The Palace Theatre, in the City of Westminster, London, built in 1891
Gielgud as Benedick in Much Ado About Nothing, 1959
Coward in 1972
The London Palladium in Soho opened in 1910. While the Theatre has a resident show, it also has one-off performances such as concerts. Since 1930 it has hosted the Royal Variety Performance 43 times.
Centre: Marion, Kate and Ellen Terry and, far right, Fred Terry at Ellen's Silver Jubilee matinée, Drury Lane, 12 June 1906. Everyone shown was a member of the Terry family.
Coward (left) with Lydia Bilbrook and Charles Hawtrey, 1911
Theatre Royal, Drury Lane. Opened in May 1663, it is the oldest theatre in London.
Noël Coward with Lilian Braithwaite, his, and later Gielgud's, co-star in The Vortex
Coward in his early teens
Original interior of Savoy Theatre in 1881, the year it became the first public building in the world to be lit entirely by electricity.
Mrs Patrick Campbell and Edith Evans, 1920s co-stars with Gielgud
Coward in The Knight of the Burning Pestle in 1920
The Lyceum Theatre, home to Disney's The Lion King.
The Old Vic (photographed in 2012), where Gielgud honed his skill as a Shakespearean
Coward with Lilian Braithwaite, his co-star in The Vortex and the mother of his close friend Joyce Carey
Queen's Theatre showing Les Misérables, running in London since October 1985
Mabel Terry-Lewis, Gielgud's aunt and co-star in The Importance of Being Earnest
Coward, 1925photograph
The restored facade of the Dominion Theatre, as seen in 2017
Peggy Ashcroft in 1936
Ivor Novello, top l., Alfred Lunt, top r., Lynn Fontanne, lower l. and Judy Campbell – stars of Coward premières of the 1920s–1940s
The St Martin's Theatre, home to The Mousetrap, the world's longest-running play.
Gielgud in a publicity photograph for Secret Agent (1936)
Coward, with Norman Hackforth at the piano, performing for sailors aboard in Ceylon, August 1944
The exterior of the Old Vic
Interior of the Queen's Theatre
"Dad's Renaissance": Coward's popularity surged in the 1960s; this poster features Al Hirschfeld's drawing of Coward rather than the stars of this 1968 revival.
The Royal Court Theatre. Upstairs is used as an experimental space for new projects—The Rocky Horror Show premiered here in 1973.
Gielgud and Dolly Haas in Crime and Punishment, Broadway, 1947
The Noël Coward Theatre
West End theatres on Shaftesbury Avenue in 2016
Edmond O'Brien (Casca, left) and Gielgud (Cassius) in Julius Caesar (1953)
Coward as Slightly in Peter Pan in 1913
Gilbert and Sullivan play at the Savoy in 1881
Gielgud, 1953
Coward in his home in Switzerland in 1972
Victoria Palace Theatre (showing Billy Elliot in 2012) was refurbished in 2017.
Much Ado About Nothing: Gielgud as Benedick and Margaret Leighton as Beatrice, 1959
The Coward image: with cigarette holder in 1930
Gielgud (left) as Joseph Surface, and Ralph Richardson as Sir Peter Teazle, The School for Scandal, 1962
Coward in 1963
Gielgud in 1973, by Allan Warren

After studying at the Royal Academy of Dramatic Art he worked in repertory theatre and in the West End before establishing himself at the Old Vic as an exponent of Shakespeare in 1929–31.

- John Gielgud

Coward played in the piece in 1911 and 1912 at the Garrick Theatre in London's West End.

- Noël Coward

The theatre was renamed the Noël Coward Theatre in 2006 after the playwright Noël Coward.

- West End theatre

A number of other actors made their West End debut prior to the Second World War, including John Gielgud, Alec Guinness and Vivien Leigh.

- West End theatre

In the same year Noël Coward chose Gielgud as his understudy in his play The Vortex.

- John Gielgud

Relative Values (1951) addresses the culture clash between an aristocratic English family and a Hollywood actress with matrimonial ambitions; South Sea Bubble (1951) is a political comedy set in a British colony; Quadrille (1952) is a drama about Victorian love and elopement; and Nude with Violin (1956, starring John Gielgud in London and Coward in New York) is a satire on modern art and critical pretension.

