Mittwoch aus Lichtwikipedia
Mittwoch aus Licht (English: Wednesday from Light) is an opera by Karlheinz Stockhausen in a greeting, four scenes, and a farewell.
Orchester-FinalistenMittwochWednesday'' (opera)MichaelionBassetsuBassetsu TrioCarouselWelt-Parliament

Karlheinz Stockhausen

StockhausenKarlheinz StockhausenStockhausen, Karlheinz
Mittwoch aus Licht (English: Wednesday from Light) is an opera by Karlheinz Stockhausen in a greeting, four scenes, and a farewell.
This arrangement allowed him to extend his notational innovations (for example, dynamics in Weltparlament [the first scene of Mittwoch aus Licht] are coded in colour) and resulted in eight German Music Publishers Society Awards between 1992 (Luzifers Tanz) and 2005 (Hoch-Zeiten, from Sonntag aus Licht).

Birmingham Opera Company

Birmingham
The staged premiere of Mittwoch was given by the Birmingham Opera Company on what would have been the composer's 84th birthday, Wednesday 22 August 2012 at the Argyle Works, a former factory in Digbeth, Birmingham, as part of the London 2012 Festival, with further performances on 23, 24, and 25 August.
On 22 August 2012 the Company performed the world premiere of Karlheinz Stockhausen's Mittwoch aus Licht, the last opera of the Licht cycle to be staged, as part of the London 2012 Festival.

Kathinka Pasveer

The director was Graham Vick, music director Kathinka Pasveer, designer Paul Brown, lighting Giuseppe di Iorio, and choreography Ron Howell.
These included parts in the operas Montag aus Licht (La Scala 1988), Dienstag aus Licht (Leipzig Opera 1993), and Freitag aus Licht (Leipzig Opera 1996), as well as the concert premieres of Orchester-Finalisten (Carré, Amsterdam, 1996), Michaelion from Mittwoch aus Licht (Prinzregententheater, Munich, 1998), and Kathinka performed as one of the 4 soloists in the world première of Licht-Bilder (third scene of Sonntag aus Licht (Donaueschingen, 16 October 2004).

Graham Vick

Graham Vick
The director was Graham Vick, music director Kathinka Pasveer, designer Paul Brown, lighting Giuseppe di Iorio, and choreography Ron Howell.
Vick's productions with Birmingham Opera include the first UK production of Othello to feature a black tenor in the title role in 2009, and the 2012 world premiere of Karlheinz Stockhausen's notoriously difficult Mittwoch aus Licht.

Octophonic sound

octophonicoctophonic musicoctophonic sound
The solos are accompanied by electronic and concrete music in octophonic spatial projection, and each is associated with a particular image:
In reference to his own work, Karlheinz Stockhausen made a distinction between these two forms, reserving the term "octophonic" for a cube configuration, as found in his Oktophonie and the electronic music for scene 2 and the Farewell of Mittwoch aus Licht, and using the expression "eight-channel sound" for the circular arrangement, as used in Sirius, Unsichtbare Chöre, or Hours 13 to 21 of the Klang cycle.

Trumpetent

It is Number 73 in his catalogue of works and one of four independent compositions related to his opera, Mittwoch aus Licht.

Michael Vetter

Vetter
In 1997, Stockhausen composed for Vetter the central role of Luca, the Operator, in Michaelion, the fourth scene of his opera Mittwoch aus Licht.

Suzanne Stephens

Suzee (Suzanne) Stephens
The monumental basset-horn part Licht by itself amounts to some eight hours of music: substantial portions of Donnerstag (premiered in 1981 at the Teatro alla Scala in Milan, new staging in 1985 at the Royal Opera at Covent Garden in London), Montag (premiered in May 1988 at the Teatro alla Scala in Milan), and Freitag (premiered at the Leipzig Opera in 1996), as well as scenes from Mittwoch (fourth scene, Michaelion, premiered in 1998 at the Prinzregententheater, Munich) and Sonntag (third scene, Licht-Bilder, premiered October 16, 2004 in Donaueschingen).

Europa-Gruss

Originally titled Mittwochs-Gruss, it was briefly meant to be the "greeting" for the opera Mittwoch aus Licht and was initially assigned the work number 65 in the composer’s catalogue of works, immediately preceding the four scenes of the opera (provisionally numbered 66–69).

Rotary Wind Quintet

Rotary'' Wind QuintetRotary-Bläserquintett
Like the Helicopter String Quartet, The Rotary Wind Quintet is a component of the opera Mittwoch aus Licht.

Klavierstücke (Stockhausen)

KlavierstückeKlaviKlavierstück XIKlavierstück XI
Similar to Klavierstück XIV, this is a simple presentation of the formula, though in this case the four-layered version Stockhausen developed for the composition of Mittwoch aus Licht, consisting of the complete superformula superimposed on a statement of just the Wednesday segment (which, as it happens, only has notes in the Eve layer).

Litanei 97

The world premiere took place on 26 July 1997 in the Augustinuskirche in Schwäbisch-Gmünd, with Rupert Huber conducting the Choir of the South German Radio—the same performers who had premiered Stockhausen's Welt-Parliament the preceding year, and would premiere Michaelion in 1998.

Helikopter-Streichquartett

Helicopter String Quartet
Although performable as a self-sufficient piece, it also forms the third scene of the opera Mittwoch aus Licht ("Wednesday from Light").

Space music

space musicspacecosmic music
"In 1967, just following the world premier of Hymnen, Stockhausen said this about the electronic music experience: '... Many listeners have projected that strange new music which they experienced—especially in the realm of electronic music—into extraterrestrial space. Even though they are not familiar with it through human experience, they identify it with the fantastic dream world. Several have commented that my electronic music sounds "like on a different star," or "like in outer space." Many have said that when hearing this music, they have sensations as if flying at an infinitely high speed, and then again, as if immobile in an immense space. Thus, extreme words are employed to describe such experience, which are not "objectively" communicable in the sense of an object description, but rather which exist in the subjective fantasy and which are projected into the extraterrestrial space.' " Page 145, Electronic and Experimental Music: Pioneers in Technology and Composition, Thomas B. Holmes, Routledge Music/Songbooks, 2002, A number of Stockhausen's later compositions (not all of them electronic music) take outer space as their theme: Sternklang (Star Sound, 1971), Ylem (1972), Sirius (1975–77), several components of the opera-cycle Licht (Weltraum (Outer Space, 1991–92/1994), Michaelion (1997), Komet (Comet, 1994/1999), Lichter—Wasser (Lights—Waters, 1998–99)), and the so-called "Urantia" subcycle of Klang (Sound, 2006–2007), extending from its thirteenth "hour", Cosmic Pulses to its twenty-first "hour" Paradies.

Moment form

moment formmomentsMomentform
Besides Kontakte, works cited by Stockhausen as being particularly concerned with moment forming include the earlier Gesang der Jünglinge (1955–56), as well as the subsequent Carré (1960), Momente (1962–64/69), Mixtur (1964), Mikrophonie I (1964), Mikrophonie II (1965), Telemusik (1966), Hymnen (1966–67/69), Stimmung (1968), Samstag aus Licht (1981–83), Michaelion from Mittwoch aus Licht, Himmelfahrt (2004–05), Freude (2005), and Himmels-Tür (2005).

Yuval Sharon

Yuval Sharon
In 2012 Sharon was Associate Director of the world premiere of Stockhausen's Mittwoch aus Licht with Graham Vick for the London 2012 Cultural Olympics.