A report on Indo-Greek Kingdom and Sanchi

Pataliputra Palace capital, showing Greek and Persian influence, early Mauryan Empire period, 3rd century BC.
Kandahar Bilingual Rock Inscription (Greek and Aramaic) by king Ashoka, from Kandahar, Afghanistan.
Plan of the monuments of the hill of Sanchi, numbered 1 to 50.
According to the Mahavamsa, the Great Stupa in Anuradhapura, Sri Lanka, was dedicated by a 30,000-strong "Yona" (Greek) delegation from "Alexandria" around 130 BC.
The Ashoka pillar at Sanchi.
Greco-Bactrian statue of an old man or philosopher, Ai Khanoum, Bactria, 2nd century BC
The capital of the Sanchi pillar of Ashoka, as discovered (left), and simulation of original appearance (right). It is very similar to the Lion Capital of Ashoka at Sarnath, except for the abacus, here adorned with flame palmettes and facing geese, 250 BCE. Sanchi Archaeological Museum.
Corinthian capital, found at Ai-Khanoum, 2nd century BC
by later illustrations among the Sanchi reliefs
Coin depicting the Greco-Bactrian king Euthydemus 230–200 BC. The Greek inscription reads: ΒΑΣΙΛΕΩΣ ΕΥΘΥΔΗΜΟΥ – "(of) King Euthydemus".
The Great Stupa under the Sungas. The Sungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it.
Possible statuette of a Greek soldier, wearing a version of the Greek Phrygian helmet, from a 3rd-century BC burial site north of the Tian Shan, Xinjiang Region Museum, Urumqi.
Foreigner on a horse, circa 115 BCE, Stupa No2.
Greco-Bactria and the city of Ai-Khanoum were located at the very doorstep of Mauryan India.
Sunga period railings were initially blank (left: Great Stupa), and only started to be decorated circa 115 BCE with Stupa No.2 (right).
The Khalsi rock edict of Ashoka, which mentions the Greek kings Antiochus, Ptolemy, Antigonus, Magas and Alexander by name, as recipients of his teachings.
Sunga pillar No25 with own capital on the side.
Shunga horseman, Bharhut.
Siri-Satakani inscription
Apollodotus I (180–160 BC) the first king who ruled in the subcontinent only, and therefore the founder of the proper Indo-Greek kingdom.
Cave No.19
Silver coin depicting Demetrius I of Bactria (reigned c. 200–180 BC), wearing an elephant scalp, symbol of his conquests of areas in what is now Afghanistan and Pakistan.
The Worship of the Bodhisattva's hair
The coinage of Agathocles (circa 180 BC) incorporated the Brahmi script and several deities from India, which have been variously interpreted as Vishnu, Shiva, Vasudeva, Balarama or the Buddha.
Vedisakehi damtakārehi rupakammam katam
Kharoshthi legend on the reverse of a coin of Indo-Greek king Artemidoros Aniketos.
The Great Stupa at the time of the Satavahanas.
Menander I (155–130 BC) is one of the few Indo-Greek kings mentioned in both Graeco-Roman and Indian sources.
Temptation of the Buddha, with the Buddha on the left (symbolized by his throne only) surrounded by rejoicing devotees, Mara and his daughters (center), and the demons of Mara fleeing (right).
The Shinkot casket containing Buddhist relics was dedicated "in the reign of the Great King Menander".
War over the Buddha's Relics, kept by the city of Kushinagar, South Gate, Stupa no.1, Sanchi.
Indian-standard coinage of Menander I. Obv ΒΑΣΙΛΕΩΣ ΣΩΤΗΡΟΣ ΜΕΝΑΝΔΡΟΥ "Of Saviour King Menander". Rev Palm of victory, Kharoshthi legend Māhārajasa trātadasa Menandrāsa, British Museum.
King Ashoka visits Ramagrama, to take relics of the Buddha from the Nagas, but he failed, the Nagas being too powerful. Southern gateway, Stupa 1, Southern Gateway, Sanchi.
King Hippostratos riding a horse, circa 100 BC (coin detail).
Ashoka in grief, supported by his two queens, in a relief at Sanchi. Stupa 1, Southern gateway. The identification with Ashoka is confirm by a similar relief from Kanaganahalli inscribed "Raya Asoko".
The Yavanarajya inscription discovered in Mathura, mentions its carving on "The last day of year 116 of Yavana hegemony" (Yavanarajya), or 116th year if the Yavana era, suggesting the Greeks ruled over Mathura as late as 60 BC. Mathura Museum.
Bodhi tree temple depicted in Sanchi, Stupa 1, Southern gateway.
The Mathura Herakles. A statue of Herakles strangling the Nemean lion from Mathura. Today in the Kolkota Indian Museum.
Temple for the Bodhi Tree (Eastern Gateway).
Possible statue of a Yavana/ Indo-Greek warrior with boots and chiton, from the Rani Gumpha or "Cave of the Queen" in the Udayagiri Caves on the east coast of India, where the Hathigumpha inscription was also found. 2nd or 1st century BC.
foreigners illustrated at Sanchi worshiping the Great Stupa
Heliocles (145–130 BC) was the last Greek king in Bactria.
Foreigners worshiping Stupa
Coin of Antialcidas (105–95 BC).
Greek travelling costume
