A report on Shunga Empire, Sanchi and Indo-Greek Kingdom

Man on a relief, Bharhut, Shunga period.

Pataliputra Palace capital, showing Greek and Persian influence, early Mauryan Empire period, 3rd century BC.

Royal family, Shunga, West Bengal 1st century BCE.

Plan of the monuments of the hill of Sanchi, numbered 1 to 50.

Kandahar Bilingual Rock Inscription (Greek and Aramaic) by king Ashoka, from Kandahar, Afghanistan.

According to the Mahavamsa, the Great Stupa in Anuradhapura, Sri Lanka, was dedicated by a 30,000-strong "Yona" (Greek) delegation from "Alexandria" around 130 BC.

The capital of the Sanchi pillar of Ashoka, as discovered (left), and simulation of original appearance (right). It is very similar to the Lion Capital of Ashoka at Sarnath, except for the abacus, here adorned with flame palmettes and facing geese, 250 BCE. Sanchi Archaeological Museum.

Greco-Bactrian statue of an old man or philosopher, Ai Khanoum, Bactria, 2nd century BC

East Gateway and Railings, Red Sandstone, Bharhut Stupa, 2nd century BCE. Indian Museum, Kolkata.

by later illustrations among the Sanchi reliefs

Corinthian capital, found at Ai-Khanoum, 2nd century BC

The Great Stupa under the Shungas. The Shungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it.

The Great Stupa under the Sungas. The Sungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it.

Coin depicting the Greco-Bactrian king Euthydemus 230–200 BC. The Greek inscription reads: ΒΑΣΙΛΕΩΣ ΕΥΘΥΔΗΜΟΥ – "(of) King Euthydemus".

Foreigner on a horse, circa 115 BCE, Stupa No2.

Possible statuette of a Greek soldier, wearing a version of the Greek Phrygian helmet, from a 3rd-century BC burial site north of the Tian Shan, Xinjiang Region Museum, Urumqi.

Vedika pillar with "Yavana" Greek warrior. Bharhut, Madhya Pradesh, Shunga Period, c. 100-80 BC. Reddish brown sandstone. Indian Museum, Calcutta.

Sunga period railings were initially blank (left: Great Stupa), and only started to be decorated circa 115 BCE with Stupa No.2 (right).

Greco-Bactria and the city of Ai-Khanoum were located at the very doorstep of Mauryan India.

The Yavanarajya inscription, dated to "year 116 of Yavana hegemony", probably 70 or 69 BCE, was discovered in Mathura. Mathura Museum.

Sunga pillar No25 with own capital on the side.

The Khalsi rock edict of Ashoka, which mentions the Greek kings Antiochus, Ptolemy, Antigonus, Magas and Alexander by name, as recipients of his teachings.

The Heliodorus pillar was built in Vidisha under the Shungas, at the instigation of Heliodorus, ambassador of the Indo-Greek king Antialcidas. The pillar originally supported a statue of Garuda. Established circa 100 BCE.

The Sunga territory circa 100 BCE, greatly reduced to the region of Magadha only, with many independent, petty kingdoms such as such as Mathura and Panchala

Apollodotus I (180–160 BC) the first king who ruled in the subcontinent only, and therefore the founder of the proper Indo-Greek kingdom.

Silver coin depicting Demetrius I of Bactria (reigned c. 200–180 BC), wearing an elephant scalp, symbol of his conquests of areas in what is now Afghanistan and Pakistan.

The coinage of Agathocles (circa 180 BC) incorporated the Brahmi script and several deities from India, which have been variously interpreted as Vishnu, Shiva, Vasudeva, Balarama or the Buddha.

Shunga vedika (railing) with inscriptions.

The Great Stupa at the time of the Satavahanas.

Kharoshthi legend on the reverse of a coin of Indo-Greek king Artemidoros Aniketos.

Temptation of the Buddha, with the Buddha on the left (symbolized by his throne only) surrounded by rejoicing devotees, Mara and his daughters (center), and the demons of Mara fleeing (right).

Menander I (155–130 BC) is one of the few Indo-Greek kings mentioned in both Graeco-Roman and Indian sources.

War over the Buddha's Relics, kept by the city of Kushinagar, South Gate, Stupa no.1, Sanchi.

The Shinkot casket containing Buddhist relics was dedicated "in the reign of the Great King Menander".

King Ashoka visits Ramagrama, to take relics of the Buddha from the Nagas, but he failed, the Nagas being too powerful. Southern gateway, Stupa 1, Southern Gateway, Sanchi.

Indian-standard coinage of Menander I. Obv ΒΑΣΙΛΕΩΣ ΣΩΤΗΡΟΣ ΜΕΝΑΝΔΡΟΥ "Of Saviour King Menander". Rev Palm of victory, Kharoshthi legend Māhārajasa trātadasa Menandrāsa, British Museum.

Ashoka in grief, supported by his two queens, in a relief at Sanchi. Stupa 1, Southern gateway. The identification with Ashoka is confirm by a similar relief from Kanaganahalli inscribed "Raya Asoko".

King Hippostratos riding a horse, circa 100 BC (coin detail).

Bodhi tree temple depicted in Sanchi, Stupa 1, Southern gateway.

The Yavanarajya inscription discovered in Mathura, mentions its carving on "The last day of year 116 of Yavana hegemony" (Yavanarajya), or 116th year if the Yavana era, suggesting the Greeks ruled over Mathura as late as 60 BC. Mathura Museum.

Pillar with elephants supporting a wheel.

Temple for the Bodhi Tree (Eastern Gateway).

The Mathura Herakles. A statue of Herakles strangling the Nemean lion from Mathura. Today in the Kolkota Indian Museum.

foreigners illustrated at Sanchi worshiping the Great Stupa

Possible statue of a Yavana/ Indo-Greek warrior with boots and chiton, from the Rani Gumpha or "Cave of the Queen" in the Udayagiri Caves on the east coast of India, where the Hathigumpha inscription was also found. 2nd or 1st century BC.

Heliocles (145–130 BC) was the last Greek king in Bactria.

Ashoka supported by his two wives. Similar to [[:File:Sanchi King Ashoka with his Queens, South Gate, Stupa no. 1.jpg|the later relief at Gateway 1]].

Coin of Zoilos I (130–120 BC) showing on the reverse the Heraklean club with the Scythian bow, inside a victory wreath.

