A report on Persepolis

Ruins of the Gate of All Nations, Persepolis.

As is typical of Achaemenid cities, Persepolis was built on a (partially) artificial platform.

Darius the Great, by Eugène Flandin (1840)

Aerial architectural plan of Persepolis.

Perspolis in 1920s, photo by Harold Weston

Hemidrachm from the Kingdom of Perside.Date: c. 100AC. - 100 AD.

Bust of Alexander the Great (British Museum of London).

"The Burning of Persepolis", led by Thaïs, 1890, by Georges-Antoine Rochegrosse

Ruins of the Western side of the compound at Persepolis.

Achaemenid frieze designs at Persepolis.

Reliefs of lotus flowers are frequently used on the walls and monuments at Persepolis.

Statue of a Persian Mastiff found at the Apadana, kept at the National Museum, Tehran.

Babylonian version of an inscription of Xerxes I, the "XPc inscription".

The lithograph of Shapur II in Bishapour, which is modeled on the maps of the Persepolis donors.

Sketch of Persepolis from 1704 by Cornelis de Bruijn.

Drawing of Persepolis in 1713 by Gérard Jean-Baptiste.

Drawing of the Tachara by Charles Chipiez.

A bas-relief at Persepolis, representing a symbol in Zoroastrianism for Nowruz.{{ref|a}}

A bas-relief from the Apadana depicting Delegations including Lydians and Armenians{{ref|page 39 image 21 in The Arts of Persia edited by R W Ferrier}} bringing their famous wine to the king.

Achaemenid plaque from Persepolis, kept at the National Museum, Tehran.

Objects from Persepolis kept at the National Museum, Tehran.

The Great Double Staircase at Persepolis.

Bas-relief on the staircase of the palace.

Depiction of united Medes and Persians at the Apadana, Persepolis.

Depiction of trees and lotus flowers at the Apadana, Persepolis.

Ruins of the Hall of the Hundred Columns, Persepolis.

Forgotten Empire Exhibition, the British Museum.

Persepolitan rosette rock relief, kept at the Oriental Institute.

alt=Museum display case showing Achaemenid objects.|Achaemenid objects at the Metropolitan Museum of Art, New York, including a bas relief from Persepolis.

A general view of the ruins at Persepolis.

The ceremonial capital of the Achaemenid Empire (c.

- Persepolis

64 related topics with Alpha

Achaemenid Empire

24 links

Ancient Iranian empire based in Western Asia that was founded by Cyrus the Great in 550 BC. It reached its greatest extent under Xerxes I, who conquered most of northern and central ancient Greece.

The Achaemenid Empire at its greatest territorial extent under the rule of Darius I (522 BC–486 BC)

Map of the expansion process of Achaemenid territories

Cyrus the Great is said, in the Bible, to have liberated the Hebrew captives in Babylon to resettle and rebuild Jerusalem, earning him an honored place in Judaism.

The tomb of Cyrus the Great, founder of the Achaemenid Empire. At Pasargadae, Iran.

The Achaemenid Empire at its greatest extent, c. 500 BC

The Persian queen Atossa, daughter of Cyrus the Great, sister-wife of Cambyses II, Darius the Great's wife, and mother of Xerxes the Great

Map showing events of the first phases of the Greco-Persian Wars

Greek hoplite and Persian warrior depicted fighting, on an ancient kylix, 5th century BC

Achaemenid king fighting hoplites, seal and seal holder, Cimmerian Bosporus.

Achaemenid gold ornaments, Brooklyn Museum

Persian Empire timeline including important events and territorial evolution – 550–323 BC

Relief showing Darius I offering lettuces to the Egyptian deity Amun-Ra Kamutef, Temple of Hibis

The 24 countries subject to the Achaemenid Empire at the time of Darius, on the Egyptian statue of Darius I.

The Battle of Issus, between Alexander the Great on horseback to the left, and Darius III in the chariot to the right, represented in a Pompeii mosaic dated 1st century BC – Naples National Archaeological Museum

Alexander's first victory over Darius, the Persian king depicted in medieval European style in the 15th century romance The History of Alexander's Battles

Frataraka dynasty ruler Vadfradad I (Autophradates I). 3rd century BC. Istakhr (Persepolis) mint.

Dārēv I (Darios I) used for the first time the title of mlk (King). 2nd century BC.

Winged sphinx from the Palace of Darius in Susa, Louvre

Volume of annual tribute per district, in the Achaemenid Empire, according to Herodotus.

Achaemenid tax collector, calculating on an Abax or Abacus, according to the Darius Vase (340–320 BC).

