Callas in 1958
Sutherland in 1975
Metropolitan Opera and Lincoln Center
The apartment house in Athens where Callas lived from 1937 to 1945
Sutherland in 1962
Giulio Gatti-Casazza
The Villa in Sirmione where Callas lived with Giovanni Battista Meneghini between 1950 and 1959
Joan Sutherland in 1990
Gatti-Casazza's last week at the Met (March 22–29, 1935)
Callas's range in performance (highest and lowest notes both shown in red): from F-sharp below the Middle C (green) to E-natural above the High C (blue)
Artur Bodanzky at the Metropolitan Opera in 1915
Callas acknowledges applause in 1959 at the Royal Concertgebouw in Amsterdam
Otto Hermann Kahn in Berlin, 1931
Callas's rival, Renata Tebaldi, 1961
Metropolitan Opera House in 1905
Tito Gobbi, 1970
The new Met Opera House
Callas during her final tour in Amsterdam in 1973
Staircase
Aristotle Onassis, who had an affair with Callas before he married Jackie Kennedy
The last residence of Maria Callas, in Paris
Portrait of Callas (2004), by Oleg Karuvits
Maria Callas with her husband Giovanni Battista Meneghini in 1957
Callas getting ready with the help of Luchino Visconti in Milan, 1957
Maria Callas as Giulia in the Opera "La Vestale", by Gaspare Spontini, 1954
Churchill with Maria Callas on Onassis' yacht in the late 50s

She was engaged by the Royal Opera House, Covent Garden, as a utility soprano, and made her debut there on 28 October 1952, as the First Lady in The Magic Flute, followed in November by a few performances as Clotilde in Vincenzo Bellini's opera Norma, with Maria Callas as Norma.

- Joan Sutherland

Sutherland sang Lucia to great acclaim in Paris in 1960 and, in 1961, at La Scala and the Metropolitan Opera.

- Joan Sutherland

In December of that year, she auditioned for Edward Johnson, general manager of the Metropolitan Opera, and was favorably received: "Exceptional voice—ought to be heard very soon on stage".

- Maria Callas

Other celebrated singers who debuted at the Met during Bing's tenure include: Roberta Peters, Victoria de los Ángeles, Renata Tebaldi, Maria Callas, who had a bitter falling out with Bing over repertoire,, Birgit Nilsson, Joan Sutherland, Régine Crespin, Mirella Freni, Renata Scotto, Montserrat Caballé, Elisabeth Schwarzkopf, Anna Moffo, James McCracken, Carlo Bergonzi, Franco Corelli, Alfredo Kraus, Plácido Domingo, Nicolai Gedda, Luciano Pavarotti, Jon Vickers, Tito Gobbi, Sherrill Milnes, and Cesare Siepi.

- Metropolitan Opera

In 1952, she made her London debut at the Royal Opera House in Norma with veteran mezzo-soprano Ebe Stignani as Adalgisa, a performance which survives on record and also features the young Joan Sutherland in the small role of Clotilde.

- Maria Callas
Callas in 1958

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Tullio Serafin

Tullio Serafin

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Italian conductor and former Musical Director at La Scala.

Italian conductor and former Musical Director at La Scala.

Tullio Serafin
Tullio Serafin plaque (Rottanova, Cavarzere)

He had an unparalleled reputation as a coach of young opera singers and famously harnessed and developed both Renata Tebaldi's and Maria Callas's considerable talents.

He joined the conducting staff of the Metropolitan Opera in 1924, and remained for a decade, after which he became the artistic director of the Teatro Reale in Rome.

During his long career he helped further the careers of many important singers, including Rosa Ponselle, Magda Olivero, Joan Sutherland, Renata Tebaldi, and most notably Maria Callas, with whom he collaborated on many recordings.

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Franco Corelli

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Italian tenor who had a major international opera career between 1951 and 1976.

Italian tenor who had a major international opera career between 1951 and 1976.

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He had a long and fruitful partnership with the Metropolitan Opera in New York City between 1961 and 1975.

Later that season he sang Pollione in Bellini's Norma opposite Maria Callas in the title role.

He returned to La Scala in 1962, for a revival of Meyerbeer's Les Huguenots, opposite Joan Sutherland, and that same year appeared as Manrico in a lauded production of Il trovatore at the Salzburg Festival under Herbert von Karajan and opposite Leontyne Price, Giulietta Simionato, and Ettore Bastianini.

The Hall of Arms (act 1, scene 3) in the original 1835 production

I puritani

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1835 opera by Vincenzo Bellini.

1835 opera by Vincenzo Bellini.

The Hall of Arms (act 1, scene 3) in the original 1835 production
Vincenzo Bellini
Cristina Trivulzio Belgiojoso 1832, by Francesco Hayez (detail)
In 1829 the Théâtre-Italien was performing in the first Salle Favart
Librettist Carlo Pepoli
Disegno per copertina di libretto, drawing for I Puritani (undated).
Rubini as Arturo in I puritani, Paris 1835
Grisi and Lablache in I puritani, King's Theatre, London, 1835
Joan Sutherland and Luciano Pavarotti, 1976 performance at the Metropolitan Opera
Antonio Tamburini sang Riccardo – Lithography by Josef Kriehuber
An excerpt from "Credeasi, misera", act 3. The notes highlighted (above the high C) are among the highest demanded in tenor operatic repertoire and are usually sung falsetto or altogether transposed.

In that year the opera appeared at the Manhattan Opera House in New York, followed by stagings at the Metropolitan Opera in February 1917, but in New York it was not revived for many years.

Various performances are reported to have taken place in 1921, 1933, 1935, and 1949 in different European cities, but it was not until 1955 in Chicago that Puritani re-appeared in America with Maria Callas and Giuseppe Di Stefano in the major roles.

The 1960s saw a variety of performances in the years between 1960 (Glyndebourne Festival with Joan Sutherland which was recorded) and 1969 when Weinstock's account ends.

The soprano around 1950

Elisabeth Schwarzkopf

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German-born Austro-British soprano.

German-born Austro-British soprano.

The soprano around 1950
Schwarzkopf as Donna Elvira in Mozart's Don Giovanni
Schwarzkopf as the Marschallin in Richard Strauss' Der Rosenkavalier
Grave in Zumikon
Elisabeth Schwarzkopf (Amsterdam, 1961)

Schwarzkopf made her American concert debut with the Chicago Symphony Orchestra on October 28 and 29, 1954, in Strauss's Four Last Songs and the closing scene from Capriccio with Fritz Reiner conducting; her Carnegie Hall debut was a Lieder recital on 25 November 1956; her American opera debut was with the San Francisco Opera on 20 September 1955 as the Marschallin, and her debut at the Metropolitan Opera on 13 October 1964, also as the Marschallin.

Don Giovanni (Carlo Maria Giulini, Philharmonia Orchestra) (Warner Classics 1959) with Joan Sutherland as Donna Anna.

Turandot as Liù (Tullio Serafin, La Scala Orchestra; 1957 EMI Classics) Callas as Turandot