Miracle of the Buddha walking on the river Nairanjana

The Heliodorus pillar, commissioned by Indo-Greek ambassador Heliodorus, is the first known inscription related to Vaishnavism in India. Heliodurus was one of the earliest recorded Indo-Greek converts to Hinduism.

Procession of king Suddhodana from Kapilavastu

Heliodorus travelled from Taxila to Vidisha as an ambassador of king Antialkidas, and erected the Heliodorus pillar.

"The promenade of the Buddha", or Chankrama, used to depict the Buddha in motion in Buddhist aniconism.

The Bharhut Yavana, a possible Indian depiction of Menander, with the flowing head band of a Greek king, northern tunic with Hellenistic pleats, and Buddhist triratana symbol on his sword. Bharhut, 100 BC. Indian Museum, Calcutta.

Bimbisara with his royal cortege issuing from the city of Rajagriha to visit the Buddha

At Bharhut, the gateways were made by northwestern (probably Gandharan) masons using Kharosthi marks 100-75 BC.

Foreigners making a dedication at the Southern Gateway of Stupa No 1

the Kharosthi letters were found on the balusters

Stupas and monasteries at Sanchi in the early centuries of the current era. Reconstruction, 1900

Foreigners on the Northern Gateway of Stupa I at Sanchi.

Temple 17: a Gupta period tetrastyle prostyle temple of Classical appearance. 5th century CE

Statue of Padmapani (5th c.or 9th c.) Victoria and Albert Museum.

Hermaeus (90–70 BC) was the last Indo-Greek king in the Western territories (Paropamisadae).

Shunga masculine figurine (molded plate). 2nd–1st century BCE.

Pillar 26: one of the two four-lions stambha capitals at Sanchi, with lions, central flame palmette and Wheel of Law (axis, stubs of the spokes and part of the circumference only), initially located at the Northern Gateway of the Great Stupa. Sanchi Archaeological Museum.

Hermaeus posthumous issue struck by Indo-Scythians near Kabul, circa 80–75 BC.

Shunga woman with child. 2nd–1st century BCE.

Pillar 26: lion pillar capital at time of discovery, with Dharmachakra wheel (reconstitution). Northern Gateway.

Tetradrachm of Hippostratos, reigned circa 65–55 BC, was the last Indo-Greek king in Western Punjab.

Hippostratos was replaced by the Indo-Scythian king Azes I (r. c. 35–12 BC).

Shunga mother figure, with attendant. 2nd–1st century BCE.

Pillar 35 column stump (right), and bell capital with abacus, positioned upside down.

Approximate region of East Punjab and Strato II's capital Sagala.

Shunga fecundity deity. 2nd–1st century BCE.

Vajrapani statue of pillar 35, 5th c. CE. Sanchi Archaeological Museum.

The last known Indo-Greek kings Strato II and Strato III, here on a joint coin (25 BC-10 AD), were the last Indo-Greek king in eartern territories of Eastern Punjab.

Baluster-holding yakṣa, Madhya Pradesh, Shunga period (2nd–1st century BCE). Guimet Museum.

Temple 18 at Sanchi, an apsidal hall with Maurya foundations, rebuilt at the time of Harsha (7th century CE).

Pillar of the Great Chaitya at Karla Caves, mentioning its donation by a Yavana. Below: detail of the word "Ya-va-na-sa" in old Brahmi script: Brahmi y 2nd century CE.jpgBrahmi v 2nd century CE.gifBrahmi n.svgBrahmi s.svg, circa AD 120.

Amorous royal couple. Shunga, 1st century BCE, West Bengal.

The Buddhist symbols of the triratna and of the swastika (reversed) around the word "Ya-va-ṇa-sa" in Brahmi (Brahmi y 2nd century CE.jpg Brahmi v 2nd century CE.gif Brahmi nn.svg Brahmi s.svg). Shivneri Caves 1st century AD.

The Great Stupa as breached by Sir Herbert Maddock in 1822. Watercolor by Frederick Charles Maisey, in 1851.

Statue with inscription mentioning "year 318", probably of the Yavana era, i.e. AD 143.

Bronze coin of the Shunga period, Eastern India. 2nd–1st century BCE.

Ruins of the Southern Gateway, Sanchi in 1875.

Piedestal of the Hashtnagar Buddha statue, with Year 384 inscription, probably of the Yavana era, i.e. AD 209.

Evolution of Zeus Nikephoros ("Zeus holding Nike") on Indo-Greek coinage: from the Classical motif of Nike handing the wreath of victory to Zeus himself (left, coin of Heliocles I 145–130 BC), then to a baby elephant (middle, coin of Antialcidas 115–95 BC), and then to the Wheel of the Law, symbol of Buddhism (right, coin of Menander II 90–85 BC).

A copper coin of 1/4 karshapana of Ujjain in Malwa.

Indo-Corinthian capital representing a man wearing a Graeco-Roman-style coat with fibula, and making a blessing gesture. Butkara Stupa, National Museum of Oriental Art, Rome.

Inscribed panel from Sanchi in Brahmi script in the British Museum

Evolution of the Butkara stupa, a large part of which occurred during the Indo-Greek period, through the addition of Hellenistic architectural elements.

The last two letters to the right of this inscription in Brahmi form the word "dǎnam" (donation). This hypothesis permitted the decipherment of the Brahmi script by James Prinsep in 1837.

Coin of Menander II (90–85 BC). "King Menander, follower of the Dharma" in Kharoshthi script, with Zeus holding Nike, who holds a victory wreath over an Eight-spoked wheel.

General view of the Stupas at Sanchi by F.C. Maisey, 1851 (The Great Stupa on top of the hill, and Stupa 2 at the forefront)

Greek Buddhist devotees, holding plantain leaves, in purely Hellenistic style, inside Corinthian columns, Buner relief, Victoria and Albert Museum.

The Great Stupa (Stupa No.1), started in the 3rd century BCE

Hellenistic culture in the Indian subcontinent: Greek clothes, amphoras, wine and music (Detail of Chakhil-i-Ghoundi stupa, Hadda, Gandhara, 1st century AD).

Intaglio gems engraved in the northwest of India (2nd century BCE-2nd century CE).

