Satrap and Related Topics

Achaemenid Empire

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Ancient Iranian empire based in Western Asia that was founded by Cyrus the Great in 550 BC. It reached its greatest extent under Xerxes I, who conquered most of northern and central ancient Greece.

The Achaemenid Empire at its greatest territorial extent under the rule of Darius I (522 BC–486 BC)

Map of the expansion process of Achaemenid territories

Cyrus the Great is said, in the Bible, to have liberated the Hebrew captives in Babylon to resettle and rebuild Jerusalem, earning him an honored place in Judaism.

The tomb of Cyrus the Great, founder of the Achaemenid Empire. At Pasargadae, Iran.

The Achaemenid Empire at its greatest extent, c. 500 BC

The Persian queen Atossa, daughter of Cyrus the Great, sister-wife of Cambyses II, Darius the Great's wife, and mother of Xerxes the Great

Map showing events of the first phases of the Greco-Persian Wars

Greek hoplite and Persian warrior depicted fighting, on an ancient kylix, 5th century BC

Achaemenid king fighting hoplites, seal and seal holder, Cimmerian Bosporus.

Achaemenid gold ornaments, Brooklyn Museum

Persian Empire timeline including important events and territorial evolution – 550–323 BC

Relief showing Darius I offering lettuces to the Egyptian deity Amun-Ra Kamutef, Temple of Hibis

The 24 countries subject to the Achaemenid Empire at the time of Darius, on the Egyptian statue of Darius I.

The Battle of Issus, between Alexander the Great on horseback to the left, and Darius III in the chariot to the right, represented in a Pompeii mosaic dated 1st century BC – Naples National Archaeological Museum

Alexander's first victory over Darius, the Persian king depicted in medieval European style in the 15th century romance The History of Alexander's Battles

Frataraka dynasty ruler Vadfradad I (Autophradates I). 3rd century BC. Istakhr (Persepolis) mint.

Dārēv I (Darios I) used for the first time the title of mlk (King). 2nd century BC.

Winged sphinx from the Palace of Darius in Susa, Louvre

Volume of annual tribute per district, in the Achaemenid Empire, according to Herodotus.

Achaemenid tax collector, calculating on an Abax or Abacus, according to the Darius Vase (340–320 BC).

Letter from the Satrap of Bactria to the governor of Khulmi, concerning camel keepers, 353 BC

Relief of throne-bearing soldiers in their native clothing at the tomb of Xerxes I, demonstrating the satrapies under his rule.

Achaemenid king killing a Greek hoplite. c. 500 BC–475 BC, at the time of Xerxes I. Metropolitan Museum of Art.

Persian soldiers (left) fighting against Scythians. Cylinder seal impression.

Color reconstruction of Achaemenid infantry on the Alexander Sarcophagus (end of 4th century BC).

Seal of Darius the Great hunting in a chariot, reading "I am Darius, the Great King" in Old Persian (𐎠𐎭𐎶𐏐𐎭𐎠𐎼𐎹𐎺𐎢𐏁𐎴 𐏋, "adam Dārayavaʰuš xšāyaθiya"), as well as in Elamite and Babylonian. The word "great" only appears in Babylonian. British Museum.

Achaemenid calvalryman in the satrapy of Hellespontine Phrygia, Altıkulaç Sarcophagus, early 4th century BC.

Armoured cavalry: Achaemenid Dynast of Hellespontine Phrygia attacking a Greek psiloi, Altıkulaç Sarcophagus, early 4th century BC.

Reconstitution of Persian landing ships at the Battle of Marathon.

Greek ships against Achaemenid ships at the Battle of Salamis.

Iconic relief of lion and bull fighting, Apadana of Persepolis

Achaemenid golden bowl with lioness imagery of Mazandaran

A section of the Old Persian part of the trilingual Behistun inscription. Other versions are in Babylonian and Elamite.

A copy of the Behistun inscription in Aramaic on a papyrus. Aramaic was the lingua franca of the empire.