Letter from the Satrap of Bactria to the governor of Khulmi, concerning camel keepers, 353 BC

Relief of throne-bearing soldiers in their native clothing at the tomb of Xerxes I, demonstrating the satrapies under his rule.

Achaemenid king killing a Greek hoplite. c. 500 BC–475 BC, at the time of Xerxes I. Metropolitan Museum of Art.

Persian soldiers (left) fighting against Scythians. Cylinder seal impression.

Color reconstruction of Achaemenid infantry on the Alexander Sarcophagus (end of 4th century BC).

Seal of Darius the Great hunting in a chariot, reading "I am Darius, the Great King" in Old Persian (𐎠𐎭𐎶𐏐𐎭𐎠𐎼𐎹𐎺𐎢𐏁𐎴 𐏋, "adam Dārayavaʰuš xšāyaθiya"), as well as in Elamite and Babylonian. The word "great" only appears in Babylonian. British Museum.

Achaemenid calvalryman in the satrapy of Hellespontine Phrygia, Altıkulaç Sarcophagus, early 4th century BC.

Armoured cavalry: Achaemenid Dynast of Hellespontine Phrygia attacking a Greek psiloi, Altıkulaç Sarcophagus, early 4th century BC.

Reconstitution of Persian landing ships at the Battle of Marathon.

Greek ships against Achaemenid ships at the Battle of Salamis.

Iconic relief of lion and bull fighting, Apadana of Persepolis

Achaemenid golden bowl with lioness imagery of Mazandaran

A section of the Old Persian part of the trilingual Behistun inscription. Other versions are in Babylonian and Elamite.

A copy of the Behistun inscription in Aramaic on a papyrus. Aramaic was the lingua franca of the empire.

The Mausoleum at Halicarnassus, one of the Seven wonders of the ancient world, was built by Greek architects for the local Persian satrap of Caria, Mausolus (Scale model)

Reconstruction of the Palace of Darius at Susa. The palace served as a model for Persepolis.

Lion on a decorative panel from Darius I the Great's palace, Louvre

Apadana Hall, Persian and Median soldiers at Persepolis

Lateral view of tomb of Cambyses II, Pasargadae, Iran

Plaque with horned lion-griffins. The Metropolitan Museum of Art

Artaxerxes moved the capital back to Persepolis, which he greatly extended.

Iran

17 links

Country in Western Asia.

Inscription of Ardeshir Babakan (r. 224–242) in Naqsh-e Rostam: "This is the figure of Mazdaworshiper, the lord Ardashir, Shahanshah of Iran..."

An Ashrafi Coin of Nader Shah (r. 1736–1747), reverse:"Coined on gold the word of kingdom in the world, Nader of Greater Iran and the world-conquerer king."

A cave painting in Doushe cave, Lorestan, from the 8th millennium BC

A bas-relief at Persepolis, depicting the united Medes and Persians

Tomb of Cyrus the Great, founder of the Achaemenid Empire, in Pasargadae

The Achaemenid Empire (550 BC–330 BC) around the time of Darius the Great and Xerxes I

The Parthian Empire (247 BC–224 AD) in 94 BC at its greatest extent, during the reign of Mithridates II

Tomb of Hafez, a medieval Persian poet whose works are regarded as a pinnacle in Persian literature and have left a considerable mark on later Western writers, most notably Johann Wolfgang von Goethe, Henry David Thoreau, and Emerson

Venetian portrait, kept at the Uffizi, of Ismail I, the founder of the Safavid Empire

A portrait of AbbasI, the powerful, pragmatic Safavid ruler who reinforced Iran's military, political, and economic power

Statue of Nader Shah, the first Afsharid ruler of Iran, at his Tomb

A map showing the 19th-century northwestern borders of Iran, comprising modern-day eastern Georgia, Dagestan, Armenia, and the Republic of Azerbaijan, before being ceded to the neighboring Russian Empire by the Russo-Iranian wars

The first national Iranian Parliament was established in 1906 during the Persian Constitutional Revolution

Reza Shah, the first Pahlavi king of Iran, in military uniform

The Allied "Big Three" at the 1943 Tehran Conference.

Mohammad Reza Pahlavi and the Imperial Family during the coronation ceremony of the Shah of Iran in 1967.

Ruhollah Khomeini's return to Iran on 1February 1979

An Iranian soldier wearing a gas mask on the front-line during the Iran–Iraq War

The Green Movement's Silent Demonstration during the 2009–10 Iranian election protests

The 2017–18 Iranian protests were initiated on 31 December 2017 and continued for months.