Seated Buddha, Gandhara, 2nd century (Ostasiatisches Museum, Berlin)

Stone palette depicting a mythological scene, 2nd–1st century BC.

Remains of the Ashokan Pillar in polished stone (right of the Southern Gateway), with its Edict.

Cupro-nickel coins of king Pantaleon point to a Chinese origin of the metal.

Sanchi Minor Pillar Edict of Ashoka, in-situ (detail of the previous image).

Athena in the art of Gandhara, displayed at the Lahore Museum, Pakistan

Remains of the shaft of the pillar of Ashoka, under a shed near the Southern Gateway.

Strato I in combat gear, making a blessing gesture, circa 100 BC.

Side view of the capital. Sanchi Archaeological Museum.<ref name="p.25-28 Ashoka pillar"/>

The Indo-Scythian Taxila copper plate uses the Macedonian month of "Panemos" for calendrical purposes (British Museum).

Hellenistic couple from Taxila (Guimet Museum)

The story of the Trojan horse was depicted in the art of Gandhara. (British Museum).

Foreigner on a horse. The medallions are dated circa 115 BC.

Lakshmi with lotus and two child attendants, probably derived from [[:File:Venus with two cupids 2.jpg|similar images of Venus]]<ref>An Indian Statuette From Pompeii, Mirella Levi D'Ancona, in Artibus Asiae, Vol. 13, No. 3 (1950) p. 171</ref>

Lotus within Hellenistic beads and reels motif.

Philoxenus (c. 100 BC), unarmed, making a blessing gesture.

Various blessing gestures: divinities (top), kings (bottom).

Detail of the foreigners, in Greek dress and playing carnyxes and aolus flute. Northern Gateway of Stupa I (detail).

Foreigners holding grapes and riding winged lions, Sanchi Stupa 1, Eastern Gateway.<ref>"The Diffusion of Classical Art in Antiquity, John Boardman, 1993, p. 112 Note 91</ref>

Foreigners on horses, wearing headbands, caps and boots. Western gate of Stupa 1.

The Buddha represented by the Dharmacakra.

Bottom panel Dvarapala guardian deity or devotee.

Pillar 34 with lion.<ref>Marshall p. 52 Pillar 34</ref>

The winged lion capital of pillar 34 (lost).

A vision of ancient Indian court life, using motifs from Sanchi (wood engraving, 1878).

They fought the Kalinga, the Satavahana dynasty, the Indo-Greek Kingdom and possibly the Panchalas and Mitras of Mathura.

- Shunga Empire

Art, education, philosophy, and other forms of learning flowered during this period including small terracotta images, larger stone sculptures, and architectural monuments such as the stupa at Bharhut, and the renowned Great Stupa at Sanchi.

- Shunga Empire

During the following centuries, especially under the Shungas and the Satavahanas, the Great Stupa was enlarged and decorated with gates and railings, and smaller stupas were also built in the vicinity, especially Stupa No.2, and Stupa No.3.

- Sanchi

Foreigners from Gandhara are otherwise known to have visited the region around the same time: in 115 BCE, the embassy of Heliodorus from Indo-Greek king Antialkidas to the court of the Sungas king Bhagabhadra in nearby Vidisha is recorded, in which Heliodorus established the Heliodorus pillar in a dedication to Vāsudeva.

- Sanchi

Pushyamitra Shunga then ascended the throne and established the Shunga Empire, which extended its control as far west as the Punjab.

- Indo-Greek Kingdom

Again in Sanchi, but this time dating to the period of Satavahana rule circa 50–1 BC, one frieze can be observed which shows devotees in Greek attire making a dedication to the Great Stupa of Sanchi.

- Indo-Greek Kingdom

10 related topics with Alpha

Maurya Empire

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Geographically extensive ancient Indian Iron Age historical power in South Asia based in Magadha, having been founded by Chandragupta Maurya in 322 BCE, and existing in loose-knit fashion until 185 BCE.

Pataliputra, capital of the Mauryas. Ruins of pillared hall at Kumrahar site.

The Pataliputra capital, discovered at the Bulandi Bagh site of Pataliputra, 4th–3rd c. BCE.

A silver coin of 1 karshapana of the Maurya empire, period of Bindusara Maurya about 297–272 BC, workshop of Pataliputra. Obv: Symbols with a sun. Rev: Symbol. Dimensions: 14 × 11 mm. Weight: 3.4 g.

Lion Capital of Ashoka at Sarnath. c. 250 BCE.

Fragment of the 6th Pillar Edict of Ashoka (238 BCE), in Brahmi, sandstone, British Museum.

Bhadrabahu Cave, Shravanabelagola where Chandragupta is said to have died

The stupa, which contained the relics of Buddha, at the center of the Sanchi complex was originally built by the Maurya Empire, but the balustrade around it is Sunga, and the decorative gateways are from the later Satavahana period.

The Dharmarajika stupa in Taxila, modern Pakistan, is also thought to have been established by Emperor Asoka.

Mauryan architecture in the Barabar Caves. Lomas Rishi Cave. 3rd century BCE.

An early stupa, 6 meters in diameter, with fallen umbrella on side. Chakpat, near Chakdara. Probably Maurya, 3rd century BCE.

The two Yakshas, possibly 3rd century BCE, found in Pataliputra. The two Brahmi inscriptions starting with Gupta ashoka y.svgGupta ashoka khe.jpg... (Yakhe... for "Yaksha...") are paleographically of a later date, circa 2nd century CE Kushan.

Mauryan ringstone, with standing goddess. Northwest Pakistan. 3rd Century BCE

A map showing the north western border of Maurya Empire, including its various neighboring states.

Figure of a foreigner, found in Sarnath, 3rd century BCE. This is a probable member of the West Asian Pahlava or Saka elite in the Gangetic plains during the Mauryan period.

The Kandahar Edict of Ashoka, a bilingual edict (Greek and Aramaic) by king Ashoka, from Kandahar. Kabul Museum. (See image description page for translation.)

Silver punch mark coin of the Maurya empire, with symbols of wheel and elephant. 3rd century BCE.{{citation needed|date=July 2017}}

Mauryan coin with arched hill symbol on reverse.{{citation needed|date=July 2017}}

Mauryan Empire coin. Circa late 4th-2nd century BCE.{{citation needed|date=July 2017}}

Mauryan Empire, Emperor Salisuka or later. Circa 207-194 BCE.<ref>CNG Coins {{webarchive|url=https://web.archive.org/web/20170827130159/https://www.cngcoins.com/Coin.aspx?CoinID=304898 |date=27 August 2017 }}</ref>

Remains of the Ashokan Pillar in polished stone (right of the Southern Gateway).