The Mausoleum at Halicarnassus, one of the Seven wonders of the ancient world, was built by Greek architects for the local Persian satrap of Caria, Mausolus (Scale model)

Reconstruction of the Palace of Darius at Susa. The palace served as a model for Persepolis.

Lion on a decorative panel from Darius I the Great's palace, Louvre

Apadana Hall, Persian and Median soldiers at Persepolis

Lateral view of tomb of Cambyses II, Pasargadae, Iran

Plaque with horned lion-griffins. The Metropolitan Museum of Art

The Achaemenid Empire is known for imposing a successful model of centralized, bureaucratic administration via the use of satraps; its multicultural policy; building infrastructure, such as road systems and a postal system; the use of an official language across its territories; and the development of civil services, including its possession of a large, professional army.

The Nike of Samothrace is considered one of the greatest masterpieces of Hellenistic art.

Hellenistic period

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The Hellenistic period spans the period of Mediterranean history between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in 31 BC and the conquest of Ptolemaic Egypt the following year.

Hellenistic period. Sculpture of Dionysus from the Ancient Art Collection at Yale.

Alexander fighting the Persian king Darius III. From the Alexander Mosaic, Naples National Archaeological Museum.

Alexander's empire at the time of its maximum expansion.

The distribution of satrapies in the Macedonian Empire after the Settlement in Babylon (323 BC).

The Kingdoms of Antigonos and his rivals c. 303 BC.

The major Hellenistic kingdoms in 240 BC, including territories controlled by the Seleucid dynasty, the Ptolemaic dynasty, the Attalid dynasty, the Antigonid dynasty, and independent poleis of Hellenistic Greece

Philip V, "the darling of Hellas", wearing the royal diadem.

Painting of a groom and bride from the Hellenistic Thracian Tomb of Kazanlak, near the ancient city of Seuthopolis, 4th century BC.

Gallo-Greek inscription: "Segomaros, son of Uillū, citizen (toutious) of Namausos, dedicated this sanctuary to Belesama"

A silver drachma from Massalia (modern Marseille, France), dated 375–200 BC, with the head of the goddess Artemis on the obverse and a lion on the reverse

Seleucus I Nicator founded the Seleucid Empire.

The Dying Gaul is a Roman marble copy of a Hellenistic work of the late 3rd century BC. Capitoline Museums, Rome.

Bust of Mithridates VI sporting a lion pelt headdress, a symbol of Herakles.

Coin of Phraates IV with Hellenistic titles such as Euergetes, Epiphanes and Philhellene (fond of Greek [culture])

A sculpted head (broken off from a larger statue) of a Parthian wearing a Hellenistic-style helmet, from the Parthian royal residence and necropolis of Nisa, Turkmenistan, 2nd century BC

Al-Khazneh in Petra shows the Hellenistic influences on the Nabatean capital city

Model of Herod's Temple (renovation of the Second Temple) in the Israel Museum

The Greco-Bactrian kingdom at its maximum extent (c. 180 BC).

Silver coin depicting Demetrius I of Bactria (reigned c. 200–180 BC), wearing an elephant scalp, symbol of his conquests of areas in the northwest of South Asia, where Afghanistan and Pakistan are today.

Heracles as protector of Buddha, Vajrapani, 2nd-century Gandhara.

Greco-Scythian golden comb, from Solokha, early 4th century, Hermitage Museum

Statuette of Nike, Greek goddess of victory, from Vani, Georgia (country)

Carthaginian hoplite (Sacred Band, end of the 4th century BC)

Eastern hemisphere at the end of the 2nd century BC.

Perseus of Macedon surrenders to Paullus. Painting by Jean-François Pierre Peyron from 1802. Museum of Fine Arts, Budapest.

The Library of Alexandria in the Ptolemaic Kingdom, here shown in an artist's impression, was the largest and most significant library of the ancient world.

The Rosetta Stone, a trilingual Ptolemaic decree establishing the religious cult of Ptolemy V

One of the first representations of the Buddha, and an example of Greco-Buddhist art, 1st-2nd century AD, Gandhara: Standing Buddha (Tokyo National Museum).