- Noël Coward
The Palace Theatre, in the City of Westminster, London, built in 1891

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Olivier in 1972

Laurence Olivier

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Olivier in 1972
The house in Wathen Road, Dorking, Surrey, where Olivier was born in 1907
Interior of All Saints, Margaret Street
Peggy Ashcroft, a contemporary and friend of Olivier's at the Central School of Speech Training and Dramatic Art, photographed in 1936
Olivier, with his first wife Jill Esmond (left), in 1932
The Old Vic (photographed in 2012), where Olivier honed his skill as a Shakespearean
Olivier, with Merle Oberon in the 1939 film Wuthering Heights
Olivier with Joan Fontaine in the 1940 film Rebecca
Overseas newspaper correspondents visit the set of Henry V at Denham Studios in 1943
Co-director and co-star: Ralph Richardson in the 1940s
Olivier with Leigh in Australia, 1948
Olivier and Leigh in 1957
Olivier, with Joan Plowright in The Entertainer on Broadway in 1958
Poster for Stanley Kubrick's Spartacus, one of two films in which Olivier appeared in 1960
Laurence Olivier in 1972, during the production of Sleuth
Olivier in 1939

Laurence Kerr Olivier, Baron Olivier, (22 May 1907 – 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, was one of a trio of male actors who dominated the British stage of the mid-20th century.

In 1930 he had his first important West End success in Noël Coward's Private Lives, and he appeared in his first film.

Shaw in 1911, by Alvin Langdon Coburn

George Bernard Shaw

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Irish playwright, critic, polemicist and political activist.

Irish playwright, critic, polemicist and political activist.

Shaw in 1911, by Alvin Langdon Coburn
Shaw's birthplace (2012 photograph). The plaque reads "Bernard Shaw, author of many plays, was born in this house, 26 July 1856".
Shaw in 1879
William Archer, colleague and benefactor of Shaw
William Morris (left) and John Ruskin: important influences on Shaw's aesthetic views
Shaw in 1894 at the time of Arms and the Man
Gertrude Elliott and Johnston Forbes-Robertson in Caesar and Cleopatra, New York, 1906
Shaw in 1914, aged 57
Dublin city centre in ruins after the Easter Rising, April 1916
The rotating hut in the garden of Shaw's Corner, Ayot St Lawrence, where Shaw wrote most of his works after 1906
Shaw in 1936, aged 80
Garden of Shaw's Corner
"The strenuous literary life—George Bernard Shaw at work": 1904 caricature by Max Beerbohm
Shaw in 1905
Shaw's complete plays
Bust by Jacob Epstein

In the 1890s Shaw's plays were better known in print than on the West End stage; his biggest success of the decade was in New York in 1897, when Richard Mansfield's production of the historical melodrama The Devil's Disciple earned the author more than £2,000 in royalties.

Although Shaw's works since The Apple Cart had been received without great enthusiasm, his earlier plays were revived in the West End throughout the Second World War, starring such actors as Edith Evans, John Gielgud, Deborah Kerr and Robert Donat.

Among those active in Shaw's lifetime he includes Noël Coward, who based his early comedy The Young Idea on You Never Can Tell and continued to draw on the older man's works in later plays.

The National Theatre from Waterloo Bridge

Royal National Theatre

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One of the United Kingdom's three most prominent publicly funded performing arts venues, alongside the Royal Shakespeare Company and the Royal Opera House.

One of the United Kingdom's three most prominent publicly funded performing arts venues, alongside the Royal Shakespeare Company and the Royal Opera House.

The National Theatre from Waterloo Bridge
Axis view of Royal National Theatre to Olivier Theatre fly tower
Detail of the National Theatre showing the grain of the formwork
Denys Lasdun's building for the National Theatre – an "urban landscape" of interlocking terraces responding to the site at King's Reach on the River Thames to exploit views of St Paul's Cathedral and Somerset House.
Laurence Olivier became the first Artistic Director of the National Theatre in 1963. Shown in a photograph by Carl Van Vechten, 1939
Facing east; towards the City of London, from Waterloo Bridge. Showing St. Paul's, and other major City buildings – to the right, the illuminated National Theatre.
An artistic lighting scheme illuminating the exterior of the building
The statue of Laurence Olivier as Hamlet was unveiled in September 2007
The terrace entrance between the mezzanine restaurant level and the Olivier cloakroom level, reached from halfway up/down Waterloo Bridge
The main entrance on the ground floor
The ensemble shows a varying range of geometric relationships.
River Thames and Waterloo Bridge, with National Theatre, centre-right

He went on to take over the Memorial Theatre at Stratford, and to create the permanent Royal Shakespeare Company, in 1960, also establishing a new RSC base at the Aldwych Theatre for transfers to the West End.

