A report on Majapahit and Kakawin Sutasoma

Palm leaf manuscript of Kakawin Sutasoma, a 14th-century Javanese poem.
The greatest extent of Majapahit influence based on the Nagarakretagama in 1365
Figure of gold from the Majapahit period representing Sutasoma being borne by the man-eater Kalmasapada
A maja fruit growing near Trowulan. The bitter-tasting fruit is the origin of the kingdom's name
Nagarakretagama palm-leaf manuscript. Composed by Mpu Prapanca in 1365, it provides a primary historical account of Majapahit court during the reign of King Hayam Wuruk.
Painting of a 14th-century Yuan junk. Similar ships were sent by the Yuan in their naval armada.
King Kertarajasa portrayed as Harihara, amalgamation of Shiva and Vishnu. Originally located at Candi Simping, Blitar, today it is displayed in National Museum.
Golden image of a mounted rider, possibly the Hindu god Surya, within a stylised solar halo. Below is a conch flanked by two nagas. 14th-century Majapahit art, National Museum Jakarta.
The statue of Parvati as mortuary deified portrayal of Tribhuwanottunggadewi, queen of Majapahit, mother of Hayam Wuruk.
Rough estimations of Majapahit's conquest of the Indonesian archipelago (Nusantara) in the 13th century, its decline and its eventual fall in the early 16th century to Demak Sultanate. The existing historical records from several sources only partially describe the years listed and thus are subject to revisions.
The terracotta figure popularly believed by Mohammad Yamin as the portrait of Gajah Mada, collection of Trowulan Museum. His claim, however, is not backed by historical background.
Gajah Mada inscription, dated 1273 Saka (1351 CE), mentioned about a sacred caitya building dedicated by Gajah Mada for the late King Kertanegara of Singhasari.
Bronze cannon, called cetbang, Metropolitan Museum of Art, New York, from c. 1470–1478 Majapahit. Note the Surya Majapahit emblem on the bronze cannon.
The route of the voyages of Zheng He's fleet, including Majapahit ports.
The mortuary deified portrait statue of Queen Suhita (reign 1429–1447), discovered at Jebuk, Kalangbret, Tulungagung, East Java, National Museum of Indonesia.
Demak was the earliest Islamic polity in Java that replaced Majapahit.
Wringin Lawang, the 15.5-meter tall red brick split gate in Trowulan, believed to be the entrance of an important compound.
The king of Java and his 7 vassal kings, as imagined in a 15th century British manuscript contained in Friar Odoric's account.
The graceful Bidadari Majapahit, golden celestial apsara in Majapahit style perfectly describes Majapahit as "the golden age" of the archipelago.
Gold figure from the Majapahit period representing Sutasoma being borne by the man-eater Kalmasapada.
Palm leaf manuscript of Kakawin Sutasoma, a 14th-century Javanese poem.
Bas reliefs of Tegowangi temple, dated from Majapahit period, demonstrate the East Javanese style.
Pair of door guardians from a temple, Eastern Java, 14th century, Museum of Asian Art, San Francisco.
Jabung temple near Paiton, Probolinggo, East Java, dated from Majapahit period.
The 16.5-metre tall Bajang Ratu Paduraksa gate, at Trowulan, echoed the grandeur of Majapahit.
The stepped terraces, pavilions, and split gates of Cetho temple complex on mount Lawu slopes.
Majapahit terracotta piggy bank, 14th or 15th century Trowulan, East Java. (Collection of National Museum of Indonesia, Jakarta)
Ancient red-brick canal discovered in Trowulan. Majapahit had a well-developed irrigation infrastructure.
Majapahit core realm and provinces (Mancanagara) in eastern and central parts of Java, including islands of Madura and Bali.
The extent of Majapahit's influence under Hayam Wuruk in 1365 according to Nagarakretagama.
A 1.79 kilogram, 21-karat Majapahit period gold image discovered in Agusan, Philippines, copied Nganjuk bronze images of the early Majapahit period, signify Majapahit cultural influence on southern Philippines.
Asia in the early 14th century
14th-century gold armlets and rings in East Javanese Majapahit style, found at Fort Canning Hill, Singapore, suggests that Tumasik or Singapura was within Majapahit sphere of influence.
Adityawarman, a senior minister of Majapahit depicted as Bhairava. He established the Pagaruyung Kingdom in Central Sumatra.
On centre bottom row (no. 8) is a Yǒng-Lè Tōng-Bǎo (永樂通寶) cash coin cast under the Yǒng-Lè Emperor (永樂帝) of Ming dynasty. These were cast in great quantities and used by Ashikaga, Ryukyu, as well as Majapahit.
Pura Maospahit ("Majapahit Temple") in Denpasar, Bali, demonstrate the typical Majapahit red brick architecture.
The Majapahit style minaret of Kudus Mosque.
Bas relief from Candi Penataran describes the Javanese-style pendopo pavilion, commonly found across Java and Bali.
The Kris of Knaud, one of the oldest surviving kris is dated to Majapahit period
The high reliefs of Gajah Mada and Majapahit history depicted in Monas, has become the source of Indonesian national pride of past greatness.
Gajah Mada statue in front of Telecommunication Museum in Taman Mini Indonesia Indah, Jakarta. Palapa, Indonesia's first telecommunication satellite launched on 9 July 1976 was named after Palapa oath.
Genealogy diagram of Rajasa dynasty, the royal family of Singhasari and Majapahit. Rulers are highlighted with period of reign.
Theatrical performance depicting the Mongol invasion of Java, performed by 150 students of Indonesian Institute of the Arts, Yogyakarta. The history of Majapahit continues to inspire contemporary artists.
Cropped portion of China Sea in the Miller atlas, showing six and three-masted jong.
Armor depicted in a statue from a candi in Singasari.
This Jiaozhi arquebus is similar to Java arquebus.
Deity holding a cuirass, from earlier, 10-11th century Nganjuk, East Java.
Various keris and pole weapons of Java