Pillar and its inscription (the "Schism Edict") upon discovery.

The capital nowadays.<ref>Described in Marshall p.25-28 Ashoka pillar.</ref>

The distribution of the Edicts of Ashoka.<ref>Reference: "India: The Ancient Past" p.113, Burjor Avari, Routledge, {{ISBN|0-415-35615-6}}</ref>

Map of the Buddhist missions during the reign of Ashoka.

Territories "conquered by the Dharma" according to Major Rock Edict No. 13 of Ashoka (260–218 BCE).{{sfn|Kosmin|2014|p=57}}<ref name=ME368>Thomas Mc Evilly "The shape of ancient thought", Allworth Press, New York, 2002, p.368</ref>

It declined for about 50 years after Ashoka's rule, and dissolved in 185 BCE with the assassination of Brihadratha by Pushyamitra Shunga and foundation of the Shunga Empire in Magadha.

For example, peacock figures are found on the Ashoka pillar at Nandangarh and several sculptures on the Great Stupa of Sanchi.

The Greco-Bactrian king, Demetrius, capitalized on the break-up, and he conquered southern Afghanistan and parts of northwestern India around 180 BCE, forming the Indo-Greek Kingdom.

Antialcidas

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Silver tetradrachm of King Antialcidas. Obv: Bust of Antialcidas wearing aegis and holding a spear, with Greek legend ΒΑΣΙΛΕΩΣ ΝΙΚΗΦΟΡΟΥ ΑΝΤΙΑΛΚΙΔΟΥ "Of Victorious King Antialcidas". Rev: Zeus with lotus-tipped sceptre, in front of an elephant with a bell (symbol of Taxila), surmouted by Nike holding a wreath, crowning the elephant. Kharoshti legend: MAHARAJASA JAYADHARASA ANTIALIKITASA "Victorious King Antialcidas". Pushkalavati mint.

Inscription on the Heliodorus pillar made by Antialcidas' Ambassador Heliodorus in 110 BCE.

Silver drachm of King Antialcidas.
Obv: Bust of Antialcidas wearing a helmet, with Greek legend ΒΑΣΙΛΕΩΣ ΝΙΚΗΦΟΡΟΥ ΑΝΤΙΑΛΚΙΔΟΥ "Of Victorious King Antialcidas".
Rev: Seated Zeus holding sceptre, with Nike on his extended arm, holding out a wreath to a baby elephant with bell. Kharoshti legend: MAHARAJASA JAYADHARASA ANTIALIKITASA "Victorious King Antialcidas".

Antialcidas wearing the kausia, with Greek legend ΒΑΣΙΛΕΩΣ ΝΙΚΗΦΟΡΟΥ ΑΝΤΙΑΛΚΙΔΟΥ "Of Victorious King Antialcidas" Japan Currency Museum.

Lysias was a contemporary of Antialcidas.

Gandhara seal of king on elephant receiving wreath of victory, a motif with some similarity to the coins of Antialcidas.

Antialkidas with Zeus directly giving wreath of victory to the elephant. With Greek legend ΒΑΣΙΛΕΩΣ ΝΙΚΗΦΟΡΟΥ ΑΝΤΙΑΛΚΙΔΟΥ "Of Victorious King Antialcidas"

Antialcidas Nikephoros (epithet means "the Victorious", Brahmi: 𑀅𑀁𑀢𑀮𑀺𑀓𑀺𑀢𑀲 Aṃtalikitasa, in the Heliodorus Pillar) was a king of the Indo-Greek Kingdom, who reigned from his capital at Taxila.

Though there are few sources for the late Indo-Greek history, Antialcidas is known from an inscription left on a pillar (the Heliodorus pillar), which was erected by his ambassador Heliodorus at the court of the Shunga king Bhagabhadra at Vidisha, near Sanchi.

Heliodorus pillar

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Stone column that was erected around 113 BCE in central India in Besnagar .

The fan-palm pinnacle Cunningham assumed belonged to the Heliodorus pillar.

A cross-section of the Heliodorus pillar sketched during the 1913 CE archaeological excavation.

Structure and decorative elements of the Heliodorus pillar. The pillar originally supported a statue of Garuda, now lost, or possibly located in the Gujari Mahal Museum in Gwalior.

Main inscription of the Heliodorus pillar, circa 110 BCE.

Relief depicting a portable Garuda pillar, one of the oldest images of Garuda, Bharhut, 100 BCE. This may have been similar to the Garuda capital of the Heliodorus pillar.

Images of the deities were probably present in shrines adjoining the pillars, in a style rather similar with their depiction on the coinage of Agathocles of Bactria (190-180 BCE). Here Saṃkarṣaṇa and Vāsudeva are shown with their attributes.

The deity to whom the Heliodorus pillar was dedicated: Vāsudeva, as depicted on a coin of Agathocles of Bactria, 190-180 BCE.

The fan-palm capital, found next to the Heliodorus pillar, is associated with Saṃkarṣaṇa.

The Makara capital, found at the site of the Heliodorus pillar, is associated with Pradyumna. <ref>{{cite book|last1=Ayyar|first1=Sulochana|title=Costumes and Ornaments as Depicted in the Sculptures of Gwalior Museum|date=1987|publisher=Mittal Publications|isbn=978-81-7099-002-4|page=13|url=https://books.google.com/books?id=G9eHPXL6UE0C&pg=PA13|language=en}}</ref> 2nd century BCE.<ref>{{cite journal|last1=VIENNOT|first1=Odette|title=Le Makara dans la Décoration des Monuments de l'Inde Ancienne : Positions et Fonctions|journal=Arts Asiatiques|volume=5|issue=3|date=1958|page=184|jstor=43484068 }}</ref> Gwalior Museum.<ref>Visible in the back of the image entitled "Lion capital – Udayagiri – 5th century": {{cite web|title=Gujari Mahal State Archaeological Museum – Gwalior|url=https://kevinstandagephotography.wordpress.com/2019/04/15/gujari-mahal-state-archaeological-museum-gwalior/#jp-carousel-16148|website=Kevin Standage|language=en|date=15 April 2019}}</ref><ref>{{cite book|last1=Ayyar|first1=Sulochana|title=Costumes and Ornaments as Depicted in the Sculptures of Gwalior Museum|date=1987|publisher=Mittal Publications|isbn=978-81-7099-002-4|page=13|url=https://books.google.com/books?id=G9eHPXL6UE0C&pg=PA13|language=en}}</ref>

