A report on SanchiStupa and Pillars of Ashoka

The Piprahwa stupa is one of the earliest surviving stupas.
Plan of the monuments of the hill of Sanchi, numbered 1 to 50.
Buddha's ashes Stupa built by the Licchavis, Vaishali and one of the earliest stupas
The "Lion Capital of Ashoka", from Sarnath.
The Ashoka pillar at Sanchi.
An early stupa, 6 m in diameter, with fallen umbrella on side at Chakpat, near Chakdara; probably Maurya, 3rd century BCE
were used as funerary steles
The capital of the Sanchi pillar of Ashoka, as discovered (left), and simulation of original appearance (right). It is very similar to the Lion Capital of Ashoka at Sarnath, except for the abacus, here adorned with flame palmettes and facing geese, 250 BCE. Sanchi Archaeological Museum.
an inscribed dedication
Ashoka called his own pillars Silā Thabhe (𑀲𑀺𑀮𑀸𑀣𑀪𑁂, Stone Stambha, i.e. stone pillars). Lumbini inscription, Brahmi script.
by later illustrations among the Sanchi reliefs
ButkaraStupa
Geographical spread of known pillar capitals.
The Great Stupa under the Sungas. The Sungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it.
The Ahin Posh stupa was dedicated in the 2nd century CE under the Kushans, and contained coins of Kaniska I.
Abacus of the Allahabad pillar of Ashoka, the only remaining portion of the capital of the Allahabad pillar.
Foreigner on a horse, circa 115 BCE, Stupa No2.
The Chinese Songyue Pagoda
Row of stupas on roadside east of Leh, Ladakh.jpg (523 CE) is thought to derive from the Gandharan tower-stupa model.
The horse motif on the Sarnath Lion Capital of Ashoka, is often described as an example of Hellenistic realism.
Sunga period railings were initially blank (left: Great Stupa), and only started to be decorated circa 115 BCE with Stupa No.2 (right).
Borobudur bell-shaped stupas
The elephant-crowned pillar of Ashoka at the Mahabodhi Temple, Gaya. Bharhut relief, 100 BCE.
Sunga pillar No25 with own capital on the side.
A Jain stupa, Mathura, 1st century CE
Ashoka also called his pillars "Dhaṃma thaṃbhā" (𑀥𑀁𑀫𑀣𑀁𑀪𑀸, Dharma stambha), i.e. "pillars of the Dharma". 7th Major Pillar Edict. Brahmi script.
Siri-Satakani inscription
Boudhanath Stupa, Kathmandu, Nepal
Fragment of the 6th Major Pillar Edict, from the Delhi-Meerut Pillar of Ashoka, British Museum.
Cave No.19
View of the Wat Phra Kaew complex from the northeast, temple complex of the Emerald Buddha with stupas
Vaishali lion
The Worship of the Bodhisattva's hair
The sharing of the relics of the Buddha. Greco-Buddhist art of Gandhara, 2-3rd century CE. ZenYouMitsu Temple Museum, Tokyo.
Depiction of the four lions capital surmounted by a Wheel of Law at Sanchi, Satavahana period, South gateway of stupa 3.
Vedisakehi damtakārehi rupakammam katam
Buddha relics from Kanishka's stupa in Peshawar, Pakistan. These surviving relics are now housed in Mandalay, Myanmar.
Rediscovery of the Ashoka pillar in Sarnath, 1905.
The Great Stupa at the time of the Satavahanas.
The Eight Great Stupas
Vaishali
Temptation of the Buddha, with the Buddha on the left (symbolized by his throne only) surrounded by rejoicing devotees, Mara and his daughters (center), and the demons of Mara fleeing (right).
Row of chortens at roadside near Leh, Ladakh
Lauriya-Nandangarh
War over the Buddha's Relics, kept by the city of Kushinagar, South Gate, Stupa no.1, Sanchi.
Enlightenment Stupa at Ogoy Island, Russia
Lauriya-Araraj
King Ashoka visits Ramagrama, to take relics of the Buddha from the Nagas, but he failed, the Nagas being too powerful. Southern gateway, Stupa 1, Southern Gateway, Sanchi.
Sanchi Stupa No.2, the earliest known stupa with important displays of decorative reliefs, circa 125 BCE<ref name="Bell 15">Didactic Narration: Jataka Iconography in Dunhuang with a Catalogue of Jataka Representations in China, Alexander Peter Bell, LIT Verlag Münster, 2000 p.15ff</ref>
Delhi-Meerut (originally from Meerut, broken in pieces during transportation).
Ashoka in grief, supported by his two queens, in a relief at Sanchi. Stupa 1, Southern gateway. The identification with Ashoka is confirm by a similar relief from Kanaganahalli inscribed "Raya Asoko".
East Gateway and Railings of Bharhut Stupa. Sculptured railings: 115 BCE, toranas: 75 BCE.