Bull capital from Rampurva, one of the Pillars of Ashoka, Maurya Empire, 3rd century BC. Located in the Presidential Palace of Rashtrapati Bhavan, New Delhi. The subject matter is Indian (zebu), the global shape is influenced by Achaemenid styles, and the floral band incorporates Hellenistic designs (flame palmettes).

Bust of Zeus-Ammon, a deity with attributes from Greek and Egyptian gods.

Cybele, a Phrygian mother Goddess, enthroned, with lion, cornucopia and Mural crown.

Relief with Menander and New Comedy Masks (Roman, AD 40–60). The masks show three New Comedy stock characters: youth, false maiden, old man. Princeton University Art Museum

Zeno of Citium founded Stoic philosophy.

One of the oldest surviving fragments of Euclid's Elements, found at Oxyrhynchus and dated to c. AD 100 (P. Oxy. 29). The diagram accompanies Book II, Proposition 5.

The Antikythera mechanism was an ancient analog computer designed to calculate astronomical positions.

Ancient mechanical artillery: Catapults (standing), the chain drive of Polybolos (bottom center), Gastraphetes (on wall)

Head of an old woman, a good example of realism.

Sculpture of Cupid and Psyche, an example of the sensualism of Hellenistic art. 2nd-century AD Roman copy of a 2nd-century BC Greek original.

Kingdoms of the Diadochi after the battle of Ipsus, c. 301 BC.
Kingdom of Ptolemy I Soter
Kingdom of Cassander
Kingdom of Lysimachus
Kingdom of Seleucus I Nicator

When Alexander the Great died (10 June 323 BC), he left behind a sprawling empire which was composed of many essentially autonomous territories called satraps.

Parthian Empire

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The silver drachma of Arsaces I (r. c. 247–211 BC) with the Greek language inscription ΑΡΣΑΚΟΥ "of Arsaces"

Parthia, shaded yellow, alongside the Seleucid Empire (blue) and the Roman Republic (purple) around 200 BC

Drachma of Mithridates I, showing him wearing a beard and a royal diadem on his head. Reverse side: Heracles/Verethragna, holding a club in his left hand and a cup in his right hand; Greek inscription reading ΒΑΣΙΛΕΩΣ ΜΕΓΑΛΟΥ ΑΡΣΑΚΟΥ ΦΙΛΕΛΛΗΝΟΣ "of the Great King Arsaces the Philhellene"

Drachma of Mithridates II (r. c. 124–91 BC). Reverse side: seated archer carrying a bow; inscription reading "of the King of Kings Arsaces the Renowned/Manifest Philhellene."

Han dynasty Chinese silk from Mawangdui, 2nd century BC, silk from China was perhaps the most lucrative luxury item the Parthians traded at the western end of the Silk Road.

Bronze statue of a Parthian nobleman from the sanctuary at Shami in Elymais (modern-day Khūzestān Province, Iran, along the Persian Gulf), now located at the National Museum of Iran. Dated 50 BC-150 AD, Parthian School.

A Roman marble head of the triumvir Marcus Licinius Crassus, who was defeated at Carrhae by Surena

Roman aurei bearing the portraits of Mark Antony (left) and Octavian (right), issued in 41 BC to celebrate the establishment of the Second Triumvirate by Octavian, Antony and Marcus Lepidus in 43 BC

Drachma of Phraates IV (r. c. 38–2 BC). Inscription reading ΒΑΣΙΛΕΩΣ ΒΑΣΙΛΕΩΝ ΑΡΣΑΚΟΥ ΕΥΕΡΓΕΤΟΥ ΕΠΙΦΑΝΟΥΣ ΦΙΛΕΛΛΗΝΟΣ "of the King of Kings Arsaces the Renowned/Manifest Benefactor Philhellene"

A close-up view of the breastplate on the statue of Augustus of Prima Porta, showing a Parthian man returning to Augustus the legionary standards lost by Marcus Licinius Crassus at Carrhae

A denarius struck in 19 BC during the reign of Augustus, with the goddess Feronia depicted on the obverse, and on the reverse a Parthian man kneeling in submission while offering the Roman military standards taken at the Battle of Carrhae

Map of the troop movements during the first two years of the Roman–Parthian War of 58–63 AD over the Kingdom of Armenia, detailing the Roman offensive into Armenia and capture of the country by Gnaeus Domitius Corbulo

Parthian king making an offering to god Herakles-Verethragna. Masdjid-e Suleiman, Iran. 2nd–3rd century AD. Louvre Museum Sb 7302.

