Royal College of Musicwikipedia
The Royal College of Music is a conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the undergraduate to the doctoral level in all aspects of Western Art including performance, composition, conducting, music theory and history.
ARCMFRCMRoyal College of MusicRoyal CollegeThe Royal College of MusicRoyal Academy of MusicNational Training School for MusicRoyal College of Music (Junior Department)RCMRCM Museum of Music

Charles Villiers Stanford

StanfordCharles Villiers StanfordCharles Stanford
In his determination that the new institution should succeed as a training ground for orchestral players, Grove had two principal allies: the violinist Henry Holmes and the composer and conductor Charles Villiers Stanford.
In 1882, aged 29, he was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life.

Music school

conservatorymusic schoolconservatoire
The Royal College of Music is a conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the undergraduate to the doctoral level in all aspects of Western Art including performance, composition, conducting, music theory and history.
The term “music school” can also be applied to institutions of higher education under names such as school of music, such as the Jacobs School of Music of Indiana University; music academy, like the Sibelius Academy; music faculty as the Don Wright Faculty of Music of the University of Western Ontario; college of music, characterized by the Royal College of Music and the Berklee College of Music; music department, like the Department of Music at the University of California, Santa Cruz; or the term conservatory, exemplified by the Conservatoire de Paris.

Imperial College London

Imperial CollegeImperial College of Science and TechnologyImperial College, London
Its buildings are directly opposite the Royal Albert Hall on Prince Consort Road, next to Imperial College and among the museums and cultural centres of Albertopolis.
Proceeds of the Great Exhibition in 1851 were used by Prince Albert to develop a cultural area composed of the Victoria and Albert Museum, Science Museum, Natural History Museum, Geological Museum, Royal College of Science, Royal College of Art, Royal School of Mines, Royal College of Music, Royal College of Organists, Royal School of Needlework, Royal Geographical Society, Royal Horticultural Gardens, Royal Albert Hall and the Imperial Institute.

Hubert Parry

ParryHubert ParrySir Hubert Parry
Grove appointed 12 professors of orchestral instruments, in addition to distinguished teachers in other musical disciplines including Jenny Lind (singing), Hubert Parry (composition), Ernst Pauer (piano), Arabella Goddard (piano) and Walter Parratt (organ).
After early attempts to work in insurance, at his father's behest, Parry was taken up by George Grove, first as a contributor to Grove's massive Dictionary of Music and Musicians in the 1870s and 80s, and then in 1883 as professor of composition and musical history at the Royal College of Music, of which Grove was the first head.

Jenny Lind

Jenny Lind[Jenny] Lindthe popular singer
Grove appointed 12 professors of orchestral instruments, in addition to distinguished teachers in other musical disciplines including Jenny Lind (singing), Hubert Parry (composition), Ernst Pauer (piano), Arabella Goddard (piano) and Walter Parratt (organ).
From 1882, for some years, she was a professor of singing at the Royal College of Music in London.

George Grove

Sir George GroveGroveGeorge Grove
In 1881, with George Grove as a leading instigator, and with the support of the Prince of Wales, a draft charter was drawn up for a successor body to the NTSM.
Grove was the first director of the Royal College of Music, from its foundation in 1883 until his retirement in 1894.

George Dyson (composer)

George DysonSir George DysonDyson
Parry died in 1918 and was succeeded as director by Sir Hugh Allen (1919–37), Sir George Dyson (1938–52), Sir Ernest Bullock (1953–59), Sir Keith Falkner (1960–74), Sir David Willcocks (1974–84), Michael Gough Mathews (1985–93), Dame Janet Ritterman (1993–2005) and Colin Lawson (2005–).
After studying at the Royal College of Music (RCM) in London, and army service in the First World War, he was a schoolmaster and college lecturer.

