner on a horse, circa 115 BCE.
Ashoka supported by his two wives. Similar to [[:File:Sanchi King Ashoka with his Queens, South Gate, Stupa no. 1.jpg|the later relief at Gateway 1]].
Relic boxes found inside the stupa.
Stairway and railing.
Lotus medallions.
Floral designs.
Post relief.<ref>Marshall p.82</ref>
Relics of Sariputra and Mahamoggallana.
Chandraketugarth, goddess of fecundity.
Chandraketugarth.
Shunga Yakshi, 2nd–1st century BCE.
Shunga masculine figurine (molded plate). 2nd–1st century BCE.
Shunga woman with child. 2nd–1st century BCE.
Shunga Yaksha. 2nd–1st century BCE.
Shunga mother figure, with attendant. 2nd–1st century BCE.
Shunga fecundity deity. 2nd–1st century BCE.
Baluster-holding yakṣa, Madhya Pradesh, Shunga period (2nd–1st century BCE). Guimet Museum.
Amorous royal couple. Shunga, 1st century BCE, West Bengal.
Sunga Love Scene.
Bronze coin of the Shunga period, Eastern India. 2nd–1st century BCE.
Another Shunga coin
A copper coin of 1/4 karshapana of Ujjain in Malwa.
Shunga coin.

The dynasty was established by Pushyamitra Shunga, after taking the throne of the Maurya Empire.

They fought the Kalinga, the Satavahana dynasty, the Indo-Greek Kingdom and possibly the Panchalas and Mitras of Mathura.

Art, education, philosophy, and other forms of learning flowered during this period including small terracotta images, larger stone sculptures, and architectural monuments such as the stupa at Bharhut, and the renowned Great Stupa at Sanchi.

Early Satavahana coinage, Satakarni issue, Maharashtra – Vidarbha type, 1st century BCE.

Satavahana dynasty

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Ancient Indian dynasty based in the Deccan region.

Ancient Indian dynasty based in the Deccan region.

Early Satavahana coinage, Satakarni issue, Maharashtra – Vidarbha type, 1st century BCE.
Early sculpture from Pauni, ancient Vidarbha, where coins of Satakarni were also found. Pillar with Naga Mucalinda protecting the throne of the Buddha at Pauni (Bhandara District). 2nd-1st century BCE. National Museum of India.
Cave No.19
Naneghat inscription. Dated to 70-60 BCE, in the reign of Satakarni I.
A coin of Nahapana restruck by the Satavahana king Gautamiputra Satakarni. Nahapana's profile and coin legend are still clearly visible.
The defeated "Saka-Yavana-Palhava" (Brahmi script: mentioned in the Nasik cave 3 inscription of Queen Gotami Balasiri (end of line 5 of the inscription).
Coin of Vashishtiputra Satakarni.
Coin of Yajna Sri Satakarni, British Museum.
Ashoka with his Queens, at Sannati (Kanaganahalli Stupa), 1st-3rd century CE. The inscription "Rāya Asoko" (, "King Ashoka") in Brahmi script is carved on the relief.
Indian ship on lead coin of Vasisthiputra Sri Pulamavi, testimony to the naval, seafaring and trading capabilities of the Satavahanas during the 1st–2nd century CE.
The Pompeii Lakshmi ivory statuette was found in the ruin of Pompeii (destroyed in an eruption of Mount Vesuvius in 79 CE). It is thought to have come from Bhokardan in the Satavahana realm in the first half of the 1st century CE. It testifies to Indo-Roman trade relations in the beginning of our era.
Inscription of Gautamiputra Satakarni, Nasik Caves No.3, Inscription No.4. Circa 150 CE.
Satavahana architecture at Cave No.3 of the Pandavleni Caves in Nashik. This cave was probably started during the reign of Gautamiputra Satakarni, and was finished and dedicated to the Buddhist Samgha during the reign of his son Vasishthiputra Pulumavi, circa 150 CE.
Royal earrings, Andhra Pradesh, 1st century BCE.
Architrave
Architrave
Yakshini.
Pillar capital.
Lion pillar capital.
The Miracle of Walking in the air at Savrasti.
Pipal tree.
Miracle of the Buddha walking on the River Nairanjana
Bimbisara with his royal cortege issuing from the city of Rajagriha to visit the Buddha.
Foreigners making a dedication to the Great Stupa at Sanchi.
Procession of king Suddhodana from Kapilavastu.
Satavahana 1st century BCE coin inscribed in Brahmi: "(Sataka)Nisa". British Museum
Coin of Gautamiputra Yajna Satakarni ({{reign|167|196 CE}}).
Amaravati Marbles, fragments of Buddhist stupa
Fragment of Amaravati stupa
Mara's assault on the Buddha, 2nd century, Amaravati
Scroll supported by Indian Yaksha, Amaravati, 2nd–3rd century CE.

