Post-production

Post-production is part of the process of filmmaking, video production, video production and photography.

An edit decision list or EDL is used in the post-production process of film editing and video editing.

Traditional (analogue) post-production has mostly been replaced by video editing software that operates on a non-linear editing system (NLE).

Video editing software is software used for performing the post-production video editing of digital video sequences on a non-linear editing system (NLE).

In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production.

With the emergence of digital film-making a distinction between special effects and visual effects has grown, with the latter referring to digital post-production while "special effects" referring to mechanical and optical effects.

Video editing is the process of editing segments of motion video production footage, special effects and sound recordings in the post-production process.

Dubbing, mixing, or re-recording is a post-production process used in filmmaking and video production in which additional or supplementary recordings are "mixed" with original production sound to create the finished soundtrack.

It is employed in a variety of disciplines including filmmaking, television production, video game development, theatre, sound recording and reproduction, live performance, sound art, post-production, radio and musical instrument development.

Foley is the reproduction of everyday sound effects that are added to films, videos, and other media in post-production to enhance audio quality.

As with filmmaking or other electronic media production, producing of an individual episode can be divided into three parts: pre-production, principal photography, and post-production.

The term is also used to refer to the equipment used in the post-production process.

A color suite (also called a color bay, telecine suite, or color correction bay) is the control room for color grading video in a post-production environment.

As explained by Jay Holben in American Cinematographer Magazine, "The telecine didn't truly become a viable post-production tool until it was given the ability to perform colour correction on a video signal."

Film editing is both a creative and a technical part of the post-production process of filmmaking.

DTE (direct to edit) is a digital video direct-to-disk recording method (and also refers to the associated equipment) used to streamline the post-production video editing workflow of raw video files into a Non-linear editing system (NLE).

Linear video editing is a video editing post-production process of selecting, arranging and modifying images and sound in a predetermined, ordered sequence.

Used in television production and filmmaking post-production, a 2-pop is a 1 kHz tone that is one frame long and placed 2 seconds before the start of program.

The high cost and limited capacity of these solutions limited their use to large professional audio recording studios, and even then, they were usually reserved for specific applications such as film post-production.

Offline editing is part of the post-production process of filmmaking and television production in which raw footage is copied and the copy only is then edited, thereby not affecting the camera original film stock or video tape.

Negative cutting is part of the post-production process and occurs after editing and prior to striking internegatives and release prints.

When the green is keyed out during post-production, stock footage or stock shots are inserted, to impart a particular message.

They can optionally allow direct to disk recording using the same codec that is used in various post-production video editing software packages to prevent any wasted time in transcoding.

Post-production is part of the process of filmmaking, video production, video production and photography.