Keith Falkner

Sir Keith FalknerDonald Keith FalknerFalkner
Parry died in 1918 and was succeeded as director by Sir Hugh Allen (1919–37), Sir George Dyson (1938–52), Sir Ernest Bullock (1953–59), Sir Keith Falkner (1960–74), Sir David Willcocks (1974–84), Michael Gough Mathews (1985–93), Dame Janet Ritterman (1993–2005) and Colin Lawson (2005–).
Sir Donald Keith Falkner (1 March 1900 – 17 May 1994), known simply as Keith Falkner, was a distinguished English bass-baritone singer especially associated with oratorio and concert recital, who later became Director of the Royal College of Music in London.

ABRSM

ABRSMAssociated BoardRoyal Schools of Music
The college is one of the four conservatories of the Associated Board of the Royal Schools of Music and a member of Conservatoires UK.
The Associated Board of the Royal Schools of Music was founded in 1889 when Alexander Mackenzie, then the Principal of the Royal Academy of Music, and George Grove, founding Director of the Royal College of Music, decided that both institutions should combine to form an associated examining board to run joint local exams.

Royal Academy of Music

Royal Academy of MusicFRAMThe Royal Academy of Music
Conservatoires to train young students for a musical career had been set up in major European cities, but in London the long-established Royal Academy of Music had not supplied suitable training for professional musicians: in 1870 it was estimated that fewer than ten per cent of instrumentalists in London orchestras had studied at the academy.
The Academy faced closure in 1866; this was part of the reason for the founding of the Royal College of Music in neighbouring South Kensington.

Samson Fox

The building was largely paid for by two large donations from Samson Fox, a Yorkshire industrialist, whose statue, along with that of the Prince of Wales, stands in the entrance hall.
He was elected Mayor of Harrogate in Yorkshire and donated most of the cost of building the Royal College of Music in London.

Colin Lawson

Parry died in 1918 and was succeeded as director by Sir Hugh Allen (1919–37), Sir George Dyson (1938–52), Sir Ernest Bullock (1953–59), Sir Keith Falkner (1960–74), Sir David Willcocks (1974–84), Michael Gough Mathews (1985–93), Dame Janet Ritterman (1993–2005) and Colin Lawson (2005–).
Colin James Lawson CBE FRCM FRNCM FLCM Hon RAM (born 24 July 1949) is an English clarinettist, scholar and broadcaster.

South Kensington

Prince's GatePrinces GateSouth Kensington, London
The Royal College of Music is a conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the undergraduate to the doctoral level in all aspects of Western Art including performance, composition, conducting, music theory and history.
Other institutions such as the Royal Albert Hall, Imperial College London, the Royal Geographical Society, the Royal College of Art, the Royal College of Music are within the City of Westminster, but considered to be in South Kensington.

Arthur Blomfield

Sir Arthur BlomfieldArthur BlomfieldA.W. Blomfield
The building was designed by Sir Arthur Blomfield in Flemish Mannerist style in red brick dressed with buff-coloured Welden stone.
In 1882 Blomfield designed the Royal College of Music in London.

Janet Ritterman

Dame Janet Ritterman
Parry died in 1918 and was succeeded as director by Sir Hugh Allen (1919–37), Sir George Dyson (1938–52), Sir Ernest Bullock (1953–59), Sir Keith Falkner (1960–74), Sir David Willcocks (1974–84), Michael Gough Mathews (1985–93), Dame Janet Ritterman (1993–2005) and Colin Lawson (2005–).
Dame Janet Elizabeth Ritterman, (born 1 December 1941) is the Australian-educated former Director of the Royal College of Music in London, from 1993 to 2005.

David Willcocks

Sir David WillcocksDavid Valentine WillcocksDavid Willcocks
Parry died in 1918 and was succeeded as director by Sir Hugh Allen (1919–37), Sir George Dyson (1938–52), Sir Ernest Bullock (1953–59), Sir Keith Falkner (1960–74), Sir David Willcocks (1974–84), Michael Gough Mathews (1985–93), Dame Janet Ritterman (1993–2005) and Colin Lawson (2005–).
He was also director of the Royal College of Music in London.