Coin of Philoxenos (100–95 BC).
Another one
Coin of Zoilos I (130–120 BC) showing on the reverse the Heraklean club with the Scythian bow, inside a victory wreath.
Miracle at Kapilavastu
The Heliodorus pillar, commissioned by Indo-Greek ambassador Heliodorus, is the first known inscription related to Vaishnavism in India. Heliodurus was one of the earliest recorded Indo-Greek converts to Hinduism.
Miracle of the Buddha walking on the river Nairanjana
Heliodorus travelled from Taxila to Vidisha as an ambassador of king Antialkidas, and erected the Heliodorus pillar.
Procession of king Suddhodana from Kapilavastu
The Bharhut Yavana, a possible Indian depiction of Menander, with the flowing head band of a Greek king, northern tunic with Hellenistic pleats, and Buddhist triratana symbol on his sword. Bharhut, 100 BC. Indian Museum, Calcutta.
"The promenade of the Buddha", or Chankrama, used to depict the Buddha in motion in Buddhist aniconism.
At Bharhut, the gateways were made by northwestern (probably Gandharan) masons using Kharosthi marks 100-75 BC.
Bimbisara with his royal cortege issuing from the city of Rajagriha to visit the Buddha
the Kharosthi letters were found on the balusters
Foreigners making a dedication at the Southern Gateway of Stupa No 1
Foreigners on the Northern Gateway of Stupa I at Sanchi.
Stupas and monasteries at Sanchi in the early centuries of the current era. Reconstruction, 1900
Foreigners worshiping Stupa
Sanchi inscription of Chandragupta II.
Greek travelling costume
Temple 17: a Gupta period tetrastyle prostyle temple of Classical appearance. 5th century CE
Hermaeus (90–70 BC) was the last Indo-Greek king in the Western territories (Paropamisadae).
Statue of Padmapani (5th c.or 9th c.) Victoria and Albert Museum.
Hermaeus posthumous issue struck by Indo-Scythians near Kabul, circa 80–75 BC.
Pillar 26: one of the two four-lions stambha capitals at Sanchi, with lions, central flame palmette and Wheel of Law (axis, stubs of the spokes and part of the circumference only), initially located at the Northern Gateway of the Great Stupa. Sanchi Archaeological Museum.
Tetradrachm of Hippostratos, reigned circa 65–55 BC, was the last Indo-Greek king in Western Punjab.
Pillar 26: lion pillar capital at time of discovery, with Dharmachakra wheel (reconstitution). Northern Gateway.
Hippostratos was replaced by the Indo-Scythian king Azes I (r. c. 35–12 BC).
this image
Approximate region of East Punjab and Strato II's capital Sagala.
Pillar 35 column stump (right), and bell capital with abacus, positioned upside down.
The last known Indo-Greek kings Strato II and Strato III, here on a joint coin (25 BC-10 AD), were the last Indo-Greek king in eartern territories of Eastern Punjab.
Vajrapani statue of pillar 35, 5th c. CE. Sanchi Archaeological Museum.
Pillar of the Great Chaitya at Karla Caves, mentioning its donation by a Yavana. Below: detail of the word "Ya-va-na-sa" in old Brahmi script: Brahmi y 2nd century CE.jpgBrahmi v 2nd century CE.gifBrahmi n.svgBrahmi s.svg, circa AD 120.
Temple 18 at Sanchi, an apsidal hall with Maurya foundations, rebuilt at the time of Harsha (7th century CE).
The Buddhist symbols of the triratna and of the swastika (reversed) around the word "Ya-va-ṇa-sa" in Brahmi (Brahmi y 2nd century CE.jpg Brahmi v 2nd century CE.gif Brahmi nn.svg Brahmi s.svg). Shivneri Caves 1st century AD.
Temple 45
Statue with inscription mentioning "year 318", probably of the Yavana era, i.e. AD 143.
The Great Stupa as breached by Sir Herbert Maddock in 1822. Watercolor by Frederick Charles Maisey, in 1851.
Piedestal of the Hashtnagar Buddha statue, with Year 384 inscription, probably of the Yavana era, i.e. AD 209.
Ruins of the Southern Gateway, Sanchi in 1875.
Evolution of Zeus Nikephoros ("Zeus holding Nike") on Indo-Greek coinage: from the Classical motif of Nike handing the wreath of victory to Zeus himself (left, coin of Heliocles I 145–130 BC), then to a baby elephant (middle, coin of Antialcidas 115–95 BC), and then to the Wheel of the Law, symbol of Buddhism (right, coin of Menander II 90–85 BC).
A Gate to the Stupa of Sanchi 1932
Indo-Corinthian capital representing a man wearing a Graeco-Roman-style coat with fibula, and making a blessing gesture. Butkara Stupa, National Museum of Oriental Art, Rome.
Chetiyagiri Vihara
Evolution of the Butkara stupa, a large part of which occurred during the Indo-Greek period, through the addition of Hellenistic architectural elements.
Inscribed panel from Sanchi in Brahmi script in the British Museum
Coin of Menander II (90–85 BC). "King Menander, follower of the Dharma" in Kharoshthi script, with Zeus holding Nike, who holds a victory wreath over an Eight-spoked wheel.
