A report on Seneca the Younger

Ancient bust of Seneca, part of the Double Herm of Socrates and Seneca
Modern statue of Seneca in Córdoba
Nero and Seneca, by Eduardo Barrón (1904). Museo del Prado
Manuel Domínguez Sánchez, The suicide of Seneca (1871), Museo del Prado
Lodovico Lana, Death of Seneca, National Gallery of Art
First page of the Naturales Quaestiones, made for the Catalan-Aragonese court
Woodcut illustration of the suicide of Seneca and the attempted suicide of his wife Pompeia Paulina
Naturales quaestiones, 1522
Plato, Seneca, and Aristotle in a medieval manuscript illustration (c. 1325–35)
The "Pseudo-Seneca", a Roman bust found at Herculaneum, one of a series of similar sculptures known since the Renaissance, once identified as Seneca. Now commonly identified as Hesiod
"Seneca", ancient hero of the modern Córdoba; this architectural roundel in Seville is based on the "Pseudo-Seneca" (illustration above)
Baroque marble imaginary portrait bust of Seneca, by an anonymous sculptor of the 17th century. Museo del Prado

Roman Stoic philosopher, statesman, dramatist, and, in one work, satirist, from the post-Augustan age of Latin literature.

- Seneca the Younger
Ancient bust of Seneca, part of the Double Herm of Socrates and Seneca

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Modern bust of Lucan in Córdoba. There are no ancient likenesses.

Lucan

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Roman poet, born in Corduba (modern-day Córdoba), in Hispania Baetica.

Roman poet, born in Corduba (modern-day Córdoba), in Hispania Baetica.

Modern bust of Lucan in Córdoba. There are no ancient likenesses.
Engraved title page of a French edition of Lucan's Pharsalia, 1657
Pharsalia, 1740

Lucan was the son of Marcus Annaeus Mela and grandson of Seneca the Elder; he grew up under the tutelage of his uncle Seneca the Younger.

Córdoba, Spain

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City in Andalusia, Spain, and the capital of the province of Córdoba.

City in Andalusia, Spain, and the capital of the province of Córdoba.

Reconstruction of the Roman temple of Córdoba.
Mihrab of the Mosque.
Dirham emitted by Abd al-Rahman III, coined in Medina Azahara (10th century).
People in front of an inn in Córdoba (1910).
View of Córdoba from the Sierra foothills.
Green fields in Córdoba after December rains.
Roman Mausoleum in the Paseo de la Victoria.
Interior of the Mosque–Cathedral of Córdoba.
The Tower of Calahorra to one side of the Roman Bridge.
Calleja de las Flores, with the Great Cathedral in the background.
Puerta del Puente.
Iglesia de Santa Marina de Aguas Santas, built in the 13th century.
Main façade of the Iglesia de San Hipólito.
The Magdalena by Julio Romero de Torres.
Interior patio during the Courtyards Festival of Córdoba - World Heritage
Segunda División match between Córdoba C.F. and C.D. Leganés at Estadio Nuevo Arcángel, January 2016.
Panoramics of Córdoba as drawn by Anton van den Wyngaerde in 1567
Hospital de San Sebastián
(Christian) Capilla de San Bartolomé (ca. 1410<ref>{{citation|url=http://www.artencordoba.com/en/other-monuments/mudejar-chapel-san-bartolome-cordoba.html|title=Mudejar Chapel of San Bartolomé|author=artencordoba.com}}</ref>)
Córdoba Synagogue
Gardens of the Alcázar de los Reyes Cristianos.
Mosque–Cathedral.
Street scene in Santa Maria, Córdoba.
Roman bridge of Córdoba
Riverfront viewed from Puente Romano, Córdoba.
Roman temple of Córdoba
Church of San Nicolás de la Villa

The Roman philosopher Seneca the Younger, his father, the orator Seneca the Elder, and his nephew, the poet Lucan came from Roman Córdoba.

Seneca's Consolations

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Seneca's Consolations refers to Seneca’s three Consolatory works, De Consolatione ad Marciam, De Consolatione ad Polybium, De Consolatione ad Helviam, written around 40–45 AD.

Phaedra and Hippolytus, c. 290 AD

Phaedra (Seneca)

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Phaedra and Hippolytus, c. 290 AD
Phaedra hands to her nurse the letter accusing Hippolytus.
Alexandre Cabanel - Phèdre

Phaedra is a Roman tragedy written by philosopher and dramatist Lucius Annaeus Seneca before 54 A.D. Its 1,280 lines of verse tell the story of Phaedra, wife of King Theseus of Athens and her consuming lust for her stepson Hippolytus.

Double Herm of Socrates and Seneca (Antikensammlung Berlin)

Senecan tragedy

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Double Herm of Socrates and Seneca (Antikensammlung Berlin)
Medea casting Spells among Ruined Sculpture, Henry Ferguson (c.1673)
Clytemnestra, John Collier (1882)
Title page of The Tragedie of Gorboduc (1565)
Hamlet and his Father's Ghost, William Blake (1806)

Senecan tragedy refers to a set of ten ancient Roman tragedies, probably eight of which were written by the Stoic philosopher and politician Lucius Annaeus Seneca.