Rock relief of Parthian king at Behistun, most likely Vologases III (r. c. 110–147 AD)

A Parthian (right) wearing a Phrygian cap, depicted as a prisoner of war in chains held by a Roman (left); Arch of Septimius Severus, Rome, 203 AD

A Sarmatian-Parthian gold necklace and amulet, 2nd century AD. Located in Tamoikin Art Fund

Parthian golden necklace, 2nd century AD, Iran, Reza Abbasi Museum

A Parthian ceramic oil lamp, Khūzestān Province, Iran, National Museum of Iran

Coin of Kamnaskires III, king of Elymais (modern Khūzestān Province), and his wife Queen Anzaze, 1st century BC

A statue of a young Palmyran in fine Parthian trousers, from a funerary stele at Palmyra, early 3rd century AD

Coin of Mithridates II of Parthia. The clothing is Parthian, while the style is Hellenistic (sitting on an omphalos). The Greek inscription reads "King Arsaces, the philhellene"

A ceramic Parthian water spout in the shape of a man's head, dated 1st or 2nd century AD

Parthian votive relief from Khūzestān Province, Iran, 2nd century AD

A barrel vaulted iwan at the entrance at the ancient site of Hatra, modern-day Iraq, built c. 50 AD

The Parthian Temple of Charyios in Uruk.

A wall mural depicting a scene from the Book of Esther at the Dura-Europos synagogue, dated 245 AD, which Curtis and Schlumberger describe as a fine example of 'Parthian frontality'

A sculpted head (broken off from a larger statue) of a Parthian soldier wearing a Hellenistic-style helmet, from the Parthian royal residence and necropolis of Nisa, Turkmenistan, 2nd century BC

Parthian long-necked lute, c. 3 BC – 3 AD

Royal Parthian objects at the Persia exhibition, Getty Museum

The Parthian Empire, also known as the Arsacid Empire , was a major Iranian political and cultural power in ancient Iran from 247 BC to 224 AD. Its latter name comes from its founder, Arsaces I, who led the Parni tribe in conquering the region of Parthia in Iran's northeast, then a satrapy (province) under Andragoras, in rebellion against the Seleucid Empire.

Cyrus the Great

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Cyrus II of Persia (c.

The four-winged guardian figure representing Cyrus the Great or a four-winged Cherub tutelary deity. Bas-relief found on a doorway pillar at Pasargadae on top of which was once inscribed in three languages the sentence "I am Cyrus the king, an Achaemenian." Scholars who doubt that the relief depicts Cyrus note that the same inscription is written on other palaces in the complex.

"I am Cyrus the King, an Achaemenian" in Old Persian, Elamite and Akkadian languages. It is known as the "CMa inscription", carved in a column of Palace P in Pasargadae. These inscriptions on behalf of Cyrus were probably made later by Darius I in order to affirm his lineage, using the Old Persian script he had designed.

Painting of king Astyages sending Harpagus to kill young Cyrus

Detail of Cyrus Hunting Wild Boar by Claude Audran the Younger, Palace of Versailles

Victory of Cyrus over Lydia's Croesus at the Battle of Thymbra, 546 BC

Croesus on the pyre. Attic red-figure amphora, 500–490 BC, Louvre (G 197)

Ancient Near East circa 540 BC, prior to the invasion of Babylon by Cyrus the Great

Achaemenid soldiers (left) fighting against Scythians, 5th century BC. Cylinder seal impression (drawing).

Queen Tomyris of the Massagetae receiving the head of Cyrus

Tomb of Cyrus in Pasargadae, Iran, a UNESCO World Heritage Site (2015)

Cyrus the Great is said in the Bible to have liberated the Jews from the Babylonian captivity to resettle and rebuild Jerusalem, earning him an honored place in Judaism.