A pillar capital shaped as a Kalpadruma tree, also found nearby at Besnagar, probably associated with Lakshmi. Indian Museum, Kolkata.<ref>{{cite book|last1=Ayyar|first1=Sulochana|title=Costumes and Ornaments as Depicted in the Sculptures of Gwalior Museum|date=1987|publisher=Mittal Publications|isbn=978-81-7099-002-4|page=13|url=https://books.google.com/books?id=G9eHPXL6UE0C&pg=PA13|language=en}}</ref>

Possible statue of the goddess Lakshmi, also associated with the Bhagavat cult.

Location of the Heliodorus pillar in relation to Besnagar, Vidisha, Sanchi and the Udayagiri Caves.

Heliodorus was the ambassador of king Antialcidas (here depicted on one of his coins).

The contemporary pillar in nearby Sanchi.

The pillar is commonly named after Heliodorus, who was an ambassador of the Indo-Greek king Antialcidas from Taxila, and was sent to the Indian ruler Bhagabhadra.

The Heliodorus pillar site is located near the confluence of two rivers, about 60 km northeast from Bhopal, 11 km from the Buddhist stupa of Sanchi, and 4 km from the Hindu Udayagiri site.

The text of the inscriptions is in the Brahmi script of the Sunga period, the language is Central-western epigraphic Prakrit, with a few Sanskritized spellings.

A northern example of Brahmi epigraphy: ancient terracotta sculpture from Sugh "Child learning Brahmi", showing the first letters of the Brahmi alphabet, 2nd century BCE.

Brahmi script

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Writing system of ancient South Asia that appeared as a fully developed script in the third century BCE.

A later (mistaken) theory of a pictographic-acrophonic origin of the Brahmi script, on the model of the Egyptian hieroglyphic script, by Alexander Cunningham in 1877.

Coin of Agathocles with Hindu deities, in Greek and Brahmi.
Obverse: Balarama-Samkarshana with Greek legend: ΒΑΣΙΛΕΩΣ ΑΓΑΘΟΚΛΕΟΥΣ.
Reverse: Vasudeva-Krishna with Brahmi legend:𑀭𑀸𑀚𑀦𑁂 𑀅𑀕𑀣𑀼𑀓𑁆𑀮𑀬𑁂𑀲 Rājane Agathukleyesa "King Agathocles". Circa 180 BCE.

A 2nd-century BCE Tamil Brahmi inscription from Arittapatti, Madurai India. The southern state of Tamil Nadu has emerged as a major source of Brahmi inscriptions dated between 3rd to 1st centuries BCE.

A proposed connection between the Brahmi and Indus scripts, made in the 19th century by Alexander Cunningham.

The word Lipī used by Ashoka to describe his "Edicts". Brahmi script (Li= La+ i; pī= Pa+ ii). The word would be of Old Persian origin ("Dipi").

Connections between Phoenician (4th column) and Brahmi (5th column). Note that 6th-to-4th-century BCE Aramaic (not shown) is in many cases intermediate in form between the two.

The Prakrit word "Dha-ṃ-ma" (Dharma) in the Brahmi script, as inscribed by Ashoka in his Edicts. Topra Kalan pillar, now in New Delhi (3rd century BCE).

Calligraphical evolution: 3rd century BCE calligraphy (top), and a sample of the new calligraphic style introduced by the Indo-Scythians (bottom, fragment of the Mirzapur stele inscription, in the vicinity of Mathura, circa 15 CE). The text is Svāmisya Mahakṣatrapasya Śudasasya "Of the Lord and Great Satrap Śudāsa"

Classification of Brahmi characters by James Prinsep in March 1834. The structure of Brahmi (consonantal characters with vocalic "inflections") was properly identified, but the individual values of characters remained undetermined, except for four of the vocalic inflections. Journal of the Asiatic Society of Bengal Volume 3 (March 1834).

Norwegian scholar Christian Lassen used the bilingual Greek-Brahmi coinage of Indo-Greek king Agathocles to correctly achieve in 1836 the first secure decipherement of several letters of the Brahmi script, which was later completed by James Prinsep.

Consonants of the Brahmi script, and evolution down to modern Devanagari, according to James Prinsep, as published in the Journal of the Asiatic Society of Bengal, in March 1838. All the letters are correctly deciphered, except for two missing on the right: 𑀰(ś) and 𑀱(ṣ). Vowels and compounds [[:File:Brahmi script vowels according to James Prinsep March 1838.jpg|here]]. All scripts derived from Brahmi are gathered under the term "Brahmic scripts".

Some major conjunct consonants in the Brahmi script.

The Brahmi symbol for /ka/, modified to represent different vowels

A 1st century BCE/CE inscription from Sanchi: "Vedisakehi daṃtakārehi rupakaṃmaṃ kataṃ" (, "Ivory workers from Vidisha have done the carving").

1800 years separate these two inscriptions: Brahmi script of the 3rd century BCE (Edict of Ashoka), and its derivative, 16th century CE Devanagari script (1524 CE), on the Delhi-Topra pillar.

Kya (vertical assembly of consonants "Ka" Brahmi k.svg and "Ya" Brahmi y.svg), as in "Sa-kya-mu-nī " ( 𑀲𑀓𑁆𑀬𑀫𑀼𑀦𑀻, "Sage of the Shakyas")

Hmī (Ha+Ma+i+i), as in the word "Brāhmī" (𑀩𑁆𑀭𑀸𑀳𑁆𑀫𑀻).