Kakawin Sutasoma was written by Tantular during the golden age of the Majapahit empire, in the reign of either Prince Rajasanagara or King Hayam Wuruk.

- Kakawin Sutasoma

Notable literary works that were produced in the Majapahit period among others are Prapanca's Nagarakretagama, Tantular's Sutasoma, and Tantu Pagelaran.

- Majapahit

4 related topics with Alpha

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Nagarakretagama palm-leaf manuscript.

Nagarakretagama

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Nagarakretagama palm-leaf manuscript.
The extent of Majapahit according to Nagarakretagama.

The Nagarakretagama or Nagarakṛtāgama, also known as Desawarnana or Deśavarṇana, is an Old Javanese eulogy to Hayam Wuruk, a Javanese king of the Majapahit Empire.

This religious belief is indigenous to the Javanese people who combined the Deities of two religions, Hinduism and Buddhism, into the same God, the oneness of the Dharma, as is written in the Kakawin Sutasoma (see Bhinneka Tunggal Ika).

Kawi language

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Oldest attested phase of the Javanese language.

Oldest attested phase of the Javanese language.

Old Javanese was not static, and its usage covered a period of approximately 500 years – from the Sukabumi (Kediri, East Java) inscription until the founding of the Majapahit empire in 1292.

Kakawin Sutasoma, mpu Tantular

A palm leaf manuscript in Nandinagari script.

Palm-leaf manuscript

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Palm-leaf manuscripts are manuscripts made out of dried palm leaves.

Palm-leaf manuscripts are manuscripts made out of dried palm leaves.

A palm leaf manuscript in Nandinagari script.
Palm leaf manuscripts of 16th century in Odia script.
16th-century Hindu Bhagavata Purana on palm leaf manuscript
A palm leaf Hindu text manuscript from Bali, Indonesia, showing how the manuscripts were tied into a book.
A medical manuscript in Sinhala, c. 1700
A Jain palm leaf manuscript from Rajasthan.
16th-century Christian prayers in Tamil, on palm leaf manuscripts
Balinese palm-leaf manuscript of Kakawin Arjunawiwāha.
thumb|Palm leaf manuscript
thumb|Palm leaf manuscript
thumb|Palm leaf manuscript

Manuscripts dated from the 14th to 15th century during the Majapahit period.

Some were found even earlier, like the Arjunawiwaha, the Smaradahana, the Nagarakretagama and the Kakawin Sutasoma, which were discovered on the neighboring islands of Bali and Lombok.

Bhinneka Tunggal Ika included in the National emblem of Indonesia, the Garuda Pancasila.

Bhinneka Tunggal Ika

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Official national motto of Indonesia, inscribed in the National emblem of Indonesia, the Garuda Pancasila, written on the scroll gripped by the Garuda's claws.

Official national motto of Indonesia, inscribed in the National emblem of Indonesia, the Garuda Pancasila, written on the scroll gripped by the Garuda's claws.

Bhinneka Tunggal Ika included in the National emblem of Indonesia, the Garuda Pancasila.

The phrase is a quotation from an Old Javanese poem Kakawin Sutasoma, written by Mpu Tantular, a famous poet of Javanese Literature during the reign of the Majapahit empire sometime in the 14th century, under the reign of King Rājasanagara, also known as Hayam Wuruk.