Cyrus the Great (center) with his General Harpagus behind him, as he receives the submission of Astyages (18th century tapestry)

Painting of Daniel and Cyrus before the Idol Bel

Statue of Cyrus the great at Olympic Park in Sydney

17th-century bust of Cyrus the Great in Hamburg, Germany

The Cyrus cylinder, a contemporary cuneiform script proclaiming Cyrus as legitimate king of Babylon

He was important in developing the system of a central administration at Pasargadae governing satraps in the empire's border regions, which worked very effectively and profitably for both rulers and subjects.

Alexander riding Bucephalus on a Roman mosaic

Alexander the Great

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King of the ancient Greek kingdom of Macedon.

Alexander III riding Bucephalus on a Roman mosaic

Map of The Kingdom of Macedon in 336 BC, birthplace of Alexander

Roman medallion depicting Olympias, Alexander's mother

Archaeological Site of Pella, Greece, Alexander's birthplace

Philip II of Macedon, Alexander's father

Battle plan from the Battle of Chaeronea

Pausanius assassinates Philip II, Alexander's father, during his procession into the theatre

The emblema of the Stag Hunt Mosaic, c. 300 BC, from Pella; the figure on the right is possibly Alexander the Great due to the date of the mosaic along with the depicted upsweep of his centrally-parted hair (anastole); the figure on the left wielding a double-edged axe (associated with Hephaistos) is perhaps Hephaestion, one of Alexander's loyal companions.

The Macedonian phalanx at the "Battle of the Carts" against the Thracians in 335 BC

Gérard Audran after Charles LeBrun, 'Alexander Entering Babylon,' original print first published 1675, engraving, Department of Image Collections, National Gallery of Art Library, Washington, DC.

Alexander Cuts the Gordian Knot (1767) by Jean-Simon Berthélemy

Name of Alexander the Great in Egyptian hieroglyphs (written from right to left), c. 332 BC, Egypt. Louvre Museum.

Site of the Persian Gate in modern-day Iran; the road was built in the 1990s.

Administrative document from Bactria dated to the seventh year of Alexander's reign (324 BC), bearing the first known use of the "Alexandros" form of his name, Khalili Collection of Aramaic Documents

The Killing of Cleitus, by André Castaigne (1898–1899)

Silver tetradrachm of Alexander the Great found in Byblos (ca 330-300 bc.) (BnF 1998–859; 17,33g; Byblos, Price 3426b)

The Phalanx Attacking the Centre in the Battle of the Hydaspes by André Castaigne (1898–1899)

Alexander's invasion of the Indian subcontinent

Asia in 323 BC, the Nanda Empire and the Gangaridai of the Indian subcontinent, in relation to Alexander's Empire and neighbours

Alexander (left) and Hephaestion (right): Both were connected by a tight friendship

Alexander at the Tomb of Cyrus the Great, by Pierre-Henri de Valenciennes (1796)

A Babylonian astronomical diary (c. 323–322 BC) recording the death of Alexander (British Museum, London)

19th-century depiction of Alexander's funeral procession, based on the description by Diodorus Siculus

Detail of Alexander on the Alexander Sarcophagus

Kingdoms of the Diadochi in 301 BC: the Ptolemaic Kingdom (dark blue), the Seleucid Empire (yellow), Kingdom of Pergamon (orange), and Kingdom of Macedon (green). Also shown are the Roman Republic (light blue), the Carthaginian Republic (purple), and the Kingdom of Epirus (red).

A coin of Alexander the Great struck by Balakros or his successor Menes, both former somatophylakes (bodyguards) of Alexander, when they held the position of satrap of Cilicia in the lifetime of Alexander, circa 333-327 BC. The obverse shows Heracles, ancestor of the Macedonian royal line and the reverse shows a seated Zeus Aëtophoros.