Mount Damavand, Iran's highest point, is located in Amol, Mazenderan.

Persian leopard, listed as Endangered on the IUCN Red List.

Iran's syncretic political system combines elements of an Islamic theocracy with vetted democracy.

Ali Khamenei, the Supreme Leader of Iran, meeting with his counterpart, China's paramount leader Xi Jinping on 23 January 2016. Iran and China are strategic allies.

Ali Khamenei voting in the 2017 presidential election

Iranian former President Hassan Rouhani meeting with Russian President Vladimir Putin. Iran and Russia are strategic allies.

The Islamic Consultative Assembly, also known as the Iranian Parliament

Protest against U.S. recognition of Jerusalem as capital of Israel. Tehran, 11 December 2017.

Sophisticated indigenous long range missile system Bavar-373 paraded in Tehran.

Iran's provinces by their contribution to national GDP (2014)

A proportional representation of Iran exports, 2019

More than a million tourists visit Kish Island each year.

Iran holds 10% of the world's proven oil reserves and 15% of its gas. It is OPEC's second largest exporter and the world's 7th largest oil producer.

Literacy rate of Iran's population plus 15, 1975–2015, according to UNESCO Institute of Statistics

Sharif University of Technology is one of Iran's most prestigious higher education institutions.

The production line for AryoSeven at the Iranian biopharmaceutical company of AryoGen

Iran's provinces by population density (2013)

Iron Age gold cup from Marlik, kept at New York City's Metropolitan Museum of Art

Kamal-ol-Molk's Mirror Hall, often considered a starting point in Iranian modern art

Tomb of the 10th-century Persian poet Ferdowsi, author of Šāhnāme, the classical Persian composition of the Iranian national epics, in Tus

Zoroaster, the founder of Zoroastrianism, depicted on Raphael's The School of Athens

Karna, an ancient Iranian musical instrument from the 6th century BC, kept at the Persepolis Museum

The Roudaki Hall, constructed between 1957 and 1967 in Tehran

Reproduction of the 3rd-millennium BC goblet from southeastern Iran, possibly the world's oldest example of animation.

Abbas Kiarostami (1940–2016), an acclaimed Iranian film director

Behrouz Vossoughi, a well-known Iranian actor who has appeared in more than 90 films

Haft-Seen, a customary of Nowruz, the Iranian New Year

Chelow kabab (rice and kebab), one of Iran's national dishes

The Azadi Stadium in Tehran is West Asia's largest football stadium.

An Iranian tea tray served near Garden of Mausoleum of Omar Khayyam in Nishapur

It is located near the ruins of Persepolis and Pasargadae, two of the four capitals of the Achaemenid Empire.

Alexander riding Bucephalus on a Roman mosaic

Alexander the Great

16 links

King of the ancient Greek kingdom of Macedon.

Alexander III riding Bucephalus on a Roman mosaic

Map of The Kingdom of Macedon in 336 BC, birthplace of Alexander

Roman medallion depicting Olympias, Alexander's mother

Archaeological Site of Pella, Greece, Alexander's birthplace

Philip II of Macedon, Alexander's father

Battle plan from the Battle of Chaeronea

Pausanius assassinates Philip II, Alexander's father, during his procession into the theatre

The emblema of the Stag Hunt Mosaic, c. 300 BC, from Pella; the figure on the right is possibly Alexander the Great due to the date of the mosaic along with the depicted upsweep of his centrally-parted hair (anastole); the figure on the left wielding a double-edged axe (associated with Hephaistos) is perhaps Hephaestion, one of Alexander's loyal companions.

The Macedonian phalanx at the "Battle of the Carts" against the Thracians in 335 BC

Gérard Audran after Charles LeBrun, 'Alexander Entering Babylon,' original print first published 1675, engraving, Department of Image Collections, National Gallery of Art Library, Washington, DC.

Alexander Cuts the Gordian Knot (1767) by Jean-Simon Berthélemy

Name of Alexander the Great in Egyptian hieroglyphs (written from right to left), c. 332 BC, Egypt. Louvre Museum.

Site of the Persian Gate in modern-day Iran; the road was built in the 1990s.

