What do Stupa and Sanchi have in common?

Bharhut

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Village located in the Satna district of Madhya Pradesh, central India.

The gateways (left) were made by northern (probably Gandharan) masons using Kharosthi marks, while the railings (right) were made by masons using marks in the local Brahmi script.

the Kharosthi letters were found on the balustrades

Bharhut pillar capital with rosette, beads-and-reels and flame palmette designs.

Buddha sculpture at Bharhut 11-12th cent

Worship of the Bodhi tree, with Yakshini.

Māyā's dream, Gandhara, 2–3rd century CE.

Maya's Dream, Gandhara, 2nd-3rd century CE.

Yambumane-Avayesi Jataka or Andha-Bhuta Jataka.

The Yaksha relief at Bharhut being worshipped as Hanuman by local villagers

The ruined Bharhut Stupa; seen behind it is the Lal Pahadi (Red Mountain)

It is known for its famous relics from a Buddhist stupa.

Though more provincial in quality than the sculpture at Sanchi, Amaravati Stupa and some other sites, a large amount of sculpture has survived, generally in good condition.

Ashoka

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Indian emperor of the Maurya Empire, son of Bindusara, who ruled almost all of the Indian subcontinent from c. 268 to 232 BCE.

Ashoka's Major Rock Edict at Junagadh contains inscriptions by Ashoka (fourteen of the Edicts of Ashoka), Rudradaman I and Skandagupta.

King Ashoka visits Ramagrama, to take relics of the Buddha from the Nagas, but in vain. Southern gateway, Stupa 1, Sanchi.

The Major Rock Edict No.13 of Ashoka, mentions the Greek kings Antiochus, Ptolemy, Antigonus, Magas and Alexander by name, as recipients of his teachings.

The Aramaic Inscription of Taxila probably mentions Ashoka.

The Saru Maru commemorative inscription seems to mention the presence of Ashoka in the area of Ujjain as he was still a Prince.

Kanaganahalli inscribed panel portraying Asoka with Brahmi label "King Asoka", 1st–3rd century CE.

Stupa of Sanchi. The central stupa was built during the Mauryas, and enlarged during the Sungas, but the decorative gateway is dated to the later dynasty of the Satavahanas.

Illustration of the original Mahabodhi Temple temple built by Asoka at Bodh Gaya. At the center, the Vajrasana, or "Enlightenment Throne of the Buddha", with its supporting columns, being the object of adoration. A Pillar of Ashoka topped by an elephant appears in the right corner. Bharhut relief, 1st century BCE.

The rediscovered Vajrasana, or "Enlightenment Throne of the Buddha", at the Mahabodhi Temple in Bodh Gaya. It was built by Ashoka to commemorate the enlightenment of the Buddha, about two hundred years before him.

Ashoka and Monk Moggaliputta-Tissa at the Third Buddhist Council. Nava Jetavana, Shravasti.

A king - most probably Ashoka - with his two queens and three attendants, in a relief at Sanchi. The king's identification with Ashoka is suggested by a similar relief at Kanaganahalli, which bears his name.

Ashoka with his queen, at Kanaganahalli near Sannati, 1st–3rd century CE. The relief bears the inscription "Rāya Asoko" (𑀭𑀸𑀬 𑀅𑀲𑁄𑀓𑁄, "King Ashoka") in Brahmi script. It depicts the king with his queen, two attendants bearing fly-whisks, and one attendant bearing an umbrella.

Emperor Ashoka and his Queen at the Deer Park. Sanchi relief.

The word Upāsaka (𑀉𑀧𑀸𑀲𑀓, "Buddhist lay follower", in the Brahmi script), used by Ashoka in his Minor Rock Edict No.1 to describe his affiliation to Buddhism (circa 258 BCE).

Territories "conquered by the Dhamma" according to Major Rock Edict No.13 of Ashoka (260–218 BCE).

Distribution of the Edicts of Ashoka, and location of the contemporary Greek city of Ai-Khanoum.

The Kandahar Edict of Ashoka, a bilingual inscription (in Greek and Aramaic) by King Ashoka, discovered at Kandahar (National Museum of Afghanistan).