$Early/Middle Brahmi legend on the coinage of Chastana: RAJNO MAHAKSHATRAPASA GHSAMOTIKAPUTRASA CHASHTANASA "Of the Rajah, the Great Satrap, son of Ghsamotika, Chashtana". 1st–2nd century CE.<ref>{{cite book |title=Seaby's Coin and Medal Bulletin: July 1980 |date=1980 |publisher=Seaby Publications Ltd. |page=219 |url=https://archive.org/details/seabyscoinmedalb1980base_r0l5/page/218}}</ref>$

Inscribed Kushan statue of Western Satraps King Chastana, with inscription "Shastana" in Middle Brahmi script of the Kushan period (Gupta ashoka ss.svg{{sub|Gupta ashoka sta.jpg}}Gupta ashoka n.svg Ṣa-sta-na).<ref name="JBO">"The three letters give us a complete name, which I read as Ṣastana (vide facsimile and cast). Dr. Vogel read it as Mastana but that is incorrect for Ma was always written with a circular or triangular knob below with two slanting lines joining the knob" in {{cite book |title=Journal of the Bihar and Orissa Research Society |date=1920 |publisher=The Society |url=https://books.google.com/books?id=yKZEAQAAMAAJ |language=en}}</ref>

The rulers of the Western Satraps were called Mahākhatapa ("Great Satrap") in their Brahmi script inscriptions, as here in a dedicatory inscription by Prime Minister Ayama in the name of his ruler Nahapana, Manmodi Caves, circa 100 CE.<ref>{{cite book|last1=Burgess|first1=Jas|title=Archaeological Survey Of Western India|date=1883|page=103|url=https://archive.org/stream/in.ernet.dli.2015.35775}}</ref>

Nasik Cave inscription No.10. of Nahapana, Cave No.10.

Gupta script on stone Kanheri Caves, one of the earliest descendants of Brahmi

The Gopika Cave Inscription of Anantavarman, in the Sanskrit language and using the Gupta script. Barabar Caves, Bihar, or 6th century CE.

$Coin of Alchon Huns ruler Mihirakula. Obv: Bust of king, with legend in Gupta script (Gupta_allahabad_j.svg)Gupta_allahabad_y.svgGupta_allahabad_tu.jpg{{sup|Gupta_allahabad_mi.jpg}}{{sup|Gupta ashoka hi.jpg}}Gupta_allahabad_r.svgGupta_allahabad_ku.jpgGupta_allahabad_l.svg,<ref>The "h" (Gupta ashoka h.svg) is an early variant of the Gupta script</ref> (Ja)yatu Mihirakula ("Let there be victory to Mihirakula").<ref>{{cite book |last1=Verma |first1=Thakur Prasad |title=The Imperial Maukharis: History of Imperial Maukharis of Kanauj and Harshavardhana |date=2018 |publisher=Notion Press |isbn=9781643248813 |page=264 |url=https://books.google.com/books?id=09FqDwAAQBAJ&pg=PT264 |language=hi}}</ref><ref>{{cite book |last1=Sircar |first1=D. C. |title=Studies in Indian Coins |date=2008 |publisher=Motilal Banarsidass |isbn=9788120829732 |page=376 |url=https://books.google.com/books?id=m1JYwP5tVQUC&pg=PA376 |language=en}}</ref><ref>{{cite book |last1=Tandon |first1=Pankaj | pages=24–34|title=Notes on the Evolution of Alchon Coins Journal of the Oriental Numismatic Society, No. 216, Summer 2013 |date=2013 |publisher= Oriental Numismatic Society |url=http://coinindia.com/galleries-alchon-early.html}} also Coinindia Alchon Coins (for an exact description of this coin type)</ref>$

The next major step towards deciphering the ancient Brahmi script of the 3rd-2nd centuries BCE was made in 1836 by Norwegian scholar Christian Lassen, who used a bilingual Greek-Brahmi coin of Indo-Greek king Agathocles and similarities with the Pali script to correctly and securely identify several Brahmi letters.

James Prinsep then analysed a large number of donatory inscriptions on the reliefs in Sanchi, and noted that most of them ended with the same two Brahmi characters: "𑀤𑀦𑀁".

The Heliodorus pillar is a stone column that was erected around 113 BCE in central India in Vidisha near modern Besnagar, by Heliodorus, an ambassador of the Indo-Greek king Antialcidas in Taxila to the court of the Shunga king Bhagabhadra.

Bhagabhadra

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The Indo-Greek king Antialcidas was the one who sent an embassy to Bhagabhadra.

Some of the expansion work at the Great Stupa at Sanchi may have been sponsored by Bhagabhadra.

Bhagabhadra (Brāhmī: 𑀪𑀸𑀕𑀪𑀤𑁆𑀭, ) was one of the kings of the Indian Shunga dynasty.

He is best known from an inscription at the site of Vidisha in central India, the Heliodorus pillar, in which contacts with an embassy from the Indo-Greek king Antialcidas is recorded, and where he is named "Kasiputra Bhagabhadra, the Saviour, son of the princess from Benares":

This is also corroborated by some artistic realization on the nearby Sanchi stupa thought to belong to the period of the Shungas.

Early Satavahana coinage, Satakarni issue, Maharashtra – Vidarbha type, 1st century BCE.

Satavahana dynasty

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Ancient Indian dynasty based in the Deccan region.

Early sculpture from Pauni, ancient Vidarbha, where coins of Satakarni were also found. Pillar with Naga Mucalinda protecting the throne of the Buddha at Pauni (Bhandara District). 2nd-1st century BCE. National Museum of India.

Naneghat inscription. Dated to 70-60 BCE, in the reign of Satakarni I.

The defeated "Saka-Yavana-Palhava" (Brahmi script: mentioned in the Nasik cave 3 inscription of Queen Gotami Balasiri (end of line 5 of the inscription).

Coin of Yajna Sri Satakarni, British Museum.

Ashoka with his Queens, at Sannati (Kanaganahalli Stupa), 1st-3rd century CE. The inscription "Rāya Asoko" (, "King Ashoka") in Brahmi script is carved on the relief.

Indian ship on lead coin of Vasisthiputra Sri Pulamavi, testimony to the naval, seafaring and trading capabilities of the Satavahanas during the 1st–2nd century CE.

The Pompeii Lakshmi ivory statuette was found in the ruin of Pompeii (destroyed in an eruption of Mount Vesuvius in 79 CE). It is thought to have come from Bhokardan in the Satavahana realm in the first half of the 1st century CE. It testifies to Indo-Roman trade relations in the beginning of our era.

Inscription of Gautamiputra Satakarni, Nasik Caves No.3, Inscription No.4. Circa 150 CE.