Administrative document from Bactria dated to the seventh year of Alexander's reign (324 BC), bearing the first known use of the "Alexandros" form of his name, Khalili Collection of Aramaic Documents

The Killing of Cleitus, by André Castaigne (1898–1899)

Silver tetradrachm of Alexander the Great found in Byblos (ca 330-300 bc.) (BnF 1998–859; 17,33g; Byblos, Price 3426b)

The Phalanx Attacking the Centre in the Battle of the Hydaspes by André Castaigne (1898–1899)

Alexander's invasion of the Indian subcontinent

Asia in 323 BC, the Nanda Empire and the Gangaridai of the Indian subcontinent, in relation to Alexander's Empire and neighbours

Alexander (left) and Hephaestion (right): Both were connected by a tight friendship

Alexander at the Tomb of Cyrus the Great, by Pierre-Henri de Valenciennes (1796)

A Babylonian astronomical diary (c. 323–322 BC) recording the death of Alexander (British Museum, London)

19th-century depiction of Alexander's funeral procession, based on the description by Diodorus Siculus

Detail of Alexander on the Alexander Sarcophagus

Kingdoms of the Diadochi in 301 BC: the Ptolemaic Kingdom (dark blue), the Seleucid Empire (yellow), Kingdom of Pergamon (orange), and Kingdom of Macedon (green). Also shown are the Roman Republic (light blue), the Carthaginian Republic (purple), and the Kingdom of Epirus (red).

A coin of Alexander the Great struck by Balakros or his successor Menes, both former somatophylakes (bodyguards) of Alexander, when they held the position of satrap of Cilicia in the lifetime of Alexander, circa 333-327 BC. The obverse shows Heracles, ancestor of the Macedonian royal line and the reverse shows a seated Zeus Aëtophoros.

Alexander (left), wearing a kausia and fighting an Asiatic lion with his friend Craterus (detail); late 4th century BC mosaic, Pella Museum

A Roman copy of an original 3rd century BC Greek bust depicting Alexander the Great, Ny Carlsberg Glyptotek, Copenhagen

A mural in Pompeii, depicting the marriage of Alexander to Barsine (Stateira) in 324 BC; the couple are apparently dressed as Ares and Aphrodite.

The Hellenistic world view: world map of Eratosthenes (276–194 BC), using information from the campaigns of Alexander and his successors

Dedication of Alexander the Great to Athena Polias at Priene, now housed in the British Museum

Alexander's empire was the largest state of its time, covering approximately 5.2 million square km.

The Buddha, in Greco-Buddhist style, 1st to 2nd century AD, Gandhara, northern Pakistan. Tokyo National Museum.

This medallion was produced in Imperial Rome, demonstrating the influence of Alexander's memory. Walters Art Museum, Baltimore.

Alexander in a 14th-century Armenian manuscript

Alexander in a 14th-century Byzantine manuscript

Alexander conquering the air. Jean Wauquelin, Les faits et conquêtes d'Alexandre le Grand, 1448–1449

Folio from the Shahnameh showing Alexander praying at the Kaaba, mid-16th century

Detail of a 16th-century Islamic painting depicting Alexander being lowered in a glass submersible

A Hellenistic bust of a young Alexander the Great, possibly from Ptolemaic Egypt, 2nd-1st century BC, now in the British Museum

A fresco depicting a hunt scene at the tomb of Philip II, Alexander's father, at the Archaeological Site of Aigai, the only known depiction of Alexander made during his lifetime, 330s BC

He sent the bulk of his army to the Persian ceremonial capital of Persepolis via the Persian Royal Road.

Darius the Great

12 links

Persian ruler who served as the third King of Kings of the Achaemenid Empire, reigning from 522 BCE until his death in 486 BCE.

Lineage of Darius the Great according to the Behistun Inscription.

Ethnicities of the Achaemenid Army, on the tomb of Darius I. The nationalities mentioned in the DNa inscription are also depicted on the upper registers of all the tombs at Naqsh-e Rustam, starting with the tomb of Darius I. The ethnicities on the tomb of Darius further have trilingual labels on the lintel directly over them for identification, collectively known as the DNe inscription. One of the best preserved friezes, identical in content, is that of Xerxes I.

Map showing key sites during the Persian invasions of Greece

Volume of annual tribute per district, in the Achaemenid Empire.

Reconstruction drawing of the Palace of Darius in Susa

The ruins of Tachara palace in Persepolis

thumb|upright|Egyptian statue of Darius I, as Pharaoh of the Twenty-seventh Dynasty of Egypt;<ref>{{cite book |last1=Razmjou |first1=Shahrokh |title=Ars orientalis; the arts of Islam and the East |date=1954 |publisher=Freer Gallery of Art |pages=81–101 |url=https://archive.org/details/arsorient323320022003univ/page/n95/mode/2up}}</ref> 522–486 BC; greywacke; height: 2.46 m;<ref>{{cite book |last1=Manley|first1=Bill|title=Egyptian Art|year=2017|publisher=Thames & Hudson|pages=280|isbn=978-0-500-20428-3}}</ref> National Museum of Iran (Teheran)

Darius as Pharaoh of Egypt at the Temple of Hibis

Darius worked on other construction projects throughout the empire, primarily focusing on Susa, Pasargadae, Persepolis, Babylon and Egypt.

