A report on MughamShusha and Uzeyir Hajibeyov

Mugham performer khananda Seyid Shushinski (second from left) with his ensemble in 1916
Hajibeyov in 1945
Uzeyir Hajibeyov merged traditional Azerbaijani music styles with Western styles early in the 20th century.
Saint John the Baptist Church (Kanach Zham), built in 1818.
Huseyngulu Sarabski as the first Majnun in the opera Leyli and Majnun (Baku, 1908).
Alim Gasimov performs mugham in Eurovision Song Contest
Yukhari Govhar Agha Mosque, completed in 1885.
Uzeyir Hajibeyov with his wife
Mugham performers in Baku. From left (tar, daf, kamancha)
The Palace of Khurshidbanu Natavan, the daughter of the last ruler of Karabakh Khanate, late 19th-early 20th centuries
Uzeyir Hajibeyov's manuscript of Arshin Mal Alan, written in 1913.
Alim Gasimov on the semi-final allocation draw ceremony of Eurovision Song Contest 2012
The Armenian quarters of Shusha – with the Ghazanchetsots Cathedral in the background – in the early 20th century, before their destruction by Azerbaijani military units in 1920
A poster of "Arshin Mal Alan" at Femina theatre of Paris in 1925.
19th-century map
Commemorative stelae in Donaupark, Vienna.
Shusha fortress in 2021
Monument to Uzeyir Hajibeyov, in Novi Sad, Serbia.
Ashaghi Govhar Agha Mosque, opened in 1876
Ghazanchetsots Cathedral, opened in 1887
A photo taken in 1918 of the Karabakh reconciliation commission, composed of religious leaders and elders of both Armenian and Azerbaijani communities
Armenian half of Shusha destroyed by Azerbaijani armed forces in 1920, with the defiled cathedral of the Holy Savior and Aguletsots church on the background
Ruins of the Armenian part of Shusha after the 1920 pogrom with the church of the Holy Mother of God "Kanach Zham" in the background
View from the town
A T-72 tank standing as a memorial commemorating the capture of Shusha by the Armenian forces
Part of Shusha in ruins in 2010
Celebrations in Baku, Azerbaijan on 8 November.
Azerbaijani composer Uzeyir Hajibeyov (top left) with his family in Shusha, 1915
Armenian composer Grikor Mirzaian Suni with his chorus in Shushi (1902)
Shusha in 2015
Shusha as seen from the road approaching the town
Karabakh reconciliation commission, composed of religious leaders and elders of both Armenian and Azerbaijani communities in Shusha in 1906–07

The town of Shusha of Karabakh, was particularly renowned for this art.

- Mugham

Over the course of the 19th century, the town grew in size to become a city, and was home to many Armenian and Azerbaijani intellectuals, poets, writers and musicians (including Azerbaijani ashiks, mugham singers and kobuz players).

- Shusha

Shusha, often dubbed as the cradle of Azerbaijani music and culture, had a reputation for its musical heritage.

- Uzeyir Hajibeyov

He would later reflect on his experiences: "The first musical education I got as a child in Shusha came from best singers and saz-players. At that time I sang mughams and tasnifs. The singers liked my voice. They would make me sing and teach me at the same time."

- Uzeyir Hajibeyov

In the early decades of the 20th century, a member of native intelligentsia, Uzeyir Hajibeyov, the author of the first national opera Leyli and Majnun, also formulated the theoretical basis of Azerbaijani mugham in his work The Principles of Azerbaijan Folk Music. Famous Azerbaijani composer Gara Garayev and Fikrat Amirov also made a great contribution to the development of the art of mugham through creating the mugham symphony.

- Mugham

Khurshidbanu Natavan, Azerbaijan's most famous woman poet, composer Uzeyir Hajibeyov, opera singer Bulbul and one of Azerbaijan's first twentieth-century novelists, Yusif Vezir Chemenzeminli, were born here.

- Shusha
Mugham performer khananda Seyid Shushinski (second from left) with his ensemble in 1916

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