Delhi-Topra (originally from Topra Kalan).
Bodhi tree temple depicted in Sanchi, Stupa 1, Southern gateway.
The Great Stupa at Sanchi<ref name="Alī Jāvīd p.50">World Heritage Monuments and Related Edifices in India, Volume 1 p.50 by Alī Jāvīd, Tabassum Javeed, Algora Publishing, New York </ref> Decorated toranas built from the 1st c. BCE to the 1st c. CE.
Allahabad (originally from Kosambi)
Temple for the Bodhi Tree (Eastern Gateway).
Amaravati stupa, 1st-2nd century CE
Lumbini (broken in half). Capped for protection in the 20th century.
foreigners illustrated at Sanchi worshiping the Great Stupa
A model resembling the Saidu Sharif Stupa, with square base and four columns (1st century CE).<ref>Le Huu Phuoc, Buddhist Architecture, Grafikol 2009, p.174-176</ref>
Sarnath
Foreigners worshiping Stupa
Loriyan Tangai decorated stupa, in the Greco-Buddhist art of Gandhara (2nd century CE).
Sanchi
Greek travelling costume
A tower-shaped stupa, thought to be the design of the second (rebuilt) Kanishka stupa, Jaulian monastery
Rampurva
Another one
Stupa-shaped reliquary, Kushan period, about 2nd century CE
Nigali Sagar
Miracle at Kapilavastu
Chilas petroglyphs, Buddhist stupa, circa 300-350 CE based on paleography<ref>Dated "between A.D. 300-350 based on Kharosthi, Brahmi, and Sodian inscriptions written before and after the drawing was completed (fig.3) In the center of the triptych, a spectacular stupa with a relatively small dome [anda], a chattravali with seven disks, columns, banners, and multiple bells illustrates a trend towards decorative profusion." {{cite journal |journal=Bulletin of the Asia Institute |date=2002 |title=Chital petroglyphs|page=152 |url=https://books.google.com/books?id=RuhtAAAAMAAJ&pg=PA152 |publisher=Wayne State University Press |language=en}}</ref>
Fragment of pillar with inscription, Amaravati.<ref>{{cite book |last1=Sircar |first1=D. C. |title=Asokan studies |date=1979 |page=118 |url=https://archive.org/stream/in.gov.ignca.67068/67068#page/n129/mode/2up}}</ref>
Miracle of the Buddha walking on the river Nairanjana
The Great Stupa at Sanchi, which contained the relics of Buddha, the oldest known stupa
Kausambi
Procession of king Suddhodana from Kapilavastu
An early stupa at Guntupalle, probably Maurya Empire, third century BCE
Gotihawa, possible base of the Nigali Sagar pillar
"The promenade of the Buddha", or Chankrama, used to depict the Buddha in motion in Buddhist aniconism.
Buddha statue inside a votive stupa, Sarnath
Bodh Gaya (originally near Sujata Stupa, brought from Gaya in 1956).<ref>{{cite book |last1=Geary |first1=David |title=The Rebirth of Bodh Gaya: Buddhism and the Making of a World Heritage Site |date=2017 |publisher=University of Washington Press |isbn=9780295742380 |page=209 Note 1 |url=https://books.google.com/books?id=meA5DwAAQBAJ&pg=PA209 |language=en}}</ref>
Bimbisara with his royal cortege issuing from the city of Rajagriha to visit the Buddha
Abayagiri Dageba, Sri Lanka
Portion of an Ashokan pillar, found in Pataliputra.
Foreigners making a dedication at the Southern Gateway of Stupa No 1
Chorten near Potala Palace, Lhasa, Tibet
Bhawanipur Rupandehi.
Stupas and monasteries at Sanchi in the early centuries of the current era. Reconstruction, 1900
The white stupa in Miaoying Temple, China
Sankissa elephant.
Sanchi inscription of Chandragupta II.
The Kalachakra stupa in Karma Guen, Spain
Rampurva zebu bull original (now in Rashtrapati Bhavan, New Delhi).
Temple 17: a Gupta period tetrastyle prostyle temple of Classical appearance. 5th century CE
Stupa of Kantha Bopha
Lauria Nandangarh lion.
Statue of Padmapani (5th c.or 9th c.) Victoria and Albert Museum.
Stupa of King Norodom Suramarit
Rampurva lion.
Pillar 26: one of the two four-lions stambha capitals at Sanchi, with lions, central flame palmette and Wheel of Law (axis, stubs of the spokes and part of the circumference only), initially located at the Northern Gateway of the Great Stupa. Sanchi Archaeological Museum.
Main stupa at Wat Phnom
Four lions, once possibly crowned by a wheel, from Sanchi.
Pillar 26: lion pillar capital at time of discovery, with Dharmachakra wheel (reconstitution). Northern Gateway.