Cyrus the Great with a Hemhem crown, or four-winged Cherub tutelary divinity, from a relief in the residence of Cyrus in Pasagardae

Cyrus did not venture into Egypt, and was alleged to have died in battle while fighting the Massagetae, an ancient Eastern Iranian nomadic tribal confederation, along the Syr Darya in December 530 BC. However, Xenophon claimed that Cyrus did not die in battle and returned to the Achaemenid ceremonial capital of Persepolis again.

Sasanian Empire

11 links

The last Iranian empire before the early Muslim conquests of the.

The Sasanian Empire at its greatest extent c. 620, under Khosrow II

Initial coinage of founder Ardashir I, as King of Persis Artaxerxes (Ardaxsir) V. c. 205/6–223/4 CE. Obv: Bearded facing head, wearing diadem and Parthian-style tiara, legend "The divine Ardaxir, king" in Pahlavi. Rev: Bearded head of Papak, wearing diadem and Parthian-style tiara, legend "son of the divinity Papak, king" in Pahlavi.

1840 illustration of a Sasanian relief at Firuzabad, showing Ardashir I's victory over Artabanus IV and his forces.

Rock relief of Ardashir I receiving the ring of kingship by the Zoroastrian supreme god Ahura Mazda.

Rock-face relief at Naqsh-e Rostam of Persian emperor Shapur I (on horseback) capturing Roman emperor Valerian (standing) and Philip the Arab (kneeling), suing for peace, following the victory at Edessa.

The Humiliation of Valerian by Shapur (Hans Holbein the Younger, 1521, pen and black ink on a chalk sketch, Kunstmuseum Basel)

Rome and satellite kingdom of Armenia around 300, after Narseh's defeat

Early Alchon Huns coin based on the coin design of Shapur II, adding the Alchon Tamgha symbol Alchon_Tamga.png and "Alchono" (αλχοννο) in Bactrian script on the obverse. Dated 400–440.

Bahram V is a great favourite in Persian literature and poetry. "Bahram and the Indian princess in the black pavilion." Depiction of a Khamsa (Quintet) by the great Persian poet Nizami, mid-16th-century Safavid era.

Plate of a Sasanian king hunting rams, perhaps Kavad I ((r. 488 – 496)).

15th-century Shahnameh illustration of Hormizd IV seated on his throne.

The Siege of Constantinople in 626 by the combined Sassanid, Avar, and Slavic forces depicted on the murals of the Moldovița Monastery, Romania

Queen Boran, daughter of Khosrau II, the first woman and one of the last rulers on the throne of the Sasanian Empire, she reigned from 17 June 629 to 16 June 630

Extent of the Sasanian Empire in 632 with modern borders superimposed

Umayyad Caliphate coin imitating Khosrau II. Coin of the time of Mu'awiya I ibn Abi Sufyan. BCRA (Basra) mint; "Ubayd Allah ibn Ziyad, governor". Dated AH 56 = 675/6. Sasanian style bust imitating Khosrau II right; bismillah and three pellets in margin; c/m: winged creature right / Fire altar with ribbons and attendants; star and crescent flanking flames; date to left, mint name to right.

The Walls of Derbent, part of the Sasanian defense lines

A Sassanid king posing as an armored cavalryman, Taq-e Bostan, Iran

Sassanian silver plate showing lance combat between two nobles.

A fine cameo showing an equestrian combat of Shapur I and Roman emperor Valerian in which the Roman emperor is seized following the Battle of Edessa, according to Shapur's own statement, "with our own hand", in 260

Sassanian fortress in Derbent, Dagestan. Now inscribed on Russia's UNESCO world heritage list since 2003.

Egyptian woven pattern woolen curtain or trousers, which was a copy of a Sassanid silk import, which was in turn based on a fresco of King Khosrau II fighting Axum Ethiopian forces in Yemen, 5–6th century

Persian ambassador at the Chinese court of Emperor Yuan of Liang in his capital Jingzhou in 526-539 CE, with explanatory text. Portraits of Periodical Offering of Liang, 11th century Song copy.

