A report on Metropolitan Opera

Metropolitan Opera and Lincoln Center
Giulio Gatti-Casazza
Gatti-Casazza's last week at the Met (March 22–29, 1935)
Artur Bodanzky at the Metropolitan Opera in 1915
Otto Hermann Kahn in Berlin, 1931
Metropolitan Opera House in 1905
The new Met Opera House
Staircase

American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan.

- Metropolitan Opera
Metropolitan Opera and Lincoln Center

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Caruso circa 1910

Enrico Caruso

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Italian operatic tenor.

Italian operatic tenor.

Caruso circa 1910
Caruso in one of his signature roles, as Canio in Pagliacci, 1908
Caruso in the role of Dick Johnson, 1910/1911
Caruso in 1911
Caruso in front of his white Empire-style upright piano, in his apartment in New York City
Caruso as Vasco de Gama in L'Africaine, 1917
Caruso and his wife
Caruso with his wife and daughter
Caruso as Éléazar in La Juive, 1920
Caruso's body lying in state in the Vesuvio Hotel in Naples, 3 August 1921
Edward José (left), the director of the film My Cousin, is seen with Caruso during a break in filming
Caruso, examining a bust sculpture of himself, 1914
Caruso signing his autograph; he was obliging with fans
Caruso's sketch of himself as Canio in Pagliacci, c. 1900
Caruso's sketch of himself as Don José in Carmen, 1904
Self-caricature of Caruso making a record
Caruso as Samson in Samson et Dalila, 1919
Enrico Caruso as Duke in Rigoletto, 1904
Caruso as Duke in The Theatre, 1912
Medal that Caruso gave to Pasquale Simonelli,<ref>{{cite book|last=Pasquale J.|first=Simonelli|year=2012|title=Enrico Caruso Unedited Notes|publisher=Sacer Equestris Aureus Ordo|isbn=978-0615714905}}</ref> his New York City impresario
Reverse: Euterpe, muse of music, with lyre

Three other prominent Neapolitan singers taught by Lombardi were the baritones Antonio Scotti and Pasquale Amato, both of whom would go on to partner Caruso at the Metropolitan Opera and the tenor Fernando De Lucia, who would also appear at the Met and later sing at Caruso's funeral.

Arturo Toscanini, c. 1900

Arturo Toscanini

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Italian conductor.

Italian conductor.

Arturo Toscanini, c. 1900
Toscanini in 1908
Caricature of Toscanini drawn by Enrico Caruso
Arturo Toscanini
Toscanini's family tomb at the Monumental Cemetery of Milan in 2015
Toscanini with his wife and daughter Wally
A few of the hundreds of hours of rehearsal tapes featuring Toscanini, residing in the Rodgers and Hammerstein Archive of Recorded Sound, a division of the New York Public Library for the Performing Arts
Arturo Toscanini, March 1934

In 1908, Toscanini joined the Metropolitan Opera in New York, along with Giulio Gatti-Casazza who left La Scala to assume the

Domingo in June 2019

Plácido Domingo

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Spanish opera singer, conductor and arts administrator.

Spanish opera singer, conductor and arts administrator.

Domingo in June 2019
Seventeen-year-old Plácido Domingo as the tenor Rafael the bullfighter in El gato montés with Rosa Maria Montes (Mexico City, 1958)
Domingo made his debut in Verdi's Otello at Bellas Artes in the comprimario rôle of Cassio in 1962
Palacio de Bellas Artes in Mexico City, where Domingo began his operatic career
Domingo in Argentina (1979)
Backstage at the Washington National Opera after the opening night of Idomeneo on 3 November 2002
Domingo with American opera singer Stacey Robinson in 1994
Domingo singing at a concert at the Obelisco in Buenos Aires in 2011
Domingo as the president of Europa Nostra at the organization's awards ceremony in 2014
Domingo (center right) as the baritone in Il trovatore at the 2014 Salzburg Festival with Francesco Meli (far left, with sword)
Domingo's father, Plácido Domingo Ferrer (right), with composer Federico Moreno Torroba in Madrid, 1946
Domingo with his wife
Domingo has recorded many compositions by his singer-songwriter son, Plácido Domingo Jr. (pictured here in a publicity photo)
Domingo at the 81st Academy Awards in 2009
At the Washington National Opera on 14 April 2007 after a performance of Die Walküre, his most frequently performed German opera
Placido Domingo at a Concert.
Domingo with young Operalia singers, Budapest, 2016

His official debut at the Metropolitan Opera in New York occurred on 28 September 1968, when he substituted with little notice for Franco Corelli in Cilea's Adriana Lecouvreur with Renata Tebaldi.

Metropolitan Opera National Company

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The Metropolitan Opera National Company (MONC) was a short lived American opera company that operated from 1965 to 1967 as a second touring company of the Metropolitan Opera that featured American and Canadian artists in their early stages of career development.

