A report on Jainism and Karma in Jainism

The hand symbolizes Ahiṃsā, the wheel dharmachakra, the resolve to halt saṃsāra (transmigration).
Broad classification of Karmas as per Jain philosophy
Classification of Saṃsāri Jīvas (transmigrating souls) in Jainism
The soul travels to any one of the four states of existence after the death depending on its karmas
Lord Neminatha, Akota Bronzes (7th century)
The common representation of the mango tree and men analogy of the lesyas.
Jain miniature painting of 24 tirthankaras, Jaipur, c. 1850
Representation of a soul undergoing reincarnation.
Jain temple painting explaining Anekantavada with Blind men and an elephant
Karma as moral action and reaction: goodness sown is reaped as goodness.
A Jain monk in meditation, wearing the characteristic white robe and face covering
Nishidhi stone, depicting the vow of sallekhana, 14th century, Karnataka
Praying at the feet of a statue of Bahubali
Jain worship may include ritual offerings and recitals.
Celebrating Das Lakshana (Paryushana), Jain Center of America, New York City
The birth of Mahavira, from the Kalpa Sūtra (c.1375–1400 CE)
Shikharji
Idol of Suparśvanātha
A symbol to represent the Jain community was chosen in 1975 as part of the commemoration of the 2,500th anniversary of Mahavira’s nirvana.
Rishabhdev, believed to have lived over 592.704×1018 years ago, is considered the traditional founder of Jainism.
The ruins of Gori Jain temples in Nagarparkar, Pakistan, a pilgrimage site before 1947.
Ranakpur Jain Temple
Dilwara Temples
Parshvanath Temple in Khajuraho
Girnar Jain temples
Jal Mandir, Pawapuri
Lodhurva Jain temple
Palitana temples
Saavira Kambada Basadi, Moodbidri, Karnataka
Jain temple, Antwerp, Belgium
Brahma Jinalaya, Lakkundi
Hutheesing Jain Temple

Karma is the basic principle within an overarching psycho-cosmology in Jainism.

- Karma in Jainism

Jains believe that causing injury to any being in any form creates bad karma which affects one's rebirth, future well-being and causes suffering.

- Jainism
The hand symbolizes Ahiṃsā, the wheel dharmachakra, the resolve to halt saṃsāra (transmigration).

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Tattvartha sutra

Tattvartha Sutra

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Ancient Jain text written by Acharya Umaswami in Sanskrit, sometime between the 2nd- and 5th-century CE.

Ancient Jain text written by Acharya Umaswami in Sanskrit, sometime between the 2nd- and 5th-century CE.

Tattvartha sutra
Chart showing Samyak Darsana as per Tattvarthasutra

The Tattvārthasūtra is regarded as one of the earliest, most authoritative texts in Jainism.

The next three chapters deal with the karmas and their manifestations and the influx, asrava, good and bad karma, shubha-ashubha karma and the bondage of the karmas.

Relief representing ahimsa

Ahimsa in Jainism

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Relief representing ahimsa
Painting in a Jain temple with the statement "ahinsā paramo dharma" (non-injury is the highest virtue/religion)
Violence (Himsa) gouache on paper, 17th century, Gujarat depicts animals of prey with their victims. The princely couple symbolises love, which is another occasion of violence.
Sculpture depicting the statement "ahimsā paramo dharma" (Photo:Ahinsa Sthal, Delhi)

Ahimsā (', alternatively spelled 'ahinsā', Sanskrit: अहिंसा IAST: ', Pāli: ) in Jainism is a fundamental principle forming the cornerstone of its ethics and doctrine.

The knowledge is also considered necessary to destroy Karmas.

Image of Umaswami / Umaswati

Umaswati

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Image of Umaswami / Umaswati
Chart showing Samyak Darsana as per Tattvarthasutra

Umaswati, also spelled as Umasvati and known as Umaswami, was an Indian scholar, possibly between 2nd-century and 5th-century CE, known for his foundational writings on Jainism.