The last two letters to the right of this inscription in Brahmi form the word "dǎnam" (donation). This hypothesis permitted the decipherment of the Brahmi script by James Prinsep in 1837.
Greek Buddhist devotees, holding plantain leaves, in purely Hellenistic style, inside Corinthian columns, Buner relief, Victoria and Albert Museum.
General view of the Stupas at Sanchi by F.C. Maisey, 1851 (The Great Stupa on top of the hill, and Stupa 2 at the forefront)
Hellenistic culture in the Indian subcontinent: Greek clothes, amphoras, wine and music (Detail of Chakhil-i-Ghoundi stupa, Hadda, Gandhara, 1st century AD).
The Great Stupa (Stupa No.1), started in the 3rd century BCE
Intaglio gems engraved in the northwest of India (2nd century BCE-2nd century CE).
Stupa No.2
Seated Buddha, Gandhara, 2nd century (Ostasiatisches Museum, Berlin)
Stupa No.3
Stone palette depicting a mythological scene, 2nd–1st century BC.
Buddhist Temple, No.17
Cupro-nickel coins of king Pantaleon point to a Chinese origin of the metal.
Remains of the Ashokan Pillar in polished stone (right of the Southern Gateway), with its Edict.
Athena in the art of Gandhara, displayed at the Lahore Museum, Pakistan
Sanchi Minor Pillar Edict of Ashoka, in-situ (detail of the previous image).
Strato I in combat gear, making a blessing gesture, circa 100 BC.
Remains of the shaft of the pillar of Ashoka, under a shed near the Southern Gateway.
The Indo-Scythian Taxila copper plate uses the Macedonian month of "Panemos" for calendrical purposes (British Museum).
Side view of the capital. Sanchi Archaeological Museum.<ref name="p.25-28 Ashoka pillar"/>
Hellenistic couple from Taxila (Guimet Museum)
Shunga balustrade and staircase.
The story of the Trojan horse was depicted in the art of Gandhara. (British Museum).
Shunga stonework.
Foreigner on a horse. The medallions are dated circa 115 BC.
Shunga vedika (railing) with inscriptions.
Lakshmi with lotus and two child attendants, probably derived from [[:File:Venus with two cupids 2.jpg|similar images of Venus]]<ref>An Indian Statuette From Pompeii, Mirella Levi D'Ancona, in Artibus Asiae, Vol. 13, No. 3 (1950) p. 171</ref>
Deambulatory pathway.
Griffin.
Summit railing and umbrellas.
Female riding a Centaur.
Flame palmette.
Lotus within Hellenistic beads and reels motif.
Flame palmette and lotus.
Floral motif.
Peacock.
Exterior
Woman riding a Centaur.
Entrance pillars
Lotus.
Pillar capital
Half lotus.
Interior
Lion.
Standing Buddha
Elephant.
Philoxenus (c. 100 BC), unarmed, making a blessing gesture.
Elephant with branch.
Nicias making a blessing gesture.
Floral motif.
Various blessing gestures: divinities (top), kings (bottom).
Lakshmi with lotus and two child attendants, probably derived from [[:File:Venus with two cupids 2.jpg|similar images of Venus]]<ref>An Indian Statuette From Pompeii, Mirella Levi D'Ancona, in Artibus Asiae, Vol. 13, No. 3 (1950) p. 171</ref>
Griffin with Brahmi script inscription.
Female riding a Centaur.
Lotus within beads and reels motif.
Stairway and railing.
Lotus medallions.
Floral designs.
Post relief.<ref>Marshall p. 82</ref>
Relics of Sariputra and Mahamoggallana.
Detail of the foreigners, in Greek dress and playing carnyxes and aolus flute. Northern Gateway of Stupa I (detail).
Foreigners holding grapes and riding winged lions, Sanchi Stupa 1, Eastern Gateway.<ref>"The Diffusion of Classical Art in Antiquity, John Boardman, 1993, p. 112 Note 91</ref>
Foreigners riding horses.
Foreign heroe fighting a Makara
Foreigners on horses, wearing headbands, caps and boots. Western gate of Stupa 1.
Hero with headband wrestling a Makara.
Indians riding horses.
Indians riding bulls.
Indians riding bulls.
Queen Maya lustrated by Elephants.
The Buddha represented by the Dharmacakra.
Bodhi Tree.
Winged lion.
Winged lions.
The Buddha represented by the Dharmacakra.
Men and Women on Elephants.
Men and Women on Elephants.
Stupa representing a Buddha.
Lakshmi lustrated by Elephants.
Men on lions.
Men on lions.
2nd panel
3rd panel
Second panel
Bottom panel Dvarapala guardian deity or devotee.
Second panel
Possibly demons, or the attack of Mara.
Second panel
Bottom panel Dvarapala guardian deity or devotee.
2nd panel
3rd panel
A Seated Buddha statue (Gupta temple).
Buddha Statue (Great Stupa).
Seated Buddha (Great Stupa).
Pillar 34 with lion.<ref>Marshall p. 52 Pillar 34</ref>
The winged lion capital of pillar 34 (lost).
Great Stupa, Eastern Gateway, in 1875.
West Gateway in 1882.
South Gateway in 1882.
Great Stupa, Northern Gateway in 1861.
Temple 18 in 1861.
A vision of ancient Indian court life, using motifs from Sanchi (wood engraving, 1878).