Satavahana architecture at Cave No.3 of the Pandavleni Caves in Nashik. This cave was probably started during the reign of Gautamiputra Satakarni, and was finished and dedicated to the Buddhist Samgha during the reign of his son Vasishthiputra Pulumavi, circa 150 CE.

Royal earrings, Andhra Pradesh, 1st century BCE.

The Miracle of Walking in the air at Savrasti.

Foreigners making a dedication to the Great Stupa at Sanchi.

Satavahana 1st century BCE coin inscribed in Brahmi: "(Sataka)Nisa". British Museum

Coin of Gautamiputra Yajna Satakarni ({{reign|167|196 CE}}).

Amaravati Marbles, fragments of Buddhist stupa

Mara's assault on the Buddha, 2nd century, Amaravati

Scroll supported by Indian Yaksha, Amaravati, 2nd–3rd century CE.

A slightly later inscription dated to the reign of Satakarni II has been found at Sanchi in Madhya Pradesh, located to the north of Maharashtra.

His successor Satakarni I conquered western Malwa, Anupa (Narmada valley) and Vidarbha, taking advantage of the turmoil caused by Greek invasions of northern India.

Satakarni's successor Satakarni II ruled for 56 years, during which he captured eastern Malwa from the Shungas.

Pushyamitra Shunga

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A silver coin of 1 karshapana of King Pushyamitra Sunga (185-149 BC) of the Sunga dynasty (185-73 BC), workshop of Vidisha (?). Obv: 5 symbols including a sun Rev: 2 symbols.

Pushyamitra Shunga (IAST: ) (ruled c. 185) was the founder and first ruler of the Shunga Empire which he established against the Maurya Empire.

He also theorized that the Sanchi stupa was vandalized in 2nd century BCE (that is, during Pushyamitra's reign), before being rebuilt on a larger scale.

H. Bhattacharya theorized that Pushyamitra might have persecuted Buddhists for political, rather than religious, reasons: the politically active Buddhists probably supported the Indo-Greek rivals of Pushyamitra, which might have prompted him to persecute them.

Bharhut

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Village located in the Satna district of Madhya Pradesh, central India.

The gateways (left) were made by northern (probably Gandharan) masons using Kharosthi marks, while the railings (right) were made by masons using marks in the local Brahmi script.

the Kharosthi letters were found on the balustrades

Bharhut pillar capital with rosette, beads-and-reels and flame palmette designs.

Buddha sculpture at Bharhut 11-12th cent

Worship of the Bodhi tree, with Yakshini.

Māyā's dream, Gandhara, 2–3rd century CE.

Maya's Dream, Gandhara, 2nd-3rd century CE.

Yambumane-Avayesi Jataka or Andha-Bhuta Jataka.

The Yaksha relief at Bharhut being worshipped as Hanuman by local villagers

The ruined Bharhut Stupa; seen behind it is the Lal Pahadi (Red Mountain)

Though more provincial in quality than the sculpture at Sanchi, Amaravati Stupa and some other sites, a large amount of sculpture has survived, generally in good condition.

Some recent reevaluations have tended to uncouple Bharhut from the Shunga period, and rather attribute the stupa to the 1st century CE, based on artistic similarities with better dated Mathura art and a questioning of the antiquity of the Bharhut inscriptions (particularly the Dhanabhuti inscriptions) suggested by traditional paleography.

The style represents the earliest phase of Indian art, and all characters are depicted wearing the Indian dhoti, except for one foreigner thought to be an Indo-Greek soldier, with Buddhist symbolism.

Greco-Buddhist art

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Artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism.

The Buddha and a naked Vajrapani in a frieze at Jamal Garhi, Gandhara.

Buddhist expansion in Asia: Mahayana Buddhism first entered the Chinese Empire (Han dynasty) through Silk Road during the Kushan Era. The overland and maritime "Silk Roads" were interlinked and complementary, forming what scholars have called the "great circle of Buddhism".

Silver coin depicting the Greco-Bactrian king Demetrius I (200–180 BC) wearing an elephant scalp, symbol of his conquest of India. Back: Herakles, holding a lion skin and a club resting over the arm. The text reads: ΒΑΣΙΛΕΩΣ ΔΗΜΗΤΡΙΟΥ – BASILÉŌS DĒMĒTRÍOU "of King Demetrius".

Wine-drinking and music (Detail from Chakhil-i-Ghoundi stupa, Hadda, 1st–2nd century AD).

At Bharhut, the gateways were made by northern (probably Gandharan) masons using Kharosthi marks, while the railings were made by masons exclusively using marks in the local Brahmi script, now in Indian Museum. 150-100 BC.

Statues on the architraves of the torana gateway, associated with Kharosthi marks. 100-75 BC.

the Kharosthi letters were found on the ballusters

The Titan Atlas, supporting a Buddhist monument, Hadda.

Seated Buddha in Hellenistic style, Tapa Shotor, 2nd century AD.

The Seated Buddha, dating from 300 to 500 AD, was found near Jamal Garhi, Pakistan, and is now on display at the Asian Art Museum in San Francisco.

The Buddha teaching. Kushan period. National Museum, Delhi. 2004

An Indo-Corinthian capital from the Butkara Stupa under which a coin of Azes II was found. Dated to 20 BC or earlier (Turin City Museum of Ancient Art).

The Bimaran casket, representing the Buddha, is dated to around 30–10 BC. British Museum.

Fresco describing Emperor Han Wudi (156–87 BC) worshipping two statues of the Buddha, Mogao Caves, Dunhuang, c. 8th century AD

Heracles depiction of Vajrapani as the protector of the Buddha, 2nd century AD, Gandhara, British Museum.

The Bodhisattva Maitreya, 2nd century AD, Gandhara.

The Buddhist gods Pancika (left) and Hariti (right), 3rd century, Takht-i Bahi, Gandhara, British Museum.

Winged Cupids holding a wreath over the Buddha (left:detail), Hadda, 3rd century. Musée Guimet.

Gandhara frieze with devotees, holding plantain leaves, in purely Hellenistic style, inside Corinthian columns, 1st-2nd century AD. Buner, Swat, Pakistan. Victoria and Albert Museum.

An Ichthyo-Centaur, 2nd century Gandhara, Victoria and Albert Museum.