The Minor Rock Edict of Maski mentions the author as "Devanampriya Asoka", definitively linking both names, and confirming Ashoka as the author of the famous Edicts.

A c. 1910 painting by Abanindranath Tagore (1871–1951) depicting Ashoka's queen standing in front of the railings of the Buddhist monument at Sanchi (Raisen district, Madhya Pradesh).

The Ashokan pillar at Lumbini, Nepal, Buddha's birthplace

The Diamond throne at the Mahabodhi Temple, attributed to Ashoka

Mauryan ringstone, with standing goddess. Northwest Pakistan. 3rd century BCE. British Museum

Rampurva bull capital, detail of the abacus, with two "flame palmettes" framing a lotus surrounded by small rosette flowers.

Caduceus symbol on a Maurya-era punch-marked coin

A punch-marked coin attributed to Ashoka<ref>{{cite book |last=Mitchiner |first=Michael |date=1978 |title=Oriental Coins & Their Values: The Ancient and Classical World 600 B.C. - A.D. 650 |publisher=Hawkins Publications |page=544 |isbn=978-0-9041731-6-1}}</ref>

A Maurya-era silver coin of 1 karshapana, possibly from Ashoka's period, workshop of Mathura. Obverse: Symbols including a sun and an animal Reverse: Symbol Dimensions: 13.92 x 11.75 mm Weight: 3.4 g.

The 12th-century text Rajatarangini mentions a Kashmiri king Ashoka of Gonandiya dynasty who built several stupas: some scholars, such as Aurel Stein, have identified this king with the Maurya king Ashoka; others, such as Ananda W. P. Guruge dismiss this identification as inaccurate.

Sanchi, Madhya Pradesh, India

Ancient kingdoms and cities of India during the time of the Buddha (circa 500 BCE) – modern-day India, Pakistan, Bangladesh and Afghanistan

Buddhism

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Indian religion or philosophical tradition based on a series of original teachings attributed to Gautama Buddha.

The gilded "Emaciated Buddha statue" in an Ubosoth in Bangkok representing the stage of his asceticism

Enlightenment of Buddha, Kushan dynasty, late 2nd to early 3rd century CE, Gandhara.

The Buddha teaching the Four Noble Truths. Sanskrit manuscript. Nalanda, Bihar, India.

Traditional Tibetan Buddhist Thangka depicting the Wheel of Life with its six realms

Ramabhar Stupa in Kushinagar, Uttar Pradesh, India is regionally believed to be Buddha's cremation site.

An aniconic depiction of the Buddha's spiritual liberation (moksha) or awakening (bodhi), at Sanchi. The Buddha is not depicted, only symbolized by the Bodhi tree and the empty seat.

Dharma Wheel and triratna symbols from Sanchi Stupa number 2.

Buddhist monks and nuns praying in the Buddha Tooth Relic Temple of Singapore

A depiction of Siddhartha Gautama in a previous life prostrating before the past Buddha Dipankara. After making a resolve to be a Buddha, and receiving a prediction of future Buddhahood, he becomes a "bodhisattva".

Bodhisattva Maitreya, Gandhara (3rd century), Metropolitan Museum of Art.

Sermon in the Deer Park depicted at Wat Chedi Liam, near Chiang Mai, Northern Thailand.

Buddhist monks collect alms in Si Phan Don, Laos. Giving is a key virtue in Buddhism.

An ordination ceremony at Wat Yannawa in Bangkok. The Vinaya codes regulate the various sangha acts, including ordination.

Living at the root of a tree (trukkhamulik'anga) is one of the dhutaṅgas, a series of optional ascetic practices for Buddhist monastics.

Kōdō Sawaki practicing Zazen ("sitting dhyana")

Seated Buddha, Gal Viharaya, Polonnawura, Sri Lanka.

Kamakura Daibutsu, Kōtoku-in, Kamakura, Japan.

Statue of Buddha in Wat Phra Si Rattana Mahathat, Phitsanulok, Thailand

An 18th century Mongolian miniature which depicts the generation of the Vairocana Mandala

A section of the Northern wall mural at the Lukhang Temple depicting tummo, the three channels (nadis) and phowa

Tibetan Buddhist prostration practice at Jokhang, Tibet.