Coin of the Kushanshah Peroz II Kushanshah ((r. 303 – 330))

Foreign dignitary drinking wine, on ceiling of Cave 1, at Ajanta Caves, possibly depicting the Sasanian embassy to Indian king Pulakesin II (610–642), photograph and drawing.

Taq-i Kisra, the facade of the Sasanian palace in the capital Ctesiphon. The city developed into a rich commercial metropolis. It may have been the most populous city of the world in 570–622.

Plate of a Sasanian king, located in the Azerbaijan Museum in Iran.

A bowl with Khosrau I's image at the center

Horse head, gilded silver, 4th century, Sasanian art

A Sasanian silver plate featuring a simurgh. The mythical bird was used as the royal emblem in the Sasanian period.

A Sasanian silver plate depicting a royal lion hunt

The remains of the Shushtar Historical Hydraulic System, a UNESCO World Heritage Site.

Sasanian silk twill textile of a simurgh in a beaded surround, 6th–7th century. Used in the reliquary of Saint Len, Paris

Seal of a Sassanian nobleman holding a flower, ca. 3rd–early 4th century AD.

Ruins of Adur Gushnasp, one of three main Zoroastrian temples in the Sassanian Empire

The Sasanians developed an accurate, phonetic alphabet to write down the sacred Avesta

Sasanian-era cornelian gem, depicting Abraham advancing towards Isaac with a knife in his hands. A ram is depicted to the right of Abraham. Middle Persian (Pahlavi) inscription ZNH mwdly l’styny. Created 4th-5th century AD

A Sasanian fortress in Derbent, Russia (the Caspian Gates)

"Parsees of Bombay" a wood engraving, c. 1873

Shapur celebrated his victory by carving the impressive rock reliefs in Naqsh-e Rostam and Bishapur, as well as a monumental inscription in Persian and Greek in the vicinity of Persepolis.

Rock relief of an Achaemenid king, most likely Xerxes, located in the National Museum of Iran

Xerxes I

10 links

The fourth King of Kings of the Achaemenid Empire, ruling from 486 to 465 BC. He was the son and successor of Darius the Great ((r.

The "Caylus vase", a quadrilingual alabaster jar with cuneiform and hieroglyphic inscriptions in the name of "Xerxes, the Great King". Cabinet des Médailles, Paris

Engraving of Babylon by H. Fletcher, 1690

The soldiers of Xerxes I, of all ethnicities, on the tomb of Xerxes I, at Naqsh-e Rostam

Achaemenid king killing a Greek hoplite. Impression from a cylinder seal, sculpted c. 500 BC – 475 BC, at the time of Xerxes I Metropolitan Museum of Art

Foundations of the Old Temple of Athena, destroyed by the armies of Xerxes I during the Destruction of Athens in 480 BC

The rock-cut tomb at Naqsh-e Rustam north of Persepolis, copying that of Darius, is usually assumed to be that of Xerxes

This cuneiform text mentions the murder of Xerxes I by his son. From Babylon, Iraq. British Museum

Xerxes being designated by Darius I. Tripylon, Persepolis. The ethnicities of the Empire are shown supporting the throne. Ahuramazda crowns the scene.

Trilingual inscription of Xerxes at Van (present-day Turkey)

The Persian king in the Biblical Book of Esther is commonly thought to be Xerxes

Xerxes (Ahasuerus) by Ernest Normand, 1888 (detail)

Xerxes also oversaw the completion of various construction projects at Susa and Persepolis.

Susa

12 links

Ancient city in the lower Zagros Mountains about 250 km east of the Tigris, between the Karkheh and Dez Rivers in Iran.

Map showing the area of the Elamite kingdom (in orange) and the neighboring areas. The approximate Bronze Age extension of the Persian Gulf is shown.

Assyria. Ruins of Susa, Brooklyn Museum Archives, Goodyear Archival Collection

Goblet and cup, Iran, Susa I style, 4th millennium BC – Ubaid period; goblet height c. 12 cm; Sèvres – Cité de la céramique, France

Puzur-Inshushinak Ensi Shushaki, "Puzur-Inshushinak Ensi (Governor) of Susa", in the "Table au Lion", dated 2100 BCE, Louvre Museum.

Silver cup from Marvdasht, Iran, with a linear-Elamite inscription from the time of Kutik-Inshushinak. National Museum of Iran

Middle-Elamite basrelief of warrior gods, Susa, 1600-1100 BCE

Statue of Darius the Great, National Museum of Iran

Archers frieze from Darius' palace at Susa. Detail of the beginning of the frieze, left. Louvre Museum

The 24 countries subject to the Achaemenid Empire at the time of Darius, on the Statue of Darius I.