List of satirists and satires

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Incomplete list of writers, cartoonists and others known for involvement in satire – humorous social criticism.

Incomplete list of writers, cartoonists and others known for involvement in satire – humorous social criticism.

Seneca the Younger (c. 4 BCE – 65 CE, Hispania/Rome) – Apocolocyntosis

Sextus Afranius Burrus

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Sextus Afranius Burrus (born AD 1 in Vasio, Gallia Narbonensis; died AD 62) was a prefect of the Praetorian Guard and was, together with Seneca the Younger, an advisor to the Roman emperor Nero, making him a very powerful man in the early years of Nero's reign.

From the 1543 edition, published by Antonio Constantino

De Vita Beata

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From the 1543 edition, published by Antonio Constantino

De Vita Beata ("On the Happy Life") is a dialogue written by Seneca the Younger around the year 58 AD. It was intended for his older brother Gallio, to whom Seneca also dedicated his dialogue entitled De Ira ("On Anger").

Roman Empire

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The post-Republican period of ancient Rome.

The post-Republican period of ancient Rome.

The Roman Empire in AD 117 at its greatest extent, at the time of Trajan's death (with its vassals in pink)
The Augustus of Prima Porta
(early 1st century AD)
The Roman Empire in AD 117 at its greatest extent, at the time of Trajan's death (with its vassals in pink)
The Barbarian Invasions consisted of the movement of (mainly) ancient Germanic peoples into Roman territory. Even though northern invasions took place throughout the life of the Empire, this period officially began in the 4th century and lasted for many centuries, during which the western territory was under the dominion of foreign northern rulers, a notable one being Charlemagne. Historically, this event marked the transition between classical antiquity and the Middle Ages.
The Roman Empire by 476
The cities of the Roman world in the Imperial Period. Data source: Hanson, J. W. (2016), Cities database, (OXREP databases). Version 1.0. (link).
A segment of the ruins of Hadrian's Wall in northern England, overlooking Crag Lough
A 5th-century papyrus showing a parallel Latin-Greek text of a speech by Cicero
Bilingual Latin-Punic inscription at the theatre in Leptis Magna, Roman Africa (present-day Libya)
A multigenerational banquet depicted on a wall painting from Pompeii (1st century AD)
Citizen of Roman Egypt (Fayum mummy portrait)
Dressing of a priestess or bride, Roman fresco from Herculaneum, Italy (30–40 AD)
Slave holding writing tablets for his master (relief from a 4th-century sarcophagus)
Cinerary urn for the freedman Tiberius Claudius Chryseros and two women, probably his wife and daughter
Fragment of a sarcophagus depicting Gordian III and senators (3rd century)
Condemned man attacked by a leopard in the arena (3rd-century mosaic from Tunisia)
Forum of Gerasa (Jerash in present-day Jordan), with columns marking a covered walkway (stoa) for vendor stalls, and a semicircular space for public speaking
Reconstructed statue of Augustus as Jove, holding scepter and orb (first half of 1st century AD).
Antoninus Pius (reigned 138–161), wearing a toga (Hermitage Museum)
The Roman empire under Hadrian (ruled 117–138) showing the location of the Roman legions deployed in 125 AD
Relief panel from Trajan's Column in Rome, showing the building of a fort and the reception of a Dacian embassy
The Pula Arena in Croatia is one of the largest and most intact of the remaining Roman amphitheatres.
Personification of the River Nile and his children, from the Temple of Serapis and Isis in Rome (1st century AD)
A green Roman glass cup unearthed from an Eastern Han Dynasty (25–220 AD) tomb in Guangxi, southern China; the earliest Roman glassware found in China was discovered in a Western Han tomb in Guangzhou, dated to the early 1st century BC, and ostensibly came via the maritime route through the South China Sea
Solidus issued under Constantine II, and on the reverse Victoria, one of the last deities to appear on Roman coins, gradually transforming into an angel under Christian rule
Landscape resulting from the ruina montium mining technique at Las Médulas, Spain, one of the most important gold mines in the Roman Empire
The Tabula Peutingeriana (Latin for "The Peutinger Map") an Itinerarium, often assumed to be based on the Roman cursus publicus, the network of state-maintained roads.
A map of the Periplus of the Erythraean Sea, a Greco-Roman Periplus
Workers at a cloth-processing shop, in a painting from the fullonica of Veranius Hypsaeus in Pompeii
Roman hunters during the preparations, set-up of traps, and in-action hunting near Tarraco
Amphitheatres of the Roman Empire
Construction on the Flavian Amphitheatre, more commonly known as the Colosseum (Italy), began during the reign of Vespasian.
The Pont du Gard aqueduct, which crosses the river Gardon in southern France, is on UNESCO's list of World Heritage Sites.
Cityscape from the Villa Boscoreale (60s AD)
Aquae Sulis in Bath, England: architectural features above the level of the pillar bases are a later reconstruction.
