A report on Joan Sutherland, Norma (opera) and Tullio Serafin
Notable exponents of the title role in the post-war period have been Maria Callas, Leyla Gencer, Joan Sutherland, and Montserrat Caballé.
- Norma (opera)During his long career he helped further the careers of many important singers, including Rosa Ponselle, Magda Olivero, Joan Sutherland, Renata Tebaldi, and most notably Maria Callas, with whom he collaborated on many recordings.
- Tullio SerafinShe was engaged by the Royal Opera House, Covent Garden, as a utility soprano, and made her debut there on 28 October 1952, as the First Lady in The Magic Flute, followed in November by a few performances as Clotilde in Vincenzo Bellini's opera Norma, with Maria Callas as Norma.
- Joan SutherlandNorma (Callas, Stignani, Filippeschi, Rossi-Lemeni; 1954) EMI
- Tullio SerafinIn 1959, Sutherland was invited to sing Lucia di Lammermoor at the Royal Opera House in a production conducted by Tullio Serafin and staged by Franco Zeffirelli.
- Joan SutherlandCallas's first appearances in the role began at the Teatro Comunale di Firenze in November/December 1948 followed by the second at the Teatro Colón, Buenos Aires in June 1949, both of which were conducted by Tullio Serafin.
- Norma (opera)1 related topic with Alpha
Maria Callas
0 linksAmerican-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century.
American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century.
Basso Nicola Rossi-Lemeni, who also was to star in this opera, was aware that Tullio Serafin was looking for a dramatic soprano to cast as La Gioconda at the Arena di Verona.
The two had sung together for the first time the year previously in Rome in a production of Norma.
In 1952, she made her London debut at the Royal Opera House in Norma with veteran mezzo-soprano Ebe Stignani as Adalgisa, a performance which survives on record and also features the young Joan Sutherland in the small role of Clotilde.