John Lill

John Richard Lill
In addition to the college's permanent staff, faculty members at 2012 included well-known musicians such as Dimitri Alexeev, Barry Douglas, Håkan Hardenberger, John Lill, Colin Matthews, Sir Roger Norrington, Mark-Anthony Turnage, Roger Vignoles, and principals of the major London orchestras including the London Symphony, BBC Symphony, London Philharmonic, Philharmonia and the Royal Philharmonic Orchestras.
Lill studied at the Royal College of Music and with Wilhelm Kempff.

Conservatoires UK

Conservatoires UK Big BandBritish conservertoires
The college is one of the four conservatories of the Associated Board of the Royal Schools of Music and a member of Conservatoires UK.

Benjamin Britten

Benjamin BrittenBrittenBritten, Benjamin
The Britten Theatre, which seats 400, was opened by Queen Elizabeth II in 1986 and is used for opera, ballet, music and theatre.
He studied at the Royal College of Music in London and privately with the composer Frank Bridge.

Albertopolis

Exhibition Road pedestrian tunnelSouth Kensington
Its buildings are directly opposite the Royal Albert Hall on Prince Consort Road, next to Imperial College and among the museums and cultural centres of Albertopolis.

Ernest Bullock

Sir Ernest BullockBullock
Parry died in 1918 and was succeeded as director by Sir Hugh Allen (1919–37), Sir George Dyson (1938–52), Sir Ernest Bullock (1953–59), Sir Keith Falkner (1960–74), Sir David Willcocks (1974–84), Michael Gough Mathews (1985–93), Dame Janet Ritterman (1993–2005) and Colin Lawson (2005–).
When the Abbey's choir was dispersed during the Second World War, Bullock took up an academic career, first in the dual post of professor of music at the University of Glasgow and principal of the Royal Scottish Academy of Music and Drama, and then, from 1953 to 1960, as director of the Royal College of Music in London.

Roger Norrington

Sir Roger NorringtonRoger NorringtonRoger Arthur Carver Norrington
In addition to the college's permanent staff, faculty members at 2012 included well-known musicians such as Dimitri Alexeev, Barry Douglas, Håkan Hardenberger, John Lill, Colin Matthews, Sir Roger Norrington, Mark-Anthony Turnage, Roger Vignoles, and principals of the major London orchestras including the London Symphony, BBC Symphony, London Philharmonic, Philharmonia and the Royal Philharmonic Orchestras.
Norrington studied at The Royal Conservatory of Music in Toronto, Dragon School, Oxford, Westminster School, Clare College, Cambridge and the Royal College of Music under Adrian Boult among others.

Arthur Sullivan

Arthur SullivanSullivanSir Arthur Sullivan
After many years' delay it was established in 1876, with Arthur Sullivan as its principal.
In addition to his appointment as Professor of Composition at the Royal Academy of Music, of which he was a Fellow, he was appointed as the first Principal of the National Training School for Music in 1876.

Malcolm Arnold

Malcolm ArnoldSir Malcolm ArnoldArnold
More extensive collections feature the music of Herbert Howells, Frank Bridge and Malcolm Arnold and film scores by Stanley Myers.
After seeing Louis Armstrong play in Bournemouth, he took up the trumpet at the age of 12 and five years later won a scholarship to the Royal College of Music (R.C.M.).

English Musical Renaissance

musical renaissancerenaissance" in English musicrenaissance
Since opening in 1882, the college has had a distinguished list of teachers and alumni, including most of the composers who brought about the "English Musical Renaissance" of the 19th and 20th centuries.
The English Musical Renaissance was a hypothetical development in the late 19th and early 20th century, when British composers, often those lecturing or trained at the Royal College of Music, were said to have freed themselves from foreign musical influences, to have begun writing in a distinctively national idiom, and to have equalled the achievement of composers in mainland Europe.