Hay Fever, directed by Noël Coward starring Edith Evans as Judith, Maggie Smith as Myra, Derek Jacobi as Simon, Barbara Hicks as Clara, Anthony Nicholls as David, Robert Stephens as Sandy, Robert Lang as Richard, and Lynn Redgrave as Jackie (1964).

Oedipus by Seneca translated by Ted Hughes, directed by Peter Brook, with John Gielgud as Oedipus, Irene Worth as Jocasta (1968)

Poster from the 1968 Theatre De Lys production featuring a sketch of Coward

Private Lives

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Poster from the 1968 Theatre De Lys production featuring a sketch of Coward
Noël Coward and Gertrude Lawrence in the Broadway production of Private Lives (1931)
Coward in 1963
Elizabeth Taylor and Richard Burton were the headline stars in a 1983 Broadway production
Poster for the 1931 film, starring Norma Shearer and Robert Montgomery

Private Lives is a 1930 comedy of manners in three acts by Noël Coward.

A Broadway production followed in 1931, and the play has been revived at least a half dozen times each in the West End and on Broadway.

Directors of new productions have included John Gielgud, Howard Davies and Richard Eyre.

The John Golden Theatre, Bernard B. Jacobs Theatre, Gerald Schoenfeld Theatre, and Booth Theatre on West 45th Street in Manhattan's Theater District

Broadway theatre

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Broadway theatre, or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City.

Broadway theatre, or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City.

The John Golden Theatre, Bernard B. Jacobs Theatre, Gerald Schoenfeld Theatre, and Booth Theatre on West 45th Street in Manhattan's Theater District
Interior of the Park Theatre, built in 1798
The Black Crook (1866), considered by some historians to be the first musical. Poster for the 1873 revival by The Kiralfy Brothers.
Sheet music to "Give My Regards to Broadway"
Victor Herbert
Broadway north from 38th St., New York City, showing the Casino and Knickerbocker Theatres ("Listen, Lester", visible at lower right, played the Knickerbocker from December 23, 1918, to August 16, 1919), a sign pointing to Maxine Elliott's Theatre, which is out of view on 39th Street, and a sign advertising the Winter Garden Theatre, which is out of view at 50th Street. All but the Winter Garden are demolished. The old Metropolitan Opera House and the old Times Tower are visible on the left.

Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world.

Their books may have been forgettable, but they produced enduring standards from George Gershwin, Cole Porter, Jerome Kern, Vincent Youmans, and Rodgers and Hart, among others, and Noël Coward, Sigmund Romberg, and Rudolf Friml continued in the vein of Victor Herbert.

Classical revivals also proved popular with Broadway theatre-goers, notably John Barrymore in Hamlet and Richard III, John Gielgud in Hamlet, The Importance of Being Earnest and Much Ado About Nothing, Walter Hampden and José Ferrer in Cyrano de Bergerac, Paul Robeson and Ferrer in Othello, Maurice Evans in Richard II and the plays of George Bernard Shaw, and Katharine Cornell in such plays as Romeo and Juliet, Antony and Cleopatra, and Candida.

Noël Coward Theatre in 2019

Noël Coward Theatre

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Noël Coward Theatre in 2019
New Theatre, postcard, circa 1905
Noël Coward and Esmé Wynne in Coward's I'll Leave It to You, 1920

The Noël Coward Theatre, formerly known as the Albery Theatre, is a West End theatre in St. Martin's Lane in the City of Westminster, London.

The following year and for most of 1927 the New was home to a dramatisation of Margaret Kennedy's The Constant Nymph, which ran for 587 performances, starring first Coward and then the young John Gielgud as Lewis Dodd.

Hay Fever (23 February 2012 – 2 June 2012) by Noël Coward starring Lindsay Duncan, Jeremy Northam, Kevin McNally and Olivia Colman