Tebaldi as Madama Butterfly

Renata Tebaldi

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Tebaldi as Madama Butterfly
Tebaldi as Madama Butterfly
Tebaldi with Giuseppe Di Stefano in Rome, 1960
Tebaldi with a friend in New York, 1957
Renata Tebaldi, 1961
Garden in Milan dedicated to Renata Tebaldi

Renata Tebaldi (, ; 1 February 1922 – 19 December 2004) was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera.

Otello and Desdemona by Alexandre-Marie Colin, 1829

Otello

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Opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello.

Opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello.

Otello and Desdemona by Alexandre-Marie Colin, 1829
Giuseppe Verdi c. 1870
Boito and Verdi at Sant'Agata
Francesco Tamagno as Otello in a costume designed by Alfred Edel for the original production
Baritone Victor Maurel, the first Iago
Costume design by Alfredo Edel for Desdemona in Act IV
Romilda Pantaleoni, the first Desdemona
Otello, act 1. Teatro Costanzi Rome-1887; set design by Giovanni Zuccarelli
Arnold Azrikan as Otello
The Act 3 set at the 1887 premiere in Milan. Illustration by Ed. Ximenes after the original stage design by Carlo Ferrario.
Otello: set design by Giovanni Zuccarelli for Act IV as staged at the Teatro Costanzi in Rome, 1887.
Illustration from Le Monde illustré of the 1894 Paris premiere
Set-design model by Marcel Jambon for Act 1 of the Paris premiere

Enrico Caruso was studying Otello when he died unexpectedly in 1921, thus thwarting the New York Metropolitan Opera company's plans to stage the opera as a new vehicle for its star tenor.

Callas in 1958

Maria Callas

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American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century.

American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century.

Callas in 1958
The apartment house in Athens where Callas lived from 1937 to 1945
The Villa in Sirmione where Callas lived with Giovanni Battista Meneghini between 1950 and 1959
Callas's range in performance (highest and lowest notes both shown in red): from F-sharp below the Middle C (green) to E-natural above the High C (blue)
Callas acknowledges applause in 1959 at the Royal Concertgebouw in Amsterdam
Callas's rival, Renata Tebaldi, 1961
Tito Gobbi, 1970
Callas during her final tour in Amsterdam in 1973
Aristotle Onassis, who had an affair with Callas before he married Jackie Kennedy
The last residence of Maria Callas, in Paris
Portrait of Callas (2004), by Oleg Karuvits
Maria Callas with her husband Giovanni Battista Meneghini in 1957
Callas getting ready with the help of Luchino Visconti in Milan, 1957
Maria Callas as Giulia in the Opera "La Vestale", by Gaspare Spontini, 1954
Churchill with Maria Callas on Onassis' yacht in the late 50s

In December of that year, she auditioned for Edward Johnson, general manager of the Metropolitan Opera, and was favorably received: "Exceptional voice—ought to be heard very soon on stage".

Price in 1981, by Jack Mitchell

Leontyne Price

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American soprano who was the first African American soprano to receive international acclaim.

American soprano who was the first African American soprano to receive international acclaim.

Price in 1981, by Jack Mitchell
Price in 1951
Price in Porgy and Bess in 1953
Price in 1981
Price in 1995
From left to right, NEA Chairman Dana Gioia honors the first class of National Endowment for the Arts Opera Honorees in 2008: Price, Carlisle Floyd, Richard Gaddes.

From 1961 she began a long association with the Metropolitan Opera, where she was the first African American to be a leading performer.

Sutherland in 1975

Joan Sutherland

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Australian dramatic coloratura soprano known for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s.

Australian dramatic coloratura soprano known for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s.

Sutherland in 1975
Sutherland in 1962
Joan Sutherland in 1990

Sutherland sang Lucia to great acclaim in Paris in 1960 and, in 1961, at La Scala and the Metropolitan Opera.

Original 1896 poster by Adolfo Hohenstein

La bohème

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Opera in four acts, composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger.

Opera in four acts, composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger.

Original 1896 poster by Adolfo Hohenstein
Mimì's costume for act 1 of La bohème designed by Adolfo Hohenstein for the world premiere
Rodolfo, costume design by Adolfo Hohenstein for the premiere at Teatro Regio, 1896
Act 2 costume design for "la rappezzatrice" (the clothes mender) for the world premiere performance.
Set design by Adolfo Hohenstein for Act II in the première
Advertisement for the music score, showing the quartet that ends act 3
Stage design for act 1 of La bohème, Reginald Gray, 2010

The Metropolitan Opera staged the work for the first time on 26 December 1900 with Nellie Melba as Mimì, Annita Occhiolini-Rizzini as Musetta, Albert Saléza as Rodolfo, Giuseppe Campanari as Marcello, and Luigi Mancinelli conducting.