Stupa at Wat Botum
Kosambi-Allahabad Schism Edict.
this image
Stupa at Oudong
Sanchi Schism Edict.
Pillar 35 column stump (right), and bell capital with abacus, positioned upside down.
Golden stupa at Wat Ounalom
Sarnath Schism Edit.
Vajrapani statue of pillar 35, 5th c. CE. Sanchi Archaeological Museum.
thumb|Roadside stupa. Kathmandu 1979
Rummindei, in Lumbini.
Temple 18 at Sanchi, an apsidal hall with Maurya foundations, rebuilt at the time of Harsha (7th century CE).
Swayambhunath
Nigali Sagar.
Temple 45
Boudhanath Stupa
Major Pillar Edicts I, II, III (Delhi-Topra)
The Great Stupa as breached by Sir Herbert Maddock in 1822. Watercolor by Frederick Charles Maisey, in 1851.
Kaathe Swyambhu
Major Pillar Edicts IV (Delhi-Topra)
Ruins of the Southern Gateway, Sanchi in 1875.
Stupa
Major Pillar Edicts V-VII (Delhi-Topra)
A Gate to the Stupa of Sanchi 1932
Mahabaudha
Major Pillar Edicts VII, second part (Delhi-Topra)
Chetiyagiri Vihara
Tahiti stupa
Lion Capital of Ashoka from Sarnath, with Wheel of the Moral Law (reconstitution). 3rd century BCE.
Inscribed panel from Sanchi in Brahmi script in the British Museum
Yetkha Stupa
The last two letters to the right of this inscription in Brahmi form the word "dǎnam" (donation). This hypothesis permitted the decipherment of the Brahmi script by James Prinsep in 1837.
thumb|Small stupa in Kathmandu street
General view of the Stupas at Sanchi by F.C. Maisey, 1851 (The Great Stupa on top of the hill, and Stupa 2 at the forefront)
The Great Stupa (Stupa No.1), started in the 3rd century BCE
Stupa No.2
Stupa No.3
Buddhist Temple, No.17
Remains of the Ashokan Pillar in polished stone (right of the Southern Gateway), with its Edict.
Sanchi Minor Pillar Edict of Ashoka, in-situ (detail of the previous image).
Remains of the shaft of the pillar of Ashoka, under a shed near the Southern Gateway.
Side view of the capital. Sanchi Archaeological Museum.<ref name="p.25-28 Ashoka pillar"/>
Shunga balustrade and staircase.
Shunga stonework.
Shunga vedika (railing) with inscriptions.
Deambulatory pathway.
Summit railing and umbrellas.
Flame palmette.
Flame palmette and lotus.
Peacock.
Woman riding a Centaur.
Lotus.
Half lotus.
Lion.
Elephant.
Elephant with branch.
Floral motif.
Lakshmi with lotus and two child attendants, probably derived from [[:File:Venus with two cupids 2.jpg|similar images of Venus]]<ref>An Indian Statuette From Pompeii, Mirella Levi D'Ancona, in Artibus Asiae, Vol. 13, No. 3 (1950) p. 171</ref>
Griffin with Brahmi script inscription.
Female riding a Centaur.
Lotus within beads and reels motif.
Stairway and railing.
Lotus medallions.
Floral designs.
Post relief.<ref>Marshall p. 82</ref>
Relics of Sariputra and Mahamoggallana.
Detail of the foreigners, in Greek dress and playing carnyxes and aolus flute. Northern Gateway of Stupa I (detail).
Foreigners holding grapes and riding winged lions, Sanchi Stupa 1, Eastern Gateway.<ref>"The Diffusion of Classical Art in Antiquity, John Boardman, 1993, p. 112 Note 91</ref>
Foreigners riding horses.
Foreign heroe fighting a Makara
Foreigners on horses, wearing headbands, caps and boots. Western gate of Stupa 1.
Hero with headband wrestling a Makara.
Indians riding horses.
Indians riding bulls.
Indians riding bulls.
Queen Maya lustrated by Elephants.
The Buddha represented by the Dharmacakra.
Bodhi Tree.
Winged lion.
Winged lions.
The Buddha represented by the Dharmacakra.
Men and Women on Elephants.
Men and Women on Elephants.
Stupa representing a Buddha.
Lakshmi lustrated by Elephants.
Men on lions.
Men on lions.
2nd panel
3rd panel
Second panel
Bottom panel Dvarapala guardian deity or devotee.
Second panel
Possibly demons, or the attack of Mara.
Second panel
Bottom panel Dvarapala guardian deity or devotee.
2nd panel
3rd panel
A Seated Buddha statue (Gupta temple).
Buddha Statue (Great Stupa).
Seated Buddha (Great Stupa).
Pillar 34 with lion.<ref>Marshall p. 52 Pillar 34</ref>
The winged lion capital of pillar 34 (lost).
Great Stupa, Eastern Gateway, in 1875.
West Gateway in 1882.
South Gateway in 1882.
Great Stupa, Northern Gateway in 1861.
Temple 18 in 1861.
A vision of ancient Indian court life, using motifs from Sanchi (wood engraving, 1878).

