Jules Furthman

Jules and Charles FurthmanJules G. Furthman
Jules Furthman (March 5, 1888 – September 22, 1966) was an American magazine and newspaper writer before working as a screenwriter.wikipedia
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The Docks of New York

He wrote screenplays for a number of important or popular films, including: The Docks of New York (1928), Thunderbolt (1929), Merely Mary Ann (1931), Shanghai Express (1932), Bombshell (1933), Mutiny on the Bounty (1935), Come and Get It (1936), Only Angels Have Wings (1939), To Have and Have Not (1944), The Big Sleep (1946) and Nightmare Alley (1947).
The movie was adapted by Jules Furthman from the John Monk Saunders story The Dock Walloper.

Come and Get It (1936 film)

Come and Get ItCome and Get It'' (1936 film)same title
He wrote screenplays for a number of important or popular films, including: The Docks of New York (1928), Thunderbolt (1929), Merely Mary Ann (1931), Shanghai Express (1932), Bombshell (1933), Mutiny on the Bounty (1935), Come and Get It (1936), Only Angels Have Wings (1939), To Have and Have Not (1944), The Big Sleep (1946) and Nightmare Alley (1947).
The screenplay by Jane Murfin and Jules Furthman is based on the 1935 novel of the same title by Edna Ferber.

Thunderbolt (1929 film)

Thunderbolt1929Thunderbolt'' (1929 film)
He wrote screenplays for a number of important or popular films, including: The Docks of New York (1928), Thunderbolt (1929), Merely Mary Ann (1931), Shanghai Express (1932), Bombshell (1933), Mutiny on the Bounty (1935), Come and Get It (1936), Only Angels Have Wings (1939), To Have and Have Not (1944), The Big Sleep (1946) and Nightmare Alley (1947).
The film was adapted by Herman J. Mankiewicz, Joseph L. Mankiewicz (titles) and Josef von Sternberg from the story by Jules and Charles Furthman.

The Big Sleep (1946 film)

The Big Sleep1946The Big Sleep'' (1946 film)
He wrote screenplays for a number of important or popular films, including: The Docks of New York (1928), Thunderbolt (1929), Merely Mary Ann (1931), Shanghai Express (1932), Bombshell (1933), Mutiny on the Bounty (1935), Come and Get It (1936), Only Angels Have Wings (1939), To Have and Have Not (1944), The Big Sleep (1946) and Nightmare Alley (1947).
William Faulkner, Leigh Brackett and Jules Furthman co-wrote the screenplay.

Academy Award for Best Adapted Screenplay

Best Adapted ScreenplayBest Writing, Screenplay Based on Material from Another MediumBest Writing, Screenplay
He was nominated for an Academy Award for Writing Adapted Screenplay for Mutiny on the Bounty.

Bombshell (film)

BombshellBombshell'' (film)
He wrote screenplays for a number of important or popular films, including: The Docks of New York (1928), Thunderbolt (1929), Merely Mary Ann (1931), Shanghai Express (1932), Bombshell (1933), Mutiny on the Bounty (1935), Come and Get It (1936), Only Angels Have Wings (1939), To Have and Have Not (1944), The Big Sleep (1946) and Nightmare Alley (1947).
The film is based on the unproduced play of the same name by Caroline Francke and Mack Crane, and was adapted for the screen by John Lee Mahin and Jules Furthman.

Sybil Seely

In 1920, he married the actress Sybil Seely, who played in five films directed by Buster Keaton.
In 1920, she married screenwriter Jules Furthman.

Merely Mary Ann

He wrote screenplays for a number of important or popular films, including: The Docks of New York (1928), Thunderbolt (1929), Merely Mary Ann (1931), Shanghai Express (1932), Bombshell (1933), Mutiny on the Bounty (1935), Come and Get It (1936), Only Angels Have Wings (1939), To Have and Have Not (1944), The Big Sleep (1946) and Nightmare Alley (1947).
The film, involving an orphan (Gaynor) and a flat-broke composer (Farrell), was written by Jules Furthman based upon Israel Zangwill's play of the same name and directed by Henry King.