Vegetarian meal at Buddhist temple. East Asian Buddhism tends to promote vegetarianism.

A depiction of the supposed First Buddhist council at Rajgir. Communal recitation was one of the original ways of transmitting and preserving Early Buddhist texts.

Gandhara birchbark scroll fragments (c. 1st century) from British Library Collection

The Tripiṭaka Koreana in South Korea, an edition of the Chinese Buddhist canon carved and preserved in over 81,000 wood printing blocks

Buddhist monk Geshe Konchog Wangdu reads Mahayana sutras from an old woodblock copy of the Tibetan Kanjur.

Mahākāśyapa meets an Ājīvika ascetic, one of the common Śramaṇa groups in ancient India

Ajanta Caves, Cave 10, a first period type chaitya worship hall with stupa but no idols.

Sanchi Stupa No. 3, near Vidisha, Madhya Pradesh, India.

Map of the Buddhist missions during the reign of Ashoka according to the Edicts of Ashoka.

Extent of Buddhism and trade routes in the 1st century CE.

A Buddhist triad depicting, left to right, a Kushan, the future buddha Maitreya, Gautama Buddha, the bodhisattva Avalokiteśvara, and a monk. Second–third century. Guimet Museum

Site of Nalanda University, a great center of Mahāyāna thought

Vajrayana adopted deities such as Bhairava, known as Yamantaka in Tibetan Buddhism.

Angkor Thom build by Khmer King Jayavarman VII (c. 1120–1218).

Distribution of major Buddhist traditions

Buddhists of various traditions, Yeunten Ling Tibetan Institute

Monastics and white clad laypersons celebrate Vesak, Vipassakna Dhaurak, Cambodia

Chinese Buddhist monks performing a formal ceremony in Hangzhou, Zhejiang Province, China.

Tibetan Buddhists practicing Chöd with various ritual implements, such as the Damaru drum, hand-bell, and Kangling (thighbone trumpet).

Ruins of a temple at the Erdene Zuu Monastery complex in Mongolia.

1893 World Parliament of Religions in Chicago

Interior of the Thai Buddhist wat in Nukari, Nurmijärvi, Finland

Percentage of Buddhists by country, according to the Pew Research Center, as of 2010

A painting by G. B. Hooijer (c. 1916–1919) reconstructing a scene of Borobudur, the largest Buddhist temple in the world.

Frontispiece of the Chinese Diamond Sūtra, the oldest known dated printed book in the world

The Dharmachakra, a sacred symbol which represents Buddhism and its traditions.

An image of a lantern used in the Vesak Festival, which celebrates the birth, enlightenment and Parinirvana of Gautama Buddha.

The support of Aśoka and his descendants led to the construction of more stūpas (such as at Sanchi and Bharhut), temples (such as the Mahabodhi Temple) and to its spread throughout the Maurya Empire and into neighbouring lands such as Central Asia and to the island of Sri Lanka.

Mahabodhi Temple

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Ancient, but much rebuilt and restored, Buddhist temple in Bodh Gaya, marking the location where the Buddha is said to have attained enlightenment.

Ashoka's Mahabodhi Temple and Diamond throne in Bodh Gaya, built c. 250 BCE. The inscription between the Chaitya arches reads: "Bhagavato Sakamunino/ bodho" i.e. "The building round the Bodhi tree of the Bhagavat(Holy) Sakamuni (Shakyamuni)". Also interesting to note is the word Bhagavat for Buddha, as Hindus consider him an incarnation of Vishnu who is also called Bhagavat. The elephant-crowned pillar of Ashoka (now lost) is visible. Bharhut frieze (c. 100 BCE).

Another relief of the early circular Mahabodhi Temple, Bharhut, c. 100 BCE.

Discovery of the Diamond throne, built by Ashoka c. 250 BCE.

Reconstitution of the Sunga period pillars at Bodh Gaya, from archaeology (left) and from artistic relief (right). They are dated to the 1st century BCE. Reconstitution done by Alexander Cunningham.

The stupa finial on top of the pyramidal structure.