The Great Stupa at Sanchi is one of the oldest stone structures in India, and an important monument of Indian Architecture.

- Sanchi

In effect, many stupas are thought to date originally from the time of Ashoka, such as Sanchi or Kesariya, where he also erected pillars with his inscriptions, and possibly Bharhut, Amaravati or Dharmarajika in Gandhara.

- Stupa

Ashoka also established the Pillars of Ashoka throughout his realm, generally next to Buddhist stupas.

- Stupa

The oldest, and also the largest monument, is the Great Stupa also called Stupa No. 1, initially built under the Mauryans, and adorned with one of the Pillars of Ashoka.

- Sanchi

Sanchi, near Bhopal, Madhya Pradesh, four lions, Schism Edict.

- Pillars of Ashoka

He first uncovered the remains of a Gupta shrine west of the main stupa, overlying an Ashokan structure.

- Pillars of Ashoka

2 related topics with Alpha

Overall

A c. 1st century BCE/CE relief from Sanchi, showing Ashoka on his chariot, visiting the Nagas at Ramagrama.

Ashoka

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Indian emperor of the Maurya Empire, son of Bindusara, who ruled almost all of the Indian subcontinent from c. 268 to 232 BCE.

Indian emperor of the Maurya Empire, son of Bindusara, who ruled almost all of the Indian subcontinent from c. 268 to 232 BCE.

