A report on Knight and Thomas Malory

A 14th century depiction of the 13th century German knight Hartmann von Aue, from the Codex Manesse.
A Norman knight slaying Harold Godwinson (Bayeux tapestry, c. 1070). The rank of knight developed in the 12th century from the mounted warriors of the 10th and 11th centuries.
The battle between the Turks and Christian knights during the Ottoman wars in Europe
David I of Scotland knighting a squire
The miles Christianus allegory (mid-13th century), showing a knight armed with virtues and facing the vices in mortal combat. The parts of his armour are identified with Christian virtues, thus correlating essential military equipment with the religious values of chivalry: 
The helmet is spes futuri gaudii (hope of future bliss), the shield (here the shield of the Trinity) is fides (faith), the armour is caritas (charity), the lance is perseverantia (perseverance), the sword is verbum Dei (the word of God), the banner is regni celestis desiderium (desire for the kingdom of heaven), the horse is bona voluntas (good will), the saddle is Christiana religio (Christian religion), the saddlecloth is humilitas (humility), the reins are discretio (discretion), the spurs are disciplina (discipline), the stirrups are propositum boni operis (proposition of good work), and the horse's four hooves are delectatio, consensus, bonum opus, consuetudo (delight, consent, good work, and exercise).
Tournament from the Codex Manesse, depicting the mêlée
Elements of a harness of the late style of Gothic plate armour that was a popular style in the mid 15th to early 16th century (depiction made in the 18th century)
Page from King René's Tournament Book (BnF Ms Fr 2695)
The Battle of Pavia in 1525. Landsknecht mercenaries with arquebus.
Fortified house – a family seat of a knight (Schloss Hart by the Harter Graben near Kindberg, Austria)
The Battle of Grunwald between Poland-Lithuania and the Teutonic Knights in 1410
Pippo Spano, the member of the Order of the Dragon
The English fighting the French knights at the Battle of Crécy in 1346
Miniature from Jean Froissart Chronicles depicting the Battle of Montiel (Castilian Civil War, in the Hundred Years' War)
A modern artistic rendition of a chevalière of the Late Middle Ages.
A battle of the Reconquista from the Cantigas de Santa Maria
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The Battle of Pavia in 1525. Landsknecht mercenaries with arquebus.

He was knighted before 8 October 1441, became a professional soldier, and served under Henry Beauchamp, 1st Duke of Warwick—but all dates are vague, and it is not known how he became distinguished.

- Thomas Malory

While chivalric romances abound, particularly notable literary portrayals of knighthood include The Song of Roland, Cantar de Mio Cid, The Twelve of England, Geoffrey Chaucer's The Knight's Tale, Baldassare Castiglione's The Book of the Courtier, and Miguel de Cervantes' Don Quixote, as well as Sir Thomas Malory's Le Morte d'Arthur and other Arthurian tales (Geoffrey of Monmouth's Historia Regum Britanniae, the Pearl Poet's Sir Gawain and the Green Knight, etc.).

- Knight
A 14th century depiction of the 13th century German knight Hartmann von Aue, from the Codex Manesse.

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Konrad von Limpurg as a knight being armed by his lady in the Codex Manesse (early 14th century)

Chivalry

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Informal and varying code of conduct developed between 1170 and 1220.

Informal and varying code of conduct developed between 1170 and 1220.

Konrad von Limpurg as a knight being armed by his lady in the Codex Manesse (early 14th century)
God Speed by English artist Edmund Leighton, 1900: depicting an armoured knight departing for war and leaving his beloved
Reconstruction of a Roman cavalryman (eques)
Knights of Christ by Jan van Eyck
Depiction of chivalric ideals in Romanticism (Stitching the Standard by Edmund Blair Leighton: the lady prepares for a knight to go to war)

It was associated with the medieval Christian institution of knighthood; knights' and gentlemen's behaviours were governed by chivalrous social codes.

There were many chivalric groups in England as imagined by Sir Thomas Malory when he wrote Le Morte d'Arthur in the late 15th century; perhaps each group created each chivalric ideology.