A statue of Mucalinda protecting the Buddha in Mucalinda Lake, Mahabodhi Temple

The temple as it appeared in 1899, shortly after its restoration in the 1880s

Bodhgaya. Buddha image in the main temple.

Bodh Gaya quadriga relief of the sun god Surya riding between pillars (detail of a railing post), 2nd–1st century BCE.

The temple undergoing repairs (from January, 2006).

Bodh Gaya Chedi Replica at Wat Yansangwararam, Chonburi Province, Thailand

Bodh Gaya original railings, Indian Museum, Calcutta.

Padakusalamanava Jataka.<ref>The Padakusalamanava Jataka, in which a horse-headed ogress falls in love with one of her preys, and the Bodhisattva (the future Buddha) is born of their union. In: Didactic Narration: Jataka Iconography in Dunhuang with a Catalogue of Jataka Representations in China, Alexander Peter Bell, LIT Verlag Münster, 2000 pp. 15ff</ref>

Plaster copy and reconstruction of original Sunga railing.

Adoration of the wheel of the Law (plaster copy).

Flower Design decorated with gold leaves.

During the second week, the Buddha remained standing and stared, uninterrupted, at the Bodhi tree. This spot is marked by the Animeshlocha Stupa, that is, the unblinking stupa or shrine, to the north-east of the Mahabodhi Temple complex. There stands a statue of Buddha with his eyes fixed towards the Bodhi tree.

Representations of the early temple structure meant to protect the Bodhi tree are found at Sanchi, on the toraṇas of Stūpa I, dating from around 25 BCE, and on a relief carving from the stupa railing at Bhārhut, from the early Shunga period (c.

Sanchi Stupa No. 2

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Map of Sanchi hill, with Stupa II at the extreme left, to the west

The relief of the horse-headed ogress in Sanchi Stupa No.2.

Sunga period railings were initially blank (left: Sanchi Great Stupa), and only started to be decorated circa 115 BCE with Stupa No.2 (right).

Inscriptions on the railings of Sanchi Stupa II

Foreigner on a horse. The medallions are dated circa 115 BC.

Lakshmi with lotus and two child attendants, probably derived from [[:File:Venus with two cupids 2.jpg|similar images of Venus]]<ref>An Indian Statuette From Pompeii, Mirella Levi D'Ancona, in Artibus Asiae, Vol. 13, No. 3 (1950) p.171</ref>

Female riding a Centaur. Centaurs are generally considered as Western borrowings.<ref>"The hippocamps, the tritons, centaurs and other weird creatures, which certainly were borrowed from Western Art, occur at Gaya and other places, in the sculptures of the early period. Forms more or less similar occur at Mathura and Arnaravati." {{cite book |last1=Banerjee |first1=Gauranga Nath |title=Hellenism in ancient India |date=1920 |publisher=Calcutta |page=64 |url=https://archive.org/details/hellenisminancie00banerich}}</ref>

Hero fighting against lions, a motif of West-Asian origin, such as [[:File:Teheran National Museum Royal Warrior.jpg|this one]] or [[:File:Masjid-e Solaiman, Heracles Susa Archaeological Museum.jpg|this one]].<ref name="Hero">Sanchi Stupa number 2 KSP 3676.jpgTeheran National Museum Royal Warrior.jpgMasjid-e Solaiman, Heracles Susa Archaeological Museum.jpg"A man wrestling with an upright lion on a second stupa relief at north Indian Sanchi" The Parthian Period by Malcolm A. R. Colledge "The scene of king versus rampant lion appears on the coins of Persian satraps in Cilicia. At Dura the oriental tradition is so strong that even Heracles is represented fighting with upraised club a rampant lion; and it is of special interest to note that this same oriental scene of hero fighting rampant lion occurs on the sculptures of the railing pillars of Stupa II at Sanchi in India. The motif was, therefore, widespread and might be called a stock scene in the Parthian repertoire." in {{cite book |title=Berytus: Archaeological Studies |publisher=American University of Beirut. |page=291 |url=https://books.google.com/books?id=OYdCAAAAYAAJ |language=en}}</ref>

Symmetrical leaping winged lions among floral motifs.

Lotus with Hellenistic Beads and reels motif.

Palmette design, often present in early Buddhist decorations.