Alexander (left), wearing a kausia and fighting an Asiatic lion with his friend Craterus (detail); late 4th century BC mosaic, Pella Museum

A Roman copy of an original 3rd century BC Greek bust depicting Alexander the Great, Ny Carlsberg Glyptotek, Copenhagen

A mural in Pompeii, depicting the marriage of Alexander to Barsine (Stateira) in 324 BC; the couple are apparently dressed as Ares and Aphrodite.

The Hellenistic world view: world map of Eratosthenes (276–194 BC), using information from the campaigns of Alexander and his successors

Dedication of Alexander the Great to Athena Polias at Priene, now housed in the British Museum

Alexander's empire was the largest state of its time, covering approximately 5.2 million square km.

The Buddha, in Greco-Buddhist style, 1st to 2nd century AD, Gandhara, northern Pakistan. Tokyo National Museum.

This medallion was produced in Imperial Rome, demonstrating the influence of Alexander's memory. Walters Art Museum, Baltimore.

Alexander in a 14th-century Armenian manuscript

Alexander in a 14th-century Byzantine manuscript

Alexander conquering the air. Jean Wauquelin, Les faits et conquêtes d'Alexandre le Grand, 1448–1449

Folio from the Shahnameh showing Alexander praying at the Kaaba, mid-16th century

Detail of a 16th-century Islamic painting depicting Alexander being lowered in a glass submersible

A Hellenistic bust of a young Alexander the Great, possibly from Ptolemaic Egypt, 2nd-1st century BC, now in the British Museum

A fresco depicting a hunt scene at the tomb of Philip II, Alexander's father, at the Archaeological Site of Aigai, the only known depiction of Alexander made during his lifetime, 330s BC

Among them were Artabazos II and his daughter Barsine, possible future mistress of Alexander, who resided at the Macedonian court from 352 to 342 BC, as well as Amminapes, future satrap of Alexander, or a Persian nobleman named Sisines.

Seleucid Empire

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Greek state in West Asia that existed during the Hellenistic period from 312 BC to 63 BC. The Seleucid Empire was founded by the Macedonian general Seleucus I Nicator, following the division of the Macedonian Empire originally founded by Alexander the Great.

"Chandra Gupta Maurya entertains his bride from Babylon": a conjectural interpretation of the "marriage agreement" between the Seleucids and Chandragupta Maurya, related by Appian

In Bactria, the satrap Diodotus asserted independence to form the Greco-Bactrian kingdom c. 245 BC.

Drachm of the Frataraka ruler Vahbarz (Oborzos), thought to have initiated the independence of Persis from the Seleucid Empire. The coin shows on the reverse an Achaemenid king slaying an armoured, possibly Greek or Macedonian, soldier. This possibly refers to the events related by Polyainos (Strat. 7.40), in which Vahbarz (Oborzos) is said to have killed 3000 Seleucid settlers.

The Seleucid Empire in 200 BC (before expansion into Anatolia and Greece).

The reduced empire (titled: Syria, Kingdom of the Seleucids) and the expanded states of Pergamum and Rhodes, after the defeat of Antiochus III by Rome. Circa 188 BC.

The Hellenistic Prince, a bronze statue originally thought to be a Seleucid, or Attalus II of Pergamon, now considered a portrait of a Roman general, made by a Greek artist working in Rome in the 2nd century BC.

Seleucid Syria in early 124 BC under Alexander II Zabinas, who ruled the country with the exception of the city of Ptolemais

Bagadates I (Minted 290–280 BC) was the first native Seleucid satrap to be appointed.

Seleucid Bronze Coin depicting Antiochus III with Laureate head of Apollo Circa. 200 BCE

Episodes of Seleucid dispoliation from Michael J. Taylor's Sacred Plunder

The empire was put under the authority of a regent, Perdiccas, and the vast territories were divided among Alexander's generals, who thereby became satraps at the Partition of Babylon, all in that same year.

Artaxerxes III

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King of Kings of the Achaemenid Empire from 359/58 to 338 BC. He was the son and successor of Artaxerxes II and his mother was Stateira.