The marriages of Stateira II to Alexander the Great of Macedon and her sister, Drypteis, to Hephaestion at Susa in 324 BCE, as depicted in a late-19th-century engraving.

A group of Western and Iranian archaeologists at a conference held in Susa, Khuzestan, Iran in 1977. Henry Wright, William Sumner, Elizabeth Carter, Genevieve Dolfus, Greg Johnson, Saeid Ganjavi, Yousef Majidzadeh,Vanden Berghe, and others.

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$King-priest with bow fighting enemies, with horned temple in the center. Susa II or Uruk period (3800–3100 BCE), found in excavations at Susa. Louvre Museum.<ref>{{cite book |last1=Álvarez-Mon |first1=Javier |title=The Art of Elam CA. 4200–525 BC |date=2020 |publisher=Routledge |isbn=978-1-000-03485-1 |page=101 |url=https://books.google.com/books?id=LxHaDwAAQBAJ&pg=PT101 |language=en}}</ref><ref>{{cite web |title=Louvre Museum Sb 2125 |url=https://www.louvre.fr/oeuvre-notices/fragments-de-scellement-de-jarre-portant-l-empreinte-d-un-sceau-cylindre-representant}}</ref><ref>{{cite web |title=Site officiel du musée du Louvre, Sb 2125 |url=http://cartelfr.louvre.fr/cartelfr/visite?srv=car_not&idNotice=17353 |website=cartelfr.louvre.fr}}</ref><ref>{{cite book |last1=Cheng |first1=Jack |last2=Feldman |first2=Marian |title=Ancient Near Eastern Art in Context: Studies in Honor of Irene J. Winter by her Students |date=2007 |publisher=BRILL |isbn=978-90-474-2085-9 |page=48 |url=https://books.google.com/books?id=t-mvCQAAQBAJ&pg=PA48 |language=en}}</ref>$

Globular envelope with the accounting tokens. Clay, Uruk period (c. 3500 BCE). From the Tell of the Acropolis in Susa. The Louvre

Work in the granaries, Susa II, Louvre.<ref>{{cite book|last1=Álvarez-Mon|first1=Javier|title=The Art of Elam CA. 4200–525 BC|date=2020|publisher=Routledge|isbn=978-1-000-03485-1|page=93|url=https://books.google.com/books?id=LxHaDwAAQBAJ&pg=PT93|language=en}}</ref>

Priest-King with bow and arrows, Susa II, Louvre.<ref>{{cite book|last1=Álvarez-Mon|first1=Javier|title=The Art of Elam CA. 4200–525 BC|date=2020|publisher=Routledge|isbn=978-1-000-03485-1|page=101|url=https://books.google.com/books?id=LxHaDwAAQBAJ&pg=PT101|language=en}}</ref>

Prisoners, Susa II, Louvre.<ref>{{cite book|last1=Álvarez-Mon|first1=Javier|title=The Art of Elam CA. 4200–525 BC|date=2020|publisher=Routledge|isbn=978-1-000-03485-1|page=97|url=https://books.google.com/books?id=LxHaDwAAQBAJ&pg=PT97|language=en}}</ref>

Orant statuette, Susa II, Louvre.<ref>{{cite book|last1=Álvarez-Mon|first1=Javier|title=The Art of Elam CA. 4200–525 BC|date=2020|publisher=Routledge|isbn=978-1-000-03485-1|page=110|url=https://books.google.com/books?id=LxHaDwAAQBAJ&pg=PT110|language=en}}</ref>

Susa III/ Proto-Elamite cylinder seal, 3150–2800 BC. Louvre Museum, reference Sb 1484

Susa III/ Proto-Elamite cylinder seal 3150–2800 BC Mythological being on a boat Louvre Museum Sb 6379

Susa III/ Proto-Elamite cylinder seal 3150–2800 BC Louvre Museum Sb 6166

Economical tablet in Proto-Elamite script, Suse III, Louvre Museum, reference Sb 15200, circa 3100–2850 BCE