Various decorative elements of Stupa No.2, Sanchi.

Ashoka supported by his two wives, with reconstituted pillar detail. Also seen in [[:File:Sanchi King Ashoka with his Queens, South Gate, Stupa no. 1.jpg|a contemporary relief on the Southern Gateway of Stupa 1]].

Man in costume from the northwest, fighting against lions.<ref name="Heracles">Sanchi Stupa number 2 KSP 3640.jpg "A very unusual lower dress is worn by a curly headed man depicted on the ground rail pillar at Sanchi; he is defending himself from the attack of a lion with the help of a shield. He is wearing a plaited short skirt like dress" in Material Life of Northern India, Asha Vishnu, p.11 "A somewhat earlier relief on a railing column of the Small Stupa at Sanchi, Madhya Pradesh (second century B.C.E., sandstone) figures a man engaged in a lion hunt. The panel shows a realistic lion, except for its manes, which are in the shape of small round curls, not unlike those of the Buddha. The lion is more standing upright than thrusting forward, but this may be due to lack of space. The hunter or hero wears non-Indian clothes—boots, a skirt till his knees, a kind of T-shirt and a helmet—, which might indicate a foreign hero or story. Theoretically, the story line of this panel may be based on the Greek Heracles myth as well." in Animals in Stone: Indian Mammals Sculptured Through Time by Alexandra Anna Enrica van der Geer.</ref>

Man in costume from the northwest, possibly an Indo-Scythian.<ref name="Muzio">Sanchi Stupa number 2 KSP 3659 Saluting man.jpgding to Ciro Lo Muzio, this is "a relief showing a male figure of north-western or Central Asian origins, as revealed by his attire: a tight sleeved tunic with folds rendered with parallel lines forming a chevron-like motif along the arms. But for a few details, the figure, possibly depicting a Saka, strongly recalls the members of a drinking couple in a toilet-tray in the British Museum: same tunic, same chevron pattern on the sleeves (and, in the toilet tray, also on the "solar" motif framing the couple), a very similar hair treatment, and eyelids in strong relief, a detail which is not found on other human figures on the same vedika." in Problems of Chronology in Gandhāran Art: Proceedings of the First International Workshop of the Gandhāra Connections Project, University of Oxford, 23rd-24th March 2017, {{p.|130}}</ref>

The Stupa No. 2 at Sanchi, also called Sanchi II, is one of the oldest existing Buddhist stupas in India, and part of the Buddhist complex of Sanchi in Madhya Pradesh.

Gautama Buddha

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Ascetic and spiritual teacher of South Asia who lived during the latter half of the first millennium BCE.

Seated Buddha from Tapa Shotor monastery in Hadda, Afghanistan, 2nd century CE

Ancient kingdoms and cities of India during the time of the Buddha (c. 500 BCE)

Inscription "The illumination of the Blessed Sakamuni" (Brahmi script: 𑀪𑀕𑀯𑀢𑁄 𑀲𑀓𑀫𑀼𑀦𑀺𑀦𑁄 𑀩𑁄𑀥𑁄, Bhagavato Sakamunino Bodho) on a relief showing the "empty" Illumination Throne of the Buddha in the early Mahabodhi Temple at Bodh Gaya. Bharhut, c. 100 BCE.

One of the earliest anthropomorphic representations of the Buddha, here surrounded by Brahma (left) and Śakra (right). Bimaran Casket, mid-1st century CE, British Museum.

Māyā miraculously giving birth to Siddhārtha. Sanskrit, palm-leaf manuscript. Nālandā, Bihar, India. Pāla period

The legendary Jataka collections depict the Buddha-to-be in a previous life prostrating before the past Buddha Dipankara, making a resolve to be a Buddha, and receiving a prediction of future Buddhahood.

Map showing Lumbini and other major Buddhist sites in India. Lumbini (present-day Nepal), is the birthplace of the Buddha, and is a holy place also for many non-Buddhists.

