A report on John Gielgud

Gielgud as Benedick in Much Ado About Nothing, 1959
Centre: Marion, Kate and Ellen Terry and, far right, Fred Terry at Ellen's Silver Jubilee matinée, Drury Lane, 12 June 1906. Everyone shown was a member of the Terry family.
Noël Coward with Lilian Braithwaite, his, and later Gielgud's, co-star in The Vortex
Mrs Patrick Campbell and Edith Evans, 1920s co-stars with Gielgud
The Old Vic (photographed in 2012), where Gielgud honed his skill as a Shakespearean
Mabel Terry-Lewis, Gielgud's aunt and co-star in The Importance of Being Earnest
Peggy Ashcroft in 1936
Gielgud in a publicity photograph for Secret Agent (1936)
Interior of the Queen's Theatre
Gielgud and Dolly Haas in Crime and Punishment, Broadway, 1947
Edmond O'Brien (Casca, left) and Gielgud (Cassius) in Julius Caesar (1953)
Gielgud, 1953
Much Ado About Nothing: Gielgud as Benedick and Margaret Leighton as Beatrice, 1959
Gielgud (left) as Joseph Surface, and Ralph Richardson as Sir Peter Teazle, The School for Scandal, 1962
Gielgud in 1973, by Allan Warren

English actor and theatre director whose career spanned eight decades.

- John Gielgud
Gielgud as Benedick in Much Ado About Nothing, 1959

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Olivier in 1972

Laurence Olivier

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Olivier in 1972
The house in Wathen Road, Dorking, Surrey, where Olivier was born in 1907
Interior of All Saints, Margaret Street
Peggy Ashcroft, a contemporary and friend of Olivier's at the Central School of Speech Training and Dramatic Art, photographed in 1936
Olivier, with his first wife Jill Esmond (left), in 1932
The Old Vic (photographed in 2012), where Olivier honed his skill as a Shakespearean
Olivier, with Merle Oberon in the 1939 film Wuthering Heights
Olivier with Joan Fontaine in the 1940 film Rebecca
Overseas newspaper correspondents visit the set of Henry V at Denham Studios in 1943
Co-director and co-star: Ralph Richardson in the 1940s
Olivier with Leigh in Australia, 1948
Olivier and Leigh in 1957
Olivier, with Joan Plowright in The Entertainer on Broadway in 1958
Poster for Stanley Kubrick's Spartacus, one of two films in which Olivier appeared in 1960
Laurence Olivier in 1972, during the production of Sleuth
Olivier in 1939

Laurence Kerr Olivier, Baron Olivier, (22 May 1907 – 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, was one of a trio of male actors who dominated the British stage of the mid-20th century.

Richardson in 1949

Ralph Richardson

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Richardson in 1949
Peggy Ashcroft in 1936, near the beginning of her long professional association with Richardson
The Old Vic (photographed in 2012)
Katharine Cornell, leading lady in Richardson's Broadway debut
Laurence Olivier, Richardson's co-director of the Old Vic, photographed in 1972
Peggy Ashcroft, with whom Richardson frequently co-starred
Richardson in Long Day's Journey into Night (1962)
John Gielgud (left) as Joseph Surface, and Richardson as Sir Peter Teazle, The School for Scandal, 1962
John Gielgud, long-time colleague and friend
Harold Pinter, author of No Man's Land; he later played Hirst, the role created by Richardson.
The grave of Richardson, his wife Meriel Forbes, and their son, Charles, in Highgate Cemetery in north London.

Sir Ralph David Richardson (19 December 1902 – 10 October 1983) was an English actor who, with John Gielgud and Laurence Olivier, was one of the trinity of male actors who dominated the British stage for much of the 20th century.

The exterior of the Old Vic from the corner of Baylis Road and Waterloo Road

The Old Vic

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1,000-seat, not-for-profit producing theatre in Waterloo, London, England.

1,000-seat, not-for-profit producing theatre in Waterloo, London, England.

The exterior of the Old Vic from the corner of Baylis Road and Waterloo Road
Royal Coburg Theatre in 1822
The Old Vic, photographed in 2012
The theatre at night
Staircase of the Old Vic

The Old Vic Company was established in 1929, led by Sir John Gielgud.

Ashcroft in 1936

Peggy Ashcroft

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English actress whose career spanned more than 60 years winning an Academy Award for Best Supporting Actress and several British and European awards.

English actress whose career spanned more than 60 years winning an Academy Award for Best Supporting Actress and several British and European awards.

Ashcroft in 1936
Ashcroft in 1936
The Old Vic, photographed in 2012
Gielgud as Benedick
Ashcroft in 1962

Always attracted by the ideals of permanent theatrical ensembles, she did much of her work for the Old Vic in the early 1930s, John Gielgud's companies in the 1930s and 1940s, the Shakespeare Memorial Theatre and its successor the Royal Shakespeare Company from the 1950s, and the National Theatre from the 1970s.

Coward in 1972

Noël Coward

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English playwright, composer, director, actor, and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise".

English playwright, composer, director, actor, and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise".