A c. 1st century BCE/CE relief from Sanchi, showing Ashoka on his chariot, visiting the Nagas at Ramagrama.
Ashoka's Major Rock Edict at Junagadh contains inscriptions by Ashoka (fourteen of the Edicts of Ashoka), Rudradaman I and Skandagupta.
King Ashoka visits Ramagrama, to take relics of the Buddha from the Nagas, but in vain. Southern gateway, Stupa 1, Sanchi.
The Major Rock Edict No.13 of Ashoka, mentions the Greek kings Antiochus, Ptolemy, Antigonus, Magas and Alexander by name, as recipients of his teachings.
The Aramaic Inscription of Taxila probably mentions Ashoka.
The Saru Maru commemorative inscription seems to mention the presence of Ashoka in the area of Ujjain as he was still a Prince.
Kanaganahalli inscribed panel portraying Asoka with Brahmi label "King Asoka", 1st–3rd century CE.
Stupa of Sanchi. The central stupa was built during the Mauryas, and enlarged during the Sungas, but the decorative gateway is dated to the later dynasty of the Satavahanas.
Illustration of the original Mahabodhi Temple temple built by Asoka at Bodh Gaya. At the center, the Vajrasana, or "Enlightenment Throne of the Buddha", with its supporting columns, being the object of adoration. A Pillar of Ashoka topped by an elephant appears in the right corner. Bharhut relief, 1st century BCE.
The rediscovered Vajrasana, or "Enlightenment Throne of the Buddha", at the Mahabodhi Temple in Bodh Gaya. It was built by Ashoka to commemorate the enlightenment of the Buddha, about two hundred years before him.
Ashoka and Monk Moggaliputta-Tissa at the Third Buddhist Council. Nava Jetavana, Shravasti.
A king - most probably Ashoka - with his two queens and three attendants, in a relief at Sanchi. The king's identification with Ashoka is suggested by a similar relief at Kanaganahalli, which bears his name.
Ashoka with his queen, at Kanaganahalli near Sannati, 1st–3rd century CE. The relief bears the inscription "Rāya Asoko" (𑀭𑀸𑀬 𑀅𑀲𑁄𑀓𑁄, "King Ashoka") in Brahmi script. It depicts the king with his queen, two attendants bearing fly-whisks, and one attendant bearing an umbrella.
Emperor Ashoka and his Queen at the Deer Park. Sanchi relief.
The word Upāsaka (𑀉𑀧𑀸𑀲𑀓, "Buddhist lay follower", in the Brahmi script), used by Ashoka in his Minor Rock Edict No.1 to describe his affiliation to Buddhism (circa 258 BCE).
Territories "conquered by the Dhamma" according to Major Rock Edict No.13 of Ashoka (260–218 BCE).
Distribution of the Edicts of Ashoka, and location of the contemporary Greek city of Ai-Khanoum.
The Kandahar Edict of Ashoka, a bilingual inscription (in Greek and Aramaic) by King Ashoka, discovered at Kandahar (National Museum of Afghanistan).
The Minor Rock Edict of Maski mentions the author as "Devanampriya Asoka", definitively linking both names, and confirming Ashoka as the author of the famous Edicts.
A c. 1910 painting by Abanindranath Tagore (1871–1951) depicting Ashoka's queen standing in front of the railings of the Buddhist monument at Sanchi (Raisen district, Madhya Pradesh).
The Ashokan pillar at Lumbini, Nepal, Buddha's birthplace
The Diamond throne at the Mahabodhi Temple, attributed to Ashoka
Front frieze of the Diamond throne
Mauryan ringstone, with standing goddess. Northwest Pakistan. 3rd century BCE. British Museum
Rampurva bull capital, detail of the abacus, with two "flame palmettes" framing a lotus surrounded by small rosette flowers.
Caduceus symbol on a Maurya-era punch-marked coin
A punch-marked coin attributed to Ashoka<ref>{{cite book |last=Mitchiner |first=Michael |date=1978 |title=Oriental Coins & Their Values: The Ancient and Classical World 600 B.C. - A.D. 650 |publisher=Hawkins Publications |page=544 |isbn=978-0-9041731-6-1}}</ref>
A Maurya-era silver coin of 1 karshapana, possibly from Ashoka's period, workshop of Mathura. Obverse: Symbols including a sun and an animal Reverse: Symbol Dimensions: 13.92 x 11.75 mm Weight: 3.4 g.
The Lion Capital of Ashoka in Sarnath, showing its four Asiatic lions standing back to back, and symbolizing the Four Noble Truths of Buddhism, supporting the Wheel of Moral law (Dharmachakra, reconstitution per Sarnath Museum notice). The lions stand on a circular abacus, decorated with dharmachakras alternating with four animals in profile: horse, bull, elephant, and lion. The architectural bell below the abacus, is a stylized upside down lotus. Sarnath Museum.