In the post-Maurya era, the Satavahanas established peace in the Deccan region and resisted the onslaught of foreign invaders.

A slightly later inscription dated to the reign of Satakarni II has been found at Sanchi in Madhya Pradesh, located to the north of Maharashtra.

His successor Satakarni I conquered western Malwa, Anupa (Narmada valley) and Vidarbha, taking advantage of the turmoil caused by Greek invasions of northern India.

Pushyamitra Shunga

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A silver coin of 1 karshapana of King Pushyamitra Sunga (185-149 BC) of the Sunga dynasty (185-73 BC), workshop of Vidisha (?). Obv: 5 symbols including a sun Rev: 2 symbols.

Pushyamitra Shunga (IAST: ) (ruled c. 185) was the founder and first ruler of the Shunga Empire which he established against the Maurya Empire.

He also theorized that the Sanchi stupa was vandalized in 2nd century BCE (that is, during Pushyamitra's reign), before being rebuilt on a larger scale.

H. Bhattacharya theorized that Pushyamitra might have persecuted Buddhists for political, rather than religious, reasons: the politically active Buddhists probably supported the Indo-Greek rivals of Pushyamitra, which might have prompted him to persecute them.

The Bharhut stupa, depicted on one of the friezes. Freer Gallery of Art

Bharhut

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Village located in the Satna district of Madhya Pradesh, central India.

Village located in the Satna district of Madhya Pradesh, central India.

The Bharhut stupa, depicted on one of the friezes. Freer Gallery of Art
The gateways (left) were made by northern (probably Gandharan) masons using Kharosthi marks, while the railings (right) were made by masons using marks in the local Brahmi script.
the Kharosthi letters were found on the balustrades
Bharhut pillar capital with rosette, beads-and-reels and flame palmette designs.
Adoration of the Dharmachakra.
Buddha sculpture at Bharhut 11-12th cent
Worship of the Bodhi tree.
Worship of the Dharmachakra.
Worship of the Bodhi tree, with Yakshini.
A Royal Couple Visits the Buddha.
Maya's dream, Sanchi, 1st century BCE.
Māyā's dream, Gandhara, 2–3rd century CE.
Dream of Mayadevi, Mardan.
Maya's Dream, Gandhara, 2nd-3rd century CE.
Asadrisa Jataka.
Bull and Tiger Jataka.
Dasaratha Jataka.
Chhandantiya Jataka.
Isi-Singe Jataka.
Latuwa Jataka.
Naga Jataka.
Yavamajhakiya Jataka.
Yambumane-Avayesi Jataka or Andha-Bhuta Jataka.
Kinara Jataka.
Hansa Jataka.
Monkey Jataka.
Monkey Jataka.
Devotee
Female bust
Female Figure holding a Lotus
Female Figure holding a Torch
Male and Female Figures
Male Figure
Male Figure on top of Column
Male Figure
Male Figure holding a Lotus
Male Figure holding a Flower
Male Figure
East Gateway
Railing post.
Post with reliefs.
Donators.
Devotees.
Yakshini.
Restoration plans.
Bharhut excavation
The Yaksha relief at Bharhut being worshipped as Hanuman by local villagers
The ruined Bharhut Stupa; seen behind it is the Lal Pahadi (Red Mountain)
Inscriptions
Inscriptions
Inscriptions
Inscriptions
Railing section at Indian Museum.