$Impression of an Indus cylinder seal discovered in Susa, in strata dated to 2600–1700 BCE. Elongated buffalo with line of standard Indus script signs. Tell of the Susa acropolis. Louvre Museum, reference Sb 2425.<ref>{{cite web|title=Site officiel du musée du Louvre|url=http://cartelfr.louvre.fr/cartelfr/visite?srv=car_not_frame&idNotice=13544|website=cartelfr.louvre.fr}}</ref><ref>{{cite book|last1=Marshall|first1=John|title=Mohenjo-Daro and the Indus Civilization: Being an Official Account of Archaeological Excavations at Mohenjo-Daro Carried Out by the Government of India Between the Years 1922 and 1927|date=1996|publisher=Asian Educational Services|isbn=9788120611795|page=425|url=https://books.google.com/books?id=Ds_hazstxY4C&pg=PA425|language=en}}</ref> Indus script numbering convention per Asko Parpola.<ref>{{cite web|title=Corpus by Asko Parpola|url=http://www.mohenjodaroonline.net/index.php/indus-script/corpus-by-asko-parpola|website=Mohenjodaro|language=en-gb}}</ref><ref>Also, for another numbering scheme: {{cite book|last1=Mahadevan|first1=Iravatham|title=The Indus Script. Text, Concordance And Tables Iravathan Mahadevan|date=1987|publisher=Archaeological Survey of India|pages=32–36|url=https://archive.org/stream/TheIndusScript.TextConcordanceAndTablesIravathanMahadevan/The%20Indus%20Script.%20Text%2C%20Concordance%20and%20Tables%20-Iravathan%20Mahadevan#page/n41/mode/2up|language=en}}</ref>$

$thumb|Indus round seal with impression. Elongated buffalo with Harappan script imported to Susa in 2600–1700 BCE. Found in the tell of the Susa acropolis. Louvre Museum, reference Sb 5614<ref>{{cite web|title=Site officiel du musée du Louvre|url=http://cartelfr.louvre.fr/cartelfr/visite?srv=car_not_frame&idNotice=13556|website=cartelfr.louvre.fr}}</ref>$

$thumb|Indian carnelian beads with white design, etched in white with an alkali through a heat process, imported to Susa in 2600–1700 BCE. Found in the tell of the Susa acropolis. Louvre Museum, reference Sb 17751.<ref>{{cite web|title=Site officiel du musée du Louvre|url=http://cartelfr.louvre.fr/cartelfr/visite?srv=car_not_frame&idNotice=13589|website=cartelfr.louvre.fr}}</ref><ref>{{cite book|last1=Guimet|first1=Musée|title=Les Cités oubliées de l'Indus: Archéologie du Pakistan|date=2016|publisher=FeniXX réédition numérique|isbn=9782402052467|pages=354–355|url=https://books.google.com/books?id=-HpYDwAAQBAJ&pg=PA354|language=fr}}</ref><ref>{{cite book|title=Art of the first cities : the third millennium B.C. from the Mediterranean to the Indus.|page=395|url=https://archive.org/details/ArtOfTheFirstCitiesTheThirdMillenniumB.C.FromTheMediterraneanToTheIndusEditedByJ/page/n419|language=en}}</ref> These beads are identical with beads found in the Indus Civilization site of Dholavira.<ref>{{cite book|last1=Nandagopal|first1=Prabhakar|title=Decorated Carnelian Beads from the Indus Civilization Site of Dholavira (Great Rann of Kachchha, Gujarat)|publisher=Archaeopress Publishing Ltd|isbn=978-1-78491-917-7|url=https://www.academia.edu/37860117|language=en|date=2018-08-13 }}</ref>$

$thumb|Indus bracelet, front and back, made of Pleuroploca trapezium or Turbinella pyrum imported to Susa in 2600–1700 BCE. Found in the tell of the Susa acropolis. Louvre Museum, reference Sb 14473.<ref>{{cite web|title=Louvre Museum Official Website|url=http://cartelen.louvre.fr/cartelen/visite?srv=car_not&idNotice=13532|website=cartelen.louvre.fr}}</ref> This type of bracelet was manufactured in Mohenjo-daro, Lothal and Balakot.<ref name="FeniXX réédition numérique">{{cite book|last1=Guimet|first1=Musée|title=Les Cités oubliées de l'Indus: Archéologie du Pakistan|date=2016|publisher=FeniXX réédition numérique|isbn=9782402052467|page=355|url=https://books.google.com/books?id=-HpYDwAAQBAJ&pg=PA355|language=fr}}</ref> The back is engraved with an oblong chevron design which is typical of shell bangles of the Indus Civilization.<ref>{{cite book|title=Art of the first cities : the third millennium B.C. from the Mediterranean to the Indus.|page=398|url=https://archive.org/details/ArtOfTheFirstCitiesTheThirdMillenniumB.C.FromTheMediterraneanToTheIndusEditedByJ/page/n422|language=en}}</ref>$