An early Mahayana Buddhist triad. From left to right, a Kushan devotee, the Bodhisattva Maitreya, the Buddha, the Bodhisattva Avalokitesvara, and a Buddhist monk. 2nd-3rd century AD, Gandhara.

A Buddhist coin of Kanishka I, with "Boddo" (=Buddha) in Greek script.

Balustrade-holding Yaksa with Corinthian columns, Madhya Pradesh (?), Shunga period (2nd-1st century BC). Musee Guimet.

Indian relief of probable Indo-Greek king, with Buddhist triratana symbol on his sword. Bharhut, 2nd century BC. Indian Museum, Calcutta.

The Bodhisattva Maitreya, 2nd century, Mathura, 2nd-century AD.

Greek scroll supported by Indian Yaksas, Amaravati, 3rd century AD

A terracotta head of Buddha Shakyamuni, inspired by Greco-Buddhist art, Devnimori, Gujarat (375-400 AD).

The Buddha in long, heavy robe, a design derived from the art of Gandhara, Ajanta Caves, 5th century AD.

Buddha of the Gupta period, 5th century, Mathura.

Head of a Buddha, Gupta period, 6th century.

Head of a Bodhisattva, 6th-7th century terracotta, Tumshuq (Xinjiang).

"Heroic gesture of the Bodhisattva", 6th-7th century terracotta, Tumshuq (Xinjiang).

A Buddha in Kamakura (1252), reminiscent of Greco-Buddhist influences.

Vine and grape scrolls from Nara, 7th century.

Bodhisattva Lokesvara, Cambodia 12th century.

Avalokiteshvara on the wall of Plaosan temple (Indonesia), Javanese Sailendran art, 9th century.

Nereid goddess riding a Ketos sea-monster, 2nd century BC, Sirkap.

Mythological scene with Athena and Herakles.

Poseidon with attendants. Ancient Orient Museum.

Man with cup in hand, riding a Ketos sea-monster.

Fragment of the wind god Boreas, Hadda, Afghanistan.

The Buddha, flanked by Herakles/ Vajrapani and Tyche/ Hariti.

Gandhara Poseidon (Ancient Orient Museum)

Head of a bodhisattva, Gandhara ca. 4th century

Maitreya, with Kushan devotee couple. 2nd century Gandhara.

Maitreya, with Kushan devotees, left and right. 2nd century Gandhara.

Maitreya, with Indian (left) and Kushan (right) devotees.

Kushans worshipping the Buddha's bowl. 2nd century Gandhara.

Kushan devotee couple, around the Buddha, Brahma and Indra.

The "Kanishka casket," with the Buddha surrounded by Brahma and Indra, and Kanishka on the lower part, AD 127.

Buddha triad and kneeling Kushan devotee couple. 3rd century.

Seated Buddha with halo and mandorla 5th-6th century Gandhara.

The Buddha with a radiate mandorla, Gandhara, 6th century

Last stages of Greco-Buddhist art. 7th century, Ghorband District, Afghanistan.

Buddhism became the prominent religion in the Indo-Greek Kingdoms.

After the overthrow of the Maurya Empire by the Shunga Empire, which did not extend to the north-western corners of the Mauryan territories, many of the Greek satrapies continued to practice Buddhism and developed the Greco-Buddhist art.

This is evident in the art found throughout the Maurya Empire such as capitals including the Pillars of Ashoka, and stupas such as the Sanchi and Bharhut stupas, which were constructed and first decorated during the Maurya Era.

Yona

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The word Yona in Pali and the Prakrits, and the analogue "Yavana" in Sanskrit, are words used in Ancient India to designate Greek speakers.

The Achaemenid name for Ionian Greeks: Yauna (Old Persian cuneiform: 𐎹𐎢𐎴) in the DNa inscription of Darius the Great, circa 490 BC.

Territories "conquered by the Dharma" according to Major Rock Edict No.13 of Ashoka (260–218 BCE).

The Khalsi rock edict of Ashoka, which mentions the Greek kings Antiochus, Ptolemy, Antigonus, Magas and Alexander by name (underlined in color). Here the Greek rulers are described as "Yona" (Brahmi: Brahmi yo 2nd century CE.jpgBrahmi n.svg, third and fourth letters after the first occurrence of Antigonus in red).

Dedication by a man of Greek descent on a wall of Cave 17 in the Nasik Caves (photograph and rubbing). Detail of the "Yo-ṇa-ka-sa" word (adjectival form of "Yoṇaka", Brahmi: Brahmi yo 2nd century CE.jpgBrahmi nn.svgBrahmi letter Ka.svgBrahmi s.svg), with Nasik/Karla-period Brahmi script for reference. Circa 120 CE.

Foreigners on the Northern Gateway of Stupa I.

Left pillar No.9 of the Great Chatya at Karla Caves. This pillar was donated by a Yavana circa 120 CE, like five other pillars. The inscription of this pillar reads: "Dhenukakata Yavanasa/ Yasavadhanana[m]/ thabo dana[m]" i.e. "(This) pillar (is) the gift of the Yavana Yasavadhana from Denukakata". Below: detail of the word "Ya-va-na-sa" (adjectival form of "Yavana", old Brahmi script Brahmi y 2nd century CE.jpgBrahmi v 2nd century CE.gifBrahmi n.svgBrahmi s.svg).

Vedika pillar with possible Greek warrior (headband of a king, tunic etc...) from Bharhut. Bharhut, Madhya Pradesh, Shunga Period, c.100-80BC. Reddish brown sandstone. Indian Museum, Calcutta.

The façade of the Chaitya Hall at Manmodi Caves was donated by a Yavana, according to the inscription on the central flat surface of the lotus. Detail of the "Ya-va-na-sa" circular inscription in old Brahmi script: Brahmi y 2nd century CE.jpgBrahmi v 2nd century CE.gifBrahmi n.svgBrahmi s.svg, circa 120 CE.

In general, the words "Yoṇa" or "Yoṇaka" were the current Greek Hellenistic forms, while the term "Yavana" was the Indian word to designate the Greeks or the Indo-Greeks.

This reference apparently alludes to chaotic political scenario following the collapse of the Maurya and Shunga Empires in northern India and its subsequent occupation by foreign hordes such as of the Yonas, Kambojas, Sakas and Pahlavas.

Some of the friezes of Sanchi also show devotees in Greek attire.