The theory mooted by Umaswati is that rebirth and suffering is on account of one's karma (deeds) and a life lived in accordance to vows of virtuous living with austerities cleanses this karma, ultimately leading to liberation.

Statue of Mahavira meditating in the lotus position at Shri Mahavirji, Rajasthan, India.

Mahavira

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Statue of Mahavira meditating in the lotus position at Shri Mahavirji, Rajasthan, India.
Mahavira in Padmasana meditation posture
Ancient kingdoms and cities of India at the time of Mahavira
Mahavira in Padmasana meditation posture
The birth of Mahavira, from the Kalpa Sūtra (c.1375–1400 CE)
Lord Mahavira's Jal Mandir (water temple) in Pawapuri, Bihar, India
The "Charan Paduka" or foot impression of Mahavira at Jal Mandir
Folio from the Kalpa Sūtra, 15th century
The swastika and five vows
Mahavira worship in a manuscript c.1825
Mahavira iconography is distinguished by a lion stamped (or carved) beneath his feet; a Shrivatsa is on his chest.
Mahavira temple, Tirumalai
alt=See caption|Rock-cut sculpture of Mahavira in Samanar Hills, Madurai, Tamil Nadu
Rock-cut sculpture of Mahavira in Kalugumalai Jain Beds, 8th century
alt=See caption|Tallest known image of the seated Mahavira, Patnaganj
alt=See caption|Four-sided sculpture of Mahavira in Kankali Tila, Mathura
alt=Two nude statues|Tirthankaras Rishabhanatha (left) and Mahavira, 11th century (British Museum)
alt=Mahavira, seated|Temple relief of Mahavira, 14th century (Seattle Asian Art Museum)
alt=See caption|Relief of Mahavira in Thirakoil, Tamil Nadu
16-foot, 2-inch stone statue of Mahavira in Ahinsa Sthal, Mehrauli, New Delhi{{sfn|Titze|1998|p=266}}|alt=Large outdoor statue of Mahavira, with a seated worshipper for scale
alt=See caption|Mahavira statue in Cave 32 of the Ellora Caves
Mahavira inside Ambapuram cave temple, 7th century
alt=Dharmachakra temple|Dharmachakra temple in Gajpanth
alt=Shri Mahavirji|Shri Mahavirji
Jain Center of Greater Phoenix
Jain temple, Potters Bar
Mahavir Swami at Manilaxmi Tirth, Gujarat

Mahavira (Sanskrit: महावीर) also known as Vardhamana, was the 24th Tirthankara (supreme preacher) of Jainism.

He taught that ahimsa covers all living beings, and injuring any being in any form creates bad karma (which affects one's rebirth, future well-being, and suffering).

Chart showing the classification of dravya and astikaya

Jain cosmology

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Chart showing the classification of dravya and astikaya
Structure of Universe according to the Jain scriptures.
Fourteen Rajlok or Triloka. Shape of Universe as per Jain cosmology in form of a cosmic man. Miniature from 17th century, Saṁgrahaṇīratna by Śrīcandra, in Prakrit with a Gujarati commentary. Jain Śvetāmbara cosmological text with commentary and illustrations.
Depiction of Mount Meru at Jambudweep, Hastinapur
Work of Art showing maps and diagrams as per Jain Cosmography from 17th century CE Manuscript of 12th century Jain text Sankhitta Sangheyan
17th century cloth painting depicting seven levels of Jain hell and various tortures suffered in them. Left panel depicts the demi-god and his animal vehicle presiding over the each hell.
Division of time as envisaged by Jains
'Trilok Teerth Dham' modelled after the three lok

Jain cosmology is the description of the shape and functioning of the Universe (loka) and its constituents (such as living beings, matter, space, time etc.) according to Jainism.

No divine or supernatural beings are credited or responsible with these spontaneous temporal changes, either in a creative or overseeing role, rather human beings and creatures are born under the impulse of their own karmas.