He is remembered for erecting the Ashoka pillars and spreading his Edicts, for sending Buddhist monks to Sri Lanka and Central Asia, and for establishing monuments marking several significant sites in the life of Gautama Buddha.

The 12th-century text Rajatarangini mentions a Kashmiri king Ashoka of Gonandiya dynasty who built several stupas: some scholars, such as Aurel Stein, have identified this king with the Maurya king Ashoka; others, such as Ananda W. P. Guruge dismiss this identification as inaccurate.

Sanchi, Madhya Pradesh, India

The Bharhut stupa, depicted on one of the friezes. Freer Gallery of Art

Bharhut

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Village located in the Satna district of Madhya Pradesh, central India.

Village located in the Satna district of Madhya Pradesh, central India.

The Bharhut stupa, depicted on one of the friezes. Freer Gallery of Art
The gateways (left) were made by northern (probably Gandharan) masons using Kharosthi marks, while the railings (right) were made by masons using marks in the local Brahmi script.
the Kharosthi letters were found on the balustrades
Bharhut pillar capital with rosette, beads-and-reels and flame palmette designs.
Adoration of the Dharmachakra.
Buddha sculpture at Bharhut 11-12th cent
Worship of the Bodhi tree.
Worship of the Dharmachakra.
Worship of the Bodhi tree, with Yakshini.
A Royal Couple Visits the Buddha.
Maya's dream, Sanchi, 1st century BCE.
Māyā's dream, Gandhara, 2–3rd century CE.
Dream of Mayadevi, Mardan.
Maya's Dream, Gandhara, 2nd-3rd century CE.
Asadrisa Jataka.
Bull and Tiger Jataka.
Dasaratha Jataka.
Chhandantiya Jataka.
Isi-Singe Jataka.
Latuwa Jataka.
Naga Jataka.
Yavamajhakiya Jataka.
Yambumane-Avayesi Jataka or Andha-Bhuta Jataka.
Kinara Jataka.
Hansa Jataka.
Monkey Jataka.
Monkey Jataka.
Devotee
Female bust
Female Figure holding a Lotus
Female Figure holding a Torch
Male and Female Figures
Male Figure
Male Figure on top of Column
Male Figure
Male Figure holding a Lotus
Male Figure holding a Flower
Male Figure
East Gateway
Railing post.
Post with reliefs.
Donators.
Devotees.
Yakshini.
Restoration plans.
Bharhut excavation
The Yaksha relief at Bharhut being worshipped as Hanuman by local villagers
The ruined Bharhut Stupa; seen behind it is the Lal Pahadi (Red Mountain)
Inscriptions
Inscriptions
Inscriptions
Inscriptions
Railing section at Indian Museum.

It is known for its famous relics from a Buddhist stupa.

Though more provincial in quality than the sculpture at Sanchi, Amaravati Stupa and some other sites, a large amount of sculpture has survived, generally in good condition.

A pillar capital in Bharhut, dated to the 2nd century BCE during the Shunga Empire period, is an example of Bharhut architecture thought to incorporate Persian and Greek styles, with recumbent animal (in the style of the Pillars of Ashoka), and a central anta capital with many Hellenistic elements (rosettes, beads-and-reels), as well as a central palmette design, in a style similar to that of the Pataliputra capital.