The Lumbini pillar contains an inscription stating that this is the Buddha's birthplace

The "Great Departure" of Siddhartha Gautama, surrounded by a halo, he is accompanied by numerous guards and devata who have come to pay homage; Gandhara, Kushan period

Prince Siddhartha shaves his hair and becomes a sramana. Borobudur, 8th century

The gilded "Emaciated Buddha statue" in Wat Suthat in Bangkok representing the stage of his asceticism

The Mahabodhi Tree at the Sri Mahabodhi Temple in Bodh Gaya

The Enlightenment Throne of the Buddha at Bodh Gaya, as recreated by Emperor Ashoka in the 3rd century BCE.

Miracle of the Buddha walking on the River Nairañjanā. The Buddha is not visible (aniconism), only represented by a path on the water, and his empty throne bottom right. Sanchi.

Dhamek Stupa in Sarnath, India, site of the first teaching of the Buddha in which he taught the Four Noble Truths to his first five disciples

The chief disciples of the Buddha, Mogallana (chief in psychic power) and Sariputta (chief in wisdom).

The remains of a section of Jetavana Monastery, just outside of ancient Savatthi, in Uttar Pradesh.

Mahāprajāpatī, the first bhikkuni and Buddha's stepmother, ordains

This East Javanese relief depicts the Buddha in his final days, and Ānanda, his chief attendant.

Mahaparinirvana, Gandhara, 3rd or 4th century CE, gray schist

Mahaparinibbana scene, from the Ajanta caves

Buddha's cremation stupa, Kushinagar (Kushinara).

Piprahwa vase with relics of the Buddha. The inscription reads: ...salilanidhane Budhasa Bhagavate... (Brahmi script: ...𑀲𑀮𑀺𑀮𑀦𑀺𑀥𑀸𑀦𑁂 𑀩𑀼𑀥𑀲 𑀪𑀕𑀯𑀢𑁂...) "Relics of the Buddha Lord".

The Bodhisattva meets with Alara Kalama, Borobudur relief.

Gandharan Buddhist birchbark scroll fragments

Buddha meets a Brahmin, at the Indian Museum, Kolkata

Schist Buddha statue with the famed Ye Dharma Hetu dhāraṇī around the head, which was used as a common summary of Dependent Origination. It states: "Of those experiences that arise from a cause, The Tathāgata has said: 'this is their cause, And this is their cessation': This is what the Great Śramaṇa teaches."

Gandharan sculpture depicting the Buddha in the full lotus seated meditation posture, 2nd-3rd century CE

Buddha Statues from Gal Vihara. The Early Buddhist texts also mention meditation practice while standing and lying down.

The Buddha on a coin of Kushan ruler Kanishka I, c. 130 CE.

Buddhist monks from Nepal. According to the earliest sources, the Buddha looked like a typical shaved man from northeast India.

A Royal Couple Visits the Buddha, from railing of the Bharhut Stupa, Shunga dynasty, early 2nd century BC.

Adoration of the Diamond Throne and the Bodhi Tree, Bharhut.

Descent of the Buddha from the Trayastrimsa Heaven, Sanchi Stupa No. 1.

The Buddha's Miracle at Kapilavastu, Sanchi Stupa 1.

Bimbisara visiting the Buddha (represented as empty throne) at the Bamboo garden in Rajagriha

The great departure with riderless horse, Amaravati, 2nd century CE.

The Assault of Mara, Amaravati, 2nd century CE.

Isapur Buddha, one of the earliest physical depictions of the Buddha, c. 15 CE.<ref>{{cite book |last1=Quintanilla |first1=Sonya Rhie |title=History of Early Stone Sculpture at Mathura: Ca. 150 BCE – 100 CE |date=2007 |publisher=BRILL |isbn=9789004155374 |pages=199–206, 204 for the exact date |url=https://books.google.com/books?id=X7Cb8IkZVSMC&pg=PA204}}</ref> Art of Mathura

The Buddha attended by Indra at Indrasala Cave, Mathura 50-100 CE.

Buddha Preaching in Tushita Heaven. Amaravati, Satavahana period, 2d century CE. Indian Museum, Calcutta.

Gandharan Buddha with Vajrapani-Herakles.

Birth of the Buddha, Kushan dynasty, late 2nd to early 3rd century CE.

The Infant Buddha Taking A Bath, Gandhara 2nd century CE.

