Tenor Colin Lee, soprano Pretty Yende, Bonynge, mezzo-soprano Violina Anguelov and baritone George Stevens at a concert performance of Lucia di Lammermoor in Cape Town in April 2013
Sutherland in 1975
Scenes from the Paris premiere
Sutherland in 1962
The death of Antonia (act 2) in the original 1881 production. In front: Adèle Isaac; in back (left to right): Hippolyte Belhomme, Marguerite Ugalde, Pierre Grivot, Émile-Alexandre Taskin, Jean-Alexandre Talazac.
Joan Sutherland in 1990
Costume design for Hoffmann in act 1, 1903
Prologue (or epilogue), in the 1881 première
The Olympia act, as staged at the 1881 première
Antonia and Dr. Miracle, 1881
Giuletta act, 1881
The original E. T. A. Hoffmann (1776–1822)

He is the widower of Australian dramatic coloratura soprano Dame Joan Sutherland.

- Richard Bonynge

Sutherland married Australian conductor and pianist Richard Bonynge on 16 October 1954.

- Joan Sutherland

Bonynge then gradually added also middle Verdi (La traviata, Rigoletto, Il trovatore), Offenbach (Les Contes d'Hoffmann), then also Massenet (Esclarmonde and Werther ).

- Richard Bonynge

Note: In the original version, Hoffmann, furious at being betrayed, tries to stab Giulietta but - blinded by Dapertutto - mistakenly kills his dwarf Pittichinaccio; in Richard Bonynge's version, Giulietta is poisoned and dies, by accidentally drinking the philter Dapertutto prepares for Nicklausse.

- The Tales of Hoffmann

Offenbach intended the four soprano roles be played by the same singer, for Olympia, Giulietta, and Antonia are three facets of Stella, Hoffmann's unreachable love. Similarly, the four villains (Lindorf, Coppélius, Miracle, and Dapertutto) would be performed by the same bass-baritone, because they are all manifestations of evil. While the doubling of the four villains is quite common, most performances of the work use different singers for the loves of Hoffmann because different skills are needed for each role: Olympia requires a skilled-coloratura singer with stratospheric-high notes, Antonia is written for a lyrical voice, and Giulietta is usually performed by a dramatic soprano or a mezzo-soprano. Any performance with all three roles (four if the role of Stella is counted) performed by a single soprano in a performance is considered one of the largest challenges in the lyric coloratura repertoire. Notable sopranos performing all three roles include Karan Armstrong, Vina Bovy, Patrizia Ciofi, Edita Gruberová, Fanny Heldy, Catherine Malfitano, Anja Silja, Beverly Sills, Sonya Yoncheva, Luciana Serra, Ruth Ann Swenson, Carol Vaness, Faith Esham, Ninon Vallin and Virginia Zeani. All four roles were performed by Josephine Barstow, Sumi Jo, Mireille Delunsch, Diana Damrau, Julia Migenes, Elizabeth Futral, Marlis Petersen, Anna Moffo, Georgia Jarman, Elena Moșuc, Joan Sutherland, Melitta Muszely, Olga Peretyatko, Patricia Petibon, Pretty Yende, Jessica Pratt and Nicole Chevalier.

- The Tales of Hoffmann

Les contes d'Hoffmann—Joan Sutherland, Plácido Domingo, Gabriel Bacquier, L'Orchestre de la Suisse Romande, Orchestre du Radio de la Suisse Romande, Pro Arte de Lausanne, Andre Charlet, Richard Bonynge, studio recording made at Victoria Hall, Geneva, first published in 1976.

- Joan Sutherland
Tenor Colin Lee, soprano Pretty Yende, Bonynge, mezzo-soprano Violina Anguelov and baritone George Stevens at a concert performance of Lucia di Lammermoor in Cape Town in April 2013

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