Only Angels Have Wings

screenplay
He wrote screenplays for a number of important or popular films, including: The Docks of New York (1928), Thunderbolt (1929), Merely Mary Ann (1931), Shanghai Express (1932), Bombshell (1933), Mutiny on the Bounty (1935), Come and Get It (1936), Only Angels Have Wings (1939), To Have and Have Not (1944), The Big Sleep (1946) and Nightmare Alley (1947).
The film's final script was written and re-written throughout the film's production, mostly by Hawks and Jules Furthman, but also with contributions by Eleanore Griffin and William Rankin.

To Have and Have Not (film)

To Have and Have Notearlier 1944 filmHow Little We Know
He wrote screenplays for a number of important or popular films, including: The Docks of New York (1928), Thunderbolt (1929), Merely Mary Ann (1931), Shanghai Express (1932), Bombshell (1933), Mutiny on the Bounty (1935), Come and Get It (1936), Only Angels Have Wings (1939), To Have and Have Not (1944), The Big Sleep (1946) and Nightmare Alley (1947).
Howard Hawks recruited Jules Furthman to work on the screenplay.

Souls in Pawn

Souls in Pawn (1917) (story)
Based on a story by Jules Furthman, it was released by Mutual Film.

Mutiny on the Bounty (1935 film)

Mutiny on the Bounty19351935 film
He wrote screenplays for a number of important or popular films, including: The Docks of New York (1928), Thunderbolt (1929), Merely Mary Ann (1931), Shanghai Express (1932), Bombshell (1933), Mutiny on the Bounty (1935), Come and Get It (1936), Only Angels Have Wings (1939), To Have and Have Not (1944), The Big Sleep (1946) and Nightmare Alley (1947).

The Land of Jazz

The Land of Jazz (1920)
Directed by Jules Furthman and written by Barbara La Marr, it starred Eileen Percy and Ruth Stonehouse.

Wives and Other Wives

Wives and Other Wives (1918) (as Stephen Fox)
Wives and Other Wives is a lost 1918 American silent comedy-drama film directed by Lloyd Ingraham based on a story by Jules Furthman.

The White Circle

The White Circle (1920)
The White Circle is a lost 1920 American drama silent film directed by Maurice Tourneur and written by John Gilbert and Jules Furthman.

Victory (1919 film)

Victorya 1919 silent versionVictory'' (1919 film)
Victory (1919) (as Stephen Fox)
The screenplay was written by Jules Furthman.

Any Woman

Any Woman (1925)
Any Woman is a lost 1925 American drama silent film directed by Henry King and written by Randolph Bartlett, Jules Furthman, Arthur Somers Roche and Beatrice Van.

The Way of All Flesh (1927 film)

The Way of All Fleshlost 1927 silent film of the same nameThe Way of All Flesh'' (1927 film)
The Way of All Flesh (1927)
The Way of All Flesh is a 1927 American silent drama film directed by Victor Fleming, written by Lajos Bíró, Jules Furthman, and Julian Johnson from a story by Perley Poore Sheehan.

The Wise Guy

The Wise Guy (1926)
Jules Furthman provided a screen story with scenario by Adela Rogers St. Johns.

Sackcloth and Scarlet

Sackcloth and Scarlet (1925)
Sackcloth and Scarlet is a lost 1925 American silent drama film directed by Henry King and written by Jules Furthman, Thomas J. Geraghty, George Fort Gibbs and Julie Herne.

Fashions for Women

Fashions for Women (1927)
Fashions for Women is a lost 1927 American drama silent film directed by Dorothy Arzner and written by Paul Armont, Jules Furthman, Percy Heath, Herman J. Mankiewicz, Léopold Marchand and George Marion, Jr..

Morocco (film)

MoroccoMorocco'' (1930 film)
Morocco (1930) (adaptation)
Based on the novel Amy Jolly by Benno Vigny and adapted by Jules Furthman, the film is about a cabaret singer and a Legionnaire who fall in love during the Rif War, but their relationship is complicated by his womanizing and the appearance of a rich man who is also in love with her.

Mountain Justice (1915 film)

Mountain JusticeMountain Justice'' (1915 film)
Mountain Justice (1915) (story) (as Julius G. Furthman)

Bound on the Wheel

Bound on the Wheel (1915) (story) (as Julius G. Furthman)