Sarnath standing Buddha, 5th century CE.

Chinese Stele with Sakyamuni and Bodhisattvas, Wei period, 536 CE.

The Shakyamuni Daibutsu Bronze, c. 609, Nara, Japan.

Amaravati style Buddha of Srivijaya period, Palembang, Indonesia, 7th century.

Korean Seokguram Cave Buddha, c. 774 CE.

Seated Buddha Vairocana flanked by Avalokiteshvara and Vajrapani of Mendut temple, Central Java, Indonesia, early 9th century.

Buddha in the exposed stupa of Borobudur mandala, Central Java, Indonesia, c. 825.

Vairocana Buddha of Srivijaya style, Southern Thailand, 9th century.

Seated Buddha, Japan, Heian period, 9th－10th century.

Cambodian Buddha with Mucalinda Nāga, c. 1100 CE, Banteay Chhmar, Cambodia

Sakyamuni, Lao Tzu, and Confucius, c. from 1368 until 1644.

Shakyamuni Buddha with Avadana Legend Scenes, Tibetan, 19th century

Gautama statue, Shanyuan Temple, Liaoning Province, China.

Burmese style Buddha, Shwedagon pagoda, Yangon.

Large Gautama Buddha statue in Buddha Park of Ravangla.

These relics were placed in monuments or mounds called stupas, a common funerary practice at the time.

Some of the earliest artistic depictions of the Buddha found at Bharhut and Sanchi are aniconic and symbolic.

Pillars of Ashoka

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The pillars of Ashoka are a series of monolithic columns dispersed throughout the Indian subcontinent, erected or at least inscribed with edicts by the Mauryan Emperor Ashoka during his reign from c.

The "Lion Capital of Ashoka", from Sarnath.

Ashoka called his own pillars Silā Thabhe (𑀲𑀺𑀮𑀸𑀣𑀪𑁂, Stone Stambha, i.e. stone pillars). Lumbini inscription, Brahmi script.

Geographical spread of known pillar capitals.

Abacus of the Allahabad pillar of Ashoka, the only remaining portion of the capital of the Allahabad pillar.

The horse motif on the Sarnath Lion Capital of Ashoka, is often described as an example of Hellenistic realism.

The elephant-crowned pillar of Ashoka at the Mahabodhi Temple, Gaya. Bharhut relief, 100 BCE.

Ashoka also called his pillars "Dhaṃma thaṃbhā" (𑀥𑀁𑀫𑀣𑀁𑀪𑀸, Dharma stambha), i.e. "pillars of the Dharma". 7th Major Pillar Edict. Brahmi script.

Fragment of the 6th Major Pillar Edict, from the Delhi-Meerut Pillar of Ashoka, British Museum.

Depiction of the four lions capital surmounted by a Wheel of Law at Sanchi, Satavahana period, South gateway of stupa 3.

Rediscovery of the Ashoka pillar in Sarnath, 1905.

Delhi-Meerut (originally from Meerut, broken in pieces during transportation).

Delhi-Topra (originally from Topra Kalan).

Lumbini (broken in half). Capped for protection in the 20th century.

Fragment of pillar with inscription, Amaravati.<ref>{{cite book |last1=Sircar |first1=D. C. |title=Asokan studies |date=1979 |page=118 |url=https://archive.org/stream/in.gov.ignca.67068/67068#page/n129/mode/2up}}</ref>

Gotihawa, possible base of the Nigali Sagar pillar

Bodh Gaya (originally near Sujata Stupa, brought from Gaya in 1956).<ref>{{cite book |last1=Geary |first1=David |title=The Rebirth of Bodh Gaya: Buddhism and the Making of a World Heritage Site |date=2017 |publisher=University of Washington Press |isbn=9780295742380 |page=209 Note 1 |url=https://books.google.com/books?id=meA5DwAAQBAJ&pg=PA209 |language=en}}</ref>

Portion of an Ashokan pillar, found in Pataliputra.

Rampurva zebu bull original (now in Rashtrapati Bhavan, New Delhi).

Four lions, once possibly crowned by a wheel, from Sanchi.