Coward in 1972
Coward (left) with Lydia Bilbrook and Charles Hawtrey, 1911
Coward in his early teens
Coward in The Knight of the Burning Pestle in 1920
Coward with Lilian Braithwaite, his co-star in The Vortex and the mother of his close friend Joyce Carey
Coward, 1925photograph
Ivor Novello, top l., Alfred Lunt, top r., Lynn Fontanne, lower l. and Judy Campbell – stars of Coward premières of the 1920s–1940s
Coward, with Norman Hackforth at the piano, performing for sailors aboard in Ceylon, August 1944
"Dad's Renaissance": Coward's popularity surged in the 1960s; this poster features Al Hirschfeld's drawing of Coward rather than the stars of this 1968 revival.
The Noël Coward Theatre
Coward as Slightly in Peter Pan in 1913
Coward in his home in Switzerland in 1972
The Coward image: with cigarette holder in 1930
Coward in 1963

Relative Values (1951) addresses the culture clash between an aristocratic English family and a Hollywood actress with matrimonial ambitions; South Sea Bubble (1951) is a political comedy set in a British colony; Quadrille (1952) is a drama about Victorian love and elopement; and Nude with Violin (1956, starring John Gielgud in London and Coward in New York) is a satire on modern art and critical pretension.

Gielgud Theatre in 2011

Gielgud Theatre

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West End theatre, located on Shaftesbury Avenue, at the corner of Rupert Street, in the City of Westminster, London.

West End theatre, located on Shaftesbury Avenue, at the corner of Rupert Street, in the City of Westminster, London.

Gielgud Theatre in 2011
Gielgud in 1973. The theatre was named after him in 1994.
Gertie Millar and Robert Evett in A Waltz Dream, 1908
Andrew Lloyd Webber has mounted several notable productions at the theatre, and his company owned it for a time.

During reconstruction of Shakespeare's Globe theatre on the South Bank, in 1994 the theatre was renamed the Gielgud Theatre in honour of John Gielgud.

Ellen Terry at age 16
Photo by Julia Margaret Cameron

Ellen Terry

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Leading English actress of the late 19th and early 20th centuries.

Leading English actress of the late 19th and early 20th centuries.

Ellen Terry at age 16
Photo by Julia Margaret Cameron
Charles Kean (left) and Ellen Terry in The Winter's Tale, 1856
Choosing: painting by first husband, George Frederic Watts c. 1864
Ellen Terry as Lady Macbeth, by John Singer Sargent, 1889
As Katherine in Henry VIII
Terry, c. 1880
Smallhythe Place, Terry's home from 1900 to 1928
Terry's ashes in St Paul's in Covent Garden
The Ellen Terry Building, Coventry University
Terry's son, Edward Gordon Craig
An 1868 self-caricature signed "Ellen Terry (Watts)".
Drawing by Sargent for Terry's golden jubilee programme, 1906
With pets Fussie and Drummie in the 1880s
Portrait photograph of Ellen Terry, 1915
In her garden with granddaughter Nelly Gordon, c. 1918.
Ellen Terry as Margaret in Faust, Lyceum Theatre, December 1885

Kate (the grandmother of Val and John Gielgud) and Marion were particularly successful on stage.

Mabel Terry-Lewis photographed by Bassano in 1920

Mabel Terry-Lewis

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English actress and a member of the Terry-Gielgud dynasty of actors of the 19th and 20th centuries.

English actress and a member of the Terry-Gielgud dynasty of actors of the 19th and 20th centuries.

Mabel Terry-Lewis photographed by Bassano in 1920

Among her celebrated roles was Lady Bracknell in The Importance of Being Earnest, which she played opposite her nephew John Gielgud in 1930.

Noël Coward Theatre in 2019

Noël Coward Theatre

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West End theatre in St. Martin's Lane in the City of Westminster, London.

West End theatre in St. Martin's Lane in the City of Westminster, London.

Noël Coward Theatre in 2019
New Theatre, postcard, circa 1905
Noël Coward and Esmé Wynne in Coward's I'll Leave It to You, 1920

The following year and for most of 1927 the New was home to a dramatisation of Margaret Kennedy's The Constant Nymph, which ran for 587 performances, starring first Coward and then the young John Gielgud as Lewis Dodd.

The National Theatre from Waterloo Bridge

Royal National Theatre

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One of the United Kingdom's three most prominent publicly funded performing arts venues, alongside the Royal Shakespeare Company and the Royal Opera House.

One of the United Kingdom's three most prominent publicly funded performing arts venues, alongside the Royal Shakespeare Company and the Royal Opera House.

The National Theatre from Waterloo Bridge
Axis view of Royal National Theatre to Olivier Theatre fly tower
Detail of the National Theatre showing the grain of the formwork
Denys Lasdun's building for the National Theatre – an "urban landscape" of interlocking terraces responding to the site at King's Reach on the River Thames to exploit views of St Paul's Cathedral and Somerset House.
Laurence Olivier became the first Artistic Director of the National Theatre in 1963. Shown in a photograph by Carl Van Vechten, 1939
Facing east; towards the City of London, from Waterloo Bridge. Showing St. Paul's, and other major City buildings – to the right, the illuminated National Theatre.
An artistic lighting scheme illuminating the exterior of the building
The statue of Laurence Olivier as Hamlet was unveiled in September 2007
The terrace entrance between the mezzanine restaurant level and the Olivier cloakroom level, reached from halfway up/down Waterloo Bridge
The main entrance on the ground floor
The ensemble shows a varying range of geometric relationships.
River Thames and Waterloo Bridge, with National Theatre, centre-right

Oedipus by Seneca translated by Ted Hughes, directed by Peter Brook, with John Gielgud as Oedipus, Irene Worth as Jocasta (1968)