Public toilets (latrinae) from Ostia Antica
Reconstructed peristyle garden based on the House of the Vettii
Birds and fountain within a garden setting, with oscilla (hanging masks) above, in a painting from Pompeii
Bread stall, from a Pompeiian wall painting
An Ostian taberna for eating and drinking; the faded painting over the counter pictured eggs, olives, fruit and radishes.
Still life on a 2nd-century Roman mosaic
Wall painting depicting a sports riot at the amphitheatre of Pompeii, which led to the banning of gladiator combat in the town
A victor in his four-horse chariot
The Zliten mosaic, from a dining room in present-day Libya, depicts a series of arena scenes: from top, musicians playing a Roman tuba, a water pipe organ and two horns; six pairs of gladiators with two referees; four beast fighters; and three convicts condemned to the beasts
Boys and girls playing ball games (2nd-century relief from the Louvre)
So-called "bikini girls" mosaic from the Villa del Casale, Roman Sicily, 4th century
Stone game board from Aphrodisias: boards could also be made of wood, with deluxe versions in costly materials such as ivory; game pieces or counters were bone, glass, or polished stone, and might be coloured or have markings or images
Women from the wall painting at the Villa of the Mysteries, Pompeii
Claudius wearing an early Imperial toga (see a later, more structured toga above), and the pallium as worn by a priest of Serapis, sometimes identified as the emperor Julian
The Aldobrandini Wedding, 27 BC – 14 AD
The Wedding of Zephyrus and Chloris (54–68 AD, Pompeian Fourth Style) within painted architectural panels from the Casa del Naviglio
The bronze Drunken Satyr, excavated at Herculaneum and exhibited in the 18th century, inspired an interest among later sculptors in similar "carefree" subjects.
On the Ludovisi sarcophagus, an example of the battle scenes favoured during the Crisis of the Third Century, the "writhing and highly emotive" Romans and Goths fill the surface in a packed, anti-classical composition
The Primavera of Stabiae, perhaps the goddess Flora
The Triumph of Neptune floor mosaic from Africa Proconsularis (present-day Tunisia), celebrating agricultural success with allegories of the Seasons, vegetation, workers and animals viewable from multiple perspectives in the room (latter 2nd century)
Actor dressed as a king and two muses. Fresco from Herculaneum, 30–40 AD
All-male theatrical troupe preparing for a masked performance, on a mosaic from the House of the Tragic Poet
Pride in literacy was displayed in portraiture through emblems of reading and writing, as in this example of a couple from Pompeii (Portrait of Paquius Proculo).
Reconstruction of a writing tablet: the stylus was used to inscribe letters into the wax surface for drafts, casual letterwriting, and schoolwork, while texts meant to be permanent were copied onto papyrus.
A teacher with two students, as a third arrives with his loculus, a writing case that would contain pens, ink pot, and a sponge to correct errors
Mosaic from Pompeii depicting the Academy of Plato
Portrait of a literary woman from Pompeii (ca. 50 AD)
A fresco in Pompeii depicting a poet (thought to be Euphorion) and a female reading a diptych
Statue in Constanța, Romania (the ancient colony Tomis), commemorating Ovid's exile
Brescia Casket, an ivory box with Biblical imagery (late 4th century)
Silver cup, from the Boscoreale Treasure (early 1st century AD)
Finely decorated Gallo-Roman terra sigillata bowl
Gold earrings with gemstones, 3rd century
Glass cage cup from the Rhineland, 4th century
Dionysus (Bacchus) with long torch sitting on a throne, with Helios (Sol), Aphrodite (Venus) and other gods. Fresco from Pompeii.
A Roman priest, his head ritually covered with a fold of his toga, extends a patera in a gesture of libation (2nd–3rd century)
Statuettes representing Roman and Gallic deities, for personal devotion at private shrines
thumb|upright=0.6|The Pompeii Lakshmi, an ivory statuette from the Indian subcontinent found in the ruins of Pompeii
Relief from the Arch of Titus in Rome depicting a menorah and other spoils from the Temple of Jerusalem carried in Roman triumph.
This funerary stele from the 3rd century is among the earliest Christian inscriptions, written in both Greek and Latin: the abbreviation D.M. at the top refers to the Di Manes, the traditional Roman spirits of the dead, but accompanies Christian fish symbolism.
The Pantheon in Rome, a Roman temple originally built under Augustus and later rebuilt under Hadrian in the 2nd century, dedicated to Rome's polytheistic religion before its conversion into a Catholic church in the 7th century

Seneca assumes that anyone involved in commerce needs access to credit.

Paulina and Seneca in Noël Hallé's La Mort de Sénèque (1750)

Pompeia Paulina

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Paulina and Seneca in Noël Hallé's La Mort de Sénèque (1750)
Seneca and Paulina in David's La Mort de Sénèque (1773)

Pompeia Paulina (fl. 1st century) was the wife of the statesman, philosopher, and orator Lucius Annaeus Seneca, and she was part of a circle of educated Romans who sought to lead a principled life under the emperor Nero.