Major Pillar Edicts I, II, III (Delhi-Topra)

Major Pillar Edicts VII, second part (Delhi-Topra)

Lion Capital of Ashoka from Sarnath, with Wheel of the Moral Law (reconstitution). 3rd century BCE.

Sanchi, near Bhopal, Madhya Pradesh, four lions, Schism Edict.

He first uncovered the remains of a Gupta shrine west of the main stupa, overlying an Ashokan structure.

Torana

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Free-standing ornamental or arched gateway for ceremonial purposes seen in the Hindu, Buddhist and Jain architecture of the Indian subcontinent, Southeast Asia and parts of East Asia.

Toran from Gujarat, 20th Century, plain cotton weave with embroidery and mirror work, Honolulu Museum of Art. The hanging pieces are stylized mango leaves. Could be tied over a door as dvara-torana or hanged on a wall as bhitti-torana.

Hindola Torana. 9th century Torana in Madhya Pradesh, India.

The famous torii at Itsukushima Shrine, a UNESCO World Heritage Site in Japan, where the Indian Hindu goddess Saraswati is worshipped as the Buddhist-Shinto goddess Benzaiten.

Hongsalmun, in red, at the tomb of legendary Korean Emperor Suro of Geumgwan Gaya and his legendary wife Queen Heo Hwang-ok believed to be an Indian princess and mother of all Koreans of Heo and Kim clans.

In Mauryan Empire, the archaeological evidence shows the Torana of Sanchi stupa dates back to 3rd century BCE.

Chaitya

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A chaitya, chaitya hall, chaitya-griha, (Sanskrit:Caitya; Pāli: Cetiya) refers to a shrine, sanctuary, temple or prayer hall in Indian religions.

Outside the chaitya at Cave 19, Ajanta Caves, also with four zones using small repeated "chaitya arch" motifs.

Development of the chaitya arch from the Lomas Rishi Cave on, from a book by Percy Brown.

Drawing of the "Great Chaitya" at the Karla Caves, when built, in about 120 CE

The chaitya Cave 26 at Ajanta; the stupa incorporates a large Buddha statue and there are aisles behind the columns, their walls adorned with relief sculptures. A smaller adaption of the Karli model.

Chaitya hall in Trivikrama Temple, 1st century BCE; the lower mandapa at left was a later Hindu addition.

Durga temple, Aihole, 7th or 8th century.

A Toda temple or milk store hut in Nilgiri Hills. Only the priest may enter through the tiny door.

Rock-cut hall, Sudama, Barabar Caves, dedicated in 257 BCE by Ashoka.

Rock-cut circular Chaitya hall with pillars, Tulja Caves, 1st century BCE

Chaitya arch around the window, and repeated as a gavaksha motif with railings, Cave 9, Ajanta.

The window at the chaitya Cave 10, Ellora, c. 650

Timber ribs on the roof at the Karla Caves; the umbrella over the stupa is also wood

Decorative chaitya arches and lattice railings, Bedse Caves, 1st century BCE

Stupa inside Cave 10, Ellora, the last chaitya hall built, the Buddha image now dominating the stupa.

Remains of the circular Chaitya hall in Bairat Temple, 3rd century BCE.

Relief of a circular chaitya hall, Bharhut, circa 100 BCE.

Sanchi Temple 40 was a 3rd-century BCE apsidal temple, one of the first known in India.

Reconstruction of Sanchi Temple 40 (3rd century BCE).

Trivikrama Temple with its chaitya arch.

The ancient Buddhist chaitya house at Ter.

Remains of the chaitya hall in Chejarla Kapoteswara temple.

Sanchi, Temple 18, from the apse end. Partly reconstructed.

Conjectural reconstruction of Temple 18 by Percy Brown (now dated earlier)

Excavated remains of a structural chaitya at Lalitgiri, Odisha, India

Cambodian sanctuary marker chaitya, Khleang style, c. 975–1010

The term is most common in Buddhism, where it refers to a space with a stupa and a rounded apse at the end opposite the entrance, and a high roof with a rounded profile.

An apsidal structure in Sanchi has also been dated, at least partially, to the 3rd century BCE: the so-called Temple 40, one of the first instances of a free-standing temple in India.

A report on Stupa and Sanchi

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