Though more provincial in quality than the sculpture at Sanchi, Amaravati Stupa and some other sites, a large amount of sculpture has survived, generally in good condition.

The Bharhut stupa may have been first built by the Maurya king Ashoka in the 3rd century BCE, but many works of art, particularly the gateway and railings, were apparently added during the Shunga period, with many reliefs from the 2nd century BCE, or later.

The style represents the earliest phase of Indian art, and all characters are depicted wearing the Indian dhoti, except for one foreigner thought to be an Indo-Greek soldier, with Buddhist symbolism.

The "Yona" Greek king of India Menander (160–135 BCE). Inscription in Greek: Bασιλέως Σωτῆρος Μενάνδρου, lit. "of Saviour King Menander".

Yona

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The word Yona in Pali and the Prakrits, and the analogue "Yavana" in Sanskrit, are words used in Ancient India to designate Greek speakers.

The word Yona in Pali and the Prakrits, and the analogue "Yavana" in Sanskrit, are words used in Ancient India to designate Greek speakers.

The "Yona" Greek king of India Menander (160–135 BCE). Inscription in Greek: Bασιλέως Σωτῆρος Μενάνδρου, lit. "of Saviour King Menander".
The Achaemenid name for Ionian Greeks: Yauna (Old Persian cuneiform: 𐎹𐎢𐎴) in the DNa inscription of Darius the Great, circa 490 BC.
Territories "conquered by the Dharma" according to Major Rock Edict No.13 of Ashoka (260–218 BCE).
The Khalsi rock edict of Ashoka, which mentions the Greek kings Antiochus, Ptolemy, Antigonus, Magas and Alexander by name (underlined in color). Here the Greek rulers are described as "Yona" (Brahmi: Brahmi yo 2nd century CE.jpgBrahmi n.svg, third and fourth letters after the first occurrence of Antigonus in red).
Dedication by a man of Greek descent on a wall of Cave 17 in the Nasik Caves (photograph and rubbing). Detail of the "Yo-ṇa-ka-sa" word (adjectival form of "Yoṇaka", Brahmi: Brahmi yo 2nd century CE.jpgBrahmi nn.svgBrahmi letter Ka.svgBrahmi s.svg), with Nasik/Karla-period Brahmi script for reference. Circa 120 CE.
Foreigners on the Northern Gateway of Stupa I.
Left pillar No.9 of the Great Chatya at Karla Caves. This pillar was donated by a Yavana circa 120 CE, like five other pillars. The inscription of this pillar reads: "Dhenukakata Yavanasa/ Yasavadhanana[m]/ thabo dana[m]" i.e. "(This) pillar (is) the gift of the Yavana Yasavadhana from Denukakata". Below: detail of the word "Ya-va-na-sa" (adjectival form of "Yavana", old Brahmi script Brahmi y 2nd century CE.jpgBrahmi v 2nd century CE.gifBrahmi n.svgBrahmi s.svg).
Vedika pillar with possible Greek warrior (headband of a king, tunic etc...) from Bharhut. Bharhut, Madhya Pradesh, Shunga Period, c.100-80BC. Reddish brown sandstone. Indian Museum, Calcutta.
The façade of the Chaitya Hall at Manmodi Caves was donated by a Yavana, according to the inscription on the central flat surface of the lotus. Detail of the "Ya-va-na-sa" circular inscription in old Brahmi script: Brahmi y 2nd century CE.jpgBrahmi v 2nd century CE.gifBrahmi n.svgBrahmi s.svg, circa 120 CE.

In general, the words "Yoṇa" or "Yoṇaka" were the current Greek Hellenistic forms, while the term "Yavana" was the Indian word to designate the Greeks or the Indo-Greeks.

This reference apparently alludes to chaotic political scenario following the collapse of the Maurya and Shunga Empires in northern India and its subsequent occupation by foreign hordes such as of the Yonas, Kambojas, Sakas and Pahlavas.

Some of the friezes of Sanchi also show devotees in Greek attire.