Foreigners from Gandhara are otherwise known to have visited the region around the same time: in 115 BCE, the embassy of Heliodorus from Indo-Greek king Antialkidas to the court of the Sungas king Bhagabhadra in nearby Vidisha is recorded, in which Heliodorus established the Heliodorus pillar in a dedication to Vāsudeva.

- Sanchi

Again in Sanchi, but this time dating to the period of Satavahana rule circa 50–1 BC, one frieze can be observed which shows devotees in Greek attire making a dedication to the Great Stupa of Sanchi.

- Indo-Greek Kingdom
Pataliputra Palace capital, showing Greek and Persian influence, early Mauryan Empire period, 3rd century BC.

14 related topics with Alpha

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Bhagabhadra

Bhagabhadra

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One of the kings of the Indian Shunga dynasty.

One of the kings of the Indian Shunga dynasty.

Bhagabhadra
The Indo-Greek king Antialcidas was the one who sent an embassy to Bhagabhadra.
Some of the expansion work at the Great Stupa at Sanchi may have been sponsored by Bhagabhadra.

He is best known from an inscription at the site of Vidisha in central India, the Heliodorus pillar, in which contacts with an embassy from the Indo-Greek king Antialcidas is recorded, and where he is named "Kasiputra Bhagabhadra, the Saviour, son of the princess from Benares":

This is also corroborated by some artistic realization on the nearby Sanchi stupa thought to belong to the period of the Shungas.

The Bharhut stupa, depicted on one of the friezes. Freer Gallery of Art

Bharhut

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Village located in the Satna district of Madhya Pradesh, central India.

Village located in the Satna district of Madhya Pradesh, central India.