Achaemenid coinage of Idrieus of Caria during the reign of Artaxerxes III, showing the Achaemenid king on the obverse, and his satrap Idrieus on the reverse. Circa 350-341 BC.

Coinage of Tennes, the king of Sidon who revolted against the Achaemenid Empire. Dated 351/0 BC.

Artaxerxes III as Pharaoh of Egypt, satrapal coinage of Mazaeus in Cilicia.

Soldiers of various ethnicities of the Achaemenid Empire, tomb of Atarxerxes III.

Historically, kings of the Achaemenid Empire were followers of Zoroaster or heavily influenced by Zoroastrian ideology.

The Unfinished Gate at Persepolis gave archaeologists an insight into the construction of Persepolis.

Before ascending the throne Artaxerxes was a satrap and commander of his father's army.

Darius the Great

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Persian ruler who served as the third King of Kings of the Achaemenid Empire, reigning from 522 BCE until his death in 486 BCE.

Lineage of Darius the Great according to the Behistun Inscription.

Darius the Great, by Eugène Flandin (1840)

Ethnicities of the Achaemenid Army, on the tomb of Darius I. The nationalities mentioned in the DNa inscription are also depicted on the upper registers of all the tombs at Naqsh-e Rustam, starting with the tomb of Darius I. The ethnicities on the tomb of Darius further have trilingual labels on the lintel directly over them for identification, collectively known as the DNe inscription. One of the best preserved friezes, identical in content, is that of Xerxes I.

Map showing key sites during the Persian invasions of Greece

Volume of annual tribute per district, in the Achaemenid Empire.

Reconstruction drawing of the Palace of Darius in Susa

The ruins of Tachara palace in Persepolis

thumb|upright|Egyptian statue of Darius I, as Pharaoh of the Twenty-seventh Dynasty of Egypt;<ref>{{cite book |last1=Razmjou |first1=Shahrokh |title=Ars orientalis; the arts of Islam and the East |date=1954 |publisher=Freer Gallery of Art |pages=81–101 |url=https://archive.org/details/arsorient323320022003univ/page/n95/mode/2up}}</ref> 522–486 BC; greywacke; height: 2.46 m;<ref>{{cite book |last1=Manley|first1=Bill|title=Egyptian Art|year=2017|publisher=Thames & Hudson|pages=280|isbn=978-0-500-20428-3}}</ref> National Museum of Iran (Teheran)

Darius as Pharaoh of Egypt at the Temple of Hibis

Darius organized the empire by dividing it into administrative provinces that were governed by satraps.

Great Satraps' Revolt

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Satrap Datames started to revolt in 372 BC.

Orontes, wearing the satrapal headdress, from his coinage.

The Great Satraps' Revolt, or the Revolt of the Satraps (366-360 BC), was a rebellion in the Achaemenid Empire of several satraps against the authority of the Great King Artaxerxes II Mnemon.

Medes

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Ancient Iranian people who spoke the Median language and who inhabited an area known as Media between western and northern Iran.

Excavation from ancient Ecbatana, Hamadan, Iran

Rhyton in the shape of a ram's head, gold – western Iran – Median, late 7th–early 6th century BC

The neighboring Neo-Babylonian Empire at its greatest extent after the destruction of the Neo-Assyrian Empire

Protoma in the form of a bull's head, 8th century BC, gold and filigree, National Museum, Warsaw

The Ganj Nameh ("treasure epistle") in Ecbatana. The inscriptions are by Darius I and his son Xerxes I.

Apadana Hall, 5th century BC Achaemenid-era carving of Persian and Median soldiers in traditional costume (Medians are wearing rounded hats and boots), in Persepolis, Iran

In the new empire they retained a prominent position; in honour and war, they stood next to the Persians; their court ceremony was adopted by the new sovereigns, who in the summer months resided in Ecbatana; and many noble Medes were employed as officials, satraps and generals.

A report on Satrap

15 related topics with Alpha

Achaemenid Empire

Hellenistic period

Parthian Empire

Cyrus the Great

Alexander the Great

Seleucid Empire

Artaxerxes III

Darius the Great

Great Satraps' Revolt

Medes