The Bharhut stupa, depicted on one of the friezes. Freer Gallery of Art
The gateways (left) were made by northern (probably Gandharan) masons using Kharosthi marks, while the railings (right) were made by masons using marks in the local Brahmi script.
the Kharosthi letters were found on the balustrades
Bharhut pillar capital with rosette, beads-and-reels and flame palmette designs.
Adoration of the Dharmachakra.
Buddha sculpture at Bharhut 11-12th cent
Worship of the Bodhi tree.
Worship of the Dharmachakra.
Worship of the Bodhi tree, with Yakshini.
A Royal Couple Visits the Buddha.
Maya's dream, Sanchi, 1st century BCE.
Māyā's dream, Gandhara, 2–3rd century CE.
Dream of Mayadevi, Mardan.
Maya's Dream, Gandhara, 2nd-3rd century CE.
Asadrisa Jataka.
Bull and Tiger Jataka.
Dasaratha Jataka.
Chhandantiya Jataka.
Isi-Singe Jataka.
Latuwa Jataka.
Naga Jataka.
Yavamajhakiya Jataka.
Yambumane-Avayesi Jataka or Andha-Bhuta Jataka.
Kinara Jataka.
Hansa Jataka.
Monkey Jataka.
Monkey Jataka.
Devotee
Female bust
Female Figure holding a Lotus
Female Figure holding a Torch
Male and Female Figures
Male Figure
Male Figure on top of Column
Male Figure
Male Figure holding a Lotus
Male Figure holding a Flower
Male Figure
East Gateway
Railing post.
Post with reliefs.
Donators.
Devotees.
Yakshini.
Restoration plans.
Bharhut excavation
The Yaksha relief at Bharhut being worshipped as Hanuman by local villagers
The ruined Bharhut Stupa; seen behind it is the Lal Pahadi (Red Mountain)
Inscriptions
Inscriptions
Inscriptions
Inscriptions
Railing section at Indian Museum.

Though more provincial in quality than the sculpture at Sanchi, Amaravati Stupa and some other sites, a large amount of sculpture has survived, generally in good condition.

The style represents the earliest phase of Indian art, and all characters are depicted wearing the Indian dhoti, except for one foreigner thought to be an Indo-Greek soldier, with Buddhist symbolism.

Pushyamitra Shunga

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The founder and first ruler of the Shunga Empire which he established against the Maurya Empire.

The founder and first ruler of the Shunga Empire which he established against the Maurya Empire.

A silver coin of 1 karshapana of King Pushyamitra Sunga (185-149 BC) of the Sunga dynasty (185-73 BC), workshop of Vidisha (?). Obv: 5 symbols including a sun Rev: 2 symbols.

He also theorized that the Sanchi stupa was vandalized in 2nd century BCE (that is, during Pushyamitra's reign), before being rebuilt on a larger scale.

H. Bhattacharya theorized that Pushyamitra might have persecuted Buddhists for political, rather than religious, reasons: the politically active Buddhists probably supported the Indo-Greek rivals of Pushyamitra, which might have prompted him to persecute them.

Bharhut Yavana

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High relief of a warrior which was discovered among the reliefs of the railings around the Bharhut Stupa.

High relief of a warrior which was discovered among the reliefs of the railings around the Bharhut Stupa.

The Bharhut Yavana with details.
Portrait of Indo-Greek king Menander.
Foreigners holding grapes and riding winged lions, Sanchi Stupa 1, Eastern Gateway.<ref name="Antiquity, John Boardman 1993, p.112"/>
Foreigners worshiping Stupa
Greek travelling costume
Foreigner on a horse, circa 115 BCE, Stupa No2.<ref name="AG">An Encyclopaedia of Indian Archaeology, by Amalananda Ghosh, BRILL p.295</ref><ref name="Shaw 90">Buddhist Landscapes in Central India: Sanchi Hill and Archaeologies of Religious and Social Change, C. Third Century BC to Fifth Century AD, Julia Shaw, Left Coast Press, 2013 p.90</ref>
Foreign devotees and musicians on the Northern Gateway of Stupa I, circa 100 BCE.
Detail of the foreigners, in Greek dress and playing carnyxes and aolus flute.
Foreign horseriders, Southern Gateway of Stupa 3.
Foreigner with headband fighting a Makara. Torana of Stupa 3 in Sanchi.
Hero with headband wrestling a Makara.

The man in the relief has been described as a Greek, called "Yavanas" among the Indians.

This type of head with the band of a Greek king is also seen on reliefs at Sanchi, in which man in northern dress are seen.